Collection of papers presented at the 2nd and 3rd Budapest Seminar in Early Modern Philosophy.

Collection of papers presented at the First Budapest Seminar in Early Modern Philosophy.

The present volume has grown out of a conference organized jointly by the History of Philosophy Department of the University of Miskolc and the History and Philosophy of Science Department of Eötvös Loránd University (Budapest), which took place in June 2002. The aim of the conference was to explore the various angles from which intentionality can be studied, how it is related to other philosophical issues, and how it figures in the works of major philosophers in the past. It also (...) aimed at facilitating the interaction between the analytic and phenomenological traditions, which both regard intentionality as one of the most important problems for philosophy. Indeed intentionality has sometimes provided inspiration for works bridging the gap between the two traditions, like Roderick Chisholm’s in the sixties and Dagfin Føllesdall’s and his students’ in the early eighties. These objectives were also instrumental in the selection of the papers for this volume. Instead of very specialized papers on narrow issues, we gave preference to papers with a broader focus, which (1) juxtapose different approaches and traditions or (2) link the issues of intentionality with other philosophical concerns. (shrink)

the Mona Lisa, the Mondscheinsonate, the Chanson d’automne are works of art, the salt shaker on your table, the car in your garage, or the pijamas on your bed are not. the basic question of the metaphysics of works of art is this: what makes a thing a work of art? that is: what sort of property do works of art have in virtue of which they are works of art? or more simply: what sort of property being a work (...) of art is? In this paper we argue that things are works of art in virtue of what they are like, their intrinsic features, that is, in virtue of the fact that they have the perceptual (auditory, visual, etc.) properties they have. In other words: being a work of art supervenes on perceptual-intrinsic features. Currently, this metaphysical view is extremely unpopular within the philosophy of art. It is unpopular because there allegedly exists a knock-down objection to it, the well-known argument from indiscernible counterparts. our thesis implies, among other things, that every perceptual duplicate of a work of art is also a work of art. according to the argument from indiscernible counterparts, however, there could be (or even: there are) indiscernible counterparts such that one of them is a work of art while the other is not. hence things cannot be works of art solely in virtue of what they are like. Our paper divides into three parts. In the first part we state our views. In the second part we defend it against various versions of the argument from indiscernible counterparts. (In doing so our position will become more plausible, we hope). In the final part we provide some meta-reflections on the matter. (shrink)

The purpose of the paper is to draw attention to a kind of rational persuasion which has received little attention in argument studies even though its existence is acknowledged in other fields. I start with a brief analysis of the debates conducted in the comments on a philosophical blog. The posts are addressed to a non-academic audience, always end with a problem, and the reader is invited to offer a solution. In the comments we hardly ever find arguments in the (...) usual sense, i.e. in the sense that an argument consists of a set of premises providing justification for a conclusion. It is not that the arguments are laid out carelessly and require a good deal of reconstruction: typically, there is no argument to reconstruct. The author simply states his view, then goes on to sketch a larger picture of which his view is a part. In the responses to the comments we find the same: identification of the point of disagreement, no argument, elaboration of the preferred view in some detail. One might say that this is just a failure of rational discussion; in pragmadialectical terms, the discussion gets stuck in the opening stage. But there is another way of looking at the matter. Since the participants do not have sufficiently rich common background knowledge to take premises from, they cannot offer arguments proper and must resort to a different sort of rational persuasion. They try to show that their view can be extended into a larger, coherent picture. This makes good sense from an epistemological point of view. If a view is false, in trying to work out its details we sooner or later run into problems, so allowing coherent elaboration provides some degree of justification. One might say that the participants argue in the broad sense of trying to persuade by rational means, but they do that without adducing arguments proper. The claim that there is a way of rational persuasion which does not proceed by arguments proper can be further substantiated by noting that there debates whose status as rational discussion, as opposed to the comments on the philosophical blog, is not controversial. In discussing the work of some outstanding contemporary philosophers Gary Gutting argues that even though they do offer arguments, it is not by their arguments that they have convinced others of the viability of their approach, but by what he calls „persuasive elaboration”. We may also think of Kuhn’s account of the debates surrounding changes in paradigms: the arguments fail to persuade because their premises are not shared, but showing that the new paradigm can be extended to a vast variety of phenomena eventually succeeds. I finish by listing some questions this kind of rational persuasion may raise for argument studies. (shrink)

The paper examines how Brandom can respond to two objections raised against another sort of inferentialism, conceptual role semantics. After a brief explanation of the difference between the motivations and the nature of the two accounts (I), I argue that externalism can be accommodated within Brandomian inferentialism (II). Then I offer a reconstruction of how Brandom tries to explain mutual understanding (III-IV). Finally I point out a problem in Brandom’s account, which is this. Brandom’s inferential roles are social and normative, (...) but he also seeks to explain cases of understanding which involve novelty and individual ingenuity which cannot be reduced to social norms (V). (shrink)

Locke’s conception of substance in general or substratum has two relatively widespread interpretations. According to one, substance in general is the bearer of properties, a pure subject, something which sustains properties but itself has no properties. I will call this interpretation traditional, because it has already been formulated by Leibniz. According to the other interpretation, substance is general is something like real essence: an underlying structure which is responsible for the fact that certain observable properties form stable, recurrent clusters. I (...) will argue that both interpretation are partly right, and what is good in them can be reconciled. The traditional interpretation captures the purpose and signficanc of the idea of substance in general, i.e. the reason why Locke says we have this idea. The real essence view is right about the real world counterpart of the idea, i.e. what sort of entity the idea corresponds to. The paper starts with a review of the strengths and weaknesses of the rival interpretations (I, II). Then I examine which part of the traditional interpretation can be sustained in light of the problems it faces (III). Thereafter I will show that the part of the traditional interpretation which can be sustained cannot stand on its own and needs to be supplemented at one point, and the real essence view can provide what is needed. This, as it were, mixed interpretation will be supported by sketching an argument which is plausible within the context of Locke’s teachings and which explains how Locke could have arrived from the view which the traditional interpretation correctly attributes to him to the view which the real essence interpretation takes him to espouse (IV). The two problematic points in this argument will be taken up in the following two sections. (V, VI). Finally, I will provide some evidence from the Drafts for Locke’s identification of substance and essence (VII). (shrink)

The original concept of epistemic dependence suggests uncritical deference to expert opinions for non-experts. In the light of recent work in science studies, however, the actual situation of epistemic dependence is seen to involve the necessary and ubiquitous need for lay evaluations of scientific experts. As expert knowledge means restricted cognitive access to some epistemic domain, lay evaluations of expert knowledge are rational and informed only when the criteria used by non-experts when judging experts are different from the criteria used (...) by experts when making their claims. The distinction between ‘substantial knowledge’ and ‘contextual knowledge’ allows for the laypeople to know with experts without having to know precisely what experts know. Such meta-expert evaluations are not specific to the public sphere outside science, nor are they limited internally to science, but they are present in a wide range of contexts in and around science. The paper legitimizes the concept of contextual knowledge by relating it to the relevant literature, and expounds the idea by identifying some elements of such a knowledge. (shrink)

Lakatos's methodology, if analysed as belonging to the demarcationist-rationalist program launched by Popper gives some interesting conclusions concerning the feasibility of the project: (1) Rationalism cannot provide arguments against relativism. (2) A theory of scientific rationality cannot be defended without relying on scientific authorities. (3) A historical justification of scientific rationality does not show that the procedures that are rational according to the theory are truth-conducive.

In this paper I will do three things. One, to explain why conceptual role semantics seems an attractive theory of meaning (I). Two, to sketch a version of it which has a good chance of withstanding some of the standard objections (II-III). Three, to see what follows from this version with respect to the naturalization of meaning (IV).

Hermeneutic fictionalism about mathematics maintains that mathematics is not committed to the existence of abstract objects such as numbers. Mathematical sentences are true, but they should not be construed literally. Numbers are just fictions in terms of which we can conveniently describe things which exist. The paper defends Stephen Yablo’s hermeneutic fictionalism against an objection proposed by John Burgess and Gideon Rosen. The objection, directed against all forms of nominalism, goes as follows. Nominalism can take either a hermeneutic form and (...) claim that mathematics, when rightly understood, is not committed to the existence of abstract objects, or a revolutionary form and claim that mathematics is to be understood literally but is false. The hermeneutic version is said to be untenable because there is no philosophically unbiased linguistic argument to show that mathematics should not be understood literally. Against this I argue that it is wrong to demand that hermeneutic fictionalism should be established solely on the basis of linguistic evidence. In addition, there are reasons to think that hermeneutic fictionalism cannot even be defeated by linguistic arguments alone. (shrink)

The paper argues for the view advocated by Yolton that Locke's ideas are best viewed as intentional contents. Drawing on Smith and McIntyre's distincition between object- and content-theories of intentionality I seek it show that it belongs to the second category. The argument relies mainly on the analysis of Locke's discussion of meaning, the reality and adequacy of ideas and real essence.

The paper seeks to show that Quine’s theses concerning the underdetermination of scientific theories by experience and the indeterminacy of reference cannot be reconciled if some of Quine’s central assumptions are accepted. The argument is this. Quine holds that the thesis about reference is not just a special case of the other thesis. In order to make sense of this comment we must distinguish between factual and epistemic indeterminacy. Something is factual indeterminate if it is not determined by the facts. (...) Epistemic indeterminacy, on the other hand, is due to the lack of evidence. Quine’s claim about the relationship between the two theses is best understood as saying that reference is factually indeterminate, whereas the underdetermination of scientific theories is merely epistemic. But the latter cannot be sustained in light of Quine’s verificationism, holism and naturalism. (shrink)

Our approach aims at accounting for causal claims in terms of how the physical states of the underlying dynamical system evolve with time. Causal claims assert connections between two sets of physicals states—their truth depends on whether the two sets in question are genuinely connected by time evolution such that physical states from one set evolve with time into the states of the other set. We demonstrate the virtues of our approach by showing how it is able to account for (...) typical causes, causally relevant factors, being ‘the’ cause, and cases of overdetermination and causation by absences. (shrink)

Durch genomweite Analysen werden vielfältige gesundheitsrelevante Informationen über eine Person gewonnen. Solche Informationen können die Behandlung von Krankheiten verbessern. Sie ermöglichen aber auch Vorhersagen, ob eine Person und deren Verwandte in Zukunft möglicherweise erkranken werden. Der neuartige Charakter des Informationseingriffs und sein prädiktive Potential bedürfen der ethischen, juristischen und ökonomischen Reflexion, damit diese Technologie zum Wohl der Patienten, der Familienangehörigen und der Solidargemeinschaft eingesetzt werden kann. Die vorliegende Schrift leistet mit ihren interdisziplinären, vom BMBF finanzierten Analysen dazu einen Beitrag. Grundlagen (...) für einen ethisch und juristisch verantwortbaren Einsatz der Genomsequenzierung zu medizinischen Zwecken werden erörtert und Eckpunkte für Kostenanalysen sowie Elemente einer “Guten klinischen Praxis” präsentiert. (shrink)

Dennis Gabor devised a new concept for optical imaging in 1947 that went by a variety of names over the following decade: holoscopy, wavefront reconstruction, interference microscopy, diffraction microscopy and Gaboroscopy. A well-connected and creative research engineer, Gabor worked actively to publicize and exploit his concept, but the scheme failed to capture the interest of many researchers. Gabor’s theory was repeatedly deemed unintuitive and baffling; the technique was appraised by his contemporaries to be of dubious practicality and, at best, constrained (...) to a narrow branch of science. By the late 1950s, Gabor’s subject had been assessed by its handful of practitioners to be a white elephant. Nevertheless, the concept was later rehabilitated by the research of Emmett Leith and Juris Upatnieks at the University of Michigan, and Yury Denisyuk at the Vavilov Institute in Leningrad. What had been judged a failure was recast as a success: evaluations of Gabor’s work were transformed during the 1960s, when it was represented as the foundation on which to construct the new and distinctly different subject of holography, a re-evaluation that gained the Nobel Prize for Physics for Gabor alone in 1971. This paper focuses on the difficulties experienced in constructing a meaningful subject, a practical application and a viable technical community from Gabor’s ideas during the decade 1947-1957. (shrink)

In this paper, we defend the main claims of our earlier paper “Mental Fictionalism as an Undermotivated Theory” (in The Monist) from Gábor Bács’s criticism, which appeared in his “Mental fictionalism and epiphenomenal qualia” (in Dialectica). In our earlier paper, we tried to show that mental fictionalism is an undermotivated the-ory, so there is no good reason to give up the realist approach to the folk psychological discourse. The core of Bács’s criticism consists in that our argumentation rests on (...) an equivocation concerning the folk psychological concepts of conscious experiences. In our present argumentation, at first, we shortly recapitulate our earlier argumentation and Bács’s main objection to it. After that, we argue against the case of equivocation, claiming that it rests on a highly implausible and unsupported verificationist approach. Lastly, in answering another remark of Bács’s, we discuss the possibility of a realist mental fic-tionalism and conclude that it is an incoherent standpoint. (shrink)

The history of holography, the technology of three-dimensional imaging that grew rapidly during the 1960s, has been written primarily by its historical actors and, like many new inventions, its concepts and activities became surrounded by myths and myth-making. The first historical account was disseminated by the central character of this paper, George W. Stroke, while a professor of Electrical Engineering at the University of Michigan. His claims embroiled several workers active in the field of holography and information processing during the (...) 1960s, but transcended personality conflicts: they influenced the early historiography of holography and the awarding of the Nobel Prize for Physics to Dennis Gabor in 1971. An extended discussion of these episodes, based on archival research, publications analysis and interviews with participants, reveals the importance and extraordinary allure of intellectual priority for practicing scientists, and how its history and explanations are woven from multiple accounts and contemporary interpretations. (shrink)

I discuss the early history of holography and explore how perceptions, applications, and forecasts of the subject were shaped by prior experience. I focus on the work of Dennis Gabor (1900–1979) in England,Yury N. Denisyuk (1927-2005) in the Soviet Union, and Emmett N. Leith (1927–2005) and Juris Upatnieks (b. 1936) in the United States. I show that the evolution of holography was simultaneously promoted and constrained by its identification as an analog of photography, an association that influenced its assessment by (...) successive audiences of practitioners, entrepreneurs, and consumers. One consequence is that holography can be seen as an example of a modern technical subject that has been shaped by cultural influences more powerfully than generally appreciated. Conversely, the understanding of this new science and technology in terms of an older one helps to explain why the cultural effects of holography have been more muted than anticipated by forecasters between the 1960s and 1990s. (shrink)