7 found
Order:
See also
Ioannis Trisokkas
University of Warwick
  1. Anachronism, Antiquarianism, and Konstellationsforschung: A Critique of Beiser.Ioannis Trisokkas - 2015 - Clio: A Journal of Literature, History, and the Philosophy of History 44 (1):87-113.
    In his Introduction to The Cambridge Companion to Hegel and Nineteenth-Century Philosophy (2008), entitled ‘The Puzzling Hegel Renaissance’, Frederick Beiser, the editor of the volume, claims that Anglophone Hegel research has been in the main deeply problematic and proceeds to offer a program of research for its rejuvenation. The paper argues that the reasons based on which he exercises his critique (antiquarianism and anachronism) fail on internal grounds and that, therefore, Hegelforschung should not be reduced to his proposed research program (...)
    Download  
     
    Export citation  
     
    Bookmark   1 citation  
  2. Boris Hessen and Newton's God.Ioannis Trisokkas - 2019 - Society and Politics 13 (1):64-86.
    A significant thread in Boris Hessen‟s iconic essay, The Social and Economic Roots of Newton’s Principia (1931), is his critique of Newton‟s involving God in his physics. Contra Newton, Hessen believes that nature does not need God in order to function properly. Hessen gives two, quite distinct, „internal‟ explanations of Newton‟s failure to see this. The first explanation is that Newton‟s failure is caused by his believing that motion is a mode instead of an attribute or essence of matter. The (...)
    Download  
     
    Export citation  
     
    Bookmark  
  3.  77
    Can Kant’s Aesthetics Accommodate Conceptual Art? A Reply to Costello.Ioannis Trisokkas - 2020 - Con-Textos Kantianos 12:226-247.
    Diarmuid Costello has recently argued that, contra received opinion, Kant’s aesthetics can accommodate conceptual art, as well as all other art. Costello offers an interpretation of Kant’s art theory that demands from all art a minimal structure involving three basic “players” and three basic “actions” corresponding to those “players.” The article takes issue with the “action” assigned by Costello’s Kant to the artwork’s recipient, namely that her imagination generates a multitude of playful thoughts deriving from or in any other way (...)
    Download  
     
    Export citation  
     
    Bookmark  
  4. Descartes' Solitude Thesis: A Neglected Aspect of the Cartesian Methodology.Ioannis Trisokkas - 2014-2015 - New Europe College Yearbook - EntE:153-182.
    Recent research has defended the surprising thesis that in many cases the search for truth is better off if the information exchanged between the members of an epistemic community is limited. This is what one may call the limited information thesis. There is, however, the possibility of an even more radical position than this: the thesis that any communication between peers has zero epistemic value and that the search for truth is better off if the truth-inquirer does not take into (...)
    Download  
     
    Export citation  
     
    Bookmark  
  5. Hegel on Scepticism in the Logic of Essence.Ioannis Trisokkas - 2017 - In Klaus Vieweg, Stella Synegianni, Georges Faraklas & Jannis Kozatsas (eds.), Hegel and Scepticism. De Gruyter. pp. 99-120.
    Early in the Logic of Essence, the second main part of Hegelian Logic, Hegel identifies a logical structure, seeming (Schein), with “the phenomenon of scepticism.” The present paper has two aims: first, to flesh this identification out by describing the argument that leads up to it; and, second, to argue that it is mistaken. I will proceed as follows. Section 1 deciphers the opening statement of the Logic of Essence, “the truth of being is essence,” by specifying the meaning of (...)
    Download  
     
    Export citation  
     
    Bookmark  
  6.  91
    The Logic of the Border.Ioannis Trisokkas - 2014 - Russian Sociological Review 13 (4):18-41.
    In his Science of Logic Hegel purports to give an account of a dialectical logic that generates the totality of being’s fundamental structures. This totality does not exhaust the richness of being, but it exhausts the basis of this richness. Any phenomenon, whether cognitive, scientific, social or political, is based upon some or all of those structures. The paper presents and examines the logic of a structure which pervades each and every phenomenon: the border(die Grenze). It is analyzed as an (...)
    Download  
     
    Export citation  
     
    Bookmark  
  7. What is Wrong with Machine Art? Autonomy, Spirituality, Consciousness, and Human Survival.Ioannis Trisokkas - 2020 - Humanities Bulletin 3 (2):9-26.
    There is a well-documented Pre-Reflective Hostility against Machine Art (PRHMA), exemplified by the sentiments of fear and anxiety. How can it be explained? The present paper attempts to find the answer to this question by surveying a considerable amount of research on machine art. It is found that explanations of PRHMA based on the (alleged) fact that machine art lacks an element that is (allegedly) found in human art (for example, autonomy) do not work. Such explanations cannot account for the (...)
    Download  
     
    Export citation  
     
    Bookmark