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János Tőzsér
Eotvos Lorand University of Sciences
  1. Much Ado About Nothing: The Discarded Representations Revisited.Zsuzsanna Balogh & János Tőzsér - 2013 - In Zsuzsanna Kondor (ed.), Enacting Images: Representation Revisited. Köln: Herbert von Halem Verlag. pp. 47-66.
    Our paper consists of three parts. In the first part we provide an overall picture of the concept of the Cartesian mind. In the second, we outline some of the crucial tenets of the theory of the embodied mind and the main objections it makes to the concept of the Cartesian mind. In the third part, we take aim at the heart of the theory of the embodied mind; we present three examples which show that the thesis of embodiment of (...)
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  2. Mental Fictionalism As an Undermotivated Theory.Miklós Márton & János Tőzsér - 2013 - The Monist 96 (4):622-638.
    Our paper consists of three parts. In the first part we explain the concept of mental fictionalism. In the second part, we present the various versions of fictionalism and their main sources of motivation.We do this because in the third part we argue that mental fictionalism, as opposed to other versions of fictionalism, is a highly undermotivated theory.
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  3. Physicalism and the Privacy of Conscious Experience.Miklós Márton & János Tőzsér - 2016 - Journal of Cognition and Neuroethics 4 (1):73-88.
    The aim of the paper is to show that the privacy of conscious experience is inconsistent with any kind of physicalism. That is, if you are a physicalist, then you have to deny that more than one subject cannot undergo the very same conscious experience. In the first part of the paper we define the concepts of privacy and physicalism. In the second part we delineate two thought experiments in which two subjects undergo the same kind of conscious experience in (...)
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  4. The Works of Art From the Philosophically Innocent Point of View.Gábor Bács & János Tőzsér - 2012 - Hungarian Philosophical Review 57 (4):7-17.
    the Mona Lisa, the Mondscheinsonate, the Chanson d’automne are works of art, the salt shaker on your table, the car in your garage, or the pijamas on your bed are not. the basic question of the metaphysics of works of art is this: what makes a thing a work of art? that is: what sort of property do works of art have in virtue of which they are works of art? or more simply: what sort of property being a work (...)
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  5. PHENOMENOLOGY AND THE METAPHYSIСs OF MIND.János Tőzsér - 2012 - In N. D. Kruckova (ed.), Stavropolskij almanah Rossijskogo obŝestvo intellektualnoj istorii. Stavropol: Severo-Kavkazskij Federalnij Universitet. pp. 219-231..
    My paper consists of five parts. In the first part I explain what I mean by the phenomenology of mind. In the second part I show that in contemporary analytic philosophy the prevailing metaphysical theories of the mind are typically not connected to the phenomenology of mind. Views on the nature of the mind are developed without considering the phenomenological facts. In the third part I outline a notion of metaphysics connected to the phenomenology of mind, then in the fourth (...)
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