In this paper, I propose a Husserlian account of perceptual confidence, and argue for perceptual confidence by appeal to the self-justification of perceptual experiences. Perceptual confidence is the intriguing view, recently developed by John Morrison, that there are not just doxastic confidences but also perceptual confidences, i.e., confidences as aspect of perceptual experience, enabling us to account, e.g., for the increasing confidence with which we experience an approaching human figure, while telling ourselves, as the viewing distance diminishes, “It looks like (...) this just could be Isaac”, “It looks like this is probably Isaac”, “It looks like this is almost certainly Isaac”. I first present my Husserlian account with a focus on the notion of fulfillment, and the idea that the contents of perceptual experience are fulfillment conditions. I then show that this account can be complemented by PC. Finally, I develop a focus on the idea of perceptual self-justification, diverting the perceptual confidence debate from its pre-eminent concern with the relations between perceptual and doxastic confidences, and present an argument to the effect that there are perceptual confidences. (shrink)

Terence Horgan and John Tienson argue that there is phenomenal intentionality, i.e., “a kind of intentionality, pervasive in human mental life, that is constitutively determined by phenomenology alone” (p. 520). However, their arguments are open to two lines of objection. First, Horgan and Tienson are not sufficiently clear as to what kind of content it is that they take to be determined by, or to supervene on, phenomenal character. Second, critics have objected that, for their conclusion to follow, Horgan and (...) Tienson would first have to establish the co-variation of phenomenology and intentional content, but even so, phenomenal intentionality would still emerge as less plausible than its converse, representationalism. I will address these two challenges by appeal to Husserlian ideas. A consideration of perceptual phenomenology (i.e., phenomenal character) shows that there is a kind of perceptual content that is, indeed, determined by phenomenal character. Such content is conceived in terms of fulfillment conditions, or what it takes to bring aspects of objects and scenes to different, and more complete, ways of givenness. We can establish the primacy of phenomenology, relative to such fulfillment-conditional content, by tracing it back to the basic phenomenology of visual and other sensations. (shrink)

I argue that there are no irrational visual experiences, if we mean just the experiences that one is having now, but there are irrational visual experiences, if we mean also the experiences that one has had in the past. In other words, I will be arguing that perceptual irrationality is a retrospective phenomenon. So as to further support the first conjunct of my thesis, and to contextualize it among contemporary discussions, I also critique Susanna Siegel’s proposal that one could be (...) having an irrational experience, in the sense of a hijacked experience that has inherited a sub-threshold epistemic charge from a corrupt outlook. The present discussion is conducted from a Husserlian point of view, according to which perception is rational, rather than arational. I am, however, in this paper, not undertaking to defend the Husserlian view or the rationality of perception, or even to argue that the view I refer to as Husserlian is, in all aspects, the view that Edmund Husserl actually held. I aim merely to provide certain clarifications concerning the more specific topic of irrational visual experiences. (shrink)

Both John Campbell and Quassim Cassam have argued that we perceptually experience objects as mind-independent (MI), purportedly solving a problem they refer to as “Berkeley’s Puzzle.” In this paper, I will consider the same topic from a Husserlian perspective. In particular, I will clarify the idea of MI and argue that there is, indeed, a sense in which we can perceptually experience objects as MI, while also making objections to Campbell’s and Cassam’s respective arguments to the same effect. In particular, (...) I will argue that objects can be experienced as MI in the sense of the experience’s not being due to the malfunctioning of a perceptual organ, e.g., when one examines the ways in which the object displays itself, and gains confidence that there is, indeed, nothing the matter with one’s eyes. I will address the issue of MI from the perspective of Husserlian evidentialism, according to which perceptual content is conceived in terms of ways of perceptually exploring the object, thereby gaining evidence pertinent to the object and its properties, e.g., as when one takes a look at the object’s shape from a different angle, or scrutinizes its color in better lighting. (shrink)

I argue for the following claims: (1) A core Husserlian account of perceptual constancy needs to be given in terms of indicative future-oriented conditionals but can be complemented by a counterfactual account; (2) thus conceived, constancy is a necessary aspect of content. I speak about a “core Husserlian” account so as to capture certain ideas that Michael Madary has presented as the core of Edmund Husserl's approach to perceptual constancy, viz., that “perception is partly constituted by the continuous interplay of (...) intention and fulfilment” and that this “gives us a way to understand the relationship between different appearances of the same object” (See Madary, M. (2012) “Husserl on Perceptual Constancy.” European Journal of Philosophy 20(1): 145–165.). I take myself to be developing, and perhaps correcting, Madary's view as I discuss the role of the core Husserlian ideas, and counterfactuals, in accounting for shape and color constancy, respectively. I bridge constancy and fulfilment-conditional content by appealing to the Husserlian notion of constitution, which captures the process in which objectivity and, correlatively, intentional experience, are built up in the experiential flow. (shrink)

In his remarkable book, Visual Phenomenology, Michael Madary argues for the claim that “visual perception is an ongoing process of anticipation and fulfillment” (Madary 2017, p. 3), by drawing upon lines of evidence from Husserlian phenomenology, philosophy of perception, and the cognitive sciences. While he considers Edmund Husserl as a major influence upon his ideas, he does not aim to adhere to Husserl’s views in every regard, but instead to develop Husserl-inspired views of his own, muster support for them, and (...) bring them to bear on various issues (Ibid., pp. 4, 181). His book is therefore likely to be of interest not only to scholars of Husserlian phenomenology, but also to non-Husserlian philosophers of perception, as well as to cognitive scientists. (shrink)

Corijn van Mazijk’s book is a critical exploration of the relations between Immanuel Kant’s, Edmund Husserl’s, and John McDowell’s transcendental philosophies. His primary aim is not to conduct a historical study, but “to show that history provides us with viable alternatives to McDowell’s theory of our perceptual access to reality.” The book covers a variety of McDowellian themes: the Myth of the Given, the space of reasons vs. the space of nature, conceptualism, disjunctivism, naturalism, and realism—uncovering the roots of McDowell’s (...) views and providing Kantian and Husserlian correctives where needed. (shrink)

Honouring a career-long commitment to interdisciplinarity which has guided a prolific publication history on character, virtue, and emotion, Kristjánsson leads by example in this book. Although he is clearly a philosopher, firmly pro-Aristotelian and devotes a large proportion of the book to look at the original source, Kristjánsson is happy to question or even downright abandon Aristotelian tradition if he has to–and to push the boundaries of philosophical thought on emotions. As a result, Virtuous Emotions has something to offer to (...) emotion theorists across a range of disciplines, to Aristotelian scholars, and to educators. (shrink)

Sinema, genel olarak tüm sanat dalları, aynı anda hem bir sanat dalı ve politik-ekonomik bir kurumdur. Bir yanda elimizde hareketli imgeleri ışıkla selüloidden geçirerek ekrana yansıtan mecra film vardır. Tek tek filmler ise biçim ve içeriklerine göre birbirlerinden ayrılan ve analiz edilen münferit estetik objelerdir. Öte yanda ise film endüstrisi yer alır - filmleri planlayan, üreten, pazarlayan ve kitlelere izleten sanatsal, teknik ve ekonomik araçların oluşturduğu komplike ağ. Doğumundan bu yana sinemanın estetik ve politik açıları farklı formlarda birçok teorik analize (...) maruz kalmış, karşılığında bu analizler de çeşitli eleştirilerle irdelenmiştir. Bu metin bu analizlerin ve onlara yöneltilen eleştirilerin kısa bir incelemesini ve ardından film teorisine farklı bir yaklaşımın ana hatlarını sunacağım. Foucault ve Deleuze'ün fikirlerinden yola çıkan bu "anarşist" film teorisi, geçerli bir eleştirel metodoloji oluşturmanın yanısıra filmin özgürleştirici potansiyeline ışık tutmayı amaçlamaktadır. (shrink)

Bu makalenin amacı yerellik kavramının anlamını ve içeriğini tartışmaktır. Yerellik, ulus- laşmanın getirdiği bir refleks ve ulusal bilincin bütünleyici ruhu olarak arayış halinde sıklıkla anılmasına karşın, felsefe açısından değerlendirilmekten uzak kalmıştır. Bu sebep- ten ötürü yerellik kavramı, benzeri kavramlarla aynılaştırılarak ideolojik bir içeriğe bü- ründürülmekte, anlamı giderek belirsizleşmektedir. Söz konusu sorunun üstesinden gel- mek, yerelliğin neliğini ortaya çıkarabilmek için, yerelliğe felsefi bir bilinçle yaklaşılarak, kavramın içeriğinin, kavram haritasının ve ilkelerinin belirginleştirilmesi gerekmektedir. Bu amaçla çalışmamızda ilkin yerellik arayışının modernleşmeyle birlikte sömürgecilik (...) ve Batılılaşma karşısında ulusçuluk, postmodernizm ve çoklu modernite görüşleri içeri- sinde nasıl tesis edilmeye çalışıldığı ve yetersizlikleri panoramik olarak sunulmuş, ardın- dan kavramın ne olmadığı üzerinde durulmuştur. Yerlicilik ve yerlilikten ayrı olarak ele alınması gerektiğine işaret edilen yerelliğin, insan, mekân ve tarihle ilişkisi irdelenerek, yerelleşmeye dikkat çekilmiştir. Araştırma sonucunda yerelliğin üç temel ilkesi olduğu tespit edilmiştir: Yerellik bir insan-mekân sorunudur; salt bir yerellik bulunmamaktadır ve yerellik görecelidir; saf bir yerellik yerine yerellik, sentez ve yerelleşme süreci olarak anlaşılmalıdır. Söz konusu ilkelerden hareketle ve yerellik kavramının içeriğinin sorunla- rına karşı, yerellik yerine kültürel(lik) kavramının kullanılması önerilmiştir. The purpose of this article is to discuss the meaning and content of the concept of locality. Although locality is often referred to as a reflex of nationalization it has remained far from being evaluated in terms of philosophy. For this reason the concept of locality is equated with similar concepts and wrapped in an ideological content and its meaning becomes increasingly uncertain. In order to overcome the aforementioned problem and to reveal the nature of locality, and to clarify the content, concept map and principles of the concept it is necessary to approach locality with a philosophical consciousness. Firstly how the search for locality is tried to be established within the views of nationalism, postmoder- nism and multiple modernity against colonialism and Westernization with modernization and its inadequacies are presented panoramically, then it is emphasized what the concept is not. Localization, which is pointed out to be considered separately from localism and indigenousness, has been examined in terms of its relationship with people, space and history and attention has been drawn to localization. As a result of the research it has been determined that locality has three basic principles: Locality is a human-space problem; there is no mere locality and locality is relative; rather than a pure locality, locality should be understood as a process of synthesis and localization. Based on these principles and against the problems of the content of the concept of locality it is suggested to use the concept of cultural instead of locality. (shrink)

“Buddizm” dünyada ən geniş yayılmış dinlərdən biri olaraq, eramızdan öncə VI əsrdə yaşamış Buddanın ərsəyə gətirdiyi dinin adıdır. Dünyada Buddanın inanclarını qəbul edənlərə buddist deyilir. Qeyd etmək lazımdır ki, Buddizmdə Budda tanrı yerinə qoyulur. Əslində isə Budda özünün insan olduğunu söyləmiş və ilahlıq iddiasında olmamışdır. Lakin ölümündən sonra ona tabe olanlar onu tanrılaşdırmış, adına məbədlər qurub ona sitayiş etmişlər. Buddizm meydana gəldiyi hindistanda, öz təsirini çoxdan itirmiş, induizm ilə əvəz olunmuşdur və hazırda hindistanda buddistlər əhalinin bir faizindən az hissəsini təşkil (...) edir. Buddizm Nepalda, Birmada, Tailandda, Seylonda, Kambocada, Laosda, Vyetnamda, Çində, Yaponiyada yayılmışdır, həmçinin Buryat, Kalmık və Tuva xalqları içərisində geniş yayılmışdır. (shrink)

Ortaçağın dine yani kiliseye dayalı yaklaşımı pek çok alanda etkili olmuştur. Dinin bu yoğun etkisinden bilim de nasibini almıştır. O yıllarda yapılan bazı icad, keşif, kilise tarafından kabul edilmemiş hatta o keşfi yapan bilim adamı, dışlanarak cezalandırılmıştır. Başta dinin yoğun tesiri olmak üzere ekonomik ve kültürel nedenlerden dolayı felsefe de doğal olarak idealizmi benimsemek zorunda kalmıştır. On sekizinci yüzyılda başlayan Aydınlanma ile artık felsefe de akla ve bilime göre ilerlemeye başlamıştır. Onlar için felsefe artık tamamen metafizik üzerine kurulu değildir. Bu (...) dönem felsefecileri tamamen aklı, bilimi benimsemişlerdir. Fakat bu durum uzun sürmemiş, yirminci yüzyılda Kıta felsefesi adı altında yeniden metafiziğe dönüş başlamıştır. (shrink)