Results for 'Nia Kania'

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  1. Does self-concept affect mathematics learning achievement?Nia Kania & Dadang Juandi - 2023 - Journal of Education and Learning (Edulearn) 17 (3):455-461.
    Students who study at home certainly affect their self-concept. Their study found that knowledge of distance learning affects the perceived usefulness of this process. This study described self-concept has an influence on learning achievement in mathematics. The type of research used in this study was descriptive quantitative research to determine the relationship between students’ self-concept and learning achievement in mathematics. This research was conducted in class 8 of State Junior High School (SMPN) 1 Palasah, Indonesia with 151 students as respondents. (...)
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  2. Intersectional Implications of Aristotle’s Nicomachean Ethics.Nia McCabe - manuscript
    This essay offers a uniquely feminist interpretation of Book III in Aristotle's Nicomachean Ethics by examining the relevance of Aristotle's ethical framework to modern intersectional debates. I begin with an analysis of Aristotle's distinctions between involuntary, voluntary, mixed, and nonvoluntary actions, along with his nuanced discussion of ignorance. I then examine the implications of these concepts in contemporary social issues, and emphasize their potential to make intersectionality more accessible and fostering a constructive dialogue on prejudice. These concepts are then applied (...)
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  3. Descartes on Perception and Knowledge of the Self: An Explication of Meditations on First Philosophy, Meditations I-II.Nia McCabe - manuscript
    Focusing on Descartes’ conclusion in the second Meditation that bodies are strictly perceived through the intellect alone, I contextualize, outline, and elucidate Descartes’ first two Meditations. I begin with a summary of key themes from the first Meditation and outline the reasons for Descartes’ radical doubt. I then provide a detailed explication of Descartes’ argumentitive journey in the second meditation, wherein Descartes arrives at the hypothesis that he is a thinking thing, and demonstrates the plausibility of this hypothesis by scrutinizing (...)
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  4. A Response to John Taurek's Should the Numbers Count.Nia McCabe - manuscript
    This short essay outlines the problem Taurek responds to and the argument he uses in Should the Numbers Count. His argument posits that in a situation where you can either prevent harm to one stranger or five strangers but you cannot prevent harm to all six, the best thing to do is is give each person an equal chance of survival by flipping a coin. Although this paper is largely an explication, I do provide a short critique of Taurek's argument. (...)
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  5. <null>me<null>: Algorithmic Governmentality and the Notion of Subjectivity in Project Itoh's Harmony.Fatemeh Savaedi & Maryam Alavi Nia - 2021 - Journal of Science Fiction and Philosophy 4:1-19.
    Algorithmic governmentality is a new form of political governance interconnected with technology and computation. By coining the term “algorithmic governmentality,” Antoinette Rouvroy argues that this mode of governance reduces everything to data, and people are no longer individuals but dividuals (able to be divided) or readable data profiles. Implementing the concept of algorithmic governmentality, the current study analyses Project Itoh’s award-winning novel Harmony in terms of such relevant concepts as “subjectivity,” “infra-individuality” and “control,” as suggested by Rouvroy and colleagues. The (...)
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  6. Effects of changing practitioner empathy and patient expectations in healthcare consultations.Jeremy Howick, Thomas R. Fanshawe, Alexander Mebius, Carl J. Heneghan, Felicity Bishop, Paul Little, Patriek Mistiaen & Nia W. Roberts - 2015 - Cochrane Database of Systematic Reviews 11:Art. No.: CD011934..
    This is a protocol for a Cochrane Review (Intervention). The objectives are as follows: -/- The main aim of this review will be to assess the effects of changing practitioner empathy or patient expectations for all conditions. The main objective is to conduct a systematic review of randomised trials where the intervention involves manipulating either (a) practitioner empathy or (b) patient expectations, or (c) both.
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  7. Methodology in the ontology of artworks: exploring hermeneutic fictionalism.Elisa Caldarola - 2020 - In Concha Martinez Vidal & José Luis Falguera Lopez (ed.), Abstract Objects: For and Against.
    There is growing debate about what is the correct methodology for research in the ontology of artworks. In the first part of this essay, I introduce my view: I argue that semantic descriptivism is a semantic approach that has an impact on meta-ontological views and can be linked with a hermeneutic fictionalist proposal on the meta-ontology of artworks such as works of music. In the second part, I offer a synthetic presentation of the four main positive meta-ontological views that have (...)
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  8. Rock as a Three-Value Tradition.Christopher Bartel - 2017 - Journal of Aesthetics and Art Criticism 75 (2):143-154.
    Gracyk, Kania, and Davies all agree that the rock tradition is distinctive for the central place that it gives to the appreciation of recorded tracks. But we should not be led by those arguments to conclude that the central position of the recorded track makes such appreciation the exclusive interest in rock. I argue that both songwriting and live performance are also central to the rock tradition by showing that the practice of recording tracks admits of a diversity of (...)
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  9. Emotions in Music: Hanslick and His False Follower.Krzysztof Guczalski - 2022 - British Journal of Aesthetics 62 (3):325-338.
    Nick Zangwill (2004, 2007) appears to be acquiring the status of repudiator-in-chief of emotion in music. He is invoked in this role by such authors as Kraut (2007, p. 67), Bonds (2014, p. 5), Robinson (2014), Young (2014, pp. vii, 1, 3–4, 151), Davies (2017) and Kania (2017). His ‘manifesto’ paper (2004) was recently reprinted in Lamarque and Olsen (2018, pp. 574–582). This development is unfortunate, because Zangwill, for all his radical-sounding theses, actually argues against views that hardly anyone (...)
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  10. Fictionalism about musical works.Anton Killin - 2018 - Canadian Journal of Philosophy 48 (2):266-291.
    The debate concerning the ontological status of musical works is perhaps the most animated debate in contemporary analytic philosophy of music. In my view, progress requires a piecemeal approach. So in this article I hone in on one particular musical work concept – that of the classical Western art musical work; that is, the work concept that regulates classical art-musical practice. I defend a fictionalist analysis – a strategy recently suggested by Andrew Kania as potentially fruitful – and I (...)
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  11. Blinding and the Non-interference Assumption in Medical and Social Trials.David Teira - 2013 - Philosophy of the Social Sciences 43 (3):358-372.
    This paper discusses the so-called non-interference assumption (NIA) grounding causal inference in trials in both medicine and the social sciences. It states that for each participant in the experiment, the value of the potential outcome depends only upon whether she or he gets the treatment. Drawing on methodological discussion in clinical trials and laboratory experiments in economics, I defend the necessity of partial forms of blinding as a warrant of the NIA, to control the participants’ expectations and their strategic interactions (...)
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  12. Motherhood as resistance in the bio-performance Analfabeta, an Interdisciplinary dialogue between Biology and Performance.Paulina Bronfman - 2023 - Documenta 41 ( Special Edition: Parliament of).
    Interdisciplinary dialogue acts as a symbiosis for all the areas that participate and imply enormous projections for both art and science. This paper explores the potential of an interdisciplinary dialogue between Biology and Performance using as a case study the Performance Analfabeta created by the artist Paulina Bronfman. The work was shaped in the context of The Third Conference of the Nucleus of Artistic Research (NIA) of In/Inter/Disciplinary Laboratories hosted by the Faculty of Art of The Pontificia University of Chile (...)
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  13. Lost in musical translation: A cross-cultural study of musical grammar and its relation to affective expression in two musical idioms between Chennai and Geneva.Constant Bonard - 2018 - In Florian Cova & Sébastien Réhault (eds.), Advances in Experimental Philosophy of Aesthetics. London: Bloomsbury Academic.
    Can music be considered a language of the emotions? The most common view today is that this is nothing but a Romantic cliché. Mainstream philosophy seems to view the claim that 'Music is the language of the emotions' as a slogan that was once vaguely defended by Rousseau, Goethe, or Kant, but that cannot be understood literally when one takes into consideration last century’s theories of language, such as Chomsky's on syntax or Tarski's on semantics (Scruton 1997: ch. 7, see (...)
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  14. Cinematic Realism Reconsidered.Rafe McGregor - 2012 - Polish Journal of Philosophy 6 (1):57-68.
    The purpose of this paper is to re-examine the debate about cinematic motion in terms of the necessity for reception conditions in art. I shall argue that Gregory Currie’s rejection of weak illusionism – the view that cinematic motion is illusory – is sound, because cinematic images really move, albeit in a response-dependent rather than garden-variety manner. In §1 I present Andrew Kania’s rigorous and compelling critique of Currie’s realism. I assess Trevor Ponech’s response to Kania in §2, (...)
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  15. Przyrodoznawstwo - Filozofia - Teologia: Obszary i perspektywy dialogu.Jacek Meller & Adam Świeżyński (eds.) - 2010 - Warszawa: Wydawnictwo UKSW.
    Zebrane w niniejszej publikacji prace są owocem namysłu zarówno badaczy przyrody, jak i filozofów oraz teologów. Prezentują one różnorodne spojrzenie na elementy dziejów dialogu między naukami przyrodniczymi, filozofią i teologią, a także własne poszukiwania autorów dotyczące współczesnych aspektów tej problematyki. W pierwszej części zostanie przedstawione spojrzenie na charakterystyczne punkty historycznego procesu formowania się relacji między różnymi dziedzinami ludzkiego poznania. Czytelnik będzie mógł prześledzić etapy jednoczenia się religijnego i filozoficznego obrazu rzeczywistości na gruncie chrześcijańskiej starożytności i średniowiecza. Ukazane też zostanie oświeceniowe (...)
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  16. Przyczyna i Wyjaśnianie: Studium Z Filozofii i Metodologii Nauk.Paweł Kawalec - 2006 - Lublin: Wydawnictwo KUL.
    Przedmowa Problematyka związana z zależnościami przyczynowymi, ich modelowaniem i odkrywa¬niem, po długiej nieobecności w filozofii i metodologii nauk, budzi współcześnie duże zainteresowanie. Wiąże się to przede wszystkim z dynamicznym rozwojem, zwłaszcza od lat 1990., technik obli¬czeniowych. Wypracowane w tym czasie sieci bayesowskie uznaje się za matematyczny język przyczynowości. Pozwalają one na daleko idącą auto¬matyzację wnioskowań, co jest także zachętą do podjęcia prób algorytmiza¬cji odkrywania przyczyn. Na potrzeby badań naukowych, które pozwalają na przeprowadzenie eksperymentu z randomizacją, standardowe metody ustalania zależności przyczynowych (...)
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  17. Zur Sprache der deutschen Comedy-Show.Katarzyna Sikorska - 2009 - Acta Universitatis Lodziensis. Folia Germanica 5:29-37.
    Współczesny świat, zdominowany przez elektroniczne środki przekazu, to już zupełnie inne pojmowanie komunikacji językowej, zarówno tej w formie pisanej, jak i mówionej. Dominują w nim skrótowe i kompaktowe wypowiedzi; język z jednej strony traci na znaczeniu, z drugiej zaś - chłonie nowinki z innych systemów językowych, z którymi wchodzi w interakcje na różnych płaszczyznach. Niewątpliwe ogromną rolę odgrywają w tym procesie różnice kulturowe i związane z tym nie tylko kwestie mentalności, stereotypy, lecz także odmienne pojmowanie zjawisk dnia codziennego, w tym (...)
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  18. The Poverty of Musical Ontology.James O. Young - 2014 - Journal of Music and Meaning 13:1-19.
    Aaron Ridley posed the question of whether results in the ontology of musical works would have implications for judgements about the interpretation, meaning or aesthetic value of musical works and performances. His arguments for the conclusion that the ontology of musical works have no aesthetic consequences are unsuccessful, but he is right in thinking (in opposition to Andrew Kania and others) that ontological judgements have no aesthetic consequences. The key to demonstrating this conclusion is the recognition that ontological judgments (...)
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  19. An Asymmetry Of Implicit Fictional Narrators In Literature And Film.Mario Slugan - 2010 - Postgraduate Journal of Aesthetics 7 (2):26-37.
    Recently, the debate on the ubiquity of fictional narrators – whether every fictional narrative has a fictional narrator – has spread from film to literature. George Wilson reacted to Noël Carroll’s and Andrew Kania’s claims that no fictional narrators but 1 explicit ones such as Ishmael from Herman Melville’s Moby-Dick exist. a near-ubiquity position claiming that almost every fictional novel, except those consisting exclusively of dialogue, has at least a minimal narrating agency or a fictional narrator. Yet, he disassociated (...)
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  20. La computer-mediated interaction: Un modello interpretativo ed alcuni problemi.Luciano Floridi - 1997 - Internet Meeting 1997, Internet and Intranet for CompaniesAt: Centro Congressi Milanofiori, Assago, Milano.
    In this paper, I first outline a model of Computer-Meditated Interaction (CMI) to distinguish between (1) CMI HCI-transparent (HCI = human-computer interaction) and (2) CMI HCI-dependent. Some main features of (1) are then analysed (data-radiation, data-tracking, internalisation of problem solving), while (2) is further divided into (2.1) CMI-HCI stand-alone and (2.2) CMI-HCI on-line. Some advantages and limits of (2.1) are suggested, together with an overview of the present and future strategies leading the production of new applications in the field. The (...)
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  21. Gametogênese Animal: Espermatogênese e Ovogênese.Emanuel Isaque Cordeiro da Silva - manuscript
    GAMETOGÊNESE -/- Emanuel Isaque Cordeiro da Silva Instituto Agronômico de Pernambuco Departamento de Zootecnia – UFRPE Embrapa Semiárido -/- • _____OBJETIVO -/- Os estudantes bem informados, estão a buscando conhecimento a todo momento. O estudante de Veterinária e Zootecnia, sabe que a Reprodução é uma área de primordial importância para sua carreira. Logo, o conhecimento da mesma torna-se indispensável. No primeiro trabalho da série fisiologia reprodutiva dos animais domésticos, foi abordado de forma clara, didática e objetiva os mecanismos de diferenciação (...)
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  22. Aspectos Gerais da Produção Tradicional de Suínos.Emanuel Isaque Cordeiro da Silva - manuscript
    INTRODUÇÃO Segundo Pond (1975), os antepassados mais remotos dos suínos remontam há 40 milhões de anos, e parece que seu parente mais distante é o porco-do-cabo (Orycteropus afer), que viveu na região da Etiópia. Este é da ordem dos tubulidentados com focinho e orelhas alongadas, de hábitos noturnos e que se alimenta de insetos e raízes. Embora não exista um consenso unânime ao respeito, estima-se que a domesticação do porco doméstico atual iniciou-se na Europa entre os anos 7.000 e 3.000 (...)
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