In the paper two forms of human dealing with the notion of the sacred are compared — manifestation and proclamation. Author suggests that proclamation is a characteristic for modern monotheistic religions based on the Old Testament theology. In particular, a vivid example of proclamation is a teaching of Jesus Christ, as presented in synoptic Gospels. In Ricouer’s view, a decline of the sacred in modern Western civilization is connected with an unjustified absolutization of the scientific and technical achievements and must (...) be overcome in the course of the further social development. (shrink)

In the realm of the humanities, Paul Ricoeur (1913–2005) is widely viewed as one of the most influential philosophers of the twentieth century. He published an impressive and comprehensive oeuvre that made an impact on almost all areas of the humanities. By combining the resources and insights of phenomenology and hermeneutics, he developed new perspectives on the text, on metaphor, on narrative, and on personal identity that pervaded theology, history, linguistics, psychoanalysis, ethics,(philosophical) anthropology, cognitive sciences, and so on. In (...) light of his centennial in 2013, the question arises whether his theories have a future and can be extended to capture new phenomena studied in the humanities: What is the impact and meaning of the oeuvre of Paul Ricoeur for the humanities? In particular, one may develop this question as follows: Which of Ricoeur’s major contributions can be expected to remain relevant for the humanities? In what way can we relate Ricoeur’s oeuvre to ideas and methods of other philosophers and scientists? Does Ricoeur’s paradigm of the text still provide a relevant framework for thinking about the basic questions that concern the humanities today? If so, how can we bring Ricoeur’s perspective in a fruitful tension or dialogue with other, competing paradigms? (shrink)

The article considers the problem of the meaning of a musical discourse from the perspec-tive of hermeneutic phenomenology. The analysis is based on the collected essays by Paul Ricoeur, included in the book 'Language, Text, Interpretation'. The author of the article aims at contextualization of such terms as discourse, event, meaning, distance, appropriation, interpretation, self-understanding, projection of ‘the world of work’ and the projection of the possibility of ‘being-in-the-world’ with reference to a musical work of art.

Since Ricoeur has largely been identified with hermeneutics, he is very seldom associated with critical theory – a regrettable case since his hermeneutics actually holds the access to his critical theory. Hence in this paper I will explore the critical side of Ricoeur’s hermeneutics within the sphere of his interpretation of symbols. It is hoped that through this venture some of the aspects of the frequently ignored, disregarded, and forgotten relationship between Ricoeur’s hermeneutics and critical theory, will be brought to (...) light. (shrink)

Ricoeur’s application of phenomenology to the existential human condition brings us to an understanding of human freedom in the light of an embodied human existence that is acting or willing or choosing freely, voluntarily, and responsibly. Human will is not therefore a concept or an abstract manipulated by the powers of the intellectuals. Rather, it is about man’s action, his agency, his being a doer, the one willing, instead of being just the one thinking or loving. Likewise, Ricoeur’s recourse to (...) existentialism sheds light to our faulted condition. We could say of a negation of man as a willing being: while man is capable of willing, he wills with recognition of his limitations. He always wills within the bounds of his finitude. Indeed, there is always this tension yet there is also this fusion. Nonetheless, it is possible for man to live in this contradiction as contradictions. Man is harmonic in contradictions. His will is always his ability, not his in- or dis-ability. (shrink)

This paper focuses on the rule of metaphor in Paul Ricoeur's philosophy of language. In his MultiDisciplinary Studies in the Creation of Meaning in Language (1975), the French philosopher shows the fundamental power of human language in constructing the world we perceive. He reveals the processes by which linguistic imagination creates and recreates meaning through metaphor. He develops a "linguistic philosophy of freedom," and a hermeneutics of the subject based on human capabilities. According to Ricoeur, to exist is to (...) act: speaking, doing, telling, and assuming responsibility for the act committed. The very "being" of human beings is to act and the effort to be. In this perspective, the human interiority is considered as dynamic production (enérgeia, conatus): it is a complex ontology of homo capax based on the human freedom and possibilities of language. Being as act and potentiality is the dominant meta-category that governs Ricoeur's philosophical anthropology, widely developed in the work Oneself as Another (1990). (shrink)

This essay examines Paul Ricœur’s views on recognition in his book The Course of Recognition . It highlights those aspects that are in some sense surprising, in relation to his previous publications and the general debates on Hegelian Anerkennung and the politics of recognition. After an overview of Ricœur’s book, the paper examines the meaning of “recognition” in Ricœur’s own proposal, in the dictionaries Ricœur uses, and in the contemporary debates. Then it takes a closer (...) look at the ideas of recognition as identification and as “taking as true.” Then it turns to recognition (attestation) of oneself, in light of the distinction between human constants (and the question “What am I?”), and human variables (and the question “Who Am I?”). The last section concerns the dialectics of struggles for recognition and states of peace, and the internal relationship between the contents of a normative demand and what counts as satisfying the demand. . (shrink)

A review of a collection of papers by Paul Ricoeur edited by Domenico Jervolino. The collection highlights Ricoeur's journey from the reflexive philosophy to analytic philosophy through hermeneutics.

This work aims to spell out clear the tensions manifested by the meeting between the project of a reflexive philosophy and psychoanalysis, from a very specific event: the publication, in 1965, of the thesis De l'interprétation: essai sur Freud by Paul Ricoeur. Our question arises from the fact that psychoanalysis has introduced one of the greatest embarrassments to the philosophies of consciousness, as it established the unconscious psychic as foundation and array of subjectivity. In contrast, Paul Ricoeur strengthens (...) its belonging to the reflective tradition initiated by Husserl, but with a fundamental deviation: in your access to subjectivity, this reflexive philosophy must take the form of a hermeneutics that interprets the signs of man’s existence. Given this, the present study seeks to find out what difficulties, tensions and contributions the reading of Freud offers to hermeneutic project proposed by Ricoeur. The article aims to show how the philosophical reading of Freud allowed Ricoeur to arbitrate the different and sometimes conflicting hermeneutics approaches around the problem of symbol. (shrink)

The purpose of this study is to develop a system of corporate ethics based on an understanding and interpretation of the ethical demand of human beings who are in relation with each other according to Emmanuel Levinas' teachings and the responsibility the human being has to and for herself and others whom she encounters based on Paul Ricoeur's teachings on human action, text and hermeneutics. While the philosophies to which we will be referring may not overtly present a normative (...) ethic, we shall convey them in such a way that is reasonably germane to the development of our system of corporate ethics that would, indeed, demonstrate why (and, perhaps, how in some instances) the human being must act in response to the demand of the other whom she encounters. -/- We must not abandon the discussion as it relates to the economy but rather include it in a broader and more comprehensive dialogue about working to promote, support and protect the human dignity of all people using the advancements of technology to improve the human condition. The broader discussion must include but not be limited to developing a working definition of corporate ethics. To engage in discussions about the economy as an indicator for human success, we must speak openly and honestly about all stakeholders that participate and are affected by the economy. Without forsaking other stakeholders, we find the corporation - the entity whose actions have the farthest reaching and, in some cases, longer lasting impact on the human condition - to be an appropriate point of departure for this endeavor. (shrink)

Éric Delassus | : Selon Fabienne Brugère, un point de rencontre existe entre l’éthique spinoziste et les éthiques du care, le care pouvant être envisagé comme une réactualisation du conatus spinoziste. Cet article vise à démontrer que cette convergence peut s’établir à partir d’une éthique narrative inspirée de la pensée de Paul Ricoeur. Cela concerne principalement la perception que l’on peut avoir de soi en tant que corps et esprit, dans la mesure où l’esprit est défini par Baruch Spinoza (...) comme « idée du corps ». L’éthique spinoziste invite à se rendre utile aux autres pour augmenter notre puissance d’être et nous libérer d’une servitude qui n’est pas sans rapport avec la vulnérabilité telle que définie dans les éthiques du care. L’humain.e vulnérable a besoin pour se sentir exister d’avoir une idée cohérente de son corps, et le récit est l’une des voies lui permettant de progresser dans cette direction. Encore faut-il, pour y parvenir, trouver des pourvoyeuses et pourvoyeurs de care disposé.e.s à écouter, aptes à susciter en soi le désir de se raconter. | : According to Fabienne Brugère, there is common ground between Spinoza’s ethics and the ethics of care, which can be regarded as a renewal of the Spinozan concept of ‘conatus.’ This article aims to demonstrate that this form of convergence can be based upon a narrative ethic as inspired by Paul Ricoeur’s thought. It is mainly about how people can perceive themselves both as mind and body, insofar as “mind” is defined by Spinoza as the “idea of the body.” The Spinozan ethic leads us to make ourselves useful to other people in order to expand our capacity to be and to free ourselves from a form of servitude that is somewhat linked to vulnerability as it is defined in the ethics of care. Therefore, vulnerable people each need to develop consistent ideas of their bodies if they wish to feel that they do exist. Narrative is one of the many ways of advancing in that direction. However, vulnerable people should not be alone; they must be accompanied by care providers who have a sympathetic ear and who can arouse in them the desire to tell and share their stories. (shrink)

O artigo esboça o desenvolvimento da hermenêutica filosófica de Paul Ricoeur a partir de sua fenomenologia da vontade em direção a uma hermenêutica da revelação, mostrando como o projeto radical de destranscendentalizar a subjetividade, subjacente à recepção francesa copntemporânea de uma hermenêutica da suspeita, terma por favorecer um retorno pós-hegeliano a Kant e reformula a filosofia transcendental numa correlação histórica e socialmente mediada entre linguagem e subjetividade, juntamente com uma dialética entre poesis e práxis.

On March 9th, 1985, Paul Ricoeur and Cornelius Castoriadis met at the studio of the France Culture “Le Bon Plaisir” radio broadcaster. In 2016, the transcript of their dialogue, their only public debate, was published. This publication is significant not only because it highlights the points of convergence and divergence between the two prominent thinkers, but also because the issues they discuss: the relation between society and history, tradition and creativity, imagination and collective action, are relevant to the philosophical (...) and political discourse of our time. (shrink)

Indagando a possibilidade e o sentido de uma poética do eu, será nosso objetivo clarificar, a partir do contributo incontornável do filósofo francês Paul Ricœur, de que forma o texto poéticose assume como uma mediação fundamental da compreensãodo si, bem como da sua configuração e refiguração enquanto um si mesmo. Neste sentido, atentaremos especialmente nas obras Temps et Récit (1983‑85) e Soi-Même Comme un Autre (1990), fulcrais para entendermos a relação que o filósofo tece entre narrativa, tempo e (...) identidade, mais especificamente a importância da mediação narrativa para a superação das apo‑rias ligadas às experiências humanas da temporalidade e da construção identitária. Gravitaremos, neste contexto, em torno da noção seminal de identidade narrativa –enquanto ponto de mediação entre uma identidade idem e uma identidade ipse. (shrink)

[Presented at the 52nd Annual Conference of the Society for Phenomenology and Existential Philosophy (SPEP), University of Oregon, 24-26 October. Part of the panel Events, Actions and the Problem of Agency in the Wake of Deleuze’s Logic of Sense, organized in collaboration with Sean Bowden and James Williams.] In this paper I will bring the positions of Gilles Deleuze and Paul Ricoeur into proximity with each other in order to draw out points of conflict. I do not aim to (...) solve these conflicts, nor to develop them into a full clash. Rather, I will show that both Ricoeur and Deleuze develop a theory of novelty that can be characterized as a reversal of Platonism. These theories are not opposed per se, but they differ in orientation. Deleuze situates novelty in the virtual event. This virtual event can be understood as a singular point of transition that transforms one system into another. Or to catch the event in a somewhat more concrete image, it is a kind of metamorphosis (in Kafka’s sense). In contrast, Ricoeur situates novelty in human actions that are played out as a fruitful tension between two poles. This tension opens up a field of potentiality in which new ideas and novel meanings can emerge. Ricoeur has analysed this tension on many levels. Its most basic structure can be found in what Ricoeur calls a living metaphor. This living metaphor is itself something ‘in action’; it brings two opposed semantic fields into a fruitful tension with each other. This tension reveals a previously unnoticed proximity between these two semantic fields, without destroying their distance. In this way a new, third semantic field is opened up that is only given in potential. Ricoeur argues that it is within tensions like this that generative differences arise, resulting in new ideas and novel meanings. The main point of divergence between Deleuze and Ricoeur can therefore be framed in two contrasting pairs: virtual event versus human action; point of transition versus tension (or: metamorphosis versus metaphor). (shrink)

Paul Ricoeur (1913 – 2005) développe une réflexion dense autour de la polysémie de la reconnaissance. Celle-ci se révèle un parcours transformateur. Les soins palliatifs concernent les soins dans ce stade d’ultime vulnérabilité face à la mort prochaine. La reconnaissance peut trouver sa juste place en soins palliatifs. Elle soutient là cet art fragile des soins, mais encore, achemine vers la guérison le sujet blessé, parfois en crise existentielle face à cette menace de la mort, pourtant inscrite tôt ou (...) tard dans sa condition d’homme. (shrink)

The trajectory of Paul Ricoeur’s thought from the fallible to the capable human person offers a hopeful vision of human nature constitutive of our shared political life. Yet, by necessity, hope arises in response to the tragic, which also features in Ricoeur’s work at the existential and ethical levels. At the same time hope and tragedy represent concepts at the limit of philosophical reasoning, introducing meeting points with religious discourse. Exploring those meeting points reveals the contribution of religious thinking (...) to the understanding of hope and tragedy and establishes Ricoeur’s political thinking as ultimately shaped by their interplay. (shrink)

This review shows how Pierre Gisel's comments on Ricoeur are redundant; how Graham Ward gets Ricoeur's understanding of evil clearly; but then it goes on to show how both Gisel and Ward do not understand/mention the influence of St. Paul and Jürgen Moltmann on Ricoeur.

Detendo-se no pecado enquanto construção histórico-cultural e sociorreligiosa em um processo que encerra os seus aspectos mítico-religiosos, o artigo assinala que o conceito que expressa a sua noção guarda raízes nas fronteiras envolvendo o fracasso humano no sentido de corresponder ao arcabouço paradigmático e o seu sistema de tabus, leis e códigos morais. Dessa forma, convergindo para os aspectos etimológico-literários e bíblico-religiosos do pecado, o artigo sublinha que, encerrando o sentido de errar o alvo, a tradução do referido termo como (...) “pecado” mantém correspondência com a transposição textual instaurada pela versão Septuaginta em um movimento de abstração da noção de culpa moral. Baseado na leitura dos aspectos filosófico-teológicos do pecado em Paul Ricoeur, o artigo sublinha que o pecado não consiste em um termo capaz de esgotar o sentido da realidade que implica como símbolo da ruptura entre essência e existência, convergindo para a sua caracterização como símbolo do mal e “grandeza mítica” através de uma construção que assinala o pecado enquanto intersecção envolvendo o mal e o mundo e atribui a sua emergência ao ato e determina a sua identificação como produto e simultaneamente causa. Assim, detendo-se nos aspectos bíblico-teológicos do pecado em Paul Tillich e na construção do conceito como alienação entre a “não-fé” e o “não-amor”, o artigo enfatiza o caráter irredutível da concepção que, segundo o Apóstolo Paulo, encerra a condição de um poder quase pessoal que controla este mundo, o que implica a sobreposição de um estado de coisas caracterizado pela objetividade e a configuração do acontecimento ora designado como ruptura envolvendo essência e existência em um movimento que possa representar a separação humana do “Ser-em-Si” e expressar o elemento de responsabilidade pessoal imbricado em sua dinâmica existencial. (shrink)

El documento expone los antecedentes sugeridos por Paul Ricoeur sobre lo que podría denominarse “la polémica epistemológica en ciencias sociales”, referidos a la formulación de un método legítimo para la investigación en dichas ciencias que responda a las particularidades propias de su objeto de estudio. En este sentido, se rastrea la cuestión en la tradición hermenéutica romántica, concretamente en el pensamiento de Wilhelm Dilthey, pasando por la teoría estructural de estudio del texto escrito y la formulación de una teoría (...) de la acción anglosajona, para finalmente terminar en la ricoeurtiana consideración hermenéutica de la acción significativa, que asume al texto como paradigma y propuesta de superación de los escollos en torno a la referida polémica. (shrink)

Reacting against the turn to transcendence that heavily characterized the medieval worldview, the modern worldview is fundamentally exemplified by a threefold turn to immanence, consisting of a subjective turn, a linguistic turn and an experiential turn. Language plays a pivotal role here since it mediates between the subjective and the experiential. Ricoeur’s treatment of metaphor, significantly laid out in his The Rule of Metaphor, is crucial in bringing about this linguistic turn that mediates the subject and its experience of the (...) world. Through an analysis of “seeing as” as a poietic reconfiguration of reality in the subject’s experience, language transforms and founds the world as a “being as.” What is disclosed in this interpretative transformation of reality is not simply an hermeneutical ontology but possibly—also through language—an hermeneutical axiology. (shrink)

In Gaudium et Spes, the Catholic Church describes marital discernment as the married couple’s “common reflection and effort… [that] involves a consideration of their own good and the good of their children” and also as “an estimation of the good of the family… [that necessitates] prudent reflection and common decision.” With this description, we can say that the Catholic Church expects and desires married couples to resolve marital and family conflicts by coming together in discernment. And yet, how should married (...) couples discern? How should they exercise marital discernment? Since one cannot just go on discerning blindly without minding some rules, without following some basic steps, Ricoeur would emphasize that “discernment calls for a hermeneutics.” But how should hermeneutics be integrated into the process of marital discernment? This paper makes an attempt to integrate hermeneutics into the process of marital discernment by drawing some key principles from Paul Ricoeur’s hermeneutic phenomenology and Karol Wojtyła’s phenomenology of spousal love. In so doing, this paper considers how the dynamics of marital discernment can be rendered more balanced, and hence more effective, in attaining conflict resolution within the family. (shrink)

Detendo-se no pecado enquanto construção histórico-cultural e sociorreligiosa em um processo que encerra os seus aspectos mítico-religiosos, o artigo assinala que o conceito que expressa a sua noção guarda raízes nas fronteiras envolvendo o fracasso humano no sentido de corresponder ao arcabouço paradigmático e o seu sistema de tabus, leis e códigos morais. Dessa forma, convergindo para os aspectos etimológico-literários e bíblico-religiosos do pecado, o artigo sublinha que, encerrando o sentido de errar o alvo, a tradução do referido termo como (...) “pecado” mantém correspondência com a transposição textual instaurada pela versão Septuaginta em um movimento de abstração da noção de culpa moral. Baseado na leitura dos aspectos filosófico-teológicos do pecado em Paul Ricoeur, o artigo sublinha que o pecado não consiste em um termo capaz de esgotar o sentido da realidade que implica como símbolo da ruptura entre essência e existência, convergindo para a sua caracterização como símbolo do mal e “grandeza mítica” através de uma construção que assinala o pecado enquanto intersecção envolvendo o mal e o mundo e atribui a sua emergência ao ato e determina a sua identificação como produto e simultaneamente causa. Assim, detendo-se nos aspectos bíblico-teológicos do pecado em Paul Tillich e na construção do conceito como alienação entre a “não-fé” e o “não-amor”, o artigo enfatiza o caráter irredutível da concepção que, segundo o Apóstolo Paulo, encerra a condição de um poder quase pessoal que controla este mundo, o que implica a sobreposição de um estado de coisas caracterizado pela objetividade e a configuração do acontecimento ora designado como ruptura envolvendo essência e existência em um movimento que possa representar a separação humana do “Ser-em-Si” e expressar o elemento de responsabilidade pessoal imbricado em sua dinâmica existencial. (shrink)

Detendo-se no pecado em Pelágio como possibilidade enquanto exercício da liberdade e responsabilidade individual, o artigo assinala a defesa da neutralidade envolvendo a criação do ser humano e a sua capacidade para o bem e o mal, sublinhando a liberdade da vontade e a sua absoluta indeterminação, o que atrela o pecado à escolha. Dessa forma, o texto mostra o pecado em Agostinho como fato e ato enquanto liberdade, responsabilidade e culpa pessoal, na medida em que o ser humano é (...) constituído enquanto tal em estado de santa inocência em um processo que atribui ao pecado a condição de um produto da escolha humana através do exercício de sua liberdade e plena consciência, convergindo para um acontecimento que, baseado na atitude de Adão, impõe a sua posteridade a condição de absoluta depravação e inescapável culpa. Assim, examinando o pecado como símbolo racional entre Pelágio e Agostinho segundo Paul Ricoeur, a pesquisa afirma a necessidade de um processo que seja capaz de desconstruir o conceito em função da emergência da intenção ortodoxa enquanto sentido reto e eclesial. (shrink)

This article presents Paul Ricœur’s hermeneutic of the productive imagination as a methodological tool for understanding the innovative social function of texts that in exceeding their semantic meaning, iconically augment reality. Through the reasoning of Rastafari elder Mortimo Planno’s unpublished text, Rastafarian: The Earth’s Most Strangest Man, and the religious and biblical signification from the music of his most famous postulate, Bob Marley, this article applies Paul Ricœur’s schema of the religious productive imagination to conceptualize the (...) metaphoric transfer from text to life of verbal and iconic images of Rastafari’s hermeneutic of word, sound and power. This transformation is accomplished through what Ricœur terms the phenomenology of the iconic augmentation of reality. Understanding this semantic innovation is critical to understanding the capacity of the religious imagination to transform reality as a proclamation of hope in the midst of despair. (shrink)

This study aims at assessing the meaning and the extent of the possible relationship between philosophy and literature in and from two significant contemporary thinkers, Maurice Blanchot and Paul Ricoeur. -/- Based on the assumption that both represent the human effort of touching and configuring an essential bottom which seems to escape an immediate seizure – although it is generally considered that philosophy does it through the conceptual/critical discourse and literature through the metaphorical/poetic discourse – the key problem we (...) wish to answer is to know, in that attempt, whether the mentioned activities can or must come close, especially the first in relation to the second. Such problem inevitably disseminates itself in a set of questions which we propose ourselves to think by having the mentioned authors as a starting point: can literature, in its specificity, open new possibilities of expression or mediation of a being or a neuter which precedes us and, therefore, assume itself as a privileged locus for (the calling for) philosophical reflection? Is it philosophically desirable, or even inevitable, a proximity to literature? Or, more radically, is the defense of a clear separation between philosophy and literature sustainable? In that sense, the essay is divided in three moments: in the first, we clarify the conceptions of the language, of the written text and of the relation author-work-reader from which the authors go from; in the second, we intend to think about how the poetic text opens new possibilities of expression or mediation due to its own world and devices; lastly, we will assess more thoruoghly the meaning and the extent that the relation philosophy-literature acquires in each of the proposals. -/- Although they share a few assumptions, our authors’ perspectives will display different concerns or impulses – one we shall call retrospective and another we shall call prospective – which will lead us to different answers. (shrink)

This paper is an attempt to bring together the convergent elements in J.L. Austin’s and Paul Ricoeur’s philosophies of language. Though a number of studies have already claimed that Ricoeur has in some ways been influenced by Austin, to date, not a single study has been made that exclusively focuses on the interrelatedness between Austin’s and Ricoeur’s philosophies of language. Thus, in this paper, I will start with a general exposition of the philosophical connection between Austin and Ricoeur. I (...) will then show how Austin and Ricoeur define and also understand the nature of words, the central component of every language. I will next explore the interplay of meaning and hermeneutics through a detailed discussion of the Speech Acts Theory (Austin) and the Hermeneutics of Symbols (Ricoeur). Afterward, I will argue that in Austin and Ricoeur, words, meaning, and hermeneutics constitute the art of making sense of things and of interpreting certain aspects and features of language. (shrink)

Detendo-se no pecado em Pelágio como possibilidade enquanto exercício da liberdade e responsabilidade individual, o artigo assinala a defesa da neutralidade envolvendo a criação do ser humano e a sua capacidade para o bem e o mal, sublinhando a liberdade da vontade e a sua absoluta indeterminação, o que atrela o pecado à escolha. Portanto, atribuindo à vontade a condição de locus da instauração da experiência ético-lógico existencial envolvendo o exercício da liberdade, Pelágio se contrapõe a tese do pecado original (...) enquanto herança psico-biológica, intelecto-afetiva e volitivo-consciencial transmitida pelo arquétipo humano em Adão para a sua descendência. Dessa forma, assinalando a vontade como a causa do pecado em um movimento que converge para encerrar a sua imputação ao agente enquanto detentor da vontade em exercício, o texto mostra que Agostinho afirma, paradoxalmente, a tendência humana para a prática do mal como resultante da herança adâmica, que impõe a sua posteridade a condição de absoluta depravação e inescapável culpa, na medida em que o ser humano é constituído enquanto tal em estado de santa inocência em um processo que atribui ao pecado a condição de um produto da escolha humana através do exercício de sua liberdade e plena consciência. Finalizando, a pesquisa examina o pecado como símbolo racionalentre Pelágio e Agostinho segundo Paul Ricoeur, que afirma a necessidade de um processo que seja capaz de desconstruir o conceito em função da emergência da intenção ortodoxa enquanto sentido reto e eclesial. (shrink)

Al correlacionar el aspecto histórico de la Escritura y su estatus como logos, Rudolf Bultmann introduce un procedimiento exegético-hermenéutico basado en la investigación histórico-crítica de la Escritura e impone, a su vez, la interpretación del logos como kerigma en un proceso que involucra las posibilidades de conocimiento presentes en un determinado contexto histórico-cultural y que conduce a la necesidad de corresponder a la cosmovisión de la época actual. Así, a partir del análisis crítico de Paul Ricoeur, el artículo se (...) centra en la desmitologización como distinción entre kerigma y mito en un movimiento que se solapa con el artificio mitológico y converge en el cuestionamiento de su significado original a través de un proceso que, al fin y al cabo, requiere su permanencia bajo el horizonte de la interpretación. El artículo señala que Ricoeur muestra que Bultmann prescinde de la reflexión que involucra al lenguaje lato sensu como objeto, superponiendo el lenguaje de la fe al lenguaje del mito en un movimiento que, aunque pretendiendo suplantar al sacrificium intellectus, finalmente converge hacia un construcción que tiende a exigir el sacrificium intellectus en las fronteras de la desmitologización y en el lenguaje de la fe que interviene en su proceso. (shrink)

This article shows that Paul Ricoeur and Carol Gilligan develop their theories of the self by borrowing critically from Freudian aesthetics, adding an ethical dimension missing in it. Ricoeur critiques, completes and endorses the Freudian interpretation of the Oedipus, while Gilligan rejects it, since she considers it distorted by patriarchal ideology. Both are reclaiming the Freudian theory of culture by focusing on what Freud called the «life drive» as opposed to the «death drive». But Ricoeur does not pay the (...) same attention as Gilligan to patriarchal ideology conveyed by Greek tragedies. Thus, his ethics remains deeply rooted in the language of the tragic conflict (Oedipus, Antigone), while Gilligan’s ethics seeks to renew the language of pleasure (Cupid and Psyche). -/- ----------- Cet article montre que Paul Ricœur et Carol Gilligan développent leurs théories du soi en puisant de manière critique à l’esthétique freudienne, y ajoutant la dimension éthique manquante. Si Ricœur critique, complète et entérine l’interprétation freudienne de l’Œdipe, Gilligan se distingue davantage de Freud, qu’elle juge biaisé par l’idéologie patriarcale. Tous deux se réapproprient la théorie freudienne de la culture en mettant l’accent sur ce que Freud appelait la «pulsion de vie» par opposition à la «pulsion de mort». Mais comme Ricœur n’accorde pas la même attention que Gilligan à l’idéologie patriarcale véhiculée par les tragédies grecques, son éthique reste profondément enracinée dans le langage du conflit tragique (Œdipe, Antigone), alors que celle de Gilligan cherche à renouveler le langage du plaisir (Cupidon et Psyché). (shrink)

This article approaches the reflections of Paul Ricoeur regarding testimony to befound in his work Memory, History,Forgetting. Through reading of this work, we pos-tulate the idea that to consider others as readers or spectators of our actions forms animportant part of the construction of human subjectivity. The thesis that subjectivityarises as a discourse towards the other is proposed here, inasmuch as human experi-ences are transmitted narratively in the form of testimony, which stands as an examplefor the understanding of the (...) experiences of the past. (shrink)

Nonviolent movements mainly characterized by not taking part in and resist-ing violent practices developed no multiple levels have had a significant contribution inputting an end to wars and oppressive systems. However, it is worth asking whether theyhave, consequently, contributed to the construction of peace. This article, centered onGandhi, reflects upon the general contribution of nonviolence for historical changes ar-ticulated through Paul Ricoeur’s critique and interpretation of the influence of these move-ments in the intricate relationship between politics and violence. -/- (...) . (shrink)

La pesquisa pretende analizar las principales tesis presentes en el pensamiento de Paul Ricœur y Emmanuel Lèvinas, a propósito de la muerte y, a partir de sus postulados, establecer un diálogo del cual emerjan desavenencias y concomitancias respecto al tema.

Focusing on sin as a historical-cultural and socio-religious construction in a process that encompasses its mythical-religious aspects, the article points out that the concept that expresses its notion is rooted in the borders involving human failure to correspond to the paradigmatic framework and its system of taboos, laws and moral codes. Thus, converging on the etymological-literary and biblical-religious aspects of sin, the article emphasizes that, by ending the meaning of missing the mark, the translation of the aforementioned term as “sin” (...) corresponds to the textual transposition established by the Septuagintversion in a movement of abstraction from the notion of moral guilt. Based on Ricoeur's reading of the philosophical-theological aspects of sin, the article that points out that sin is not a term capable of exhausting the meaning of reality that it implies as a symbol of the rupture between essence and existence, converging to its characterization as a symbol of eviland “mythical grandeur” through a construction that marks sin as an intersection involving evil and the world and attributes its emergence tothe act and determines its identification as a product and simultaneously a cause. Thus, focusing on the biblical-theological aspects of sin in Tillich and on the construction of the concept as an alienation between “non-faith” and “non-love”, the articleemphasizes the irreducible character of the conception that, according to the Apostle Paul, encloses the condition of an almost personal powerthat controls this world, which implies the superposition of a state of affairs characterized by objectivity and the configuration of the event now designated as a rupture involving essence and existence in a movement that may represent the human separation from the “Being-in-itself” and expressing the element of personal responsibility imbricated in its existential dynamics. (shrink)

Language is the repository of meaning which emerges from human experience. From this ground of experience, presuppositions affecting how a person understands him- or herself, others, and the world around him, arise. For Ricoeur, the function of language must be examined to situate better the human person as having the capacity to say something. All meaning is realized and communicated in language as discourse. Whether written or oral, discourse always offers an opening of a new perspective to anyone who can (...) read, listen, and communicate. For this reason, language is through and through hermeneutical because it is the medium through which sense and meaning are passed on, either through the event of speaking or of the written text. (shrink)

A collaborative article by the Editorial Collective of Social Imaginaries. Investigations into social imaginaries have burgeoned in recent years. From ‘the capitalist imaginary’ to the ‘democratic imaginary’, from the ‘ecological imaginary’ to ‘the global imaginary’ – and beyond – the social imaginaries field has expanded across disciplines and beyond the academy. The recent debates on social imaginaries and potential new imaginaries reveal a recognisable field and paradigm-in-the-making. We argue that Castoriadis, Ricoeur, and Taylor have articulated the most important theoretical frameworks (...) for understanding social imaginaries, although the field as a whole remains heterogeneous. We further argue that the notion of social imaginaries draws on the modern understanding of the imagination as authentically creative. We contend that an elaboration of social imaginaries involves a significant, qualitative shift in the understanding of societies as collectively and politically-instituted formations that are irreducible to inter-subjectivity or systemic logics. After marking out the contours of the field and recounting a philosophical history of the imagination, the essay turns to debates on social imaginaries in more concrete contexts, specifically political-economic imaginaries, the ecological imaginary, multiple modernities and their inter-civilisational encounters. The social imaginaries field imparts powerful messages for the human sciences and wider publics. In particular, social imaginaries hold significant implications for ontological, phenomenological and philosophical anthropological questions; for the cultural, social, and political horizons of contemporary worlds; and for ecological and economic phenomena. The essay concludes with the argument that social imaginaries as a paradigm-in-the-making offers valuable means by which movements towards social change can be elucidated as well providing an open horizon for the critiques of existing social practices. (shrink)

This paper argues that Paul Ricoeur’s hermeneutical philosophy attempts to reopen the question of human transcendence in contemporary terms. While his conception of language as self-transcending is deeply Husserlian, Ricoeur also responds to the analytical challenge when he deploys a basic distinction in Fregean logic in order to clarify Heidegger’s phenomenology of world. Ricoeur’s commitment to a transcendental view is evident in his conception of narrative, which enables him to emphasize the role of the performative in literary reading. The (...) meaning of the self in time provides Ricoeur with a discursive basis for distinguishing his own position from that of Kant and other philosophers in the transcendental tradition. (shrink)

This contribution offers an analysis of the essays gathered and published by François Courtine in 1992 (Phénoménologie et Théologie), and authored by Jean-Louis Chrétien, Michel Henry, Jean-Luc Marion, and Paul Ricoeur. Attention is paid to the possibility of investigating the phenomena of the ‘religious sphere’, by taking into account the historical-cultural context typical of contemporary society, the role of art, and the problem of intersubjectivity. -/- .

Of the theologians and philosophers now writing on biblical narrative, Hans Frei and Paul Ricoeur are probably the most prominent. It is significant that their views converge on important issues. Both are uncomfortable with hermeneutic theories that convert the text into an abstract philosophical system, an ideal typological structure, or a mere occasion for existential decision. Frei and Ricoeur seem knit together in a common enterprise; they appear to be building a single narrative theology. I argue that the appearance (...) of symmetry is an illusion. There is a fundamental conflict between the ‘pure narrativism’ of Frei and the ‘impure narrativism’ of Ricoeur. I give reasons for thinking that Ricoeur’s is the stronger position. (shrink)

Traditionally, the ideas of “intuitive” and “discursive” forms of understanding have been seen as near opposites. Whereas an intuitive understanding could have a direct grasp of something, a discursive understanding would always depend on what is given to it, as mediated by concepts. In this essay, I suggest that Paul Ricoeur’s conception of analogy presents a way of overcoming this opposition. For Ricoeur, an analogy works within discursive understanding, but it depends on an eventful insight that leads beyond what (...) is merely given in discourse. The analogy “gives more” for thought. Yet, as I argue, what analogy gives for thought is always explicable in conceptual terms: any intuitive understanding is commensurate with a discursive one. I illustrate Ricoeur’s mediation of discursive and intuitive understanding in particular with his conception of metaphor, which vividly depends on overcoming a discursive contradiction by analogical and intuitive means. Before introducing Ricoeur’s conception, I discuss the Kantian background of the intuitive/discursive distinction. In particular, I suggest how Goethe’s attempt to revitalize a notion of intuitive understanding can be compared to Ricoeur’s conception, though Ricoeur improves upon Goethe by grounding intuition in the specific phenomenon of analogy. (shrink)

English title: Ricoeur and Derrida — the Heritage of Death. In this article the author juxtaposes two different attempts of defending life against Heidegger’s horizon of death (Sein zum Tode) (the survie (survival) of Jacques Derrida and the “Living up to Death” of Paul Ricoeur). Their false proximity introduces a new insight into the discussion about the paradoxical positiveness of deconstruction. Ricoeur’s concept of life makes impossible the understanding of deconstruction as faithfulness to the other not in his identity, (...) but precisely in his otherness. (shrink)

Presents Ricoeurs theory of metaphor as an attempt to give a conceptual analysis of metaphor and discusses various criticisms.

In reaching his narrative view of the self in Oneself as Another, Paul Ricoeur argues that, while literature offers revealing insights into the nature of the self, the sort of fictions involving brain transplants, fission, and so on, that philosophers often take seriously do not (and cannot). My paper is a response to Ricoeur's charge, contending that the arguments Ricoeur rejects are not flawed in the way he suggests, and that his own arguments are sometimes guilty of the very (...) charges he lays at the door of his opponents. (shrink)

Paul Ricoeur argues that narration is lived life. Therefore, human experience has a narrative dimension, ie, it has a narrative structure and every effort you want to make for the human need to consider the narrative. For this reason, the text theory is converted to Ricoeur in a general model for the study of human action, since this is conceived as an open work to anyone who can read it. Given this general framework for discussion, we have deepened the (...) notion of the patient as “text”, and described their richness for reflection of bioethics and medical act, rescuing the value of listening, prudence, responsibility and rediscovering a place for the principle of autonomy and casuistry. -/- Paul Ricoeur sostiene que la narración es vida vivida. Por lo tanto, la experiencia humana posee una dimensión narrativa, es decir, tiene una estructura narrativa y todo esfuerzo que quiera dar cuenta de lo humano tendrá que contar con lo narrativo. Por esta razón, la teoría del texto se convierte para Ricoeur en un modelo general para el estudio de la acción humana, pues esta es concebida como una obra abierta a cualquiera que pueda leer. Teniendo en cuenta este marco general de reflexión, hemos profundizado en la noción del paciente como “texto”, y describimos su riqueza para la reflexión de la bioética y el actuar médico, rescatando el valor de la escucha, la prudencia, la responsabilidad y redescubriendo un lugar para el principio de autonomía y la casuística. (shrink)

Po II wojnie światowej Paul Ricoeur podjął sie nauczania filozofii w Collège Cévenol w wiosce Chambon-sur-Lignon, gdzie napisał swój doktorat poświęcony fenomenologicznej analizie woli. Przejęte od Milana Kundery paradoksalne pojęcie „mądrości niepewności”, zastosowane do dzieła Ricoeura jako całości naświetla specyfikę jego wkładu w rozwój hermeneutyki filozoficznej XX wieku.

Cette recherche se concentre sur la problématique de la méthode dans l’herméneutique ricœurienne et sa relation étroite avec les sciences humaines et sociales. Cette problématique concerne aussi bien l’herméneutique ricœurienne des symboles et des signes, que les théories du texte, de l’action et de l’histoire. Notre recherche vise premièrement à analyser la dialectique que Ricœur s’efforce d’établir, aussi bien dans l’herméneutique que dans les sciences humaines et sociales, entre des approches explicatives et des approches compréhensives, entre l’herméneutique du soupçon (...) et l’herméneutique de la foi, entre l’archéologie et la téléologie, et particulièrement entre la compréhension et l’explication. Deuxièmement, tout en analysant la relation entre la compréhension, l'explication et l'interprétation, la recherche propose une herméneutique du discours oral, en général, et du dialogue, en particulier. L'herméneutique proposée dans cette recherche dépasse relativement l'herméneutique de Ricœur qui exclut explicitement le discours oral de son herméneutique. Toutefois, elle est également considérée comme une extension de l'herméneutique ricœurienne, car elle est fondée sur son paradigme du texte et celui de la traduction. La recherche suggère que le paradigme ricœurien de la traduction peut être considéré, à la fois, comme le paradigme principal de l'herméneutique proposée du discours oral, d’un côté, et comme le troisième paradigme de l'herméneutique ricœurienne, de l’autre côté, tout en sachant que le paradigme du symbole et celui du texte sont considérés respectivement comme le premier et le second paradigme de cette herméneutique. ..................... This thesis focuses on the problem of method in the hermeneutics of Paul Ricœur and its close relationship with the human and social sciences. The problem of method is discussed in Ricœur’s hermeneutics of symbols and signs and his hermeneutics of text and of action. The thesis analyses Ricœur’s dialectics between explanatory method and comprehensive method, the hermeneutics of suspicion and the hermeneutics of faith, archaeology and teleology, and particularly between understanding and explanation. This dialectic was established by Ricœur in his work on the different theories of symbol, text, metaphor, action and history. While discussing the relationship between understanding, explanation and interpretation, the thesis proposes a hermeneutics of oral discourse in general and of dialogue in particular. The hermeneutics proposed in this thesis go beyond Ricœur’s hermeneutics which explicitly excludes spoken discourse. However, it is also considered as an extension of the hermeneutics of Ricœur since it is based on Ricœur’s paradigm of text and translation. Thus, in addition to Ricœur’s hermeneutic paradigm of symbol and of text, this thesis suggests that Ricœur’s paradigm of translation is the main paradigm of the proposed hermeneutics of oral discourse and can be considered as the third paradigm of Ricœur’s hermeneutics. (shrink)

The two volumes of _Maus_ composed by Art Spiegelman were the first graphic novels to be awarded the Pulitzer Prize. These volumes introduced a new genre of graphic novel in the form of comics. The present study examines the hierarchical content and subtexts of Maus and the unique presentation methods of comics. The researcher employed the concepts of “Threefold mimesis” proposed by the French philosopher Paul Ricoeur, to see how Maus interpretate the Jewish history of suffering in Holocaust and (...) the postmemory. Spiegelman is the icon of the graphic novel world, however, so far research on his work still seems to be rare in Taiwan. This study starts from Ricoeur’s Hermeneutics, hope to elucidate how the new model of contemporary autobiographical comic was created. (shrink)