We often encounter heated disputes about what constitutes good eating or the correct ways to cook particular meals or dishes. These disagreements presuppose that some methods of preparing and appreciating food, as well as the judgments about these activities, are better or worse, or more or less appropriate. This paper offers an exploratory analysis of such culinary disputes, focusing on the underlying reasons for these disagreements and their normative implications. We argue that while these disputes are aesthetic in nature, they (...) are rarely about taste alone. Instead, we propose that they may be addressed by appealing to the internal norms at play within specific culinary aesthetic practices. However, we identify two significant challenges to this approach. First, these internal norms often conflict, and their interdependence complicates attempts to resolve disputes by assigning varying degrees of justification to different norms. Second, many collective behaviors and attitudes within culinary practices may not qualify as full-fledged social norms, thereby weakening their normative force. (shrink)

Philosophers sometimes discuss cases of forgery and appropriation in art as similar but contrasting examples to understand issues relevant to the artistic value of artworks (Irvin 2005, Hick 2010). Something interesting about these cases is that both in forgeries and in ‘appropriation art’, we find works that can look very similar, and yet, deserve different value judgements or are actually evaluated differently. Moreover, despite the similarity of the cases, the philosophical analysis of what justifies different evaluations in the case of (...) forgeries and appropriation art provides different conclusions in each case. I propose a third contrasting example: a case of cultural (mis)appropriation exemplified by what I will call the Chiapas tote bag and a questionably fancier doppelgänger. (shrink)

Kendall Walton has recently claimed that the notion of fictionality is more fundamental and philosophically relevant than the distinction between (works of) fiction and (works of) non-fiction. In this chapter, I argue that one of the reasons why the latter distinction is important is precisely that it affects what turns out to be fictional or true in a representational work. This is specifically relevant for Walton’s view – many of the examples he uses to show that his (former) notion of (...) fictionality is flawed – those that are photographic in nature – depend on an implicit classification of those works as fiction or non-fiction. This being the case, even if it is true that the notion of fictionality is more fundamental than categorizing a work as fiction or non-fiction, the former depends partly on the latter. My second aim in this chapter is to clarify the consequences that Walton’s reconsidered view of fictionality has for his theory of pictorial representation. Paying attention to the examples he uses to argue for his new view on fictionality makes it clear that his account of depiction, despite being modelled on his notion of fictionality, is relevantly different from it. (shrink)

The recent proliferation of deepfakes and other digitally produced deceptive representations has revived the debate on the epistemic robustness of photography and other mechanically produced images. Authors such as Rini (2020) and Fallis (2021) claim that the proliferation of deepfakes pose a serious threat to the reliability and the epistemic value of photographs and videos. In particular, Fallis adopts a Skyrmsian account of how signals carry information (Skyrms, 2010) to argue that the existence of deepfakes significantly reduces the information that (...) images carry about the world, which undermines their reliability as a source of evidence. In this paper, we focus on Fallis’ version of the challenge, but our results can be generalized to address similar pessimistic views such as Rini’s. More generally, we offer an account of the epistemic robustness of photography and videos that allows us to understand these systems of representation as continuous with other means of information transmission we find in nature. This account will then give us the necessary tools to put Fallis’ claims into perspective: using a richer approach to animal signaling based on the signaling model of communication (Maynard-Smith and Harper, 2003), we will claim that, while it might be true that deepfake technology increases the probability of obtaining false positives, the dimension of the epistemic threat involved might still be negligible. (shrink)

Some stories generate in us a peculiar experience of intense narrative engagement. This common experience, which we call narrative immersion, has been the object of a vast literature in psychology and other disciplines. Philosophers, however, have only recently engaged with this topic and the tendency has been to explain it by postulating specific kinds of mental states. We propose a different approach, explaining narrative immersion by means of a particular distribution of attention over the content of ordinary mental states. First, (...) we provide a characterization of narrative immersion based on studies by psychologists and other theorists. Then, we discuss alternative views and develop our own proposal. We articulate how attention works as we engage with the narrative, and how the adequate distribution of attention over the mental states involved in understanding the storyworld can offer the resources to explain the characteristic features of narrative immersion. Unlike alternative proposals, ours avoids the need to postulate controversial mental states. (shrink)

Aristotelian conceptions of the good life are often criticized from several ethical positions, like G.E. Moore’s anti-naturalism or emotivism and prescriptivism. Aristotelians are accused of committing the naturalistic fallacy when they make a moral evaluation of features, actions, intentions and faculties of human beings. In this paper, I examine and refute AlfonsoGómez-Lobo’s strategy to reject that accusation; then, I propose another strategy and I argue that inclusivist Aristotelian conceptions of the good life could be freed from such criticism if they (...) appeal to the concept of “brute facts relative to” as proposed by G.E. Anscombe. (shrink)

La complejidad del mundo actual demanda de nuevas formas de pensar, diferentes a las convencionales. La educación exige cambios acelerados en la formación de los seres humanos. Cambios impredecibles que toman por sorpresa, quizá se está frente a una transformación en contextos geográficos, comunicación, convivencia con los ‘otros’; todo ello afectado por las transformaciones constantes. A la par de estas transformaciones, las grandes problemáticas sociales, ambientales, políticas, económicas continúan creciendo, no se logra alcanzar una sostenibilidad en el estilo de vida (...) de las sociedades. Es cierto que estamos en un mundo globalizado gracias a la Internet y a las Tecnologías de la Información y la Comunicación (TIC), por consecuente la información está al alcance de la mayoría de los seres humanos. Si el planeta está al frente de una globalización tecnológica, la educación también debe globalizarse, sin perder la identidad local. De ahí nace el desafío de reinventar los procesos de formación, direccionarlos hacia la transformación social, y al desarrollo de competencias profesionales básicas como el ‘aprender a vivir juntos’ bajo los cánones éticos que como civilización históricamente se practica. (shrink)

En esta entrevista, Rocío Hernández Arias explica la conceptualización de utopía y las subclasificaciones que se derivan de ella. Para ello, fue esencial precisar la orientación que ha tenido para poder discernir en cuanto al significado de estos postulados. En un primer instante, distingue sus respectivos campos semánticos y los arguye desde un recuento histórico. Por ejemplo, hace referencia a la utopía literaria, la utopía empírica y la utopía hispánica. Luego de diferenciarlos, comenta acerca de uno de sus hallazgos (...) relevantes, que es el poder haber auscultado el vínculo de la utopía con la libertad. Dicho de otro modo, para ella, es imprescindible detectar también la trabazón de literatura utópica con el movimiento libertario. Asimismo, aparte de la fundamentación que realiza sobre el término de utopía, será necesaria la alegación que le brinda a la noción de anarquía y cómo se desarrolla en la historia de Hispanoamérica. Es así como Hernández Arias logra dominar estas teorías y taxonomías para extrapolar sus conocimientos en otro tipo de discursos. A su vez, esto revela la constante confrontación que existirá entre múltiples disciplinas: la filosofía, la política, la historia, la literatura y la sociología. Por lo tanto, el aporte de esta entrevista se encuentra en la trascendencia que tienen las categorías multidisciplinarias en el decurso del tiempo y cómo estas se han incorporado en la ideología perenne de los ciudadanos. (shrink)

Mimesis can refer to imitation, emulation, representation, or reenactment - and it is a concept that links together many aspects of ancient Greek Culture. The Western Greek bell-krater on the cover, for example, is painted with a scene from a phlyax play with performers imitating mythical characters drawn from poetry, which also represent collective cultural beliefs and practices. One figure is shown playing a flute, the music from which might imitate nature, or represent deeper truths of the cosmos based upon (...) Pythagorean views (which were widespread in Western Greece at the time). The idea that mimesis should be restricted to ideals was made famous by Plato (whose connections to Pythagoreanism and Siracusa are well-known), and famously challenged by his student Aristotle (not to mention by the mimetic character of Plato’s own poetry). This volume gathers essays not only on the philosophical debate about mimesis, but also on its use in architecture, drama, poetry, history, music, ritual, and visual art. The emphasis is on examples from Hellenic cities in Southern Italy and Sicily, but the insights apply far beyond – even to modern times. Contributors include: Thomas Noble Howe, Francisco J. Gonzalez, Gene Fendt, Guilherme Domingues da Motta, Jeremy DeLong, Carolina Araújo, Marie-Élise Zovko, Lidia Palumbo, Sean Driscoll, Konstantinos Gkaleas, Anna Motta, Jure Zovko, Alexander H. Zistakis, Christos C. Evangeliou, Dorota Tymura, Iris Sulimani, Elliott Domagola, Jonah Radding, Giulia Corrente, Laura Tisi, Ewa Osek, Argyri G. Karanasiou, Rocío Manuela Cuadra Rubio, Jorge Tomás García, Aura Piccioni, and José Miguel Puebla Morón. (shrink)

El objetivo de este trabajo consistió en establecer las bases metodológicas fundamentales de la concepción marxista de los valores al nivel que ellas se encontraban elaboradas por el autor a la altura de 1987. Esto se hace en contraposición crítica con diferentes teorías axiológicas no-marxistas occidentales y también con respecto a otros autores de inspiración marxista.