Ecosemiotics is the study of sign processes (semioses) in relation to the natural environment in which they occur. The paper examines the cultural, biological, and evolutionary dimensions of ecosemioses on the basis of C. S. Peirce's theory of continuity between matter and mind and investigates the ecosemiotic dimensions of natural signs. Ecosemiotics and the semiotics of nature are distinguished from pansemiotism, and the coevolution of sign processes with their natural enviromnent is discussed as a determining factor of ecosemiosis.

Lady Gaga’s celebrity DNA revolves around the notion of monstrosity, an extensively researched concept in postmodern cultural studies. The analysis that is offered in this paper is largely informed by Deleuze and Guattari’s notion of monstrosity, as well as by their approach to the study of sign-systems that was deployed in A Thousand Plateaus. By drawing on biographical and archival visual data, with a focus on the relatively underexplored live show, an elucidation is afforded of what is really monstrous about (...) Lady Gaga. The main argument put forward is that monstrosity as sign seeks to appropriate the horizon of unlimited semiosis as radical alterity and openness to signifying possibilities. In this context it is held that Gaga effectively delimits her unique semioscape; however, any claims to monstrosity are undercut by the inherent limits of a representationalist approach in sufficiently engulfing this concept. Gaga is monstrous for her community insofar as she demands of her fans to project their semiosic horizon onto her as a simulacrum of infinite semiosis. However, this simulacrum may only be evinced in a feigned manner as a (dis)simulacrum. The analysis of imagery from seminal live shows during 2011–2012 shows that Gaga’s presumed monstrosity is more akin to hyperdifferentiation as simultaneous employment of heterogeneous and potentially dissonant inter pares cultural representations. The article concludes with a problematisation of audience effects in the light of Gaga’s adoption of a schematic and post-representationalist strategy in the event of her strategy’s emulation by competitive artists. (shrink)

O objetivo deste capítulo é analisar o conceito de informação como uma ação significativa em sistemas complexos adaptativos. A comunicação e a linguagem são vistas como sistemas complexos por Maturana & Varela (1994), cuja principal característica é a auto-organização. Para estes autores, a comunicação é literalmente o conjunto de ações comuns em um coletivo de agentes. Sob uma vertente enativa semiótica, decidimos então: 1. Replicar resultados de convergência léxica e ampliar os resultados obtidos por Loula et al. (2003) e Loula (...) (2004); 2. Para isso, foi concebido e implementado o SIMPS - Simulador de Processos Semióticos; e 3. Analisar o conceito de informação como ação significativa, isto é, como ações envolvidas em processos semióticos, cujos significados se encontram nos usos coletivos das palavras e expressões de jogos de linguagem. Apesar de entendermos que nem toda informação é adaptativa, buscamos gerar informações passíveis de trazer vantagens adaptativas para grupos de agentes. Nosso modelo de simulação aponta, dentre outros resultados, que informações falsas podem ser mais prejudiciais do que informação alguma. (shrink)