Although the tradition of the Buddhist logic in India had been developed through the debates with non-Buddhists, that in pre-modern Japan hardly had such experiences. The applications of inmyō were limited to the disputes between the Hossō school (Japanese transmission of Yogācāra school) and another Buddhist schools. During the rapid modernization and westernization after the Meiji restoration, however, Buddhist logicians also encountered the non-Buddhist cultures including the deductive and inductive logics, Christianity, democracy and republicanism imported from Western countries. A part (...) of them, such as Kira Kōyō, regarded inmyō as useful for the democratic discussion, and promoted it to the politicians and the legal professionals. Their introductory books about inmyō included many sample expressions which criticized the existence of God and the authenticity of republicanism, as well as the unequal treaties forced by Europe and America. In spite of those efforts, inmyō did not become popular in modern Japan. In addition, it also lost the scholars' interest in the twentieth century, because of the introduction of the scriptures of Indian logic in Sanskrit and Tibetan. But the inmyō studies in Meiji period should not be ignored, since they were regarded not only as one of the intellectual refutations to the West in East Asia, but also as the previous researches which were studied by East Asian scholars of the Buddhist logic. (shrink)

In modern zoos, enrichment programs have become a standard part of animal care routines. Although 'higher' primates usually receive complex enrichment programs, encompassing many types of enrichment, these are less common for prosimians. These animals often largely receive food-based enrichment, as was previously the case at Auckland Zoo, where the ring-tailed lemur enrichment schedule contained only three different items, all food-related. Lemurs tend to be considered less curious and quick to learn than other primates, as well as being less manually (...) dextrous, and for these reasons can be overlooked for complex enrichment. However, they have strong sensory abilities, in particular an acute sense of smell (Sauther et al 1999). This paper describes an enrichment program designed for the lemurs at Auckland Zoo with the aim of stimulating all senses. (shrink)

The outbreak of SARS-CoV-2 has exposed a shared condition of vulnerability on a global scale. How can we use vulnerability as an effective paradigm in order to foster collective political initiatives? This essay claims that the idea of care is key to understand the vulnerability framework as being both an epistemic and a political resource to address ethical issues. The first half of the essay recollects several arguments in Adriana Cavarero’s and Judith Butler’s most recent works, insofar as both theorists (...) have insisted on the notion of vulnerability in order to interpret contemporary political mobilizations. The second part of the essay retraces a constellation of practices of care in the works of several Black and decolonial feminist thinkers situated in different socio-political contexts. Whereas for Christina Sharpe and Saidiya Hartman the focus is on the matter of Blackness and Black lives in their constitutive vulnerability, both Cristina Rivera Garza’s and Sayak Valencia’s works remarkably insist on the specific socio-political context of today’s Mexico. These authors urge the readers to adopt a critical posture when encountering official narratives, also because in their texts they exhibit their own vulnerability. For them, writing, their writing is an ethical demand to imagine alternatives and to foster new entanglements between bodies persisting on the margins, at the limits of the norms that regulate legibility. (shrink)

Speciale V centenario "Utopia" di Tommaso Moro (1616-2016). Bruno,Moro e il vincolo dello spirito.

I say: “Oh, what a beautiful surrealist picture!” With quite precise awareness: this páthos, these emotions of mine do not stem from our common sense. An aesthetic judgment is founded on an immediate subjective intuition: an emotion or a free feeling of a single subject towards an object. A universal sense, possibly. Some judgments of ours in ethics and in law are no different from our perceptions in front of art. It would be the same for a hypothetical sentence of (...) the judge that concluded with these words: “I acquit Arsenio Lupin because of his magnificent handlebar moustache like that of Guy de Maupassant”. Everyone would think intuitively that it is an unfair sentence. Is there aesthetics of terror? The case that the article intends to examine is that of the famous kidnapping and murder of the Italian statesman Aldo Moro by the “Brigate Rosse” [Red Brigades] (1978). The method used here consists in studying the image of the kidnapping as iconic documentation of reality, and, above all, as an ethical-legal judgment about the terrorist crime. Moro was photographed during his kidnapping. There are at least two pictures. Both constitute an extraordinary source for a judgment on the basis of an image. In both of them, Aldo Moro is pictured in front of a Red Brigades banner during the captivity. In what sense do these pictures document an aesthetic judgment concerning the “case Moro”? The answer can be found in a remarkable iconic coincidence of these pictures with a masterpiece by Georges Rouault (Paris 1871-1958) devoted to the theme of the “Ecce Homo”. The Gospel in the “Ecce Homo” scene (John: 19, 4-5) narrates how Pontius Pilate wanted to arouse the compassion of the people with a scourging and the exposure of Jesus to the crowd. The plate under consideration is entitled “Qui ne se grime pas?” [Who does not have a painted face?] and is a key work in Rouault’s suite of prints Miserere, dated for 1923. (shrink)

El libro se abre con unas palabras de Javier Gomá, director de la Fundación Juan March, promotora de la colección en la que se ha publicado este trabajo. Gomá observa que el género biográfico no ha alcanzado en Es-paña la maestría que es notoria en otros países. Por ello, para contribuir al desarrollo patrio de este género, “el proyecto Españoles eminentes aspira a ser una contribu-ción a una historia de la cultura española a la luz de la ejemplaridad de determinados (...) nombres, acerca de cuya excelencia moral hay amplio consenso”3. Gomá pone en práctica así, en un sentido histórico, la idea de ejem-plaridad sobre la que ha llamado la atención en algunos de sus libros. Se trata, según Gomá, de “la aplicación de una razón histórico-ejemplar” capaz de “reescribir la historia de España en una forma mucho más integradora de lo que hasta la fecha ha sido posible”4. Creemos, sin embargo, a la luz de lo manifestado por Villacañas en el prólogo del libro, que la ejemplaridad indagada y pues-ta de manifiesto a propósito de Vives no es tanto ética, sino, diría, metafísica. El libro, como nos confiesa su autor, contiene “el perfil de un alma” que, situada “en la más crucial divisoria de la historia europea” (la que se da entre Carlos V, Erasmo, Lutero y Moro), se halla perpleja en un presente incierto y sin rumbo, pero que “lucha por reconocer sus antecedentes y construir una tradición moral en ese proceso”5. De esta alma perpleja interesa no tanto darla a conocer como exemplum a emu-lar, siendo, como todos los grandes hombres, inimitable. El caso de Vives es más bien el de quien en una coyun-tura de crisis y de dolor descubre en su interior el exem-plar que debe reproducir vitalmente: la imagen de Cristo repristinada bajo el impulso de las grandes virtudes del republicanismo romano y del platonismo agustiniano. He aquí vocación y destino, llamada y cumplimiento de un valenciano inmortal, un español eminente sin duda. (shrink)

El filósofo valenciano Luis Vives perteneció a una familia judía perseguida por la Inquisición, de modo que salió de España a los 17 años y nunca volvió. Junto con Tomás Moro Y Erasmo de Rotterdam forma un trío de destacados intelectuales europeos que pueden catalogarse como 'humanistas' en el sentido preciso que intento definir en esta conferencia, impartida en la Universidad de La Habana en 2018. El humanismo fue un movimiento cultural, que intentó oponerse a las guerras religiosas que (...) se desarrollaron en el siglo XVI, conciliando a los bandos enfrentados. Su fracaso fue inevitable, porque bajo la ideología religiosa se disfrazaba la lucha de la burguesía por alcanzar el poder político y la hegemonía social, frente a las antiguas clases dirigentes de carácter aristocrático feudal. (shrink)