Results for 'Sophocles'

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  1.  48
    Hegel, the Author and Authority in Sophocles’ Antigone.William E. Conklin - 1997 - In Leslie G. Rubin (ed.), Justice vs. Law in Greek Political Thought. Rowman & Littlefield,. pp. 129-51.
    Abstract: William Conklin takes on Hegel’s interpretation of Sophocles’ Antigone in this essay. Hegel asked what makes human laws human and what makes divine laws divine? After outlining Hegel’s interpretation of Antigone in the light of this issue, Conklin argues that we must address what makes human law law? and what makes divine law law? Taking his cue from Michel Foucault’s “What is an Author?”, the key to understanding Sophocles’ Antigone and Hegel’s interpretation to it, according to Conklin, (...)
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  2. Natural and Divine Orders: The Politics of Sophocles' Philoctetes.Ryan Drake - 2007 - Polis 24 (2):179-192.
    A closer look at the character of Odysseus in the opening passages of the Philoctetes reveals a more nuanced psychology of guilt and justification than commentators have thus far appreciated in the cunning hero's role. This paper examines the relations of sympathy between Odysseus, Neoptolemus, and Philoctetes as a way of entering into the complicated political drama of the work. Conceiving politics in the Philoctetes as a hybrid construction of the demands of nature and the demands of the gods, this (...)
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  3. Hegel’s Antigone.Patricia Jagentowicz Mills - 1986 - The Owl of Minerva 17 (2):131-152.
    Hegel's interpretation of Sophocles' play Antigone is central to an understanding of woman's role in the Hegelian system. Hegel is fascinated by this play and uses it in both the Phenomenology and the Philosophy of Right to demonstrate that familial ethical life is woman's unique responsibility. Antigone is revealed as the paradigmatic figure of womanhood and family life in both the ancient and modern worlds, although there are fundamental differences between these two worlds for Hegel. Through an immanent critique (...)
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  4.  38
    O espetáculo (ὄψις) em Édipo Tirano: o corpo visível The spetacle (ὄψις) in Oedipus Tyrannus: the visible body.Marco Colonnelli - 2016 - Nuntius Antiquus 12 (02):179-199.
    The present article has as its purpose to analyze the “spectacle” (ὄψις), from the conceptions developed in the Poetics of Aristotle, as a fundamental part in the tragic conception of Sophocles, in the work Oedipus Tyrannus. The analysis focused on the exodus of the play to demonstrate how aspects of theatrical representation are present in the tragic text.
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  5. Human Rights and the Forgotten Acts of Meaning in the Social Conventions of Conceptual Jurisprudence.William Conklin - 2014 - Metodo. International Studies in Phenomenology and Philosophy 2 (1):169-199.
    This essay claims that a rupture between two languages permeates human rights discourse in contemporary Anglo-American legal thought. Human rights law is no exception. The one language is written in the sense that a signifying relation inscribed by institutional authors represents concepts. Theories of law have shared such a preoccupation with concepts. Legal rules, doctrines, principles, rights and duties exemplify legal concepts. One is mindful of the dominant tradition of Anglo-American conceptual jurisprudence in this regard. Words have been thought to (...)
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  6. O Conflito Moral de Neoptólemo : uma leitura aristotélica da tragédia Filoctetes (EN VII 1146a16-21e 1151b17-22).Angelo Antonio Pires de Oliveira - 2017 - Hypnos 38:72-92.
    Contrapondo-se às interpretações que sobrevalorizam o papel da razão nas escolhas dos fins morais, pretendo resgatar o papel positivo que a virtude do caráter, uma virtude não-racional, pode exercer em tais escolhas. Isto será feito levando em consideração a análise que Aristóteles faz da crise moral de Neoptólemo na tragédia Filoctetes.
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  7.  64
    The Philosophy of Tragedy : The Tragedy of Philosophy : The Mimetic Interrelationship of Tragedy and Philosophy in the Theoretical Writings of Friedrich Hölderlin.Helen Christine Chapman - unknown
    This study investigates Phillipe Lacoue-Labarthe's claim in "The Caesura of the Speculative" that Hölderlin is a "modern" writer. Its aim is to establish what is at stake in this claim and to evaluate whether it can be substantiated. In Chapter One I discuss the relationship between tragedy and philosophy. I show that the uneasy relationship between philosophy and the arts is premised upon Plato's understanding and judgement of mimesis. I contrast Plato and Aristotle's treatment of poetry by examining how they (...)
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  8.  48
    Sófocles: Teatro, Política e Desobediência Civil.Emanuel Isaque Cordeiro da Silva - manuscript
    Ciência Política: Introdução à Sófocles*1 -/- Science Politics: Introduction to Sophocles -/- Emanuel Isaque Cordeiro da Silva*2 -/- Sófocles (496/4-406 a.C.) -/- 1 CONTEXTO HISTÓRICO: TEATRO E POLÍTICA -/- Na Grécia antiga, o teatro fazia parte das celebrações religiosas, especialmente nos rituais e representações dos festivais em homenagem ao deus Dionísio. A tragédia nasceu de tais circunstâncias, culminando seu apogeu no século V a.C., com as peças de Ésquilo*3 (525-456a.C.), SÓFOCLES*4 (496/4-406 a.C.) e Eurípedes*5 (480-406 a.C.). Pode-se dizer que, (...)
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  9. Antichi E Nuovi Dialoghi di Sapienti E di Eroi Etica, Linguaggio, Dialettica Fra Tragedia Greca E Filosofia.Linda M. Napolitano Valditara & Cinzia Ferrini - 2002
    A new interpretation of Hegel's reading of Sophocles's Antigone, focussing on Antigone's urge to action grounded in her religious feeling, on her facing the risk of death and the consequences of this move for her sense of self-awareness, becoming also conscious of her onesidedness in respect to Creon's (equally onesided) reasons.
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  10. »Elektra« und hegels unterbewertung der individualität und öffentlichen gerechtigkeit auf der antiken szene.Machiel Keestra - 1999 - Hegel-Jahrbuch 1 (1):116-120.
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