In his book Worlds and Individuals, Possible and Otherwise (2010), Takashi Yagisawa presents and argues for a novel and imaginative version of modal realism. It differs both from Lewis’s modal realism (Lewis 1986) and from actualists’ ersatz accounts (Adams 1974; Sider 2002). In this paper, I’ll present two arguments, each of which shows that Yagisawa’s metaphysics is incoherent. The first argument shows that the combination of Yagisawa’s metaphysics with impossibilia leads to triviality: every sentence whatsoever comes (...) out true. This is so even if Yagisawa accepts a paraconsistent notion of logical consequence, on which contradictions do not entail arbitrary conclusions. The second argument is independent of Yagisawa’s acceptance of impossibilia. It shows that Yagisawa’s metaphysics of possible worlds is incoherent. Using ordinary modal reasoning, I derive a contradiction from Yagisawa’s account of possible worlds. (shrink)

(First paragraphs.) — The notion of “mental time” refers to the experience and awareness of time, including that of past, present, and future, and that of the passing of time. This experience and awareness of time raises a number of puzzling questions. How do we experience time? What exactly do we experience when we experience time? Do we actually experience time? Or do we infer time from something in, or some aspect of our experience? And so forth. These and many (...) related questions in the “philosophy of mental time”, the topic of this special issue of the Annals of the Japan Association for Philosophy of Science, are not purely philosophical questions. Or at least, they are not likely to be satisfactorily answered by philosophers alone. Rather, they also need the input of neuroscientists, psychologists, physicists, linguists, and others. And conversely, answers to these questions may have implications outside the scope of philosophy. The papers in this special issue illustrate this inherent multi- or interdisciplinarity of the philosophy and science of mental time. In this theme introduction, we want to give a few more examples to illustrate this interdisciplinarity, but also to point out that much of the field is still wide open—that is, these illustrations raise more questions than answers. (shrink)

There are some objects of perception that are either too far from us to touch or that cannot be touched at all. Typical examples are the sky and the various phenomena that appear in the sky such as rainbows and sunsets. This paper is concerned with the ontological status of the rainbow. Does it exist when it is not actually perceived? Does it exist even when it is not possibly perceived? My conclusion is that a rainbow is a physical event, (...) and that, although it is recognized as a rainbow by its characteristic visual appearance, it should not be identified with that appearance. I suggest that the case of the rainbow might give us useful hints for the analysis of secondary qualities like colors and sounds. (shrink)

There is a widely shared account of the distinction between types and tokens, which might be termed the standard account. However, it has some surprising consequences that are not always realized. According to the standard account, a type is a contingent abstract object that can be created by us, but it does not allow any change and can never be destroyed once it is created, because it is an abstract object. I would like to present an alternative account of types (...) and tokens, according to which types are concrete objects that are located in space and time. This new account is based on a concept that I call a "token generator", which is something that specifies in detail how to produce the tokens. (shrink)

We propose that the restrictive/non restrictive distinction found in relative clauses corresponds to the Inalienable vs Alienable distinction of the Nominal Possessive constructions. We propose to extend this distinction to adjectives suggesting that is not construction specific.

Aworkshop was held August 26–28, 2015, by the Earth- Life Science Institute (ELSI) Origins Network (EON, see Appendix I) at the Tokyo Institute of Technology. This meeting gathered a diverse group of around 40 scholars researching the origins of life (OoL) from various perspectives with the intent to find common ground, identify key questions and investigations for progress, and guide EON by suggesting a roadmap of activities. Specific challenges that the attendees were encouraged to address included the following: What key (...) questions, ideas, and investigations should the OoL research community address in the near and long term? How can this community better organize itself and prioritize its efforts? What roles can particular subfields play, and what can ELSI and EON do to facilitate research progress? (See also Appendix II.) The present document is a product of that workshop; a white paper that serves as a record of the discussion that took place and a guide and stimulus to the solution of the most urgent and important issues in the study of the OoL. This paper is not intended to be comprehensive or a balanced representation of the opinions of the entire OoL research community. It is intended to present a number of important position statements that contain many aspirational goals and suggestions as to how progress can be made in understanding the OoL. The key role played in the field by current societies and recurring meetings over the past many decades is fully acknowledged, including the International Society for the Study of the Origin of Life (ISSOL) and its official journal Origins of Life and Evolution of Biospheres, as well as the International Society for Artificial Life (ISAL). (shrink)

David Kaplan famously argued that mainstream semantics for modal logic, which identifies propositions with sets of possible worlds, is affected by a cardinality paradox. Takashi Yagisawa showed that a variant of the same paradox arises when standard possible worlds semantics is extended with impossible worlds to deliver a hyperintensional account of propositions. After introducing the problem, we discuss two general approaches to a possible solution: giving up on sets and giving up on worlds, either in the background semantic (...) framework or in the corresponding conception of propositions. As a result, we conclude that abandoning worlds by embracing a truthmaker-based approach offers a promising way to account for hyperintensional propositions without facing the paradoxical outcome. (shrink)

Impossible worlds are representations of impossible things and impossible happenings. They earn their keep in a semantic or metaphysical theory if they do the right theoretical work for us. As it happens, a worlds-based account provides the best philosophical story about semantic content, knowledge and belief states, cognitive significance and cognitive information, and informative deductive reasoning. A worlds-based story may also provide the best semantics for counterfactuals. But to function well, all these accounts need use of impossible and as well (...) as possible worlds. So what are impossible worlds? Graham Priest claims that any of the usual stories about possible worlds can be told about impossible worlds, too. But far from it. I'll argue that impossible worlds cannot be genuine worlds, of the kind proposed by Lewis, McDaniel or Yagisawa. Nor can they be ersatz worlds on the model proposed by Melia or Sider. Constructing impossible worlds, it turns out, requires novel metaphysical resources. (shrink)

In recent metaphysics, the questions of whether fictional entities exist, what their nature is, and how to explain truths of statements such as “Sherlock Holmes lives at 221B Baker Street” and “Holmes was created by Arthur Conan Doyle” have been subject to much debate. The main aim of my thesis is to wrestle with key proponents of the abstractionist view that fictional entities are abstract objects that exist (van Inwagen 1977, 2018, Thomasson 1999 and Salmon 1998) as well as Walton’s (...) (1990) pretense view, which denies the existence of such entities. In the process, I propose modifications to these views to deal with problems they face and show how the modifications better account for the philosophical data. -/- Key abstractionists (van Inwagen 1977, Thomasson 1999) make a strict distinction between discourse within fiction, in which statements about literary characters cannot be literally true, and discourse about fiction, as it occurs in literary criticism, where statements about fictional characters can be literally true. Fictional objects are postulated to account for the truth of the latter. This runs into trouble because statements thought to be literally true are not literal. (Yagisawa 2001, Friend 2002) I provide a uniform analysis to account for the truth of statements involving fictional characters by appealing to a presupposition involving a metaphor in both contexts. The presupposition is that there is an x such that x is fictional; x is likened to a real person; and x is and ought to be treated/counted as a real person for all relevant intents and purposes. -/- More generally, I adopt Everett and Schroeder’s (2015) realist view that fictional characters are ideas constituted by mental representations. This, to me, better accounts for how fictional characters are created within the world’s causal nexus (unlike non-spatiotemporal entities in abstractionism), among other things. One key challenge they face is to explain how ideas can possess properties such as being a detective. I present a fine-grained version of their view, according to which the mental representations constituting fictional entities encode mind-dependent properties. Moreover, I explain how reference to such representations is possible, using Bencivenga’s (1983) Neo-Kantian view of reference and Karttunen’s (1976) view on discourse referents. Finally, I suggest that the identity of fictional characters is interest-relative. The constant, and sometimes radical, change of properties that, fictional characters can undergo is taken to be a consequence of the fact that unified mental representations are bundles of simpler mental representations. As change occurs, simpler representations are replaced by others. -/- A key theme that runs through the thesis is that neither fictionality nor pretense is relevant to the semantics of fictional sentences—a claim bolstered by Matravers’ (2014) arguments. Whether or not my account works, this claim, as well as the new philosophical data I bring up, are some of the challenges I pose to the heart of established views. (shrink)

In Art Incorporated, you seek to debunk the myth of the artworld as autonomous of the market forces of global capitalism. Instead, you argue, works of art have become yet another commodity. However, one could say that works of art have always been commodities as well as objects of aesthetic appreciation. What makes the problem pertinent now, in the age of artists like Takashi Murakami, Jeff Koons and Damien Hirst?