Despite the diversity of perceptions of what postmodernity is, there is a point of convergence between a significant part of the scholars of the theme, which is characterizing this period as a period of bankruptcy and disbelief in totalizing ideas. Through the eyes of Emil Cioran, we see the great ideologies and metanarratives as desired eschatologies, defined by the author as utopias, in which, not only is a possibility of a rationalized end composed, but also an adequate form of (...) end. In this work, we intend to extract concepts for what modernity and post-modernity become, to present characteristics of the conception of this and how these same characteristics are present in the writings of Emil Cioran, specifically in his essays “Genealogy of fanaticism” and “Mechanism of utopia”. (shrink)

Este trabajo se propone dos objetivos, uno descriptivo y otro propositivo. El descriptivo consiste en el análisis de la crítica que realiza E. Cioran, a lo largo de su obra, a la concepción humanista del ser humano Nuestro filósofo pone en cuestión la arrogancia del hombre que se coloca en el lugar fundamental y de supremacía en el ámbito de la vida, lugar que le sirve de justificación para conquistar, apropiarse y aniquilar a la naturaleza y al resto de (...) los vivientes. Por otro lado, en términos propositivos, me interesa plantear la cuestión de la animalidad(el animal que es el ser humano, y los animales no humanos) porque permite poner en cuestión esa concepción humanista, y pensar nuevos modos de ser-con lo viviente. En este sentido, sostengo a lo largo del trabajo que la filosofía de Cioran permite pensar una noción de lo humano atravesada por la animalidad, noción cioraneana que desarma("descompone") la arrogancia de los humanismos. Para ello me serviré de la problemática de la muerte como inmanente a la vida y de la crítica de Cioran a la noción de propiedad. (shrink)

Besides his philosophical essays, Emil Cioran also maintained a vast correspondence. He sent and received numerous letters; from his parents and his brother Aurel, as well as from various personalities, friends and romantic interests. These represent a part of the philosopher’s personality which deserves to be organically integrated in the corpus of Cioran’s work and writings. Most of Cioran’s letters are inevitably literary; they preserve a productive ambiguity and express attitudes and feelings belonging to both the organic (...) man and the thinker who brushed against life. The letters thus appear as notes the philosopher sent from the underground of his being. The present text analyses two fragments of correspondence: with Alina Diaconu (1985–1989), a journalist and writer of Romanian origin settled in Argentina; and (in German) with the editor and philosopher Wolfgang Kraus (1971–1990). (shrink)

Emil Cioran offers novel arguments against suicide. He assumes a meaningless world. But in such a world, he argues, suicide and death would be equally as meaningless as life or anything else. Suicide and death are as cumbersome and useless as meaning and life. Yet Cioran also argues that we should contemplate suicide to live better lives. By contemplating suicide, we confront the deep suffering inherent in existence. This humbles us enough to allow us to change even the (...) deepest aspects of ourselves. Yet it also reminds us that our peculiar human ability—being able to contemplate suicide—sets us above anything else in nature or in the heavens. This paper assembles and defends a view of suicide written about in Cioran’s aphorisms and essays. (shrink)

Despite the fact that Mary Shelley and E. M. Cioran have never been previously analyzed in the same context (they belong not only to different ages but also to divergent genres), we will find that they share at least two similar themes. The motif of solitude, common among Romantic poets (Coleridge, Byron, Poe), finds a deep expression in Shelley’s Frankenstein and in Cioran’s early oeuvre. A more thorough investigation of the British novelist and the Romanian-French self-described “anti-philosopher” discloses (...) that hatred (a theme that is not frequently researched from a philosophical point of view) might be another of their obsessions. The concept of the nihilistic not-man becomes useful when we will follow the tripartite shape of hatred (of others, of myself and of God) not only in literature or philosophy but also in pop culture. (shrink)

In his Philosophy of Redemption (1876) Philipp Mainländer transforms the Schopenhauerian will-to-life into his own concept of will-to-death, preceding Freud’s investigations into the death drive in Beyond the Pleasure Principle (1920). Mainländer’s post-Schopenhauerian conception that non-being is preferable to being anticipates Cioran’s discussion of suicide from A Short History of Decay (1949) and his vision of the “catastrophe” of birth from The Trouble with Being Born (1973). If, from a Nietzschean perspective, Mainländer’s and Cioran’s obsession with death was (...) a symptom of passive nihilism, their thanatophilia may resonate with our anxious crepuscular mentality, prefiguring contemporary Antinatalism. (shrink)

The versions of Nietzschean and Cioranian Antihumanism start from different presuppositions than Foucault’s Antihumanism, adding misanthropy to their nihilistic project. The Cioranian term of the not-man, a darker counterpart to Nietzsche’s Übermensch, can be “tested” through forays into the Romantic and Post-romantic literature, considering for instance Shelley’s Frankenstein (1818), Maupassant’s “Horla” (1887), Lorrain’s “The Possessed” (1895) or the poems of Lautréamont. In this paper we compare Cioran’s Antihumanism with the nihilism of Thomas Bernhard’s first novel, Frost (1963).

The following paper is concerned with the description of “agony” at Kierkegaard and Cioran. Taking into consideration that both authors have common traits as marginal philosophers and advocates of a mixture of existentialism and nihilism, I have compared Kierkegaard’s notion of “sickness unto death” (a powerful term, that combines the prestige of several other keywords such as “torture”, “death”, “anxiety” and so on) with Cioran’s description of “agony” from his first Romanian work, On The Heights of Despair. Both (...) Kierkegaard and Cioran, with their emphasis on existential death seem to make a powerful case against Schopenhauer’s equation that pain and death are opposed, therefore imagining damnation to an immanent hell for the modern subject. -/- . (shrink)

This article examines the role of insomnia in Emil Cioran’s philosophy. Taken as a whole, his work appears to be exceptionally significant both from the point of view of anthropology and illness narrative studies. There has never been any doubt that his life and work are dominated by a sense of ennui, loneliness and estrangement. Yet these themes are merely symptoms of more fundamental problems he grappled with, i.e. the grotesque nature everyday life, ecstasy in a life without gods, (...) being an absolute-in-itself and absolute-for itself, etc. This study is focused on insomnia, treated as a primary anthropological category and studied with the help of phenomenological and hermeneutical methodology. Drawing on, among others, the philosophy of Martin Heidegger and Arthur Schopenhauer, the article formulates a set of substantially new conceptual propositions that offer a new approach to the problematics of Cioran’s work. (shrink)

Starting from a new definition of existential paranoia, conceived philosophically as an altered form of solipsism or theologically as the revelation of an immanent inferno, we go on to explore the dissociative constitution of Dostoevsky’s novella, The Double. Influenced by the Shakespearean “I am not what I am”, Yakov Petrovich Goliadkin, the main character, builds an intriguing attack on the Jungian category of the persona, which we read as a symptom of indifferentiation. We will also analyze hero’s nightmare, where the (...) conflict between the Ego and the Doppelganger receives a tragic dimension, attempting to evaluate Goliadkin 1 and Goliadkin 2 through Jungian typology. Insights from Philip K. Dick, Emil Cioran, Rainer Maria Rilke or Mihai Eminescu will help us scrutinize the ambiguous and intricate “paranoid feeling of being”. (shrink)

Despre afinitățile elective dintre Mircea Eliade și diferiți oameni de cultură români și străini s-au scris multe pagini de-a lungul timpului. Cei interesați de opera savantului nu pot trece cu vederea legăturile spirituale și culturale cu Nae Ionescu, Mihail Sebastian, Emil Cioran, Constantin Noica, Goethe, C.G. Jung, Marcel Proust, Raffaele Pettazzoni etc. Și numărul acestora poate crește cu multe alte nume din țară și din străinătate, dovedind faptul că Mircea Eliade a fost și rămâne o personalitate care a marcat (...) istoria și cultura națională și universală și ale cărui idei încă fecundează spiritele preocupate de viața religioasă, de literatură sau de științele secolului în care trăim. Pornind de la aceste date, în cartea de față încercăm să creionăm felul în care ideile lui Eliade pot fi așezate alături de cele ale unor gânditori din arii diferite de cercetare, având în centru teme ce se regăsesc atât în lucrările savantului de origine română, cât și operele acestor personalități. În acest sens, ne-am oprit la câteva nume importante: Rudolf Otto, Sfântul Dionisie Areopagitul (alături de Meister Eckhart și Nicolaus Cusanus), Pr. Alexander Schmemann, Thomas J.J. Altizer, Sfântul Grigorie Palama (și isihasmul), I.P. Culianu, Marin Sorescu, Constantin Brâncuși, Nicolae Steinhardt, Pr. Dumitru Stăniloae. (shrink)

In this study, we want to analyze the relation between two Romanian internationally-renowned men of culture: Mircea Eliade (often considered one of the greatest historians of religion of all times) and Nicolae Steinhardt (whose name and memory have been mentioned by Pope John the Second in his visit in Romania). Though they had about the same age (a difference of 5 years), they had little connections in the interwar period (a few meetings and, later, Steinhardt’s volume The Way of… the (...) Young [În genul… tinerilor] from 1934, where he parodies Eliade, among others). A strong influence (which changed destinies) occurred during 1958-1960, when Steinhardt was imprisoned for having read and spread writings of Romanians found in exile, including the novel Midsummer Night (The Forbidden Forest) [Noaptea de Sânziene (Pădurea interzisă)] by Eliade. After the release in 1964, Steinhardt was continuously watched by the communist Securitate and reports have been written about him, where his main guilt was his friendship with Mircea Eliade, Emil Cioran, Eugen Ionescu, Virgil Ierunca, Monica Lovinescu, et al. Beyond these biographical intersections between Eliade and Steinhardt, there are also connections with regard to the Romanian culture, literary ideas, and visions on religious life. Steinhardt brings appreciations to the scholar in Chicago for the fact that he presents the beauty of the Romanian culture in the Western desecrated world and considers Eliade – and he’s one of the few who does this – influenced in his thinking by Christian ideals (in this direction, memorable are Steinhardt’s appreciations of the role played by Eliade in the Western culture, especially with his volume From Zamolxis to Genghis-Kahn [De la Zalmoxis la Genghis-Han], but also with his fiction, marking a direct reference to the novella A Fourteen Year Old Photograph [O fotografie veche de 14 ani]). (shrink)

La finalidad del presente ensayo consiste en partir de las nociones interrelacionadas de "capitalismo mundial integrado" (Guattari) y de "sociedad de control" (Deleuze) para intentar una deriva que cruce géneros, épocas y nombres propios: de la filosofía al cine y a la poesía (caminos de ida y vuelta), de Benjamin a Serres pasando por Homero, Kavafis, Cioran o Godard, del tardío imperio romano y sus incertidumbres a la imprecisión de nuestro propio tiempo. Posiblemente, pensar hoy la identidad humana sea (...) como nunca antes un asunto de mezcla, de viaje a través de territorios viejos que demandan una nueva cartografía. -/- The purpose of this essay is to depart from the interrelated notions of "whole global capitalism" (Guattari) and the "control society" (Deleuze) to attempt a drift across genders, epochs and proper names: from philosophy to cinema and poetry (roundtrip roads), from Benjamin to Serres, passing through Homer, Kavafis, Cioran or Godard, from the late Roman empire and its uncertainties to our own time. Possibly, thinking today about human identity is as never before, a matter of mixture, of travel through old territories that demand new maps. (shrink)

Langeweile wird in dieser Anthologie als Signatur der Moderne lesbar: Sie durchdringt die gegenwärtige Kultur, wird aber nach wie vor weggeschoben, ja tabuisiert. Der Band bietet eine Textauswahl von klassischen Denkern sowie von Autorinnen und Autoren des modernen Diskurses bis heute und stellt den Zusammenhang mit verwandten Phänomenen der Sinnleere und Erschöpfung her. Als zunehmendes Massenphänomen in saturierten Gesellschaften entwickelt die Langeweile eine pathologische Dynamik, wenn ihr nicht ein eigener Raum gelassen wird. Ein Plädoyer für die Anerkennung dieses unvermeidlichen Gefühls. (...) Mit Texten von Blaise Pascal, Immanuel Kant, Arthur Schopenhauer, Søren Kierkegaard, Charles Baudelaire, Friedrich Nietzsche, Georg Simmel, Walter Benjamin, Bertrand Russell, Iwan Gontscharow, Siegfried Kracauer, Emil Cioran, Giacomo Leopardi, Wolf Lepenies, Elizabeth S. Goodstein, Peter Toohey, Martin Doehlemann, Françoise Wemelsfelder und anderen. (shrink)

"Sofò e Fefilìa" attinge dal mondo antico - dalla sua potenza -, ma possiede come sfondo del lucido meditare la contemporaneità. Un'analisi estrema, tragica, della vasta gamma dei sentimenti umani, che coniuga - in modo personale e innovativo - diverse anime: la poetica di d'Annunzio; la filosofia di Cioran, Weil, Heidegger, Schopenhauer, Leopardi, Pascal; la psicologia del profondo di Jung. Un tema, tanti temi: la vita-morte con le sue molteplici declinazioni in chiave gnostica. Sofò, perché Sofia è sapienza, lucetempo (...) delle menti, seme di salvezza. Il mito gnostico insegna, infatti, che l'uomo spirituale ritornerà alla luce e sarà la redenzione. Fefilìa, in quanto Fede e Amore costituiscono le cifre dell'e-sistenza. Prefazione: prof. Alberto Giovanni Biuso - Disponibile sul sito: BookSprint Edizioni -. (shrink)

The similitude between anxiety and death is the starting point of Paul Tillich's analysis from The Courage To Be, his famous theological and philosophical reply to Heidegger's Being And Time. Not only Tillich and Heidegger are concerned with the connection between anxiety and death but also other proponents of both existentialism and nihilism like Nietzsche, Cioran and Shestov. Tillich observes that "anxiety puts frightening masks" over things and perhaps this definition is its finest contribution to the spectacular phenomenology of (...) anxiety. Moreover, Tillich has some illuminating insights about the anxiety of emptiness and meaninglessness, which are important for the history of the existential philosophy. It is interesting how the protestant theologian tries to answer to Heidegger: while the German philosopher asserted that we must avoid fear and we have to embrace anxiety as a route to personal authenticity, Tillich notes that we should transform anxiety into fear, because courage is more likely to "abolish" fear. (shrink)

The existence of a daco-roman Christianity in the carpato-danubiano-pontic areal is confirmed not only by the historians, but also by the Romanian theologians and philosophers. Inspired by the Scripture’s letter and by the teachings of the Holy Fathers, most of them developed this link in the purpose of argumentation of a “Romanian dimension of the existence”. From Nae Ionescu, Crainic, to Vulcănescu, Cioran, Ţuţea, and then Ioan Gh. Savin, Dumitru Stăniloae, I.G. Coman or Nestor Vornicescu, the entire Romanian cultural (...) elite makes a very important confession about the Christian foundation of the Romanian existence. With the help of a theological and spiritual heritage, therefore enforced by daco-roman specific, the work of these illuminated people of our nation determinates “the eternal Romanian icon of understanding the world”, finishing in the end with the confessing of “a Romanian dimension of existence”. In their kind of thinking, these “prophets of Romanian nation” “the skyline of Romanian world lays down from ordinary as far as legend, from here to beyond, from presence to absence, from then till now, from now as far as eternity, with an entire variety of Romanian modulation of nature, like Constantin Noica named them in his Romanian Feeling of Essence. And among these worlds, the passing through comes senseless, in an organic way; through a custom, but custom like place of passing through, not like a forbiddance, personally integrated in the existence like a step, not like threshold. All these words: beyond, absence, eternity are for the Romanian people qualities of his own nature”. (shrink)

A new philosophical and psychological concept is needed for the alienated and radically different human being according to the nihilist Romanian-French philosopher E.M. Cioran. This concept of the not-man describes a post-anthropological subject, which is “inhumanˮ from a psychological point of view, emphasizing estrangement and otherness in the definition of humanity. I have compared Cioran's provocative and unusual term with Nietzsche's analysis of the overman – the difference between the two conepts proceeding from two conflicting nihilist perspectives – (...) and I also have identified the not-man in the novel of the Japanese writer Osamu Dazai, No Longer Human. (shrink)

Maupassant’s short horror story Horla (1887) contains a treatment of anxiety that can be analyzed in the context of Existentialist philosophy: Kierkegaard, Heidegger, Levinas or Cioran all observed the anticipatory trait of this affect. From a psychological point of view, anxiety leads to neurosis and/or psychosis, to the splitting of the principle of identity. This inner duality is famously expressed in the short story’s scene of the “empty mirror”, where the main character fails to see his own reflection. The (...) descent into madness of Horla’s diarist makes us think that he experiences the possession of the monster in terms of radical alterity, something that Cioran has called the not-man. I argue that through the lenses of this category of (psychological and theological) inhumanity we can understand Horla as a Nietzschean evolutionary tale that cautions against the end of mankind as we know it. (shrink)

Los trabajos reunidos en este libro tienen un propósito en común. Aspiran a clarificar las principales tesis de Mainländer y su relación con otros pensadores, por ejemplo, Freud, Schopenhauer, Albert Caraco, Manlio Sgalambro, Emil Cioran, Jorge Luis Borges, entre los más destacados. Enmarcado en sus aportes valiosos, este volumen es un hito cuya vasta sapiencia y rigurosidad resulta más que favorable para la recuperación y difusión de este pensador.

Ion Dur is an authentic scholar. His working methods, his interest and freshness of his discourse are placing him among the active contemporary Romanian philosophers and critics. Among the constant coordinates of his work are the attempt to guide readers "towards the North point of value". Ion Dur distinguishes himself by depth of his analysis on culture, criticism and journalism. The aim of this study is to offer, to young researchers and others as well, an Ariadne‘s Thread to the hermeneut‘s (...) work. In preparation of this article, extensive documentation was made and most diverse sources have been used in order to illustrate the author's ideas and to highlight the warm reception of his writings. Among others, in 1995, the essayist has re-established Sæculum, a journal founded by Lucian Blaga, in 1943, coordinated by Ion Dur for 20 years. We are writing this article in honorem to a scholar and an university Professor who this year climbed onto the seventieth step of his life. (shrink)