Results for 'modernism'

168 found
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  1. Elective Modernism and the Politics of (Bio) Ethical Expertise.Nathan Emmerich - 2018 - In Hauke Riesch, Nathan Emmerich & Steven Wainwright (eds.), Philosophies and Sociologies of Bioethics. Dordrecht, Netherlands: pp. 23-40.
    In this essay I consider whether the political perspective of third wave science studies – ‘elective modernism’ – offers a suitable framework for understanding the policy-making contributions that (bio)ethical experts might make. The question arises as a consequence of the fact that I have taken inspiration from the third wave in order to develop an account of (bio)ethical expertise. I offer a précis of this work and a brief summary of elective modernism before considering their relation. The view (...)
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  2. Modernist Architecture and Ruins.Mateja Kurir - 2019 - In Modell und Ruine. pp. 12-16.
    Modernist Architecture and Ruins: On Ruins as a Minus, Neoclassicism and the Uncanny.
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  3. Modernism, Postmodernism, and Ultra-Modernism: The Difference and the Continuity.Muhammad Jalil Arif - 2021 - Academic Letter 1 (Article 3112).
    This paper briefly presents the historical and philosophical link between Enlightenment philosophy and the emergence of Postmodern philosophy, i.e., the transition from modernity to postmodernity. While identifying and recognizing the “difference” and the sharp contrast, I will concentrate on showing the “continuity” between the two philosophies. This paper shows that postmodernism can be understood as ultra-modernism in at least two dimensions 1) in opting for a particular critical methodology and 2) in the intensification of subjectivity. This enactment of deconstructive (...)
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  4. Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought. [REVIEW]Laura Matthews - 2018 - Metapsychology Online Reviews 22 (19).
    Madness and Modernism is undoubtedly one of the most profound and perspicacious treatments of an illness that is utterly baffling to most laypersons and academics alike. Sass artfully brings together two obscure, complex, and unnerving realms -- the schizophrenic and the modern and postmodern aesthetic -- into mutual enlightenment. The comparisons between schizophrenic symptoms such as loss of ego boundaries, perspectival switching, and world catastrophe with modern literature and art is so adroit that it is almost eerie. The reader (...)
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  5. Post-Modernism the New Classicism in Art and Architecture.Charles Jencks - 1987 - Rizzoli International Publications.
    Surveys post-modern architecture, shows and describes homes, museums, and office buildings, and discusses the post-modern movement in painting and sculpture.
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  6. Strategic Afro-Modernism, Dynamic Hybridity, and Bebop's Socio-Political Significance.Cynthia R. Nielsen - 2013 - In Mathieu Deflem (ed.), Music and Law: Sociology of Crime, Law and Deviance, Volume 18. Bingley, UK: Emerald Books. pp. 129-148.
    In this chapter, I argue that one can articulate a historically attuned and analytically rich model for understanding jazz in its various inflections. That is, on the one hand, such a model permits us to affirm jazz as a historically conditioned, dynamic hybridity. On the other hand, to acknowledge jazz’s open and multiple character in no way negates our ability to identify discernible features of various styles and aesthetic traditions. Additionally, my model affirms the sociopolitical, legal (Jim Crow and copyright (...)
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  7. Is the Semiosphere Post-Modernist?George Rossolatos - 2015 - Kodikas- Ars Semeiotica 2 (38):95-113.
    This paper provides arguments for and against M.Lotman’s (2002) contention that Y.Lotman’s seminal concept of semiosphere is of post-modernist (post-structuralist; Posner 2011) orientation. A comparative reading of the definitional components of the semiosphere, their hierarchical relationship and their interactions is undertaken against the two principal axes of space and subjectivity in the light of Kantian transcendental idealism, as inaugural and authoritative figure of modernity, the Foucauldian discursive turn and the Deleuzian (post) radical empiricism (sic), as representative authors of the highly (...)
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  8. Merleau-Ponty and Modernist Sacrificial Poetics: A Response to Richard Kearney.Joseph S. O'Leary - 2010 - In Kascha Semonovitch Neal DeRoo (ed.), Merleau-Ponty at the Limits of Art, Religion, and Perception. Continuum. pp. 167.
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  9. Hegel's Proto-Modernist Conception of Philosophy as Science.Zeyad El Nabolsy - 2020 - Problemata: Revista Internacional de Filosofía 11 (4):81-107.
    I argue that the reception of Hegel in the sub-field of history and philosophy of science has been in part impeded by a misunderstanding of his mature metaphilosophical views. I take Alan Richardson’s influential account of the rise of scientific philosophy as an illustration of such misunderstanding, I argue that the mature Hegel’s metaphilosophical views place him much closer to the philosophers who are commonly taken as paradigms of scientific philosophy than it is commonly thought. Hegel is commonly presented as (...)
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  10.  88
    What Is To Be Overcome? Nietzsche, Carnap, and Modernism as the Overcoming of Metaphysic.Carl B. Sachs - 2011 - History of Philosophy Quarterly 28 (3):303-318..
    I examine why Carnap ended his "The Overcoming of Metaphysics" with admiration for Nietzsche, and contextualize his admiration for Nietzsche within their shared commitment to 'modernism.' I show that Carnap's modernism helps explain his enthusiasm for symbolic logic and his attitude towards metaphysics. However, I also argue that Nietzsche's critique of metaphysics may also apply to Carnap's own distinction between what is essential to language and how language appears.
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  11. Heidegger's Revolutionary (Anti-/Counter-/Post-)Modernism.Jussi M. Backman - 2021 - Gatherings: The Heidegger Circle Annual 11:93-101.
    A rejoinder to Harri Mäcklin, "A Heideggerian Critique of Immersive Art".
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  12. Amílcar Cabral’s Modernist Philosophy of Culture and Cultural Liberation.Zeyad El Nabolsy - 2020 - Journal of African Cultural Studies 32 (2):231-250.
    This article argues that Amílcar Cabral adhered to some of the essential elements of the philosophical discourse of modernity. This commitment led Cabral to endorse an anti-essentialist, historicized conception of culture, and this in turn led him to conceive of cultural liberation in terms of cultural autonomy as opposed to the preservation of indigenous culture(s). Cabral’s attitude towards languages is employed as a case study in order to demonstrate how emphasis on Cabral’s commitment to the philosophical discourse of modernity can (...)
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  13.  38
    Why Didn’T The Egoist Sell? A Response to Yale Modernism Lab, and a Note to PhilPapers.Terence Rajivan Edward - manuscript
    A researcher at the Yale Modernism Lab, Elyse Graham, raises the question of why the early twentieth century literary review The Egoist had such troubling selling, despite its stellar contributors. She puts the blame on regulars Dora Marsden and Richard Aldington. I offer an alternative hypothesis.
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  14.  93
    Review of Art and Form: From Roger Fry to Global Modernism by Sam Rose. [REVIEW]Michalle Gal - 2020 - Estetica European Journal of Aesthetics 57:183-188.
    In view of the current progress of what has been named the ‘visual turn’ or the ‘pictorial turn’,1 it is exciting to witness Sam Rose’s return to early aesthetic formalist-modernism, which was so passionate about the medium, its appearance, and visuality. Rose’s project shares a recent inclination to think anew the advent of aesthetic modernism.2 It is founded on the presumption that visual art ought to be – and actually has always been – theoretically subsumed under one meta-project. (...)
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  15. The Grand Narrative of the Age of Re-Embodiments: Beyond Modernism and Postmodernism.Arran Gare - 2013 - Cosmos and History : The Journal of Natural and Social Philosophy 9 (1):327-357.
    The delusory quest for disembodiment, against which the quest for re-embodiment is reacting, is characteristic of macroparasites who live off the work, products and lives of others. The quest for disembodiment that characterizes modernism and postmodernism, it is argued, echoes in a more extreme form the delusions on which medieval civilization was based where the military aristocracy and the clergy, defining themselves through the ideal forms of Neo-Platonic Christianity, despised nature, the peasantry and in the case of the clergy, (...)
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  16.  28
    Art and Form: From Roger Fry to Global Modernism.Sam Rose - 2019 - University Park, PA: Pennsylvania State University Press.
    From the publisher: -/- This important new study reevaluates British art writing and the rise of formalism in the visual arts from 1900 to 1939. Taking Roger Fry as his starting point, Sam Rose rethinks how ideas about form influenced modernist culture and the movement’s significance to art history today. -/- In the context of modernism, formalist critics are often thought to be interested in art rather than life, a stance exemplified in their support for abstract works that exclude (...)
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  17. Translation as Alienation: Sufi Hermeneutics and Literary Modernism in Bijan Elahi’s Translations (Forthcoming in Modernism/Modernity).Rebecca Ruth Gould & Kayvan Tahmasebian - forthcoming - Modernism/Moderity.
    In the wake of modernism studies' global turn, this article considers the role of translation in fostering Iranian modernism. Focusing on the poetic translations of Bijan Elahi (1945-2010), one of Iran's most significant poet-translators, we demonstrate how untranslatability becomes a point of departure for his experimental poetics. Elahi used premodern Sufi hermeneutics to develop his modernist theory of translation, whereby the alien core of the text is recognised at the centre of the original. As he engages the translated (...)
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  18. Ranciere's Aesthetic Revolution and Its Modernist Residues.Jakub Stejskal - 2012 - Filozofski Vestnik 33 (3):39 - +.
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  19. Modernity's Self-Justification: The Thought of Robert B. PippinIdealism as Modernism: Hegelian Variations.David Kolb - 1999 - The Owl of Minerva 30 (2):253-275.
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  20.  81
    Ahead of Its Time: Historicity, Chronopolitics, and the Idea of the Avant-Garde After Modernism.Chrys Papaioannou - 2017 - Dissertation,
    In its etymology and in popular discourse, the term ‘avant-garde’ is commonly associated with a future temporality, while in art-historical discourse, it represents a tradition of modernist innovation, periodised as ‘historical avant-garde’ and ‘neo-avant-garde’. Since this historical periodisation was first established in the 1950s, the avant-garde’s futurity has been repeatedly disputed, bringing the very notion of an avant-garde into question. This thesis takes as its starting point the predicament of ‘an avant-garde after the avant-garde’ as a means to investigate the (...)
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  21. Jeremy Gray. Plato's Ghost: The Modernist Transformation of Mathematics. Princeton: Princeton University Press, 2008. Isbn 978-0-69113610-3. Pp. VIII + 515. [REVIEW]A. Arana - 2012 - Philosophia Mathematica 20 (2):252-255.
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  22. Portraits of People Not Present.Bence Nanay - 2019 - In Hans Maes (ed.), Portraits and Philosophy. London: Routledge.
    The aim of this paper is to explore what could be meant by modernist portraiture. On the face of it, there is a real tension about the very idea of modernist portraiture inasmuch as one key idea of modernism is negativity and self-negation, whereas portraiture is, in some very obvious sense, not negation. It is the depiction of the sitter. So there are reasons to think that modernist portraiture, in the strong sense of the term, is a contradiction in (...)
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  23.  70
    The Inauguration of Formalism: Aestheticism and the Productive Opacity Principle.Michalle Gal - 2022 - Journal of Comparative Literature and Aesthetics 2 (24):20-30.
    This essay presents the Aestheticism of the 19th century as the foundational movement of modernist-formalist aesthetics of the 20th century. The main principle of this movement is what I denominate “productive opacity”. Aestheticism has not been recognized as a philosophical aesthetic theory. However, its definition of artwork as an exclusive kind of form—a deep, opaque form—is among the most precise ever given in the discipline. This essay offers an interpretation of aestheticism as a formalist theory, referred to here as “deep (...)
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  24.  91
    Posthuman Ecologies of the Corpse. [REVIEW]Marietta Radomska - 2019 - Women, Gender and Research 28:124-126.
    Erin E. Edwards’ "The Modernist Corpse: Posthumanism and the Posthumous" offers a unique study of the critical and creative potential of the corpse in the context of (primarily) American modernist literature and other media. Dead bodies, oftentimes “radically dehumanized” (p. 1) and depicted en masse in direct relation to atrocities of colonialism, slavery and World War I, populate modernist literature and art. While many literary theorist whose work focuses on American modernism (as Edwards herself notes), looks at death and (...)
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  25. Wittgenstein, Loos, and the Critique of Ornament.Andreas Vrahimis - 2021 - Estetika: The Central European Journal of Aestetics 58 (2):144–159.
    Adolf Loos is one of the few figures that Wittgenstein explicitly named as an influence on his thought. Loos’s influence has been debated in the context of determining Wittgenstein’s relation to modernism, as well as in attempts to come to terms with his work as an architect. This paper looks in a different direction, examining a remark in which Wittgenstein responded to Heidegger’s notorious pronouncement that ‘the Nothing noths’ by reference to Loos’s critique of ornamentation. Wittgenstein draws a parallel (...)
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  26. The Middle Way to Reality: on Why I Am Not a Buddhist and Other Philosophical Curiosities.Christian Coseru - 2021 - Sophia 60 (3):1-24.
    This paper examines four central issues prompted by Thompson's recent critique of the Buddhist modernism phenomenon: (i) the suitability of evolutionary psychology as a framework of analysis for Buddhist moral psychological ideas; (ii) the issue of what counts as the core and main trajectory of the Buddhist intellectual tradition; (iii) the scope of naturalism in the relation between science and metaphysics, and (iv) whether a Madhyamaka-inspired anti-foundationalism stance can serve as an effective platform for debating the issue of progress (...)
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  27. Modern Versus Postmodern Architecture.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 87 – 105.
    A discussion of "postmodern" architecture in the sense in which the term was used in the late 1980s, namely, the introduction of historical substantive content and reference into architecture, disrupting the supposedly ahistorical purity of modernist architecture. Argues that postmodern use of history is really another version of the modern distance from history.
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  28. Logic.Sebastian Sunday Grève - 2017 - In Anat Matar (ed.), Understanding Wittgenstein, Understanding Modernism. London: Bloomsbury. pp. 205-216.
    Logic played an important role in Wittgenstein’s work over the entire period of his philosophizing, from both the point of view of the philosopher of logic and that of the logician. Besides logical analysis, there is another kind of logical activity that characterizes Wittgenstein’s philosophical work after a certain point during his experience as a soldier and, later, as an officer in the First World War – if not earlier. This other kind of logical activity has to do with what (...)
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  29. Rorty, Religion, and Humanism.Serge Grigoriev - 2011 - International Journal for Philosophy of Religion 70 (3):187-201.
    This article offers a review of Richard Rorty’s attempts to come to terms with the role of religion in our public and intellectual life by tracing the key developments in his position, partially in response to the ubiquitous criticisms of his distinction between private and public projects. Since Rorty rejects the possibility of dismissing religion on purely epistemic grounds, he is determined to treat it, instead, as a matter of politics. My suggestion is that, in this respect, Rorty’s position is (...)
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  30. On Pursuing the Dialogue Between Buddhism and Science in Ways That Distort Neither.Christian Coseru - 2021 - APA Newsletter on Asian and Asian American Philosophers and Philosophies 20 (2):8-15.
    This paper examines two central issues prompted by a recent critique of this Buddhist modernist phenomenon in Evan Thompson’s Why I Am Not a Buddhist: (i) the suitability of evolutionary psychology as a framework of analysis for Buddhist moral psychological ideas; and (iv) whether a Madhyamaka-inspired anti-foundationalism stance can serve as an effective platform for debating the issue of progress in science. The main argument of this paper is that if Buddhism is to enter into a fruitful dialogue with the (...)
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  31. Postmodern Sophistication: Habermas Versus Lyotard.David Kolb - 1990 - In Postmodern Sphistications: Philosophy, Architecture, and Tradition. Chicago: University of Chicago press. pp. 36 – 50.
    A discussion of whether Habermas as a representative modernist and Lyotard as a representative postmodern echo the ancient dispute between Plato and the Sophists. My conclusion is that they do not quite do so. Each is more complex and ancient dichotomy should be revised.
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  32.  68
    An Unlikely Meeting of the Vienna School and the New York School.Eugene Halton - 1989 - New Observations 1 (71):5-9.
    When painter Fritz Janschka arrived from Vienna to teach at Byrn Mawr College in October, 1949, he entered a culture seemingly as alien to his art as one can imagine. Janschka is one of the co­founders of the Vienna School of Fantastic Realism, a group of painters who studied at the Academy of Fine Arts in Vienna shortly after World War Two. The fantastic realists cultivated a precisely controlled craft informed by traditional methods and modernist sensibilities, incorporating collectively the entire (...)
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  33.  34
    “Did This Really Happen?”: Amit Chaudhuri’s Acknowledgement of the Autobiographical.Paul Deb - 2021 - Journal of Comparative Literature and Aesthetics, 44 (4):194-203.
    In a recent online lecture, the acclaimed novelist Amit Chaudhuri responded to an accusation that has greeted his fiction since the start of his literary career: that since, as he openly admits, his novels contain people and events that are drawn from his own life, they are better thought of as thinly disguised memoirs—as not really novels at all. In this paper, I discuss this charge by drawing on an account by the philosopher Stephen Mulhall of the work of another (...)
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  34. An Inquiry on the Existence of Capitalism in Ancient Greece.Alper Bilgehan Yardımcı - 2019 - Beytulhikme An International Journal of Philosophy 9 (2):453-464.
    In this article, it is claimed that it is not possible to find a modern capitalist order in Ancient Greece. This claim is supported by the economic activities and historical findings of the ancient period and it is also shaped by reference to the 'primitivist-modernist debate'. In this context, firstly, Mosses I. Finley's primitivist views that claim capitalism cannot be possible in ancient Greece will be explained by taking into consideration the accounting system, commercial activity, social status, labor usages, and (...)
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  35.  94
    Review of An Essay on Man. [REVIEW]-Chatterjee Subhasis, Chattopadhyay - 2017 - Prabuddha Bharata or Awakened India 122 (10):715-17.
    Alexander Pope's An Essay on Man is part of a long tradition of meditating on the human person. In this review the antecedents of Modernism are revised and the Pope's Essay is reinstated as a tour de force which is all the more pertinent today.
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  36. Interstitial Soundings: Philosophical Reflections on Improvisation, Practice, and Self-Making.Cynthia R. Nielsen - 2015 - Wipf and Stock Publishers.
    In Interstitial Soundings, Cynthia R. Nielsen brings music and philosophy into a fruitful and mutually illuminating dialogue. Topics discussed include the following: music's dynamic ontology, performers and improvisers as co-composers, the communal character of music, jazz as hybrid and socially constructed, the sociopolitical import of bebop, Afro-modernism and its strategic deployments, jazz and racialized practices, continuities between Michel Foucault's discussion of self-making and creating one's musical voice, Alasdair MacIntyre on practice, and how one might harmonize MacIntyre's notion of virtue (...)
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  37. Our Toil Respite Only: Woolf, Diamond and the Difficulty of Reality.Karen Zumhagen-Yekplé - 2015 - MLN 130 (5):1-28.
    In this essay, I read Woolf’s To the Lighthouse together with philosopher Cora Diamond’s writing on literature and moral life, writing marked by her inheritance from Wittgenstein. I first attend to Woolf’s commitment (one she shares with Wittgenstein) to grappling with what I take to be signature issues of modernism: question, quest, and a longing for vision or revised understanding as a way of confronting the difficulty of reality. I then probe Woolf’s engagement with these issues by reading her (...)
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  38. Accidents Made Permanent: Theater and Automatism in Stanley Cavell, Michael Fried, and Matías Piñeiro.Byron Davies - 2020 - Modern Language Notes 135 (5):1283-1314.
    This essay provides an interpretation of the potential and limits of Michael Fried's difficult claims in his essay "Art and Objecthood" (1967) that cinema by its nature escapes the problems of modernism and also escapes the problems of theater. By focusing on Stanley Cavell's account of how cinema as an automatic medium escapes problems associated with variability across performances, I try to render a version of Fried's claim about cinema and theater that can ground a figurative version of his (...)
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  39. Walt Whitman and Modern Music: War, Desire, and the Trials of Nationhood.Lawrence Kramer - 2000 - Psychology Press.
    Walt Whitman's poetry, especially his Civil War poetry, attracted settings by a wide variety of modern composers in both English- and German-speaking countries. The essays in this volume trace the transformation of Whitman's nineteenth-century texts into vehicles for confronting twentieth-century problems-aesthetic, social, and political. The contributors pay careful attention to music and poetry alike in examining how the Whitman settings become exemplary means of dealing with both the tragic and utopian faces of modernism. The book is accompanied by a (...)
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  40. La Deshumanización Del Arte.José Ortega Y. Gasset - 2007 - Espasa.
    Ligado directamente a la dinámica de los movimientos renovadores del arte que surgieron en la España de los años veinte, el texto de Ortega y Gasset ofrece unas perspectivas más amplias y entronca con la renovación de la estética y la historia del arte que había iniciado la tradición teórica e historiográfica alemana a finales del siglo XIX. Ofrecemos, además otros escritos que, como «¿Una exposición Zuloaga?», «La Gioconda», «Diálogo sobre el arte nuevo», «Ensayo de estética a manera de prólogo» (...)
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  41.  94
    A Review of Leonardo Caffo and Azzurra Muzzonigro’s “Costruire Futuri: Migrazioni, Città, Immaginazioni”. [REVIEW]Steven Umbrello - 2018 - Journal of Futures Studies 23 (1):101-103.
    Modernism has provided a strong case for technoprogressivism, innovation and speculation on future possibilities. However, drastic and often devastating consequences have followed modernism such as global warming and mass biodiversity loss. In Leonardo Caffo and Azzurra Muzzonigro’s new book, a case for posthumanism as a means for envisioning and rethinking futures studies is argued and practical means by which those futures can be realized are outlined.
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  42. Modernity, Post-Modernity and Proto-Historicism: Reorienting Humanity Through a New Sense of Narrative Emplotment.Andrew Kirkpatrick - 2014 - Cosmos and History 10 (2):22-77.
    As a grand narrative of progress, the utopian project of modernity is primarily concerned with notions of rationalism, universalism, and the development of a metalanguage. The triumph of the Moderate Enlightenment has seen logics of domination, accumulation and individualism incorporated into the project of modernity, with these logics giving rise to globalised capitalism as the metalanguage of modernity and neoliberal economics as the grand narrative of rational progress. The project of modernity is all but complete, requiring only the formality of (...)
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  43.  91
    Nineteen Fifty Eight: Information Technology and the Reconceptualization of Creativity.Christopher Mole - 2011 - The Cambridge Quarterly 40 (4):301-327.
    Nineteen fifty-eight was an extraordinary year for cultural innovation, especially in English literature. It was also a year in which several boldly revisionary positions were first articulated in analytic philosophy. And it was a crucial year for the establishment of structural linguistics, of structuralist anthropology, and of cognitive psychology. Taken together these developments had a radical effect on our conceptions of individual creativity and of the inheritance of tradition. The present essay attempts to illuminate the relationships among these developments, and (...)
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  44. Artistic Objectivity: From Ruskin’s ‘Pathetic Fallacy’ to Creative Receptivity.Eli I. Lichtenstein - 2021 - British Journal of Aesthetics 61 (4):505-526.
    While the idea of art as self-expression can sound old-fashioned, it remains widespread—especially if the relevant ‘selves’ can be social collectives, not just individual artists. But self-expression can collapse into individualistic or anthropocentric self-involvement. And compelling successor ideals for artists are not obvious. In this light, I develop a counter-ideal of creative receptivity to basic features of the external world, or artistic objectivity. Objective artists are not trying to express themselves or reach collective self-knowledge. However, they are also not disinterested (...)
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  45. The Dynamics of Graphics in Ibibio Traditional Art.Akaninyene John Sampson - 2018 - International Journal of Art and Art History 6 (2).
    From a modernist perspective, it may be difficult to ascribe graphics to any form of traditional African art. This could be due to the embrace of western values by Africans, and of modernity on the one hand, and the overwhelming negative influence of westernization on the diverse African cultural practices, on the other hand. However, many elements of the traditional art forms are imbued with icons and symbols which expressions may be viewed as graphical in nature. This paper looks into (...)
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  46. Review of the New Princeton Edition of Erasmus's The Praise of Folly. [REVIEW]Subhasis Chattopadhyay - 2016 - Prabuddha Bharata or Awakened India 121 (4):429-431.
    This is a review of Erasmus and during the process of the review, the reviewer rethinks the Renaissance, theology and comments on the rise of the ISIS in the Islamic Levant.
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  47. Modernity and Contemporaneity.Evangelos D. Protopapadakis & Georgios Arabatzis (eds.) - 2022 - The NKUA Applied Philosophy Research Lab Press.
    Modernity and Contemporaneity is the 3rd volume in the Hellenic-Serbian Philosophical Dialogue Series, a project that was initiated as an emphatic token of the will and commitment to establish permanent and fruitful collaboration between two strongly bonded Departments of Philosophy, this of the National and Kapodistrian University of Athens, and that of the University of Novi Sad respectively. This collaboration was founded from the very beginning upon friendship, mutual respect and strong engagement, as well us upon our firm resolution to (...)
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  48. Aesthetic Worlds: Rimbaud, Williams and Baroque Form.William Melaney - 2000 - Analecta Husserliana 69:149-158.
    The sense of form that provides the modern poet with a unique experience of the literary object has been crucial to various attempts to compare poetry to other cultural activities. In maintaining similar conceptions of the relationship between poetry and painting, Arthur Rimbaud and W. C. Williams establish a common basis for interpreting their creative work. And yet their poetry is more crucially concerned with the sudden emergence of visible "worlds" containing verbal objects that integrate a new kind of literary (...)
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  49. Ancient Logic and its Modern Interpretations.John Corcoran (ed.) - 1974 - Boston: Reidel.
    This book treats ancient logic: the logic that originated in Greece by Aristotle and the Stoics, mainly in the hundred year period beginning about 350 BCE. Ancient logic was never completely ignored by modern logic from its Boolean origin in the middle 1800s: it was prominent in Boole’s writings and it was mentioned by Frege and by Hilbert. Nevertheless, the first century of mathematical logic did not take it seriously enough to study the ancient logic texts. A renaissance in ancient (...)
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  50. Is the Post- in Postmodernism the Post- in Postcolonial?Kwame Anthony Appiah - 1991 - Critical Inquiry 17 (2):336-357.
    Sara Suleri has written recently, in Meatless Days, of being treated as an "otherness machine"-and of being heartily sick of it.20 Perhaps the predicament of the postcolonial intellectual is simply that as intellectuals-a category instituted in black Africa by colonialism-we are, indeed, always at the risk of becoming otherness machines, with the manufacture of alterity as our principal role. Our only distinction in the world of texts to which we are latecomers is that we can mediate it to our fellows. (...)
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