The human mind possesses matchless creativity and extensive capacity to create its own reality. It has a remarkable capability for contemplation, reflection and even manipulation. Sadly, the excellent human mind has been polluted by the rituals, dogmas, and deceptions of cultures, religions and politics. Its fickleness leads to its being held captive by maya (material world). In his hymns, Guru Tegh Bahadur enunciates that the fickleness of the mind is the primary cause of unhappiness and failure in achieving our prescribed (...) life goals. The Guru urges that a human being can restrain and channelize one's mental energies, by diverting one's mind from its animalistic tendencies and turning it to the mind's innate longing for spiritual enlightenment. He asserts that with the continual longing for the Divine Grace and having a compassionate and contented attitude, one can achieve the goal of harnessing one's mind. (shrink)

This paper presents the main aspects of the proto-Wenzi’s philosophy, with a focus on its intricate relationship with the Laozi. They show that the proto-Wenzi advocates a philosophy of quietude, not only in terms of its content, but also through the rhetoric it uses to create a harmonious synthesis of diverse, and at times even incompatible, ideas.

El cine de Jim Jarmusch es reconocible por captar momentos de quietud en los que la acción y el drama son secundarios. Es por ello que su film Only Lovers Left Alive ha sido tan destacado por críticos y académicos. Esta película ha llevado a la pantalla la estética ruinosa de Detroit. Este artículo amplía esas recientes investigaciones, para postular que la Detroit de Jarmusch es una ciudad estéticamente inorgánica. Siguiendo a grandes rasgos los lineamientos de Wilhelm Worringer, se analiza (...) el estilo postindustrial de la arquitectura de Detroit y la figura del vampiro. Esto permite concluir que lo inorgánico —Detroit— tiene capacidades estéticas propias, las cuales son exaltadas por el particular estilo de Jarmusch. (shrink)