An introduction to the theories of endurantism and perdurantism, and persistence more broadly.

The Multiverse Response to the problem of evil has it that God made our universe because God makes every universe meeting a certain standard. The main problem for that response is that there’s no explanation for why God didn’t just keeping making duplicates of perfect universes. This paper introduces the ‘Multiactualities Response’, which says that God actualises every possible world that meets a certain standard of value. It avoids the corresponding problem about duplication because different propositions must always be true (...) at distinct worlds. The Multiactualities Response nevertheless has its own problem, namely that it requires the possibility of multiple actual worlds. This paper argues that if we consider spacetimes with wormholes, we have good cause to think there can be multiple metaphysically privileged present moments; given a suitable analogy between time and modality, it follows that there can be multiple metaphysically privileged (i.e. actual) worlds. This paper includes an in–depth examination of the metaphysics of both the temporal and modal cases. (shrink)

An introduction to persistence, composition, and identity.

An introduction to composition, persistence, and identity.

Book review of 'The Metaphysics of Perfect Beings'.

This paper argues that, if we believe both in works of music and sets, that the former are the latter. My argument is that such an ontology offers more explanatory power than the alternatives when it comes to explaining why works of music fall under the predicates that they do.

It is a common view that if composition as identity is true, then so is mereological universalism (the thesis that all objects have a mereological fusion). Various arguments have been advanced in favour of this: (i) there has been a recent argument by Merricks, (ii) some claim that Universalism is entailed by the ontological innocence of the identity relation, (or that ontological innocence undermines objections to universalism) and (iii) it is entailed by the law of selfidentity. After a preliminary introduction (...) to the competing theories of persistence (necessary for a discussion of Merricks’ argument) I examine each in turn and demonstrate how they fail. I conclude that the prejudice that if composition as identity is true then Universalism is true, is unwarranted. Thus one motivation for believing Universalism is lost and those who believe composition as identity should now be receptive to some form of restricted composition. (shrink)

According to the Weak Supplementation Principle (WSP)—a widely received principle of mereology—an object with a proper part, p , has another distinct proper part that doesn't overlap p . In a recent article in this journal, Nikk Effingham and Jon Robson employ WSP in an objection to endurantism. I defend endurantism in a way that bears on mereology in general. First, I argue that denying WSP can be motivated apart from the truth of endurantism. I then go on (...) to offer an explanation of WSP's initial appeal, argue that denying WSP fails to have untoward consequences for the rest of mereology, and show that the falsity of WSP is consistent with a primary guiding thought behind it. (shrink)

When do objects at different times compose a further object? This is the question of diachronic composition. The universalist answers, ‘under any conditions whatsoever’. Others argue for restrictions on diachronic composition: composition occurs only when certain conditions are met. Recently, some philosophers have argued that restrictions on diachronic compositions are motivated by our best physical theories. In Persistence and Spacetime and elsewhere, Yuri Balashov argues that diachronic compositions are restricted in terms of causal connections between object stages. In a recent (...) article, Nikk Effingham argues that the standard objections to views that endorse restrictions on composition do not apply to a view that restricts composition according to compliance with the laws of nature. On the face of it, such restrictions on diachronic composition preserve our common-sense ontology while eliminating from it scientifically revisionary objects that travel faster than the speed of light. I argue that these attempts to restrict diachronic composition by appealing to either causal or nomological constraints face insurmountable difficulties within the context of special relativity. I discuss how the universalist should best respond to Hudson’s argument for superluminal objects, and in doing so, I present and defend a new sufficient condition for motion that does not entail that such objects are in superluminal motion. 1 Introduction2 Diachronic Composition3 Diachronic Composition and Superluminal Objects4 Restricting Diachronic Composition5 Causal and Nomological Restrictions on Composition in a Relativistic Context6 Superluminal Objects and Motion7 Conclusion. (shrink)

«Hva er det vi egentlig mener når vi sier, mennesket er dødelig?» spør Woody Allen i boken The Insanity Defence. Han legger til: «Det er åpenbart ikke et kompliment.»1 Jeg tror Woody tar feil her. Vår dødelighet er et kompliment – eller i det minste av det gode – siden livet uten døden ville være katastrofalt. Udødelige liv fører til dyp kjedsomhet, eksistensiell angst og en radikal form for verdinihilistisk tilværelse. Grunnen er at udødeligheten gjør at vi en gang i (...) fremtiden må konfronteres med de radikalt livsfiendtlige stadiene av universets historie. Jeg argumenterer for at dette er en skjebne langt verre enn døden. Konklusjonen blir derfor, med et nikk til Voltaire, at om døden ikke hadde eksistert, hadde vi vært nødt til å finne den opp. (shrink)