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  1. (1 other version)The Compass of Beauty: A Search For the Middle.Lars Spuybroek - 2018 - In Maria Voyatzaki (ed.), Architectural Materialisms: Nonhuman Creativity. Edinburgh University Press. pp. 176–204.
    This chapter is a rethinking of my earlier “The Ages of Beauty” which investigated Charles Hartshorne’s Diagram of Aesthetic Values. The argument is placed in a long history of beauty being considered as the middle between extremes. It slowly develops into a structure not merely of aesthetic experience but of existence itself, making it an alternative to Heidegger’s fourfold.
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  2. (1 other version)The Compass of Beauty: A Search for the Middle.Lars Spuybroek - 2018 - In Maria Voyatzaki (ed.), Architectural Materialisms: Nonhuman Creativity. Edinburgh University Press.
    This chapter is a rethinking of my earlier “The Ages of Beauty” which investigated Charles Hartshorne’s Diagram of Aesthetic Values. The argument is placed in a long history of beauty being considered as the middle between extremes. It slowly develops into a structure not merely of aesthetic experience but of existence itself, making it a competitor of Heidegger’s fourfold.
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  3. Religion in the Making? Animality, Savagery, and Civilization in the Work of A. N. Whitehead.Clare Palmer - 2000 - Society and Animals 8 (3):287-304.
    Constructions of the animal and animality are often pivotal to religious discourses. Such constructions create the possibility of identifying and valuing what is "human" as opposed to the "animal" and also of distinguishing human beliefs and behaviors that can be characterized as being animal from those that are "truly human." Some discourses also employ the concept of savagery as a bridge between the human and the animal, where the form of humanity but not its ideal beliefs and practices can be (...)
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  4. On Hartshorne's formulation of the ontological argument: A criticism.William Elton - 1945 - Philosophical Review 54 (1):63.
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