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  1. added 2019-06-05
    Idealistic Ontological Arguments in Royce, Collingwood, and Others.Kevin J. Harrelson - 2012 - Transactions of the Charles S. Peirce Society 48 (4):411.
    This essay examines how, in the early twentieth century, ontological arguments were employed in the defense of metaphysical idealism. The idealists of the period tended to grant that ontological arguments defy our usual expectations in logic, and so they were less concerned with the formal properties of Anselmian arguments. They insisted, however, that ontological arguments are indispensable, and they argued that we can trust argumentation as such only if we presume that there is a valid ontological argument. In the first (...)
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  2. added 2014-03-29
    Is Ridley Charitable to Collingwood?John Dilworth - 1998 - Journal of Aesthetics and Art Criticism 56 (4):393-396.
    Ridley’s overall strategy, in bare outline form, seems to be this. Collingwood's points about the close connections between artistic expression and physical involvement with a medium are so good that anything else he says must be reinterpreted so as to be consistent with these Expression insights. In particular his overall theory of art, usually interpreted as an "Ideal theory" (according to which a work of art is somehow "in the head", perhaps as the content of a mental imaginative act of (...)
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  3. added 2014-03-21
    Artistic Expression as Interpretation.John Dilworth - 2004 - British Journal of Aesthetics 44 (1):162-174.
    According to R. G. Collingwood in The Principles of Art, art is the expression of emotion--a much-criticized view. I attempt to provide some groundwork for a defensible modern version of such a theory via some novel further criticisms of Collingwood, including the exposure of multiple ambiguities in his main concept of expression of emotion, and a demonstration that, surprisingly enough, his view is unable to account for genuinely creative artistic activities. A key factor in the reconstruction is a replacement of (...)
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  4. added 2014-03-12
    Continuity of the Rational: Naturalism and Historical Understanding in Collingwood.Serge Grigoriev - 2008 - Journal of the Philosophy of History 2 (2):119-137.
    It is sometimes suggested that Collingwood's philosophy of history is decidedly anti-naturalist and argues for a complete separation between history and the natural sciences. The purpose of this paper is to examine this suggestion and to argue that Collingwood's conception of the relationship between history and natural sciences is much more subtle and nuanced than such a view would allow for. In fact, there is little in Collingwood to offend contemporary naturalistic sensibilities reasonably construed. The impression that Collingwood's views are (...)
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  5. added 2012-11-23
    Los Principios Del Arte.R. G. Collingwood - 1993 - Fondo de Cultura Económica.
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  6. added 2010-11-01
    A Philosophy of Art in Plato's Republic: An Analysis of Collingwood's Proposal.José Juan González - 2010 - Proceeding of the European Society for Aesthetics 2:161-177.
    The status of art in Plato's philosophy has always been a difficult problem. As a matter of fact, he even threw the poets out from his ideal state, a passage that has led some interpreters to assess that Plato did not develop a proper philosophy of art. Nevertheless, R. G. Collingwood, wrote an article titled “Plato's Philosophy of Art”. How can it be? What could lead one of the most important aesthetic scholars of the first half of the twentieth century (...)
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  7. added 2010-10-17
    Oswald Spengler and the Theory of Historic Cycles.R. G. Collingwood - 1927 - Antiquity 1:311-325.
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