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  1. added 2015-09-04
    Porn of the Dead: Necrophilia, Feminism, and Gendering the Undead.Steve Jones - 2011 - In Christopher Moreman & Cory Rushton (eds.), Zombies Are Us: Essays on the Humanity of the Walking Dead. McFarland. pp. 40-60.
    Erotic Nights of the Living Dead (1980) may have featured both animated corpses and hardcore sex scenes, but only recently have Re-Penetrator (2004) and Porn of the Dead (2006) managed to fully eroticise the living dead, allowing these creatures to engage in intercourse. In doing so, the usually a-subjective zombie is allotted a key facet of identity - sexuality. This development within the sub-genre needs accounting for outside of the contexts of porn studies, where it has only been briefly touched (...)
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  2. added 2015-09-02
    Book Review: Feminist Edges of the Qur’An.Saba Fatima - 2015 - Hypatia Reviews Online: A Journal of Feminist Philosophy.
    Overall, this book is indispensable for anyone wanting to have a richer understanding of how the Qur’an is read and interpreted within a feminist context. It is a wonderful synthesis of the work that has been done in the field thus far and provides tools necessary to seek out new avenues in understanding the Qur’an while still retaining a feminist spirit. Yet, in the end, this book does not disturb Muslim world order. It remains an overwhelming possibility for Hidayatullah that (...)
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  3. added 2013-08-30
    The Common Vernacular of Power Relations in Heavy Metal and Christian Fundamentalist Performances.Christine James - 2010 - In Rosemary Hill Karl Spracklen (ed.), Heavy Fundametalisms: Music, Metal and Politics. Inter-Disciplinary Press.
    Wittgenstein’s comment that what can be shown cannot be said has a special resonance with visual representations of power in both Heavy Metal and Fundamentalist Christian communities. Performances at metal shows, and performances of ‘religious theatre’, share an emphasis on violence and destruction. For example, groups like GWAR and Cannibal Corpse feature violent scenes in stage shows and album covers, scenes that depict gory results of unrestrained sexuality that are strikingly like Halloween ‘Hell House’ show presented by neo-Conservative, Fundamentalist Christian (...)
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  4. added 2013-07-14
    Similarities and Differences in Postcolonial Bengali Women’s Writings: The Case of Mahasweta Debi and Mallika Sengupta.Blanka Knotková-Čapková - 2012 - Argument: Biannual Philosophical Journal 2 (1):97-116.
    The emancipation of women has become a strong critical discourse in Bengali literature since the 19th century. Only since the second half of the 20th century, however, have female writers markedly stepped out of the shadow of their male colleagues, and the writings on women become more and more often articulated by women themselves. In this article, I focus on particular concepts of femininity in selected texts of two outstanding writers of different generations, a prose writer, and a woman poet: (...)
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