Hume: Abstract Ideas

This is partly fictional. It is chiefly a reconstruction (not always faithful) of Hume’s fundamental uses of notions of similarity, mostly based on Enquiry. It is the first part (out of four) of a monograph on the evolution of similarity toolmaking. Histories of doctrines are common in our discipline, not so for histories of tools; this is what it’s about. What’s disturbing: I write as if I were talking about the customs and beliefs of ancient tribes instead of real philosophers. (...) Advantages: helps focus on what similarity tools are apt to, I don’t have to worry about my Hume being merely MY Hume; more fun. Here is the thematic layout: 1.1: (very fictional) methodological introduction; page 2. 1.2: on the origin of ideas + missing shade of blue; p. 4. 1.3: the Xenophobia model; p. 12. 1.4: case studies of cognitive trickery; p. 16 : 1.4.1: arguments from experience; p. 17. 1.4.2: the idea of necessary connection; p. 21. 1.4.3: abstract and very general ideas; p. 23. 1.5: conceptual distinctions between used similarity tools and a few comments; p. 29. (shrink)

Hume is an experimental philosopher who attempts to understand why we think, feel, and act as we do. But how should we evaluate the adequacy of his proposals? This chapter examines Hume’s account from the perspective of interdisciplinary work in cognitive science.

in the treatise, hume claims to identify many “fictions of the imagination” among both “vulgar” and philosophical beliefs. To name just a few, these include the fiction of one aggregate composed of many parts,1 the fiction of a material object’s identity through change, and the fiction of a human mind’s identity through change and interruption in its existence. Hume claims that these fictions and others like them are somehow defective: in his words, they are “improper,” “inexact,” or not “strict”. I (...) will argue that this claim conflicts with other commitments.. (shrink)

I defend a reading of David Hume’s nominalism that he comes close to Keith Campbell's contemporary trope theory in the specific case of spatial properties. I argue that Hume's view should be construed as classifying spatial properties as Campbellian tropes (particular properties): abstract, particular, determinate and qualitatively simple properties. This has implications for reconstructing Hume's answer to the problem of universals. I argue that Hume’s account of objects resembling each other in respect of spatial properties is grounded in the resemblance (...) of tropes rather than in the resemblance of objects. (shrink)

Philosophers have often claimed that general ideas or representations have their origin in abstraction, but it remains unclear exactly what abstraction as a psychological process consists in. We argue that the Lockean aspiration of using abstraction to explain the origins of all general representations cannot work and that at least some general representations have to be innate. We then offer an explicit framework for understanding abstraction, one that treats abstraction as a computational process that operates over an innate quality space (...) of fine-grained general representations. We argue that this framework has important philosophical implications for the nativism-empiricism dispute, for questions about the acquisition of unstructured representations, and for questions about the relation between human and animal minds. (shrink)

In Book I, Part I, Section VII of the Treatise, Hume sets out to settle, once and for all, the early modern controversy over abstract ideas. In order to do so, he tries to accomplish two tasks: (1) he attempts to defend an exemplar-based theory of general language and thought, and (2) he sets out to refute the rival abstraction-based account. This paper examines the successes and failures of these two projects. I argue that Hume manages to articulate a plausible (...) theory of general ideas; indeed, a version of his account has defenders in contemporary cognitive science. But Hume fails to refute the abstraction-based account, and as a result, the early modern controversy ends in a stalemate, with both sides able to explain how we manage to speak and think in general terms. Although Hume fails to settle the controversy, he nevertheless advances it to a point from which we have yet to progress: the contemporary debate over abstract ideas in cognitive science has stalled on precisely this point. (shrink)

Berkeley and Hume object to Locke's account of abstraction. Abstraction is separating in the mind what cannot be separated in reality. Their objection is that if a is inseparable in reality from b, then the idea of a is inseparable from the idea of b. The former inseparability is the reason for the latter. In most interpretations, however, commentators leave the former unexplained in explaining the latter. This article assumes that Berkeley and Hume present a unified front against Locke. Hume (...) supplements Berkeley's argument just where there are gaps. In particular, Hume makes explicit something Berkeley leaves implicit: The argument against Locke depends on the principle that things are inseparable if and only if they are identical. Abstraction is thinking of one of an inseparable pair while not thinking of the other. But doing so entails thinking of something while not thinking of it. This is the fundamental objection. (shrink)