17th/18th Century British Philosophy

Tradução para o português do artigo "Berkeley and the pyrrhonism" publicado originalmente em The Review of Metaphysics 5 (1951); reimpresso em Burnyeat, Myles (org.) The Skeptical Tradition. University of California Press, 1983, p. 377-396 e em Richard A. Watson and James E. Force (Editors). The high road to Pyrrhonism, p. 297-318.

George Berkeley (1685-1753) is one of the most influential early modern philosophers, and in reason of this a never-ending critical interest focuses on his works. Such a critical attention gave rise to a broad literature and it is in fact quite easy to find valuable introductory books to Berkeley's works. It would be thus superfluous to provide a further summary of the entire production of Berkeley. Rather, I focus on a specific issue, namely the main points of interest of immaterialism (...) for the contemporary debates in philosophy. The currently most discussed Berkeleian arguments are those from his earlier production (those developed around 1709-1713). Thus, I will be mainly concerned with the conceptual structure of A Treatise Concerning the Principles of Human Knowledge. Among Berkeley's early works, this is the one that was thought as a systematic illustration for philosophers of his ideas. (shrink)

Um dos principais objetivos de Berkeley nos Princípios e nos Três Diálogos, como expressamente enunciado nos títulos completos dessas duas obras e nos cadernos de anotações que antecipam sua elaboração, é a refutação do ceticismo. Este artigo procura explicitar o que Berkeley entende por ceticismo e indicar quais os princípios ou doutrinas que, segundo ele, suscitam as dúvidas dos céticos. Em seguida, procura mostrar como se dá a oposição de Berkeley ao ceticismo. No final, sugere que a refutação do ceticismo (...) por parte de Berkeley, dada a doutrina que ele mesmo denomina de imaterialismo, não se baseia apenas na defesa do princípio esse est percipi, mas é complementada pela tese de que os objetos e suas qualidades sensíveis são imediatamente percebidos. Uma tese que, na concepção de Berkeley, é compatível com a visão do senso comum, o que sugere que ele talvez pudesse considerar a sua teoria da percepção como uma forma de realismo direto. (shrink)

Anthony Brueckner argues that Berkeleyan idealism lacks anti-sceptical force because of the way Berkeley draws the appearance/reality distinction. But Brueckner's case rests on a misunderstanding of Berkeley's view. Properly understood, Berkeleyan idealism does indeed have anti-sceptical force.

One of Berkeley’s main goals in the Principles and in the Three Dialogues, as expressly stated in the full titles these two works, as well as in the Philosophical Commen-taries, is the refutation of skepticism. This article aims to elucidate what Berkeley means by skepticism and to indicate which principles or doctrines, according to him, are at the root of the skeptics’ doubts. An attempt is made to show how Berkeley elaborated his opposition to skepticism. Finally, it is suggested that (...) Berkeley’s (alleged) refutation of the skepticism, given his doctrine of immaterialism, is not based only on the esse est percipi principle, but also on the thesis that the objects and their sensible qualities are immedi-ately perceived. It is pointed out that, in Berkeley’s view, this thesis is compatible with common sense, what makes it plausible to consider his theory of perception as a form of direct realism. (shrink)

Tradução para o português do capítulo 'Philosophy as Palimpsest: Archetypal Knowledge in Siris', retirado de: The Other Bishop Berkeley: An Exercise in Reenchantment. Fordham University Press, New York, 2006, p. 40-56,.

Tradução para o português do verbete "George Berkeley, de Michael Ayers, retirado de "A Companion to Epistemology", ed. Jonathan Dancy e Ernest Sosa (Oxford: Blackwell, 1997), pp. 261–264. Criticanarede. ISSN 1749-8457.

Berkeley desarrolla su teoría de la visión en la obra de juventud Ensayo para una nueva teoría de la visión, que por lo general ha sido leída atendiendo sólo a sus aspectos científicos o perceptuales. En este artículo propongo una lectura distinta, que busca mostrar que el Ensayo no sólo atiende aspectos científicos sino, por el contrario, anticipa el inmaterialismo de obras posteriores. Esto lo hace porque Dios cumple un importante papel en él, lo cual se debe, entre otras cosas, (...) a que la teoría de la visión es desarrollada en función de Dios, pues de Él depende tanto la vista y los objetos visibles como el argumento del lenguaje visual. (shrink)

George Berkeley (1685-1753) is one of the most influential early modern philosophers, and in reason of this a never-ending critical interest focuses on his works. Such a critical attention gave rise to a broad literature and it is in fact quite easy to find valuable introductory books to Berkeley's works. It would be thus superfluous to provide a further summary of the entire production of Berkeley. Rather, I focus on a specific issue, namely the main points of interest of immaterialism (...) for the contemporary debates in philosophy. The currently most discussed Berkeleian arguments are those from his earlier production (those developed around 1709-1713). Thus, I will be mainly concerned with the conceptual structure of A Treatise Concerning the Principles of Human Knowledge. Among Berkeley's early works, this is the one that was thought as a systematic illustration for philosophers of his ideas. (shrink)

Amongst those who answered Molyneux’s question in the negative or at least not in the positive, George Berkeley is of particular interest because he argued for a very radical position. Most of his contribution to the discussion can be found in his Essay towards a New Theory of Vision. I will give an exposition of his view (2) and then move on to a critical discussion of this kind of view, - what one could call the “Berkeleian view” (3). I (...) think that the problems of what has become a standard negative answer to the question (mainly brought forward by empiricists) become very clear in Berkeley’s case and one can also learn a lot from this. (shrink)

The chapter focuses on attributions of the transparency of thought to early modern figures, most notably Descartes. Many recent philosophers assume that Descartes believed the mind to be “transparent”: since all mental states are conscious, we are therefore aware of them all, and indeed incorrigibly know them all. Descartes, and Berkeley too, do make statements that seem to endorse both aspects of the transparency theses (awareness of all mental states; incorrigibility). However, they also make systematic theoretical statements that directly countenance (...) “unnoticed” thoughts or mental states, that is, thoughts or mental states of which the subject is unaware and has no knowledge. Descartes, having identified the essence of mind with thought or representation, distinguishes bare states of mind from states of which we have reflective awareness, thereby providing a theoretical tool for understanding both his seeming endorsement of transparency and his actual denial of it: Descartes distinguished between a basic perceptual state, or a basic awareness, and reflectively conscious states that involve explicit noticing and cognizing on the part of the subject. Leibniz (as is better known) directly endorsed a similar distinction between bare perception and reflective consciousness, using the term “perception” for the first and “apperception” for the second. In these cases, bare perceptions are not transparently available to the subject, and so in fact the subject does not have knowledge, hence does not have incorrigible knowledge, of all its occurrent mental states. This chapter gives evidence to support these claims; elaborates the complex psychology of the subject found in Descartes and other early moderns; and notes some ways in which these early moderns contributed to the genesis of the modern subject. Finally, it compares McDowell’s conception of the Cartesian mind with the conceptions of mind found in the writings of Descartes, Berkeley, and Leibniz, finding that his characterization caricatures the positions of early modern philosophers. McDowell's characterization has four elements: consciousness as essence of mind; intentionality as exclusively mental; the veil of perception; and the transparency of mind. Only the second point, about intentionality, fully fits Descartes. As a consequence of his own misdirection, McDowell misses the actual basis of his difficulty in connecting mind with world, which arises from a point of agreement between him and Descartes: the removal of intentionality from material sensory systems. But whereas Descartes could relocate (nonconceptual) sensory intentionality in mental states, McDowell is left to account for it with his overly cognitivized scheme of perceptual content as exclusively conceptual. (Paper first given at the European Society for Early Modern Philosophy, 2007.). (shrink)

The Rococo period in the arts, flourishing mainly from about 1710 to about 1750, was stylistically unified, but nevertheless its tremendous productivity and appeal throughout Occidental culture has proven difficult to explain. Having no contemporary theoretical literature, the Rococo is commonly taken to have been a final and degenerate form of the Baroque era or an extravagance arising from the supposed careless frivolity of the elites, including the intellectuals of the Enlightenment. Neither approach adequately accounts for Rococo style. Naming the (...) Rococo raises profound issues for understanding the relations between conception and production in historical terms. Against the many difficulties that the term has involved in accounting for an immense but elusive cultural movement, this thesis argues that some of the chief philosophical conceptions of the period clarify the particular character and significance of Rococo production. Rococo production is here studied chiefly in decor, architecture, and the plastic arts. This thesis also makes an extended general argument for the value of intellectual history. Rococo style is a group of visual effects of which the central character is atectonicity. This is established by a synthesizing overview of Rococo ornamental motifs. Principal theorists of post-Cartesian thought have failed to see how these distinguish Rococo style from both Baroque and Enlightenment culture. The analysis addresses the historical narratives of Benjamin, Adorno, Foucault, Deleuze, and others about Baroque and Enlightenment culture. The core historical claim of this thesis is that Rococo atectonic effects are visual forms of the anti-materialist, idealist ontology of George Berkeley and of the metaphysics and ontology in the early work of Giambattista Vico. Close readings of important passages from works of both philosophers published in 1710 develop the relationship between atectonics and idealist ontology. Both men rejected the Baroque hierarchical cosmology in favor of finitude as the key to human understanding. The readings center on the issue of causality, including Berkeley’s views of the perfect contingency of the world and on Vico’s theories of truth and ingenium. A reading of Diderot’s critique of the Rococo, which led the reaction to it, shows that he recognized the power of idealist ontology in the Rococo cultural production. The larger force in the rejection of Rococo is the emergence of the sublime as a morally fearful feature of physical nature. Montesquieu’s aesthetic work also shows the transition to a more rigidly determined view of existence, which was expressed but constrained in the little-recognized lattice motif in Rococo arts. The result of these readings is the influence during and after the Rococo period of the concept of continuous creation, in which the memory and imagination of the human subject relays God-given powers of creation into the production of culture. Continuous creation also suggested a human capability to animate material nature. Rococo style displays this as pre-cinematic effects that represent the non-material, non-causal deep structure of reality. (shrink)

George Berkeley (1685-1753) is one of the most influential early modern philosophers, and in reason of this a never-ending critical interest focuses on his works. Such a critical attention gave rise to a broad literature and it is in fact quite easy to find valuable introductory books to Berkeley's works. It would be thus superfluous to provide a further summary of the entire production of Berkeley. Rather, I focus on a specific issue, namely the main points of interest of immaterialism (...) for the contemporary debates in philosophy. The currently most discussed Berkeleian arguments are those from his earlier production (those developed around 1709-1713). Thus, I will be mainly concerned with the conceptual structure of A Treatise Concerning the Principles of Human Knowledge. Among Berkeley's early works, this is the one that was thought as a systematic illustration for philosophers of his ideas. (shrink)

En su Tratado sobre los principios del conocimiento humano, George Berkeley ofrece una serie de argumentos cuyo objetivo es criticar la tesis materialista. Mi propósito en este artículo es reconstruir y analizar en detalle estos argumentos. Dado que la crítica de Berkeley al materialismo es, fundamentalmente, una crítica al materialismo representacionalista de John Locke, empezaré este artículo explicando cuáles son las ideas básicas de la propuesta de Locke.

Phenomenalist interpretations of Kant are out of fashion. The most common complaint from anti-phenomenalist critics is that a phenomenalist reading of Kant would collapse Kantian idealism into Berkeleyan idealism. This would be unacceptable because Berkeleyan idealism is incompatible with core elements of Kant’s empirical realism. In this paper, I argue that not all phenomenalist readings threaten empirical realism. First, I distinguish several variants of phenomenalism, and then show that Berkeley’s idealism is characterized by his commitment to most of them. I (...) then make the case that two forms of phenomenalism are consistent with Kant’s empirical realism. The comparison between Kant and Berkeley runs throughout the paper, with special emphasis on the significance of their theories of intentionality. (shrink)

L'objectiu d'aquest article és oferir un anàlisi dels arguments principals del Tractat sobre els Principis del Coneixement Humà, de G. Berkeley. Aquests arguments -que es troben a I, §4, I, §5-7 i I, §23 de l'obra de Berkeley- tenen como a objectiu demostrar la inconcebibilitat d'un món extern de caràcter físic. Argumentaré que la validesa d'aquests tres arguments depèn del anomenat «principi de semblança». La conclusió a la que arribaré és que l'acceptació del principi de semblança -i, en conseqüència, dels (...) arguments que d'ell en depenen- es problemàtica, però que, en qualsevol cas, el principi es manté com a una bona crítica reductiva al materialisme representacionalista de John Locke, en tant que aquest no pot negar les premisses que duen a la seva justificació i que la seva defensa contra dit principi presenta un seguit de problemes als quals sembla no haver-hi resposta. (shrink)

Subjective idealism can be defined as the view that ‘the objective world independent of man does not exist; it is the product of man's subjective cognitive abilities, sensations, and perceptions’. George Berkeley often is said to be the founder of this species of idealism, and when someone wants to offer an example of a subjective idealist, Berkeley is usually the first person who comes to mind. However, those making this claim largely seem to be only passingly familiar with Berkeley’s work, (...) sometimes to the point that there have been doubts they had even read him. Meanwhile, many serious readers of Berkeley have rejected this reading of Berkeley, showing that it relies on a neglect of many of Berkeley’s own claims. How has this gulf between the common impression of Berkeley and the views of many of his most attentive readers arisen and been sustained? This paper suggests that, to a large extent, it has been due to neglecting to set Berkeley’s work in its proper historical context. (shrink)

Berkeley doesn't use the Time-Gap Argument, as Leibniz does, to prove either that we immediately see only ideas or that we see physical objects mediately. It may be doubted whether he was even aware of the time-gap problem that gives rise to the argument. But certain passages in the Three Dialogues and elsewhere suggest that Berkeley would have had cogent answers to anyone who claimed that this argument, construed as being in aid of the conclusion that we only perceive ideas, (...) is unsound. Discussing points made by Bertil Belfrage, Len Carrier, John Foster, A. C. Grayling, Howard Robinson, A. D. Smith, Tom Stoneham, and Colin Turbayne, I try to show that the Time-Gap Argument can be expanded into a strong argument for Berkeleian Idealism. I also idnicate how the latter provides a solution to J. J. Valberg's "puzzle of experience" and disarms James Cornman's argument in Perception, Common Sense, and Science that Berkeley, too, faces a time-gap problem. (shrink)

Anthony Brueckner argues that Berkeleyan idealism lacks anti-sceptical force because of the way Berkeley draws the appearance/reality distinction. But Brueckner's case rests on a misunderstanding of Berkeley's view. Properly understood, Berkeleyan idealism does indeed have anti-sceptical force.

One of Berkeley’s main goals in the Principles and in the Three Dialogues, as expressly stated in the full titles these two works, as well as in the Philosophical Commen-taries, is the refutation of skepticism. This article aims to elucidate what Berkeley means by skepticism and to indicate which principles or doctrines, according to him, are at the root of the skeptics’ doubts. An attempt is made to show how Berkeley elaborated his opposition to skepticism. Finally, it is suggested that (...) Berkeley’s (alleged) refutation of the skepticism, given his doctrine of immaterialism, is not based only on the esse est percipi principle, but also on the thesis that the objects and their sensible qualities are immedi-ately perceived. It is pointed out that, in Berkeley’s view, this thesis is compatible with common sense, what makes it plausible to consider his theory of perception as a form of direct realism. (shrink)

I argue that Berkeley's distinctive idealism/immaterialism can't support his view that objects of sense, immediately or mediately perceived, are causally inert. (The Passivity of Ideas thesis or PI) Neither appeal to ordinary perception, nor traditional arguments, for example, that causal connections are necessary, and we can't perceive such connections, are helpful. More likely it is theological concerns,e.g., how to have second causes if God upholds by continuously creating the world, that's in the background. This puts Berkeley closer to Malebranche than (...) to Hume. -/- As far the what I call the "first strategy;" defending the passivity of ideas by ordinary introspection, I refer to the work of the French psychologist Albert Michotte,(1940) and those now extending his experiments, to show that (1) there is an immediate and quite robust visual impression of causality, (admitted in fact by Berkeley, Malebranche and Hume) and (2) of more importance, the impression isn't due to projecting into nature expectations gained from experienced regularities. (shrink)

True contradictions are taken increasingly seriously by philosophers and logicians. Yet, the belief that contradictions are always false remains deeply intuitive. This paper confronts this belief head-on by explaining in detail how one specific contradiction is true. The contradiction in question derives from Priest's reworking of Berkeley's argument for idealism. However, technical aspects of the explanation offered here differ considerably from Priest's derivation. The explanation uses novel formal and epistemological tools to guide the reader through a valid argument with, not (...) just true, but eminently acceptable premises, to an admittedly unusual conclusion: a true contradiction. The novel formal and epistemological tools concern points of view and changes in points of view. The result is an understanding of why the contradiction is true. (shrink)

George Berkeley's apparently strange view – that nothing exists without a mind except for minds themselves – is notorious. Also well known, and equally perplexing at a superficial level, is his insistence that his doctrine is no more than what is consistent with common sense. It was every bit as crucial for Berkeley that it be demonstrated that the colors are really in the tulip, as that there is nothing that is neither a mind nor something perceived by a mind. (...) In what follows, I shall attempt to re-examine Berkeley's argument in terms of what it appears to have meant to him. I am especially interested in the connection between Berkeley's thought concerning the relation between perception and metaphysics and that of Maurice Merleau-Ponty, with whom, perhaps surprisingly, Berkeley shared a great many intuitions and concerns. Thus part of my objective is to compare and contrast the work of two thinkers who had many common interests, and whose thought frequently led them down similar paths. I shall be especially interested in apparent points of departure, both those that turn out to reflect real divergences and those which reflect confusions of one kind or another. My main objective, however, is not mere textual analysis. Like both Berkeley and Merleau-Ponty, my main hope is to make progress in clarifying how things are. As odd as some of Berkeley's pronouncements may sound to contemporary ears – concerning especially the metaphysical consequences of what he regarded as perceptual facts – I shall argue that, in substance, he was often not far wrong at all – at least as measured by important strands of more contemporary work on the subject. More particularly, I shall contend that for going a long way down an extraordinarily fruitful path which has been subsequently explored more fully by (especially) Martin Heidegger, Merleau-Ponty, Nelson Goodman and Hilary Putnam, Berkeley deserves considerably more credit than he is usually accorded as a progenitor of contemporary approaches to metaphysical issues. (shrink)

There is a problem regarding God and perception right at the heart of Berkeley ’s metaphysics. With respect to this problem, I will argue for : It is intractable. Berkeley has no solution to this problem, and neither can we hope to offer one on his behalf. However, I will also argue for : The truth of need not be seen as threatening the viability of Berkeley ’s metaphysics. In fact, it may even be seen as speaking in its favor.

Berkeley's doctrine of archetypes explains how God perceives and can have the same ideas as finite minds. His appeal of Christian neo-Platonism opens up a way to understand how the relation of mind, ideas, and their union is modeled on the Cappadocian church fathers' account of the persons of the trinity. This way of understanding Berkeley indicates why he, in contrast to Descartes or Locke, thinks that mind (spiritual substance) and ideas (the object of mind) cannot exist or be thought (...) of apart from one another. It also hints at why Gregory of Nyssa's immaterialism sounds so much like Berkeley's. (shrink)

Berkeley's immaterialism has more in common with views developed by Henry More, the mathematician Joseph Raphson, John Toland, and Jonathan Edwards than those of thinkers with whom he is commonly associated (e.g., Malebranche and Locke). The key for recognizing their similarities lies in appreciating how they understand St. Paul's remark that in God "we live and move and have our being" as an invitation to think to God as the space of discourse in which minds and ideas are identified. This (...) way of speaking about God, adapted by Karl Barth and Paul Tillich, opens up new ways to think about the relation between God and infinite minds. (shrink)