Margaret Cavendish was a philosopher and writer active in mid-seventeenth century England. She is important not just as one of the first women active in philosophy in early modern age but as the expounder of an original scientific theory based on vitalism and materialism, by which she rejected the mechanical philosophy of Descartes and Hobbes and the experimental philosophy of Boyle and Hooke. Also, while not developing a theory of gender equality, she envisaged a form of emancipation of women based (...) on intellectual activity as a way to social recognition and to the exercise of influence on society and politics. (shrink)

ABSTRACTIn this paper, I explore Margaret Cavendish’s engagement with mid-seventeenth-century debates on spirits and spiritual activity in the world, especially the problems of incorporeal substance and magnetism. I argue that between 1664 and 1668, Cavendish developed an increasingly robust form of materialism in response to the deficiencies which she identified in alternative philosophical systems – principally mechanical philosophy and vitalism. This was an intriguing direction of travel, given the intensification in attacks on the supposedly atheistic materialism of Hobbes. While some (...) scholars claim that Cavendish’s views were not formed out of extensive engagement with contemporary thinkers, I suggest that, on the contrary, Cavendish engaged very closely with the views of More, Hobbes and others – including the vitalist thinker Johannes Baptista van Helmont and the mechanical philosopher Henry Power – on the subject of spirits and... (shrink)

Seventeenth-century philosopher Margaret Cavendish wrote not only several philosophical treatises, but also many fictional works. I argue for taking the latter as serious objects of study for historians of philosophy, and sketch a method for doing so. Cavendish's fiction is full of conflicting viewpoints, and many authors have argued that this demonstrates that she did not intend her literary works to serve serious philosophical purpose. But if we consider philosophers more central to the canon, such as Plato or Kierkegaard, who (...) sometimes used literary forms to do serious philosophy, we see that these arguments are unfounded. Like those philosophers, Cavendish had several philosophical motivations for pursuing value-theoretic issues through the flexible formats of literary genres. This suggests that Cavendish's literary corpus may be fruitful and largely unexplored ground for the history of philosophy. (shrink)

“Neither doth our Sex delight or understand Philosophy.”.

“Neither doth our Sex delight or understand Philosophy.”.

According to Margaret Cavendish the entire natural world is essentially rational such that everything thinks in some way or another. In this paper, I examine why Cavendish would believe that the natural world is ubiquitously rational, arguing against the usual account, which holds that she does so in order to account for the orderly production of very complex phenomena (e.g. living beings) given the limits of the mechanical philosophy. Rather, I argue, she attributes ubiquitous rationality to the natural world in (...) order to ground a theory of the ubiquitous freedom of nature, which in turn accounts for both the world's orderly and disorderly behavior. (shrink)

Consider the distinctive qualitative property grass visually appears to have when it visually appears to be green. This property is an example of what I call sensuous color. Whereas early modern mechanists typically argue that bodies are not sensuously colored, Margaret Cavendish (1623–73) disagrees. In cases of veridical perception, she holds that grass is green in precisely the way it visually appears to be. In defense of her realist approach to sensuous colors, Cavendish argues that (i) it is impossible to (...) conceive of colorless bodies, (ii) the very possibility of color experience requires that bodies are sensuously colored, and (iii) the attribution of sensuous colors to bodies provides the best explanation of color constancy. Although some passages might suggest that Cavendish endorses a reductive account of sensuous color, according to which sensuous color reduces to a body's microscopic surface texture (or some other mechanistically respectable property), I argue that she accepts a nonreductive account, on which sensuous color is not thus reducible. (shrink)

Before her death in 1673, Margaret Cavendish, the Duchess of Newcastle, expressed a wish that her philosophical work would experience a ‘glorious resurrection’ in future ages. During her lifetime, and for almost three centuries afterwards, her writings were destined to ‘lye still in the soft and easie Bed of Oblivion’. But more recently, Cavendish has received a measure of the fame she so desired. She is celebrated by feminists, literary theorists, and historians. There are regular conferences organised by the International (...) Margaret Cavendish Society, and there have been several biographies, as well as essay collections, journal issues, scholarly editions, and anthologies devoted to her work. In terms of studies in the history and philosophy of science, however, Cavendish has yet to achieve her resurrection in full. While there have been journal articles and book chapters, and a 2001 edition of her Observations, there have been (until now) no book-length studies of her philosophy, and there is currently no modern edition of her other major work, the Philosophical Letters. This essay-length review of Lisa Sarasohn’s The Natural Philosophy of Margaret Cavendish highlights why Cavendish should still hold interest for philosophers today. (shrink)

Scholarly interest in Margaret Cavendish's philosophical views has steadily increased over the past decade, but her epistemology has received little attention, and no consensus has emerged; Cavendish has been characterized as a skeptic, as a rationalist, as presenting an alternative epistemology to both rationalism and empiricism, and even as presenting no clear theory of knowledge at all. This paper concludes that Cavendish was only a modest skeptic, for she believed that humans can achieve knowledge through sensitive and rational perception as (...) well as through self-knowledge and can form probable opinions through reasoning. (shrink)

Résumé En 1665, Robert Hooke fait paraître son grand ouvrage de microscopie, _Micrographia_, véritable défense et illustration de la philosophie expérimentale. L’année suivante, Margaret Cavendish, duchesse de Newcastle, publie à compte d’auteur un traité et un roman qui attaquent les fondements mêmes de cette science nouvelle. La dispute qui s’engage à l’initiative de la duchesse s’inscrit dans le contexte d’une plus vaste controverse sur la légitimité et l’efficacité des instruments optiques en philosophie naturelle. Toutes les figures de la controverse scientifique (...) y sont déployées. Toutes, sauf une : la riposte. Car Margaret Cavendish est seule dans l’arène. Peut-on parler de duel lorsque seule l’une des deux parties attaque? C’est ce cas particulier de dispute qui s’achève faute de combattant que cet article propose d’étudier. (shrink)

Résumé En 1665, Robert Hooke fait paraître son grand ouvrage de microscopie, _Micrographia_, véritable défense et illustration de la philosophie expérimentale. L’année suivante, Margaret Cavendish, duchesse de Newcastle, publie à compte d’auteur un traité et un roman qui attaquent les fondements mêmes de cette science nouvelle. La dispute qui s’engage à l’initiative de la duchesse s’inscrit dans le contexte d’une plus vaste controverse sur la légitimité et l’efficacité des instruments optiques en philosophie naturelle. Toutes les figures de la controverse scientifique (...) y sont déployées. Toutes, sauf une : la riposte. Car Margaret Cavendish est seule dans l’arène. Peut-on parler de duel lorsque seule l’une des deux parties attaque? C’est ce cas particulier de dispute qui s’achève faute de combattant que cet article propose d’étudier. (shrink)