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  1. Modal Realism and the Possibility of Island Universes: Why There Are No Possible Worlds.Jiri Benovsky - 2021 - Metaphysica 22 (1):1-13.
    In this article, I defend Lewisian modal realism against objections arising from the possibility of ‘Island Universes’ and other similar cases. The problem comes from Lewis’ claim that possible worlds are spatio-temporally isolated. I suggest a modification of Lewisian modal realism in order to avoid this family of objections. This modification may sound quite radical since it amounts to abandoning the very notion of a possible world, but as radical as it may sound it in fact remains well in the (...)
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  • Erotic Art as Proprioceptive Art.Jiri Benovsky - forthcoming - British Journal of Aesthetics:ayaa051.
    The philosophical discussion about erotic art has often been understood in terms of the possibility of erotic art as a form of visual or auditory art. In this article, I focus on erotic experiences qua proprioceptive experiences, and I defend the claim that, under the right circumstances, such experiences can bring about proprioceptive artworks.
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  • Primitive Directionality and Diachronic Grounding.Naoyuki Kajimoto, Kristie Miller & James Norton - 2019 - Acta Analytica 35 (2):195-211.
    Eternalists believe that there is no ontological difference between the past, present and future. Thus, a challenge arises: in virtue of what does time have a direction? Some eternalists, Oaklander and Tegtmeier ) argue that the direction of time is primitive. A natural response to positing primitive directionality is the suspicion that said posit is too mysterious to do any explanatory work. The aim of this paper is to relieve primitive directionality of some of its mystery by offering a novel (...)
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  • Aesthetic Appreciation of Landscapes.Jiri Benovsky - 2016 - Journal of Value Inquiry 50 (2):325-340.
    In this article, I want to understand the nature of aesthetic experiences of landscapes. I offer an understanding of aesthetic appreciation of landscapes based on a notion of a landscape where landscapes are perspectival observer-dependent entities, where the 'creator' of the landscape necessarily happens to be the same person as the spectator, and where her scientific (and other) knowledge and beliefs matter for the appreciation to be complete. I explore the idea that appreciating a landscape in this sense has quite (...)
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  • Non‐Inferentialism About Justification – The Case of Aesthetic Judgements.Fabian Dorsch - 2013 - Philosophical Quarterly 63 (253):660-682.
    In this article, I present two objections against the view that aesthetic judgements – that is, judgemental ascriptions of aesthetic qualities like elegance or harmony – are justified non‐inferentially. The first is that this view cannot make sense of our practice to support our aesthetic judgements by reference to lower‐level features of the objects concerned. The second objection maintains that non‐inferentialism about the justification of aesthetic judgements cannot explain why our aesthetic interest in artworks and other objects is limited to (...)
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