Bergson argues in his Creative Evolution that life has to be defined as an élan vital, that is, as a driving force that presses forward incessantly, overcoming obstacles to its progress and exploding in a variety of directions at once. In Beyond the Pleasure Principle, Freud elaborates a critique of such a vitalistic notion of the drives. For him, the drives are not only sources of excitation, but also forces that resist change and that cause the body's movements and activities (...) to stagnate. Freud ascribes a remarkable name to these conservative and stubborn tendencies at work in the body, viz. the death drive. I argue that this drive is to be understood as a force in life that resists life and that, instead of following a course of progression and development, consists in a production of antiproductivity. I show how Freud is led to reconsider a vitalistic conception of the drives by means of a study of phenomena of repetition. One suggestion that Freud makes in Beyond the Pleasure Principle, which I examine in detail, is that the ego-drives are the “myrmidons of death.” To clarify this claim, I consider a remark that he makes on the viscosity of the drives and melancholia in his short essay On Transience. (shrink)

Le chiasme de l’être: une exploration de l’ontologie du sens de Merleau-PontyLa question de l’ontologie inclut celle de savoir comment un être se détermine et acquiert son sens, autrement dit comment il instaure sa différenciation par desorientations, des significations et des différences en général. Cette étude explore l’idée que le sens d’un être provient d’une « chiralité ontologique », c’est-à-dire d’un type de différence ontologique présentant un apparentement caractéristique de ses deux côtés droit et gauche. L’étude montre tout d’abord comment (...) l’ontologie merleau-pontienne de la réversibilité conduit à la question de la chiralité. On fait ensuite entrer dans la discussion des résultats obtenus dans les domaines de la chimie, de la biologie et de la géométrie, pour mieux mettre en lumière l’importance des différences en chiralité et pour élaborer une définition de la « chiralité ontologique » en étroite liaison avec l’ontologie du sens.Il chiasma dell’essere: un’esplorazione dell’ontologia del senso merleau-pontianaIl problema dell’ontologia include il problema di come l’essere sia determinato e acquisisca senso, acquisisca cioè gli orientamenti, i significati, tutte quelle differenze che fanno la differenza. Questo saggio esplora il pensiero secondo il quale il senso dell’essere deriva da una ‘chiralità ontologica,’ una sorta di differenza ontologica con caratteristiche affini alle differenze fra le mani destra e sinistra. Il testo illustra in primo luogo come l’ontologia merleau-pontyana della reversibilità porti alle questioni della chiralità. I risultati della ricerca attuale, in chimica, biologia e geometria sono poi discussi per illuminare l’importanza delle differenze chirali e per sviluppare una definizione della chiralità ontologica che si connette ad una ontologia del senso. (shrink)

I argue that reconciling nature with human experience requires a new ontology in which nature is refigured as being in and of itself meaningful, thus reconfiguring traditional dualisms and the . But this refiguring of nature entails a method in which nature itself can exhibit its conceptual reconfiguration—otherwise we get caught in various conceptual and methodological problems that surreptitiously reduplicate the problem we are seeking to resolve. I first introduce phenomenology as a methodology fit to this task, then show how (...) life manifests a field in which nature in and of itself exhibits meaningfulness, such that this field can serve as a starting point for this phenomenological project. Finally, I take immunogenesis as an example in which living phenomena can guide insights into the ontology in virtue of which meaning arises in nature. (shrink)

This article studies the phenomenology of chronic illness in light of phenomenology’s insights into ecstatic temporality and freedom. It shows how a chronic illness can, in lived experience, manifest itself as a disturbance of our usual relation to ecstatic temporality and thence as a disturbance of freedom. This suggests that ecstatic temporality is related to another sort of time—“provisional time”—that is in turn rooted in the body. The article draws on Merleau-Ponty’s Phenomenology of Perception and Heidegger’s Being and Time , (...) shedding light on the latter’s concept of ecstatic temporality. It also discusses implications for self-management of chronic illness, especially in children. (shrink)

Studies that compare human and animal behaviour suspend prejudices about mind, body and their relation, by approaching thinking in terms of behaviour. Yet comparative approaches typically engage another prejudice, motivated by human social and bodily experience: taking the lone animal as the unit of comparison. This prejudice informs Heidegger’s and Merleau-Ponty’s comparative studies, and conceals something important: that animals moving as a group in an environment can develop new sorts of “sense.” The study of animal group-life suggests a new way (...) of thinking about the creation of sense, about the body, the brain, and the relation between thinking and nature. (shrink)

Many believe that the world exists without a cause or reason. Most of them reject an explanation for the whole concrete world because they accept the traditional idea that concrete existence comes only from things that concretely exist. But I provide reasons for thinking that the world might be actual as a result of a feature that is not concrete but abstract. I begin by outlining ideas that some followers of the Platonic Theory of Forms have developed about whether actuality (...) of something can be explained by its possibility. Next, I show that many who think they reject all paths for explaining actuality by abstract facts about possibilities in fact follow such paths. The question of why there exists anything concrete might be answered not by saying that the world exists reasonlessly, but by following some such paths: Having a certain nature for something concrete can turn its possibility into its actuality. Still, we might in the end be forced to accept that the world exists without any reason. (shrink)

The tendency to idealise artificial intelligence as independent from human manipulators, combined with the growing ontological entanglement of humans and digital machines, has created an “anthrobotic” horizon, in which data analytics, statistics and probabilities throw our agential power into question. How can we avoid the consequences of a reified definition of intelligence as universal operation becoming imposed upon our destinies? It is here argued that the fantasised autonomy of automated intelligence presents a contradistinctive opportunity for philosophical consciousness to understand itself (...) anew as holistic and co-creative, beyond the recent “analytic” moment of the history of philosophy. Here we introduce the concept of “crealectic intelligence”, a meta-analytic and meta-dialectic aspect of consciousness. Intelligent behaviour may consist in distinguishing discrete familiar parts or reproducible functions in the midst of noise via an analytic process of segmentation; intelligence may also manifest itself in the constitution of larger wholes and dynamic unities through a dialectic process of association or assemblage. But, by contrast, crealectic intelligence co-creates realities in the image of an ideal or truth, taking into account the desiring agent imbued with a sense of possibility, in a relationship not only with the Real but also with the creative sublime or “Creal”. (shrink)

Although it is not clear that Deleuze and Guattari were simply and unambiguously Jungians, they extensively engaged with Jung’s depth psychology in both affirmative and critical ways. It is striking that Deleuze expresses a strong affinity between his work and that of Jung in several texts; Jung’s influence on Deleuze has not tended to be emphasised by scholars, though there is a rapidly growing ‘Jungian turn’ in Deleuze and Guattari studies. This article briefly extracts the influence of Jung on Deleuze (...) and Guattari and, more extensively, explores profound resonances between Deleuze's Difference and Repetition and James Hillman's Re-Visioning Psychology. (shrink)

This article analyses the work of the twentieth-century late modernist Samuel Beckett, in light of the turn-of-the-century anti-rationalist Henri Bergson and the eighteenth-century neoclassicist Samuel Johnson. What unites these three very different thinkers is a concern over habitual, automatic and involuntary behavior, which in all three cases has a distinctly neurological dimension. Beckett’s writing explores the Bergsonian notion, informed by medicine and experimental psychology, of the limitations of agency, of “the deep-seated recalcitrance of matter,” and of the human as always (...) already inflicted by the mechanical, a fact that is poignantly highlighted by the case of Samuel Johnson. Through his encounter with Johnson, Beckett registers a paradigm shift in the understanding of subjectivity. Whereas Bergson aims, throughout his career, to contest the mechanical, habitual and automatic that threaten to encrust themselves upon the living, in Beckett’s often uncannily Johnsonian writing, the habitual and the automatic become progressively more central, until in the late works, habit and mechanical behavior constitute a tenuous, fraught and primitive ontology, the residues of an agential self. (shrink)

The article provides proof that the concept of time articulated in Russian philosophy of the nineteenth century was very close to the understanding of time in the philosophy of Henri Bergson. This explains the close attention of Russian culture to the philosophical system of the French thinker at the beginning of the twentieth century. It also allows us to hypothesize about the possible influence of the ideas of Russian philosophers of the late nineteenth century on Bergson. Bergson’s most original idea (...) is the recognition of the metaphysical primacy of the subjective, inner time of the human in relation to physical time. In physical time, only the moment of the present has real existence; in internal time, designated by Bergson as duration, all moments of the past are preserved as real, and this is expressed by memory. Internal time turns out to be the spiritual Absolute from which the entire material world originates. A very similar metaphysical concept is presented in Pyotr Chaadaev’s Philosophical Letters. According to Chaadaev, each person is directly involved in the spiritual Absolute, which has the characteristic of integral time. In this time, all moments are in unity, and there is no division into the past, present, and future; this division arises only in the time intrinsic to the material reality that originates from the spiritual Absolute. In the religious teaching of Leo Tolstoy, personality is defined as the appearance of God within the limits of material existence, so a person is simultaneously involved in the earthly physical time and absolute time, which manifests itself through memory. The article concludes that Bergson’s ideas determined the most important features of Russian avant-garde culture of the twentieth century; in particular, thanks to them, the opposite trends of Russian thought were brought to unity: metaphysics of pan-unity and personalism. (shrink)

By denying to vegetal life the core values of autonomy, individualization, self-identity, originality, and essentiality, traditional philosophy not only marginalizes plants but, inadvertently, confers on them a crucial role in the current transvaluation of metaphysical value systems. From the position of absolute exteriority and heteronomy, vegetation accomplishes a living reversal of metaphysical values and points toward the collapse of hierarchical dualisms.

Published in 1972, Anti‐Oedipus was the first of a number of collaborative works between the French philosopher, Gilles Deleuze, and the French psychoanalyst and political activist, Felix Guattari. As the first of a two‐volume body of work that bears the subtitle, Capitalism and Schizophrenia, Anti‐Oedipus is, to say the least, an unconventional work that should be understood, in part, as a product of its time – created as it was among the political and revolutionary fervour engendered by the events of (...) ‘May 1968’. However, this paper will suggest that Anti‐Oedipus – as a critique of psychoanalysis and the Oedipus complex, as well as being a study of the relationship between capitalism and schizophrenia – should also be understood in a less ‘time‐bound’ fashion. In particular, the paper will examine Deleuze and Guattari’s formulation of a concept of ‘desire’ and its employment in relation to subjectivity, time, capitalism, representation, and the radical ‘therapeutic’ practice that they refer to as ‘schizoanalysis’. Moreover, nearly 40 years after the events of May 1968 and against possible doubts concerning the contemporary relevance of psychoanalysis, it will be suggested that psychoanalysis and the Oedipus complex are to be understood as symptomatic of a wider ‘malaise’ that can be discerned within psychiatry, psychotherapy, and contemporary capitalist society itself, and that it is this that forms the broader target of the book’s critique. Accordingly, by providing an accessible and critical introduction to Anti‐Oedipus, the paper also hopes to stimulate further discussion and research regarding both the critique and the contribution that the work can make to contemporary psychiatry, psychotherapy, and mental health nursing generally. (shrink)

This essay interrogates recent materialist monisms, be they based on contingency, eliminativism, or objective phenomenology, on account of their metaphilosophical ramifications. It is argued that certain dualities must be retained, at least nominally, in order to have any explanatory purchase and escape velocity from philosophical circularity. Dyads such as “spirit” and “matter,” “manifest” and “scientific,” “living” and “dead,” or even “illusion” and “reality” are given an immanentist reading that treats them as equal parts of the Real. Following this revisionary metaphysics (...) that reviews the meaning of such terms as optical realities, the matter–spirit couple is specifically used to explain why reality cannot appear as just one thing, even if only in virtue of the illusion of at least two things. The consequences for philosophical monisms of all types, and for anthropocentric thought in general, are then examined in the light of the ethical effects of recent attempts to explain every thing through one medium alone. (shrink)

I agree with Vaesen that it is a mistake to discard tool use as a hallmark of human cognition. I contend, nonetheless, that tools are not simply external markers of a distinctive human mental architecture. Rather, they actively and meaningfully participate in the process by which hominin brains and bodies make up their sapient minds.

Material Engagement Theory, which forms the focus of this special issue, is a relatively new development within cognitive archaeology and anthropology, but one that has important implications for many adjacent fields of research in phenomenology and the cognitive sciences. In How Things Shape the Mind I offered a detail exposition of the major working hypotheses and the vision of mind that it embodies. Here, introducing this special issue, more than just presenting a broad overview of MET, I seek to enrich (...) and extend that vision and discuss its application to the study of mind and matter. I begin by laying out the philosophical roots, theoretical context and intellectual kinship of MET. Then I offer a basic outline of this theoretical framework focusing on the notions of thinging and metaplasticity. In the last part I am using the example of pottery making to illustrate how MET can be used to inform empirical research and how it might complement new research in phenomenology and embodied cognitive science. (shrink)

Humans are organisms of a creative sort. We make new things that scaffold the ecology of our minds, shape the boundaries of our thinking and form new ways to engage and make sense of the world. That is, we are creative ‘thingers’. This paper adopts the perspective of Material Engagement Theory and introduces the notion ‘thinging’ to articulate and draw attention to the kind of cognitive life instantiated in acts of thinking and feeling with, through and about things. I will (...) focus more specifically on Creativethinging, or creative material engagement, exploring the importance of thinging for understanding our species unique capacity for inventiveness. (shrink)

This essay examines judicial decision-making from the perspective of Whiteheadian ‘process philosophy’. As such, it seeks to demonstrate how the explanatory categories of process thought can be applied to law and legal reasoning in such a way as to expose the nature of the processes that constitute their development. The essay begins with a description of the judicial task drawn from contemporary theorising about legal argumentation, identified in terms of the separation of contexts of decision-making: discovery and justification. In light (...) of this discussion, the essay then adopts Whiteheadian terminology to provide the basis for an alternative understanding and description of the way that a discrete instance of judicial decision-making develops and is maintained within the decision-making process. In this way, independent of any debate over the separation of contexts, the essay seeks not only to expose and unpack the otherwise hidden micro-processes that contribute to and constitute a legal decision but also, by utilising the same conceptual categories of Whiteheadian process thought, to provide a coherent and consistent account of the macro-processes more commonly observed on the level of law as a social realty. The essay argues that the explanatory power of the categoreal scheme of process thought provides a better tool for understanding these relations on all levels. (shrink)

The question of the nature of free will remains a perennial challenge for philosophy. The French philosopher Henri Bergson was one who sought to address this challenge. He argued that traditional conceptions of the free-will debate would not suffice. He suggested that both determinist and libertarian accounts fall foul of spatializing tendencies. Bergson's first major work, Time and Free Will, sought to ground his understanding of freedom, in contrast to traditional understandings, in the concept of duration. Bergson, however, actively resisted (...) attempts to define clearly freedom, which he believed ultimately leads to a spatializing of freedom. By attending to Bergson's concept of duration in Time and Free Will, and how this concept relates to freedom, it becomes possible to articulate a positive conception of freedom. This becomes important when arguing for the validity of Bergson's ideas in the current climate. Thus, a positive conception of freedom for Bergson can be “defined” as “the creation of the new within the flow of duration.” It is, however, not something that can be defined, but is something that can be located. (shrink)

This essay investigates thought as an event of “multiplicity.” French philosophers Gilles Deleuze and Alain Badiou pose this as a concept of change (political and otherwise). Both philosophers propose that multiplicity means thinking happens as an event by engaging a theoretical impasse, or “un-thought.” Un-thought opens up and changes ideas into complex varieties or multiplicities. This dynamic is examined through the example of May ‘68, an actual event that gives context to how multiplicity expresses “radical change.” The aim of this (...) article is to see how both thinkers’ theories overlap. For Badiou, multiplicities are “truths” that happen whilst making a decision, engaging a notion of “point.” For Deleuze, multiplicities are concepts that happen materially in life as metaphysical forces, or “lines.” Multiplicity is critically approached as a complex variety of ideas that change in the forms of art, politics, and science. (shrink)

This paper will explore the notions of intensity, the virtual/actual and different/ciation in Gilles Deleuze's work. It will focus in particular on excavating the Bergsonian dimension of these terms in Deleuze's philosophy and their relations to one another. While much has been written on the role of Bergson in shaping Deleuze's virtual/actual philosophy, far less attention has been paid to the way in which Deleuze's thoughts on intensity and the movements of different/ciation are also developed out of his reading of (...) Bergson. To address this I will explicate the ‘triple form of difference’ that Deleuze locates in Bergson, which includes renditions of intensity and the process of differentiation, after which I will map the movements from this early Bergsonian work to Deleuze's mature position on the matter, as it is found in the final chapter of Difference and Repetition. (shrink)

The aim of this paper is to excavate and analyse Henri Bergson’s “problematic” thinking. This task will be prosecuted through a close reading of his two-part introduction to The Creative Mind – the text in which Bergson most concisely and conclusively articulates the “problematic” character of his work. As I will attempt to show in this paper, Bergson’s work is “problematic” in two respects, one to do with methodology and the other metaphysics. These two, furthermore, are intimately entwined: on the (...) one hand, Bergson’s method of problematisation emerges from the findings of his metaphysical inquiries, while on the other, it is through the application of his problematising method that the findings of his metaphysical inquiries can be deemed as reliably accurate. In exploring this “problematic” intersection of Bergson’s methodology and metaphysics, I will first discuss what Bergson takes to be one of the biggest problems for philosophy: the lack of adequate “precision.” As we will see, many of the major themes and concepts of Bergson’s work, such as duration and intuition, both spring from and converge on his efforts to address this problem. The pursuit of precision also calls for a “problematic approach” that is appropriate for the metaphysical reality it seeks to handle – an approach I will outline in the second part of this paper. This will be followed by a discussion of how Bergson’s problematic method/metaphysics involves a critique of what he refers to as “fictitious,” “phantom” or “pseudo-problems.” This “negative” aspect of Bergsonian problematisation will then be reconsidered in the final part of the paper alongside its “positive” dimension – posing problems in terms of time. (shrink)

Life, and therefore evolution, is a creative process; creativity is not an attribute of a few gifted people. The way we think obscures this truth. Three ways of dealing with a problem are creativity, calculation, and choice. Creativity can occur when a single idea is held in two contradictory frames of reference. Thus to be creative we have to put aside our usual ways of thinking, which are based on either/or. When we put aside this way of thinking we will (...) see that things do not change: they are change. (shrink)

(2013). A Cigarette is Sometimes Just a Cigarette. World Futures: Vol. 69, The Complexity of Life and Lives of Complexity, pp. 311-331.

Recent philosophy has witnessed a renewed interest in the works and ideas of Henri Bergson (1859–1941). But while contemporary scholarship has sought to rehabilitate Bergson’s insights on time, memory, consciousness, and human freedom, comparatively little attention has been paid to Bergson’s relationship to pantheism. By revisiting the ‘pantheism’ controversy surrounding Bergsonian philosophy during Bergson’s lifetime, this article argues that the panentheistic notion of ‘being-in-God’ can serve as an illuminating framework for the interpretation of Bergson’s philosophy. By examining the ‘pantheist’ readings (...) of Bergson and comparing and contrasting Bergson’s philosophy of life with Spinoza’s panentheistic metaphysics, this paper shows that an account of ‘being-in-Life’ is key to Bergson’s metaphysical outlook as well as his account of philosophy as a practice of ‘intuitive’ thinking. In so doing, this paper highlights some of the implicit religious motifs not only in Bergson’s metaphysical outlook but also in his conception of the task of philosophy. (shrink)

This article discusses the basic arguments and important achievements of Jane Bennett’s vital materialism, as well as some problems and limitations of this theoretical perspective. It first analyzes the ontological underpinnings of Bennett’s materialist account and presents two examples she uses to illustrate the notion of a ‘force of things’. The paper then addresses central conceptual and analytic problems of Bennett’s account. The notion of an all-encompassing ‘vitality of matter’ is insufficient to explain the relationality of matter; it is also (...) empirically limited and provides only a selective account of agency. These shortcomings and limitations affect the political perspectives of Bennett’s version of vital materialism. I conclude that there is a tendency in her work to displace political considerations by invoking new ethical responsibilities and sensibilities. Being attentive to the vitality of things translates into a systematic blindness concerning the inequalities, asymmetries and hierarchies enacted in vital materializations. (shrink)

This article examines Henri Bergson’s conception of human rights in The Two Sources of Morality and Religion. I claim that he provides an original view of human rights. Rather than understand human rights primarily as an institution to protect all human beings from serious social, legal, and political abuse, Bergson conceives of them as a medium of personal transformation. In particular, I argue that for him the true potential of human rights is to initiate all human beings into a way (...) of life open to love and joy. (shrink)

This article explores the claim that law is characteristically in search of the past. We argue that the structure of memory defines our relationship with the past and this relationship, in turn, has important implications for the nature of law. The article begins by examining the structure of memory, drawing particularly on the work of Henri Bergson. It then draws out the implications of Bergson’s theory for the interplay of past and present, highlighting the challenges this poses for law’s project (...) of retrieval. Law, as an artifact, seeks its origins in human action, but this often yields a static view of legal discourse as the retrieval of pivotal moments. Bergson, by contrast, shows us that past and present influence each other dynamically, giving rise to an integrated whole. The article concludes by exploring the potential for law to transcend the structure of memory. We argue that even beyond the limits of memory legal reasoning encounters a kind of residue left by the ethical foundations of law. Law searches vainly for the past, but what it finds is itself. (shrink)

This essay starts from a consideration of Deleuze's theory of time. It begins with the empty form of time. But the essay's aim is to understand Deleuze's reversal of Platonism in his 1968 Difference and Repetition. There is no question that the stakes of the reversal of Platonism are ontological. But I argue that what is really at stake is a movement of demoralisation. The essay proceeds in three steps. First, we determine what sufficient reason or grounding is, for Deleuze. (...) Sufficient reason is struck with an irreducible ambiguity. It is this ambiguity in sufficient reason that allows it to be taken advantage of, to be used by representation and good sense for a moral purpose. The second part of the essay will therefore concern ‘the moralisation of sufficient reason’. Its focus will be good sense. But then, third, we must understand Deleuze's ‘demoralisation of sufficient reason’, which necessarily passes through others. Like sufficient reason, others are ambiguous, at once lending themselves to what cancels differences, and opening the way towards difference and intensity. The third step focuses on what Deleuze calls ‘the ethics of intensive quantities’. In the Conclusion, I examine Deleuze's famous, almost cliché, definition of ethics as not being unworthy of the event and, through the empty form of time, I connect it to Kant's formalistic ethics. (shrink)

Big historians are attempting to construct a general holistic narrative of human origins enabling an approach to studying the emergence of complexity, the relation between evolutionary processes, and the modern context of human experience and actions. In this paper I attempt to explore the past and future of cosmic evolution within a big historical foundation characterized by physical, biological, and cultural eras of change. From this analysis I offer a model of the human future that includes an addition and/or reinterpretation (...) of technological singularity theory with a new theory of biocultural evolution focused on the potential birth of technological life: the theory of atechnogenesis. Furthermore, I explore the potential deep futures of technological life and extrapolate towards two hypothetical versions of an ‘Omega Civilization’: expansion and compression. (shrink)

ArgumentFilm scholars have long posed the question of the specificity of the film medium and the apparatus of cinema, asking what is unique to cinema, how it constrains and enables filmmakers and audiences in particular ways that other media do not. This question has rarely been considered in relation to scientific film, and here it is posed within the specific context of cell biology: What does the use of time-based media such as film coupled with the microscope allow scientists to (...) experience that other visualization practices do not? Examining three episodes in the twentieth-century study of the cell, this article argues that the apparatus of microcinematography constitutes what might be thought of as a technical portal to another world, a door that determines the experience of the world that lies on the other side of it. In this case, the design of apparatuses to capture time-lapsed images enabled the acceleration of cellular time, bringing it into the realm of human perception and experience. Further, the experience of the cellular temporal world was part of a distinct kind of cell biology, one that was focused on behavior rather than structure, focused on the relation between cells, and between the cell and its milieu rather than on cell-intrinsic features such as chromosomes or organelles. As such, the instruments and technical design of the microcinematographic apparatus may be understood as a kind of materialized epistemology, the history of which can elucidate how cinema was and is used to produce scientific knowledge. (shrink)

Mobility has become a central topic of contemporary social research with the mobility turn initiated in the 2000s. In order to grasp the complexity of the global order, its authors have attempted to decenter the importance of human subjectivity and to envisage a “sociology beyond societies”. The present paper considers this interpretive context to demonstrate the contemporary relevance of Alfred Schutz’s theory of action, and to propose a notion of mobility intrinsically linked to the performance of subjectivity. By revisiting the (...) distinction between action as a thing produced and as an ongoing process, the notion of mobility is detailed in relation to movement in space and to the subjective flow of time. The specific type of action Schutz calls “locomotion” in his later work enables us to understand how action involves bodily operations in configuring a common space of sociality and communication. I conclude by going beyond the explanation of action in terms of its starting point and end point, and by assessing how action unfolds through the experiential life of the subject, with its new meanings and unexpected changes. (shrink)

The article examines the philosophy of Henri Bergson and William James as independent doctrines aimed at rational comprehension of spiritual reality. The doctrines imply the paramount importance of consciousness, the need for continuous spiritual development, the expansion of experience and perception. The study highlights the fundamental role of spiritual energy for individual and universal evolution, which likens these doctrines to the ancient Eastern teaching as well as to Platonism in Western philosophy. The term “spiritual energy” is used by Bergson and (...) James all the way through their creative career, and therefore this concept should considered in the examination of their solution to the most important philosophical and scientific issues, such as the relationship of matter and spirit, consciousness and brain, cognition, free will, etc. The “radical empiricism” of William James and the “creative evolution” of Henry Bergson should be viewed as conceptions that based on peacemaking goals, because they are aimed at reconciling faith and facts, science and religion through the organic synthesis of sensory and spiritual levels of experience. Although there is a number of modern scientific discoveries that were foreseen by philosophical ideas of Bergson and James, both philosophers advocate for the artificial limitation of the sphere of experimental methods in science. They call not to limit ourselves to the usual intellectual schemes of reality comprehension, but attempt to touch the “living” reality, which presupposes an increase in the intensity of attention and will, but finally brings us closer to freedom. (shrink)

Robots equipped with artificial intelligence pose a huge challenge to traditional ontological differentiations between the spheres of the human and the non-human. Drawing mainly from neo-animistic and perspectivist approaches in anthropology and science and technology studies, the paper explores the potential of new forms of interconnectedness and rhizomatic entanglements between humans and a world transcending the boundaries between species and material spheres. We argue that intelligent robots meet virtually all criteria Western biology came up with to define ‘life’ and that (...) it ultimately makes sense to recognize them as a new species that is part of our social universe. Contrasting dualistic concepts of man and nature with a monistic approach, we show that traditional properties of life (agency, self-replication, etc.) may apply to artefacts and that, once we accept the idea that social relationships are ultimately open connections to matter of any kind, the seemingly strict boundaries between species and material spheres can no longer be sustained. Instead, we propose to include ‘matter’ and ideas into the sphere of the social as agents in their own right to form a _relational ontology of multi-species assemblages_ (ROMA). (shrink)

In 1900, the physicist Henri Bénard exhibited the spontaneous formation of cells in a layer of liquid heated from below. Six or seven decades later, drastic reinterpretations of this experiment formed an important component of ‘chaos theory’. This paper therefore is an attempt at writing the history of this experiment, its long neglect and its rediscovery. It examines Bénard’s experiments from three different perspectives. First, his results are viewed in the light of the relation between experimental and mathematical approaches in (...) fluid mechanics, leading to a re-examination of the long-term reception of Bénard’s results among fluid dynamicists up to the chaos craze, whereby the traditional emphasis placed on mathematical physics is counterbalanced by greater attention to experimental approaches. Second, we focus on Bénard’s own way of using his results as analogies that could help grasp something about the reason why inorganic matter may structure itself in ways reminiscent of living forms. This is shown to resonate strongly with Prigogine’s work in the 1960s and 1970s. Third, Bénard’s adoption of the cinematograph as his preferred experimental instrument is interpreted as having reinforced his long-misunderstood belief that he had exhibited a form of self-organization essential to the understanding of life.Keywords: Bénard cells; Henri Poincaré; Chaos; Fluid mechanics; Cinematograph; Self-organization. (shrink)

The idea of the élan vital is crucial for an understanding of Bergson’s metaphysical method, underpinning the way in which philosophy stands with other forms of creative activity as an endeavour of “self-overcoming,” the self or subject no longer being at the centre of thought, but understood rather as a product of the process of thinking. In placing a special emphasis on Bergson’s 1907 work, Creative Evolution, the present essay is both an acknowledgement and challenge to the shift from early (...) interpretations of Bergson in which comparisons were made with thinkers such as Schelling and Schopenhauer, to more recent engagements centred on the theories of perception and memory. The aim of this essay is to formulate a response to the marginalized status of Creative Evolution in the “perception-based” strands of Bergson scholarship, by emphasising how Bergson’s theories of memory and consciousness are a means for understanding his definition of evolutionary “creativity.” Bergson suggests that the analysis of consciousness or “will” can provide us with a way of thinking about this creative movement of life, which is not a concept of a “cause” or “origin” in the sense of a “state of nature” (substance, essence, or “being”), but rather the operation of pure tendency. (shrink)

This article explores the concept of labour through a diremptive reading of Polish philosopher Stanisław Brzozowski’s essay “Prolegomena filozofii ‘pracy’” written in 1909. This essay appears as a chapter in his main work Idee: wstęp do filozofii dojrzałości dziejowej, first published in 1910. In “Prolegomena,” Brzozowski defines labour as an inner gesture that delineates the duration of life. In the interpretation of this definition the influence of Henri Bergson on Brzozowski’s thought is stressed. Inspired by Bergson, Brzozowski understands labour as (...) the only ground-creating—and therefore metaphysical—activity of humanity, when faced with the absence of transcendent grounds for existence in modernity. Emphasis is placed on Brzozowski’s insistence in “Prolegomena” that labour is irrational in its delineation of the absolutely new. He describes it as the α of the inner gesture of labour that cannot be known until it is performed. This unknown α is interpreted as his way of describing the groundlessness of the ground-creating activity of labour, and that this groundlessness means that labour eludes the control of the subject. (shrink)

This article investigates the role of ‘anarchy’ in state securitisation. First, we discuss state hierarchies’ struggle with active and reactive anarchic networks, theorising a state in existential crisis, which exploits anti-anarchist discourses to respond to network threats. In the second part, we illustrate with examples the use of fear of anarchy in hierarchical productive structures of securitisation. As an ‘antiproduction assemblage’, the state treats logics stemming from the ‘social principle’ as a repressed Real, the exclusion of which underpins its own (...) functioning. The scarcity and fear resulting from state terror ensure responses to this structural violence by reactive networks, while paradoxically also exacerbating reactive tendencies within social movements. In the concluding part, we discuss visions of desecuritising society, breaking away from majoritarian logics of control and the coming of other worlds counterposed to the hierarchies producing and reproducing an eternal loop of state and ne... (shrink)

D’Arcy Thompson’s On Growth and Form is one of the key works at the intersection of science and the imagination. This introductory essay explores the book and its context, drawing on archival sources to provide a unique perspective. It looks at Thompson’s own life and career, his experiences at University College, Dundee, and how he came to write the book. It describes the contents of the 1917 first edition (as many today are familiar only with the 1961 abridgement of the (...) 1942 second edition). It looks at the book’s initial reception, exploring the context of biological ideas of the time, particularly in regard to Thompson’s perceived opposition to Darwinian theory and the debate between vitalism and mechanism. It explores the early influence of the book on ecologists and systems theorists and other early attempts at mathematical biology, as well as its significant influence on artists and architects. It then describes the development of the second edition of the book and the subsequent increase of interest in his work from both artists and scientists. It concludes by summarizing recent initiatives in the D’Arcy Thompson Zoology Museum. (shrink)

Global metaphysical antirealism (or “antirealism”) is often thought to entail that the identity of each and every concrete entity in our world ultimately depends on us—on our adoption of certain social and linguistic conventions, for instance, or on our use of certain conceptual schemes. Drawing on the middle‐period works of Maurice Merleau‐Ponty, I contend that metaphysical antirealism entails nothing of the sort. For Merleau‐Ponty, I argue, entities do not ultimately owe their identities to us, even though—as he puts it—their “articulations (...) are the very ones of our existence.” Once this is recognised, I maintain, certain interpretations of phenomenology are revealed to be caricatures and certain general objections to antirealism lose their force. (shrink)

У статті здійснено аналіз історико-філософського шляху двох основних методологій дослідження темпоральності до появи фундаментальної онтології М. Гайдеггера, що названо «темпоральність свідомості» та «свідомість темпоральності». Підґрунтя «темпоральності свідомості» сягає психологізму неоплатоніків, згодом, через новочасний емпіризм, – аж «творчої еволюції» А. Бергсона. «Свідомість темпоральності» базується на концепті «тепер», що глибоко аналізував Аристотель, згодом Августин. Дана методологія утвердилась згодом в якості новочасного трансцендентального суб’єкта, а згодом проявилася у феноменології Гуссерля. Основні контраверсії цих підходів полягають у можливості об’єктивації часового досвіду. Перша методологія бере в (...) лапки «Більше-не» і «Ще-не» часовості, а друга – точку «тепер». Проаналізувавши підґрунтя кожної з них, ми вийшли на темпоральні концепти двох визначних мислителів ХІХ–ХХ ст. – А. Бергсона та Е. Гуссерля. Порівняння їх контраверсійних точок зору подано у висновку. (shrink)

This article provides an affirmative feminist reading of the philosophy of Henri Bergson by reading it through the work of Karen Barad. Adopting such a diffractive reading strategy enables feminist philosophy to move beyond discarding Bergson for his apparent phallocentrism. Feminist philosophy finds itself double bound when it critiques a philosophy for being phallocentric, because the setup of a master narrative comes into being with the critique. By negating a gender-blind or sexist philosophy, feminist philosophy only reaffirms its parameters, and (...) setting up a master narrative costs feminist philosophy its feminism. I thus propose and practice a different methodological starting point, one that capitalizes on “diffraction.” This article experiments with the affirmative phase in feminist philosophy prophesied by Elizabeth Grosz, among others. Working along the lines of the diffractive method, the article at the same time proposes a new reading of Bergson (as well as of Barad), a new, different metaphysics indeed, which can be specified as onto-epistemological or “new materialist.”. (shrink)

This paper is about the phenomenon of encoding, more specifically about the encoded extension of agency. The question of code most often emerges from contemporary concerns about the way digital encoding is seen to be transforming our lives in fundamental ways, yet seems to operate ‘under the surface’ as it were. In this essay I suggest that the performative outcomes of digital encoding are best understood within a more general horizon of the phenomenon of encoding – that is to say (...) as norm- or rule-governed material enactments accepted (or taken for granted) as the necessary conditions for becoming. Encoded material enactments translate/extend agency, but never exactly. I argue that such encoded extensions are insecure, come at a cost and are performative. To illustrate this I present a brief discussion of some specific historical transitions in the encoding of human agency: from speech to writing, to mechanical writing, and finally to electronic writing. In each of these translations I aim to show that agency is translated/extended in ways that have many unexpected performative outcomes. Specifically, through a discussion of the digital encoding of writing, as reuse, I want to suggest the proposition that all agency is always borrowed (or ‘plagiarized’) – i.e. it is never originally human. As encoded beings we are never authors, we are rather more or less skilful reusers. To extend agency we have to submit to the demands of encoding and kidnap that encoding simultaneously – enabling constraints in Butler’s language. Our originality, if there is any, is in our skill at kidnapping the code and turning it into an extension of our agency, that is to say, our skill at resignification – to be original we need to be skilful ‘parasites’, as suggested by Serres. (shrink)