This book brings together papers from a conference that took place in the city of L'Aquila, 4–6 April 2019, to commemorate the 10th anniversary of the earthquake that struck on 6 April 2009. Philosophers and scientists from diverse fields of research debated the problem that, on 6 April 1922, divided Einstein and Bergson: the nature of time. For Einstein, scientific time is the only time that matters and the only time we can rely on. Bergson, however, believes that scientific time (...) is derived by abstraction, even in the sense of extraction, from a more fundamental time. The plurality of times envisaged by the theory of Relativity does not, for him, contradict the philosophical intuition of the existence of a single time. But how do things stand today? What can we say about the relationship between the quantitative and qualitative dimensions of time in the light of contemporary science? What do quantum mechanics, biology and neuroscience teach us about the nature of time? The essays collected here take up the question that pitted Einstein against Bergson, science against philosophy, in an attempt to reverse the outcome of their monologue in two voices, with a multilogue in several voices. (shrink)

The aim of this article is to show that Bergson and James defend a form of panpsychism, and that on this point, Bergson probably had an influence on James. For Bergson, matter has psychic characters, in particular a memory of the immediate past and a motor memory. These characters are necessary to explain causation within the physical world, understood then as analogous to automatic activity in living beings. However, according to Bergson, there is a radical distinction between the inert and (...) the living: only the living is capable of creation. Probably inspired by Bergson, James develops a similar idea: causation in the physical world is understandable only by admitting that matter has psychic characters. Nevertheless, unlike Bergson, James does not make a radical distinction between the inert and the living. This leads him to make a link between matter and consciousness. (shrink)

The aim of this article is to trace some lines of thinking towards a conceptualization of the uniqueness of the creative work of museums, the mode of creativeness that belongs exclusively to museums, or at least that museums are capable of by virtue of the types of materials and forms as well as activities unique to what will be referred to as museography. This is linked to the question of what it is that constitutes the uniqueness of museum work as (...) a professional field. The article characterizes the uniqueness of museum professional knowledge primarily in terms of a mode of creativeness, or bricolage in Levi-Strauss’s sense, mediated through the museographic form, and applied to the chance assemblies of materials to generate museum-specific modes of engaging questions—across science, culture, and society—particularly through creating unique temporal arrangements, or durations, that provoke thought, learning, and engagement on museographic terms. Museography’s originality, it is argued, consists in a bricolage that works through the museum’s unique material and form to create learning resources and encounters, museographic assemblages that depart from a conception of linear time as the space of evolutionary narrative to facilitate the experience of Bergsonian durations. (shrink)

For some two millennia, Western civilization has predominantly viewed mind and consciousness as the private domain of the human species. Some have been willing to extend these qualities to certain animals. And there has been a small but very significant minority of philosophers who have argued that the processes of mind are universal in extent, and resident in all material things.

The topic to be addressed in this paper, that is, the distinction between the “concept” of time and the being of the clock, divides into two parts: first, in the debate between Albert Einstein and Henri Bergson, one discovers the ground for the diverging concepts of time characterized by physics in its opposing itself to philosophy. Bergson’s durée or “duration” in opposition to Einstein’s ‘physicist’s time’ as ‘public time,’ one can argue, sets the terms for Martin Heidegger’s extending, his ontological (...) analysis of Da-sein, as human being-in-the-world. Second, in this the ‘concept of time’ gives way to the analysis of the ‘being of the clock.’ What is this being of the clock that makes evident the fundamental temporality of Da-sein? This question is rehearsed in Division Two of Being and Time. My claim is that the fundamental insight into the nature of time revealed by the encounter between Bergson and Einstein is that time extemporizes itself. Temporality “is” not a being but a process that temporalizes itself, precisely because it “is not.”. (shrink)

The doctrine of the specious present, that we perceive or, at least, seem to perceive a period of time is often taken to be an obvious claim about perception. Yet, it also seems just as commonly rejected as being incoherent. In this paper, following a distinction between three conceptions of the specious present, it is argued that the incoherence is due to hidden metaphysical assumptions about perception and time. It is argued that for those who do not hold such assumptions, (...) so long as we are clear about what the doctrine is really saying, we can make perfect sense of the specious present doctrine. (shrink)

The idea of the élan vital is crucial for an understanding of Bergson’s metaphysical method, underpinning the way in which philosophy stands with other forms of creative activity as an endeavour of “self-overcoming,” the self or subject no longer being at the centre of thought, but understood rather as a product of the process of thinking. In placing a special emphasis on Bergson’s 1907 work, Creative Evolution, the present essay is both an acknowledgement and challenge to the shift from early (...) interpretations of Bergson in which comparisons were made with thinkers such as Schelling and Schopenhauer, to more recent engagements centred on the theories of perception and memory. The aim of this essay is to formulate a response to the marginalized status of Creative Evolution in the “perception-based” strands of Bergson scholarship, by emphasising how Bergson’s theories of memory and consciousness are a means for understanding his definition of evolutionary “creativity.” Bergson suggests that the analysis of consciousness or “will” can provide us with a way of thinking about this creative movement of life, which is not a concept of a “cause” or “origin” in the sense of a “state of nature” (substance, essence, or “being”), but rather the operation of pure tendency. (shrink)

The debate between Einstein and Bergson is a salient episode in the history of modern physics and a telling example of the interaction between science and philosophy. This paper initially discusses five reasons why Bergson criticised Einstein for giving up absolute time. The most important one was Bergson’s commitment to an intuitionist, anti-Kantian metaphysics informed by common sense. Apart from that, he knew that the theory of special relativity permits “duration” in the form of the passage of proper time, to (...) which Bergson referred as “real time”. Neither static eternalism nor dynamic eternalism are acceptable from Bergson’s philosophical perspective, which acknowledges the role of temporal experience and everyday thinking in addition to science and metaphysics. He understood temporal passage as creation of new existence, anticipating what later became known as the growing block theory of time. The pointy relativistic variant of this theory, which divides the universe into blocks of growing past light cones, does justice to large parts of his philosophy, including the distinction between the actual and the virtual. Supporters of Bergson’s account of duration should adopt this theory of time. (shrink)

Is Present Time a Precondition for the Existence of the Material and Public World?. . ???aop.label???. doi: 10.1080/02691728.2013.782591.

The more science progresses, the more it is evident that the physical world presents regularities. This raises a metaphysical problem: why is the world so ordered? In the first part of the article, I attempt to clarify this problem and justify its relevance. In the following three parts, I analyze three hypotheses already formulated in philosophy in response to this problem: the hypothesis that the order of the world is explained 1) by laws of nature, 2) by dispositions of the (...) fundamental physical entities, 3) or by a memory immanent to matter (a hypothesis developed by Peirce, Bergson and James). The third hypothesis may seem surprising. However, it can be shown that the three hypotheses have a psychomorphic dimension in the sense that they give to nature properties analogous to those of mind. In addition, this third hypothesis presents several interesting arguments. (shrink)

Physical processes manifest an objective order that science manages to discover. Commonly, it is considered that these processes obey the “laws of nature.” Bergson disputes this idea which ultimately constitutes a kind of Platonism. In contrast, he develops the idea that physical processes are a particular case of automatic behaviors. In this sense, they imply a motor memory immanent to matter, whose actions are triggered by some perceptions. This approach is obviously panpsychist. It gives matter a certain consciousness, even if (...) the latter is different in nature from our consciousness. In some respects, this approach is similar to contemporary panpsychism because it claims that the psychic is a fundamental characteristic of nature, causally active. But it is also original because it does not constitute a theory of the origin of mind in nature. (shrink)

Volume 52, Issue 6, June - July 2020, Page 602-612.

One of the principal objections to a tensed or dynamic theory of time is the ancient puzzle about the extent of the present. Three alternative conceptions of the extent of the present are considered: an instantaneous present, an atomic present, and a non-metrical present. The first conception is difficult to reconcile with the objectivity of temporal becoming posited by a dynamic theory of time. The second conception solves that problem, but only at the expense of making change discontinuous. The third (...) conception is the most plausible: that "the present" is a non-metrical notion which must be completed by the mention of some event or interval in order to have a measure, in which case what is present varies with one's context. (shrink)

The twentieth century was a time of dramatic change in the structure, language, and aesthetic purpose of music. Numerous factors came together that led the musical avant-garde toward new artistic paths such as atonality and aleatoricism (use of chance elements) in music, and a shift in the idea of what music should portray away from beauty toward truth, or from idealized to actualized. If the arts are a reflection of the philosophical and aesthetic spirit of the times, then an examination (...) of prominent philosophical and aesthetic regimes of the time should reveal changes that facilitated the aesthetic and artistic innovations of the era. This article will examine the relationship between the philosophical and aesthetic writings of Henri Bergson and the affinities, and in some cases influences, they had on the development of two of the major musical innovations of the twentieth century. Specifically, Arnold Schoenberg's development of atonal compositional technique results partially from Bergson's focus on knowledge as a conveyor of truth, and John Cage's cultivation of aleatoricism as a compositional process arises out of Bergson's critique of nothingness as stated in Creative Evolution. (shrink)

Objections to the computational theory of cognition, inspired by twentieth century phenomenology, have tended to fixate on the embodiment and embeddedness of intelligence. In this paper I reconstruct a line of argument that focusses primarily on the abstract nature of scientific models, of which computational models of the brain are one sort. I observe that the critique of scientific abstraction was rather commonplace in the philosophy of the 1920s and 30s and that attention to it aids the reading of The (...) Organism ([1934] 1939) by the neurologist Kurt Goldstein. With this background in place, we see that some brief but spirited criticisms of cybernetics by two later thinkers much influenced by Goldstein, Georges Canguilhem (1963) and Maurice Merleau-Ponty (1961), show continuity with the earlier discussions of abstraction in science. (shrink)

This article provides an overview of the historical and philosophical context from which originated G. Bachelard's concept of "phenomenotechnique". It analyzes why phenomenotechnique is crucial for science studies. By incorporating the concept of phenomenotechnique into Hacking's and Galison's models of science, I argue that we can avoid the radicalism of both while also preventing the analysis of scientific practices from collapsing into the interpretive frames mandated by social constructivists.

One of the still unsolved problems in liberal anarchism is a definition of social constituency in positive terms. Partially, this had been solved by the advancements of liberal discourse ethics. These approaches, built on praxeology as a universal framework for social formation, are detached from the need of any previous or external authority or rule for the discursive partners. However, the relationship between action, personal identity, and liberty within the process of a community becoming solely generated from the praxeological a (...) priori remains largely disputed. In order to develop a testable constitutional model, this study revises how the “ontological turn” was introduced into liberal theories and redefines the concept of liberty. Liberty is usually understood as a moral goal or measurement for just actions, as the generative principle of all social existence - individual and interpersonal. For this purpose, the function of performative contradiction within the mechanism of interpersonal “encounter”, as part of the co-generative process of the individual becoming and social formation was explored through the production of a game-based narrative historiography grounded on 19th century life writings. This narrative historiography was developed in the context of Swiss history, with a “design-based” research approach, and resulted in a prototype for networked storytelling through which the transformative learning process could be visible and the negotiation of competing individual visions of the future could be re-enacted. (shrink)

This essay pursues two goals: to argue that two fundamental types of time—the time of objective reality and “the time of the soul”—meet in human activity and history and to defend the legitimacy of calling a particular version of the second type a kind of time. The essay begins by criticizing Paul Ricoeur’s version of the claim that times of these two sorts meet in history. It then presents an account of human activity based on Heidegger’s Being and Time, according (...) to which certain times of the two types—existential temporality and succession—meet in human activity. The legitimacy of calling existential temporality a kind of time is then defended via an expanded analysis of activity that examines where the two times meet there. The concluding section briefly considers a conception of historical time due to David Carr before showing why history is a broader domain encompassing human activity where the two times meet. (shrink)

Starting from the special theory of relativity it is argued that the structure of an experience is extended over time, making experience dynamic rather than static. The paper describes and explains what is meant by phenomenal parts and outlines opposing positions on the experience of time. Time according to he special theory of relativity is defined and the possibility of static experience shown to be implausible, leading to the conclusion that experience is dynamic. Some implications of this for the relationship (...) of phenomenology to the physical world are considered. (shrink)

It is my intention in this thesis to demonstrate that there exists a clear and explicit formal relationship between the seemingly exclusive descriptions of spatio-temporal and purely temporal continuity, and further, that this relationship manifests itself within our most fundamental understanding of the physical world itself, namely; within our understanding of the identity, diversity and re-identification of material bodies. It may therefore be claimed that behind that cultural understanding which leads us to imagine that the physical world is located in (...) both space and time, whereas our thoughts and feelings are located in time alone, there lies a formal logical framework, or an explicit formal description of how being in space and time relates to being in time alone - leading us to wonder, perhaps, whether these two things are really as distinct as we might at first imagine. That I should then go on to apply to this analysis a philosophical interpretation of Bergson's conception of the relationship between the intuition and the intellect is of lesser importance - indicating as it does little more than my own philosophical inclinations. However, something will be gained, I hope, from this further exercise. Along the way it will allow me to clarify a number of technical points of which the general philosopher may be unaware; for example the unobservable nature of numerical identity and re-identification, the importance of the principle of special relativity to the topic of mind and the technical difficulties of claiming that mental events are 'in time' at all. Notwithstanding these latter points, however, the intentions of this work are predominantly analytical and are adequately described as an attempt to consolidate spatio-temporal and purely temporal description under a unified logical framework. (shrink)

Der Autor setzt sich mit Gödels kosmologischem Ansatz auseinander, der scheinbar Zeitschleifen und Zeitreisen erlaubt, sowie insbesondere mit seiner These, dass die Objektivität des Zeitablaufs nicht a priori gegeben ist, sondern von physikalischen Bedingungen im All abhängt. Wir könnten keine einheitliche Weltzeitlinie in Bezug zum mittleren Bewegungsstatus der Dinge „definieren”, sondern nur einige relative und partielle Zeitabläufe, die den Betrachtern als gleichzeitig verlaufend vorkommen würden. Der Autor hinterfragt die Möglichkeit verschiedener „Zeitwahrnehmungen“ für denselben Betrachter: einmal da, wo der Zeitverlauf eine (...) gewöhnliche „Bewegung” wäre und die Vergangenheit der Gegenwart vorausgeht , und wiederum dort, wo dieser Verlauf gewissermaßen simultan wäre. Er vertritt die Meinung, dass das Bewusstsein viele Zeitmodalitäten besitzen kann und dass die „Annihilierung des Zeitablaufs” eine davon wäre. Vielleicht deutet gerade die momentane Besinnung auf vergangene Ereignisse in unserem Geist auf diese Möglichkeit hin. Allerdings bleibt die Frage offen, was diese Möglichkeit für die physikalische Realität oder für den „Kosmos selbst” bedeutet. (shrink)