In this paper I discuss some thoughts Judith Butler presents regarding corporeal vulnerability. This might help to elucidate the problem of whether critical education is still possible today. I first explain why precisely the possibility of critique within education is a problem for us today. This is because the traditional means of enhancing a critical attitude in pupils, stimulating their self-reflective capacities, contributes to the continued existence and strengthening of the current societal and political regime. A way out of this (...) deadlock is offered from within a Foucauldian perspective. Criticality here refers to an experience of exposure and expropriation of the self. This kind of limit-experience is also of a central importance in the most recent work of Judith Butler. She links this experience to the corporeal condition of susceptibility. Our bodies have a public dimension as we are inescapably exposed to one another. The main argument of my paper has to do with whether this appeal to corporeal vulnerability might offer a new way of thinking about the public realm and about the possibility of critique, especially within the field of education. I conclude the paper by showing the originality of Butler’s thought in this respect and the possibilities it opens for thinking in a radically new way about critical pedagogy. (shrink)

The policing of checkpoints demands a commitment from the soldier. These commitments are realized, as Robert Cover says of legal judgments, in the flesh of those subject to the policing and of those who police. Such commitments are sometimes difficult to maintain in the face of arbitrary policies and even arbitrary re-locations of checkpoints and borders. Obedience is required, but obedience is not simply an act of acceptance. This article employs a psychoanalytic lens and the work of animation theory to (...) consider how obedience is legitimated in the minds of those who police borders and how practices of humiliation toward civilians at the borders function both to display the uncertainties about the regime’s legitimacy, and to aggressively depict this legitimacy in the flesh of those subject to the borders. This depiction, I argue, employs understandings of time, identity and the question, and these are then employed as techniques of humiliation. These techniques evoke a rhetorical landscape located somewhere between Freud’s discussion of the work of jokes and Scarry’s discussion of torture; between these two points is the promise of a legal world where there are only angels and devils and where these figures are animated in the flesh of both civilian and soldier. (shrink)

Stripping the Virgin Mary of the myths, stories, and dogmas surrounding her is a task that has particularly appealed to a branch of feminist theology which seeks to reclaim her as a figure of female empowerment. This article aims to explore the transformation of Mary’s body into an element of resistance in the work of some contemporary artists. By depicting her nude or semi-nude, artists disrupt the gender values commonly associated with the Virgin and open up alternative possibilities of affirmative (...) selfhood through her body. I contend that, in these works, the Virgin’s body functions as a ‘relational’ body that enters into dialogue with hitherto marginalized categories, such as the carnal, the sensual, the notion of fleshly materiality, or even the excluded sexualities of transgender people. (shrink)

Although clinical criteria ultimately determine the pathological diagnosis of Alzheimer’s disease, ‘Alzheimer’s’ is also an ordinary sign, falling within a range of other possible signs, values and beliefs that define and are used to interpret dementia and mental diseases. While looking at talk-in-interaction in which two people diagnosed with Alzheimer’s interact with other people, this article tries to show that the way in which both lay and professional people interpret Alzheimer’s signs allows us to shed some light upon the core (...) of the traditional and controversial dichotomy between normal and pathological. The interactions analyzed in this paper show how people oppose biomedical discourse, suggesting that other forms of interpreting aging and forgetfulness are possible. It has opened multiple cartographies or varied spheres of communicability influenced by the signs of Alzheimer’s. (shrink)

This article draws out a critical, yet under-appreciated political theme in Adorno’s Negative Dialectics, namely his emphasis on guilt and atonement. First, the article assesses how Adorno’s Marxism allows him to think justice and guilt beyond the familiar legalistic frame. Second, the article reconstructs Adorno’s treatment of guilt as a distinctly political capacity to imagine one’s boundedness and indebtedness to others, and the affective engine enabling us to engage in a political ethic distinct from familiar categories of reparation. Third, the (...) article shows how the themes of guilt and atonement give us a more complete picture of Negative Dialectics. This inquiry also intervenes in contemporary debates regarding the political status and emancipatory potential latent within guilt-feelings, and claims Adorno gives us a path forward to imagine the relation between guilt and politics in a novel way. (shrink)

This paper asks questions about 'trauma' and its cultural representation specifically, trauma's representation in the cinema. In this respect, it compares and contrasts the work of Robert Bresson, in particular his 1967 masterpiece, Mouchette , with contemporary Hollywood film. James Mangold's 1999 'Oscar-winning' Girl, Interrupted offers an interesting example for cultural comparison. In both Mouchette and Girl, Interrupted the subject matter includes, amongst other traumatic experiences, rape, childhood abuse and suicide. The paper ponders the question of whether such aspects of (...) trauma can ever be authentically represented on film; or, whether, on the contrary, through the deployment of cultural stereotypes, cinematic representation tends rather to reproduce the very forms of structural power which are, in the first place, trauma's primary cause. Bresson emerges from this analysis in a favourable light for, whereas Mangold stereotypes victims of trauma and represents traumatic experience itself as inevitable and over-determined, Bresson always retains for the victim a sense of critical agency. By contrasting key scenes from both films, the paper suggests that contemporary popular cinema (the 'Hollywood-ized' form), working in tandem with institutions of social control, such as psychiatry, does not subvert but, in fact, reproduces patterns of structural power. This argument has particular significance for the cultural representation of women. The paper is theoretically framed by Simone Weil's reflections on both 'representation' and 'structural power'. (shrink)

Climate change presents urgent ethical challenges. It causes us to revisit what it means to ‘do’ professionalism and invites us to enter what Fisher described as the ‘forgotten zone’ of human-nature relationships, posing the troubling question of whether we can continue to valorise a version of being human on the same terms as before.This article begins by considering the relevance of global warming to professional practice, foregrounding the commitment to do no harm. It poses as problematic the manner in which (...) climate change knowledges have been taken up by the ‘psy subject’. It concludes by considering how we might story different versions of being alive in, and to, the natural world. (shrink)

Axel Honneth distinguishes between recognitive practices according to the social domain in which they occur and this allows him to theorise the relationship between power and recognition. 'Love-based recognition', which suggests the centrality of recognition to the relationships that nurture us in the first instance, is located in the family. Honneth argues that relationships encompassed by this category are pre-political, thereby repeating the distinction between the public and the private common to much political theory. This article explores the structure of (...) this delineation in his thinking. I argue that Honneth's analysis marginalises feminist concerns with how power functions through recognition in the private sphere. Honneth also robs himself of a rejoinder to recognition sceptics, who suggest that the desire for recognition is a condition of subordination. The article argues for an alternative approach to the analysis of 'love' within recognitive theory. © 2010 Macmillan Publishers Ltd. (shrink)

This article aims at theorizing a creative and processual theory of non-heterosexual identity. It will be argued that, so far, scholars have tended to theorize non-heterosexual identity from a monologic perspective, which establishes one-sidedly a casual and/or unproblematic relation between the emergence of forms of psychological suffering and the development of a non-heterosexual identity. Although it must be recognized that such a claim is important at a political level, at a subjective level, it leaves non-heterosexual people destined to be flooded (...) by distressing and painful emotional states. To counter monologism within theorisations of non-heterosexual identity development, without ignoring the negative impacts of heteronormativity, it will be argued that non-heterosexual identity needs to be theorized 1) as part of a creative process situated in a specific sociohistorical context marked by heteronormativity, 2) as part of a situated process that produces and never ceases to produce multiple effects (self-states), which are unified to create an identity, and 3) as part of a situated process of creation that can be artificially transformed through art. These are the three claims that will move forward the argument of this article. (shrink)

Effective content moderation by social platforms is both important and difficult; numerous issues arise from the volume of information, the culturally sensitive and contextual nature of that information, and the nuances of human communication. Attempting to scale moderation, social platforms are increasingly adopting automated approaches to suppressing communications that they deem undesirable. However, this brings its own concerns. This paper examines the structural effects of algorithmic censorship by social platforms to assist in developing a fuller understanding of the risks of (...) such approaches to content moderation. This analysis shows that algorithmic censorship is distinctive for two reasons: in potentially bringing all communications carried out on social platforms within reach and in potentially allowing those platforms to take a more active, interventionist approach to moderating those communications. Consequently, algorithmic censorship could allow social platforms to exercise an unprecedented degree of control over both public and private communications. Moreover, commercial priorities would be inserted further into the everyday communications of billions of people. Due to the dominance of the web by a few social platforms, this may be difficult or impractical to escape for many people, although opportunities for resistance do exist. (shrink)

This paper examines the temporality of agency in Judith Butler's and Saba Mahmood's writing. I argue that Mahmood moves away from a performative understanding of agency, which focuses on relations of signification, to a corporeal understanding, which focuses on desire and sensation. Drawing on Gilles Deleuze's reading of Henri Bergson, I show how this move involves a changed model of becoming: whereas Butler imagines movement as a series of discontinuous beings, in Mahmood's case, we get an understanding of becoming.

As the figures for wife abuse cases in Hong Kong continue to rise, the author questions the effectiveness of current law in controlling domestic violence. It is argued that the present law, which punishes abusers by putting them into jail, can neither change their violent behavior nor repair the personal/familial relationships of the parties involved. It is within this context that the author proposes the adoption in Hong Kong of ``court-mandated counseling'', a scheme that has been practiced not only in (...) the United States, but also in Mainland China, and Taiwan. It is, however, noted that such a counseling programme must be sensitive to the gendered legal politics and the local cultural discourse, as, otherwise, the scheme will operate to (re-)strengthen both the male dominating structure and the postcolonial hegemony. (shrink)

This essay examines the connections between ignorance and abjection. Chanter relates Julia Kristeva's notion of abjection to the mechanisms of division found in feminist theory, race theory, film theory, and cultural theory. The neglect of the co-constitutive relationships among such categories as gender, race, and class produces abjection. If those categories are treated as separate parts of a persons identity that merely interlock or intermesh, they are rendered invisible and unknowable even in the very discourses about them. Race thus becomes (...) gender's unthought other, just as gender becomes the excluded other of race. Via an exploration of Margaret's Museum and Casablanca, the author shows why the various sexual, racial, and nationalist dynamics of the two films cannot be reduced to class or commodity fetishism, following Karl Marx, or psychoanalytic fetishism, following Sigmund Freud and Jacques Lacan. Whether they are crystallized in Marxist or Lacanian terms, fetishistic currencies of exchange are haunted by an imaginary populated by unthought, abject figures. Ejected from the systems of exchange consecrated as symbolic, fragmented, dislocated, diseased body parts inform and constitute meaning. (shrink)

Over the last decade, humans have produced each year as much data as were produced throughout the entire history of humankind. These data, in quantities that exceed current analytical capabilities, have been described as “the new oil,” an incomparable source of value. This is true for healthcare, as well. Conducting analyses of large, diverse, medical datasets promises the detection of previously unnoticed clinical correlations and new diagnostic or even therapeutic possibilities. However, using Big Data poses several problems, especially in terms (...) of representing the uniqueness of each patient and expressing the differences between individuals, primarily gender and sex differences. The first two sections of the paper provide a definition of “Big Data” and illustrate the uses of Big Data in medicine. Subsequently, the paper explores the struggle to represent exhaustively the uniqueness of the patient through Big Data is highlighted prior to a deeper investigation of the digital representation of gender in personalized medicine. The final part of the paper put forward a series of recommendations for better approaching the complexity of gender in medical and clinical research involving Big Data for the creation or enhancement of personalized medicine services. (shrink)

The Policing and Crime Act 2009 introduced radical reforms relating to the regulation of sex work. In particular, section 14 criminalised paying for sexual services of a prostitute subjected to force. This article will provide a close and critical reading of the official texts relating to this new offence through a discourse theory developed from the work of Judith Butler. Drawing upon Butler’s insights, it will be argued that the official texts relating to section 14 problematically construct the subject of (...) prostitution in a way which maintains and perpetuates certain partial and idealised identities. However, it will be argued that the law will inevitably fail and that more inclusive and productive measures need to be adopted in order to deal effectively with prostitution. (shrink)

Current debates on recognition and domination tend to be characterized by two polarized positions. Where the “anti-recognition” camp views recognition as a tool for establishing and reproducing relations of power, the “pro-recognition” camp conceives it as a way for dominated individuals and social groups to lay stake to intersubjective relations that are more just. At first glance, Honneth’s normative theory of recognition and Bourdieu’s critical sociology of domination also divide along these lines. Honneth takes the pro-recognition stance, criticizing the French (...) sociologist for adopting a “fragmented” conception of the social world that ignores the “moral consensus” underlying each claim for mutual recognition. In contrast, Bourdieu accuses the German philosopher of endorsing an “enchanted” view of the social world that misrecognizes the way that recognition perpetuates symbolic domination. However, through a close and nuanced reading of their works, this article suggests that, in spite of this difference, Honneth’s and Bourdieu’s theories nonetheless converge on the idea that recognition is neither “good” nor “bad” per se, but “structurally ambiguous” in its relations to symbolic domination. (shrink)

Drawing on accounts from interviews with white women, this article explores the production of narratives of the self. It suggests that the story produced of the self is not inevitable and may revolve around notions of sameness and difference that, in turn, depend on the positionality of individuals in terms of normative discourses of `race', class and gender. Sally can be seen to be reciting the process of subjection in the way she creates herself as the subject of a narrative, (...) using tropes of difference and sameness to explain who she is and who she is not. However, for the others, the norms and conventions of lifestory do not conform with their experiences of subjection. This is because, in the case of Madeleine, she does not experience an easily retold sense of herself, while Deborah appears to want to present herself as so inevitable and conforming to dominant norms that there is no story to tell. (shrink)

This article argues that Maurice Merleau-Ponty advances a queer notion of love. In particular, I argue that his notion of love as an institution, as a hollow fueled by the imaginary dimension of existence, shows that love unhinges petrified ideals of gender. I suggest that the crucial insight to be found in Merleau-Ponty's account of love is that love is a lived openness that invites us to seek out new ways of being.

This paper critically evaluates the ways we look to children to educate us and explores how we might depart from that dynamic, exploring how a range of conceptual frameworks from historical and cultural studies and psychoanalysis might contribute to understanding the problematic of childhood, its problems and its limitations. While ‘child as educator’ may appear to reverse the typical power relations between adults and children, it is argued that this motif in fact repeats many of the same problems as any (...) claims about what children, and especially what ‘child’, is like. Specifically, the paper first reviews analyses of what is at stake in the figure of ‘child’; second, feminist engagement with the notion of ‘intersectionality’ is discussed in terms of how it might inform debates about childhood. Finally, drawing on Lacanian psychoanalytic approaches, analysis focuses on the notion of misrecognition structured in the ‘as’ connecting ‘child’ and ‘educator’. (shrink)

In this article, identity politics is understood as a form of politics stressing collective but malleable group identities as the basis of political action. This notion of identity politics also allows thinking of identity as intersectional. The focus of this article, and a problem related to identity politics, is that when discussed in the context of the neoliberal order, identity politics has a tendency to become harnessed by the ethos of vulnerability. Some implications of the ‘vulnerabilizisation’ are considered in the (...) field of education, which is a field currently thoroughly affected by neoliberalism. Therefore, it is also important to look closer at the relationship between identity politics and the ethos of vulnerability. In addition, we re-consider poststructuralist thinking as a theoretical and political approach to see what it can offer in terms of re-thinking identity politics and in analyzing the ethos of vulnerability. When categories of vulnerability keep expanding into various psycho-emotional vulnerabilities defining subjects that can be known and spoken about, it is crucial to ask whether we regard these changes as educationally and politically progressive. The article discusses some problematic policies in educational environments and the phenomenon of trigger warnings. (shrink)

Comparisons made between art and mathematics so often centre on the beauty of mathematics and how its forms might be seen as aesthetically pleasing. Yet the prominence of beauty as an attribute is less prevalent in contemporary art. Rather, art has a much broader scope of concern, perhaps with a greater emphasis on providing apparatus through which we might better understand who we are. This paper considers some performative aspects of contemporary art and draws parallels with some examples of mathematical (...) activity within educative contexts. It argues that the performative dimension of mathematics is underemphasised in school activity and that the social and linguistic conditioning of mathematics within performance is a crucial aspect of the discipline being addressed in school and vocational courses. In particular, proficiency with concretisations of mathematics and the social dynamics that attend these is integral to the broader proficiency of moving between concrete and abstract domains. (shrink)

This article provides an introductory guide to queer scholarship in religious studies and theology. It also outlines approaches to queer studies and how they have been, and might be, appropriated in religious studies and theology. Finally, the article argues that greater clarity is needed when naming projects as “queer,” given that the terms “queer,” “queer theory,” and “queer studies” cover such a wide variety of approaches.

This article critiques contemporary feminist theory's frequent ocularcentric readings of the anorexic body as a surface of cultural inscription or as a paradigmatic sign of the female body's alienation through sexual difference. In an initial speculative attempt to find a theoretical framework that might sustain a more generative and embodied account of anorexia, I read anorexia through Butler's theory of gender as psychic `incorporation' because she problematizes an interior/exterior topography of the subject. This Butlerian framework proves problematic because, by establishing (...) an association between visibly queer gender and subversion, it effectively designates as hegemonic any sense of gender as a felt interiority. In a second framework, I draw on Prosser's anti-ocularcentric reading of transsexual `body narratives' derived from Anzieu's theory of the `skin ego'. Filtering Butler's theory of melancholia through this skin ego framework, I find a theoretical space for anorexia as a transitional embodied subjectivity which both re-lives and relieves the melancholic trauma of gender. (shrink)

This article attends to the transformation of national identity that occurs in the context of ‘the multicultural debate’ in the Netherlands, and unfolds on the terrain of Dutch (secular and sexual) exceptionalism. First, it explores the connections between two topics that are prominent in the ‘multicultural debates’ all over Europe and undergird the civilizational discourse of a post-Cold War geopolitical era: discussions about secularism on the one hand, and gender and sexual politics on the other. Through a mode of ‘secular (...) nostalgia’, which mobilizes the understanding of the Netherlands as a place par excellence of emancipation for both women and sexual minorities, the Dutch secular arrangement is restructured in new exclusionary ways. Second, it explores how dominant discourses on the symbolic and material borders of the nation interpellate young Muslim women who often figure as the central ‘subjects of debate’. I rely on the notion of interpellation (Althusser) to explore the question of subject formation, with a particular attention to the epistemological conditions of ‘talking back’ as a subject whose constituency and agency is always already informed by the terms in which she is addressed. (shrink)

This article considers `critique' as performative, being on the one hand a reiterative performance, that enacts the `critic' through the act of critique, and on the other hand reflecting the constitution of the subject. While this approach takes on the conceptual framework of Judith Butler's work, it differs by refusing critique — or its correlates; parody, subversion or similar — any special status. Like any other performance critique is taken here as a cultural practice, as a Foucauldian `technique of self', (...) though the complex genealogy of such a technique lies outside the scope of this article. In order to illustrate this argument I interpret a number of Butler's prefaces, interviews and digressions which diverge from her own theoretical framework, and argue that these `fictions' arise from critical `disavowals': that is, a `self-transformative' turn against power. The subjective `crisis' that prompts critique is then elaborated by comparison to Girard's work on imitation and sacrifice. (shrink)

This paper articulates a genealogical approach to critical discourse analysis derived from Michel Foucault and Kenneth Burke. The possibilities of this approach are displayed through a case study of the discourses produced by the 1994 anti-gay, ‘no special rights’ initiative in Idaho. Proponents of the initiative represented themselves as conservative Idaho citizens fighting a culture war to preserve traditional family values against a powerful, sexually perverse subject with a militant gay agenda. The analysis traces the emergence and dynamic interplay of (...) antagonists' rhetorical moves and counter-moves in this closely fought battle. It shows how categories like ‘conservative’ can be reinterpreted and put into play in a new strategy. (shrink)

This article explores the everyday emotional attachments to martial discourses through the embodiment of popular culture representations of war bodies in cosplay. In cosplay – the creatio...

In this article the author traces the limits of the philosophy and politics of recognition as manifest in colonial settler contexts. Forms of property ownership and ways of being, sutured by the racial body, are contained by a restricted economy of owning, knowing and being. Bringing the concept of plasticity to bear on the relationship between the body, property and the colonial, the author illuminates the ways in which practices of ownership that exceed the restricted economy of recognition exhibit a (...) temporal and spatial plasticity in the context of the Palestinian struggles over land in the West Bank. (shrink)

This is a paper about trauma and ineloquence, violence and banality, and the utopian conventions of self‐expression in liberal mass society: the U.S. is the scene of the case. The essay pursues relations among the post‐traumatic reparative contexts of the law, religion, therapy and popular culture, all under the sign of autobiography. These domains articulate generic conventions of self‐expressivity with the formalism of self‐reflective liberal personhood. They link norms of expressive denegation to genres that conventionalize, and make false equivalents among, (...) diverse traumatic consequences. When scenes of post‐traumatic ineloquence morph into modes of transformative‐style rhetoric, does the eloquent form distract from, become a mask for, or intensify the unreachable or inarticulable thought that wants to change the norms of negation? A short history of the soundtrack as a site that marks the centrality of ineloquence to traumatic expression condenses the paradox of the moment, where a post‐traumatic desire to become undefensive meets up with pop banality and therapeutic cliche. (shrink)

This article explores what might happen to the concept of performativity within arguments that are understood as ‘topological’. It argues that we might ‘decline’ performativity, which is to say, elaborate the concerns that are expressed in the concept, but inclining it more boldly towards the complexities of a world whose elements are always in process of constitution, of reiterative enfolding. Taking a cue from Isabelle Stengers’ recent work in which she posits the notion of ecologies of practice, on the one (...) hand, and Whitehead’s concept of concern, on the other, the paper argues that emergent entities have differential requirements – not least according to the disciplines to which they appeal – and subtend different modes of implied obligation. An adherence to these requirements needs to be accompanied by persuasive presentation that obliges a community to affirm any entity. On many levels of abstraction, ecologies need to show concern for an entity to facilitate its emergence and to sustain its mode of being. In an expanded vision, then, human and non-human entities at all levels enter into multifarious relational modes of becoming, but these become of sustained consequence only through persuasion of communities, sometimes organized into disciplines. The survival of entities requires forms of differentiation, division and of value. The paper relates these arguments to forms of sociological enquiry that give glimpses of how sociology might respond. It ends with a hesitation around the radical anti-anthropomorphism of the stance developed, and argues that this does not entirely eclipse the importance of political hope. (shrink)

ABSTRACTThis contribution emphasises the importance of conditions of production and relations of production in Discourse Studies. It argues that rather than constituting an extra-discursive realm that simply belongs to the economic sphere of a social formation, conditions and relations of production present a veritable concern for Discourse Studies. They constitute two central concepts of Marxism, and grasp two intertwined processes that assure the survival of a specific mode of production. It is not only the conditions of production that need to (...) be reproduced under certain relations of production. It is also these relations themselves that need to be reproduced discursively and ideologically. Hence, conditions and relations of production and their reproduction are fundamentally material-discursive. In the early days of discourse analysis in France, both concepts and a Marxist take on production constituted an important point of reference. Here, the conditions of production of discourse were more than the setting, context or the situation semiotic material is produced in. In today's Discourse Studies, however, conditions and relations of production are often conceived of as the ‘material other’ of discourse, and are rarely scrutinised explicitly on the theoretical, analytical, and political level. We argue that such an understanding not only obfuscates the materialist heritage of Discourse Studies. It also contributes to a depoliticised understanding of research, in which the conditions in which discourse is produced are strangely separated from the broader conditions and relations of production in late capitalism. (shrink)

This paper outlines a theoretical context for research into ‘the subject of ethics’ in terms of how students come to see themselves as self-reflective actors. I maintain that the ‘subject of ethics’, or ethical subjectivity, has been overlooked as a necessary aspect of creating politically transformative spaces in education. At the heart of egalitarian politics lies a fundamental tension between the equality of voices and the notion that one way of being or one voice may be deemed more legitimate than (...) another; which in turn puts the equality of beings into question. Building from Michel Foucault’s work regarding ethics and subjectivity, I suggest that a ‘subject of ethics’ can be viewed, in part, as a series of relations of self that form the horizon upon which a subject comes to work on themselves relative to moral codes and power relations. Ethical relations of self can be a useful concept for those interested in educational research that furthers social and ecological justice. In the conclusion of this paper I also discuss the limitations of locating ethics entirely within a constituted human subject. (shrink)

This essay contributes to our understanding of the relation between the philosophies of Hegel and Sellars. While most treatments of this relation have focused on metaphysics or epistemology, I focus on ethics, and in particular on the formulation of moral agency. I argue that Hegel and Sellars arrive at a similar metaphilosophical rejection of individual moral agency in favor of conceptions of moral agency as the outcome of social mediation. To demonstrate this, I trace how Hegel and Sellars offer parallel (...) resolutions of the ‘Kantian paradox’: the apparent problem that, in Kantian ethics, moral agents must both freely self-legislate the moral law unto themselves and stand in a dutiful relation to the moral law as a necessary function of practical reason. Drawing Hegel and Sellars together in this way casts new light on Sellars’s understudied ethical theory and further evidences the contemporary relevance of Hegel’s moral philosophy. (shrink)

The article provides a critical analysis of discourses of female embodiment in the contribution to the series ‘What it is like to be a woman’, invited by the Hungarian feminist internet journal i.c.a. All 14 contributions in the data approach women’s life in terms of female embodiment, challenging hegemonic expectations of bodily existence. The analysis will focus on the dynamic web of ‘said’ and ‘unsaid’ statements and explore the relative openness of the contributions to multiple ways of categorization. The analysis (...) of the texts’ orientation to difference has explored four dimensions of categorization, producing a complex differentiation of feminist voices. It contributes to the contemporary debate about the depoliticizing effects of postfeminism, arguing in favour of an ideology critique of gender relations of power. (shrink)

Some feminists have criticized Judith Butler's theory of performativity for providing an insufficient account of agency. In this article I first defend her against such charges by appealing to two themes central to Hans-Georg Gadamer's hermeneutics. I compare her emphasis on the sociohistorical nature of agency with Gadamer's insistence on the historical nature of knowledge, and I examine the significance Butler assigns to repetition and note its affinities with Gadamer's conception of play. In the final part of the article I (...) argue that in spite of providing an adequate account of agency, Butler's theory of performativity provides no way to allow us to evaluate performances. I show how Gadamer's account of festival, which builds on his concept of play, is useful in helping us make sense of how we might delineate true from false performances, and thus identities. (shrink)

Psychosocial studies is a putatively ‘new’ or emerging field concerned with the irreducible relation between psychic and social life. Genealogically, it attempts to re-suture a tentative relation between mind and social world, individual and mass, internality and externality, norm and subject, and the human and non-human, through gathering up and re-animating largely forgotten debates that have played out across a range of other disciplinary spaces. If, as I argue, the central tenets, concepts and questions for psychosocial studies emerge out of (...) a re-appropriation of what have become anachronistic or ‘useless’ concepts in other fields – ‘the unconscious’, for instance, in the discipline of psychology – then we need to think about transdisciplinarity not just in spatial terms but also in temporal terms. This may involve engaging with theoretical ‘embarrassments’, one of which – the notion of ‘psychic reality’ – I explore here. (shrink)

This paper is an attempt to elaborate two concerns: those of maternal ethics, and notions of making things public. I attempt to bring these two concerns together and think them alongside one another, in hopefully productive ways. I want, in other words, to think about the ethics of what mothers ‘make public’, whether this is understood in its most rudimentary form, of enabling a child to express something, to make public an affective state, for instance, even if it is only (...) the mother who is there to witness or receive it, through to more overt and material forms of ‘publication’ glimpsed when mothers parent in spaces we call ‘public’. This paper focuses on what happens to us all when we encounter ‘mothering’ – not in the enclosed, private, secluded spaces where we imagine mothering to take place, but in what Marc Augé has termed the ‘non-places of supermodernity’, where much of the day-to-day material practices of mothering in Western late-modern urban contexts actually occurs. As is often the case, it is when experience is dislodged from the contexts in which we expect to find it that its contours are shown up in relief, and we are called on to re-configure our understandings of experiences in ways that also shift our understandings of the contexts in which they occur. In this sense, mothering, that I am claiming ‘makes things public’, as well as occurring frequently and importantly ‘in public’, not only shows up something we may overlook about the maternal, but also deforms and reforms our understandings of ‘the public’ itself. (shrink)

Emotion Review, Volume 14, Issue 1, Page 55-65, January 2022. Phenomenologists define social impairments as key aspects of depression and argue that depression is irreducible to the individual. In this article I aim to further elaborate this non-reductionist notion of depression by claiming that depression not only corresponds to an impaired experience of social relations, but also arises from a socially impaired world. To pursue this goal, I will challenge the understanding of depression as an affective disorder blocking the affective (...) communication between individual and environment. I will redefine feelings of depression as situated affections, and hence suggest that they are products of the individual's situatedness in a depressogenic environment and they function in initiating an active withdrawal from such environment. (shrink)

‘Left melodrama’ is a form of contemporary political critique that combines thematic elements and narrative structures of the melodramatic genre with a political perspective grounded in a left theoretical tradition, fusing them to dramatically interrogate oppressive social structures and unequal relations of power. It is also a new form of what Walter Benjamin called ‘left melancholy’, a critique that deadens what it examines by employing outdated and insufficient analyses to current exploitations. Left melodrama is melancholic insofar as its use of (...) older leftist critical methods disavows its attachments to the failed promises of left political-theoretical critique: that it could provide direct means to freedom and moral rightness. Left melodrama is melodramatic insofar as it incorporates the specific melodramatic narrative, style and promise of the text that stands in for its disavowed attachments: the Manifesto of the Communist Party. Whereas the Manifesto's critical power promised radical political transformation, left melodrama incorporates the Manifesto's melodramatic style in an effort to revivify that promise. It thus inhibits the creation of new critical methods appropriate to our current historical moment and occludes Marx and Engels' warning that the possibility of radical transformation is diminished when the past furnishes the vision for the future. Left melodrama can be found in the texts of Giorgio Agamben, Michael Hardt and Antonio Negri; their reincorporation of the Manifesto's melodrama both contributes to their widespread success and undercuts their critical capacities to examine and challenge the inequalities, injustices and unfreedom that shape the present moment. (shrink)

In this paper, I examine Iris Marion Young's conception of power, arguing that it is incomplete in at least two ways. First, Young tends to equate the term power with the narrower notions of ‘oppression’ and ‘domination.’ Thus, Young lacks a satisfactory analysis of individual and collective empowerment. Second, as Young herself admits, it is not obvious that her analysis of power can be useful in the context of thinking about transnational justice. I conclude by considering one way in which (...) Young's analysis of power needs to be extended or perhaps modified in order to do justice to questions of transnational justice. (shrink)

In this paper, I respond to the critiques of my book, The Politics of Our Selves: Power, Autonomy, and Gender in Contemporary Critical Theory, made by Nikolas Kompridis, Paul Patton, Allison Weir and Moira Gatens. My response is organized around three overlapping themes that are raised in these four astute papers: a defence of my account of normativity, of my reading of Foucault’s conception of power, and of my analysis of gender subordination/identity.