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  1. Perceptual Content, Phenomenal Contrasts, and Externalism.Thomas Raleigh - 2022 - Journal of Philosophy 119 (11):602-627.
    According to Sparse views of perceptual content, the phenomenal character of perceptual experience is exhausted by the experiential presentation of ‘low-level’ properties such as (in the case of vision) shapes, colors, and textures Whereas, according to Rich views of perceptual content, the phenomenal character of perceptual experience can also sometimes involve experiencing ‘high-level’ properties such as natural kinds, artefactual kinds, causal relations, linguistic meanings, and moral properties. An important dialectical tool in the debate between Rich and Sparse theorists is the (...)
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  • Emotion, Epistemic Assessability, and Double Intentionality.Tricia Magalotti & Uriah Kriegel - 2021 - Topoi 41 (1):183-194.
    Emotions seem to be epistemically assessable: fear of an onrushing truck is epistemically justified whereas, mutatis mutandis, fear of a peanut rolling on the floor is not. But there is a difficulty in understanding why emotions are epistemically assessable. It is clear why beliefs, for instance, are epistemically assessable: epistemic assessability is, arguably, assessability with respect to likely truth, and belief is by its nature concerned with truth; truth is, we might say, belief’s “formal object.” Emotions, however, have formal objects (...)
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  • Precis of The Varieties of Consciousness.Uriah Kriegel - 2016 - Rivista Internazionale di Filosofia e Psicologia 7 (2):240-246.
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  • Phenomenal contrast arguments: What they achieve.Marta Jorba & Agustín Vicente - 2019 - Mind and Language 35 (3):350-367.
    Phenomenal contrast arguments (PCAs) are normally employed as arguments showing that a certain mental feature contributes to (the phenomenal character of) experience, that certain contents are represented in experience and that kinds of sui generis phenomenologies such as cognitive phenomenology exist. In this paper we examine a neglected aspect of such arguments, i.e., the kind of mental episodes involved in them, and argue that this happens to be a crucial feature of the arguments. We use linguistic tools to determine the (...)
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  • Recent Issues in High-Level Perception.Grace Helton - 2016 - Philosophy Compass 11 (12):851-862.
    Recently, several theorists have proposed that we can perceive a range of high-level features, including natural kind features (e.g., being a lemur), artifactual features (e.g., being a mandolin), and the emotional features of others (e.g., being surprised). I clarify the claim that we perceive high-level features and suggest one overlooked reason this claim matters: it would dramatically expand the range of actions perception-based theories of action might explain. I then describe the influential phenomenal contrast method of arguing for high-level perception (...)
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  • Bevissthet.Mette Kristine Hansen - 2020 - Norsk Filosofisk Tidsskrift 55 (4):253-268.
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  • The philosophical significance of the De Se.Manuel García-Carpintero - 2017 - Inquiry: An Interdisciplinary Journal of Philosophy 60 (3):253-276.
    Inspired by Castañeda, Perry and Lewis argued that, among singular thoughts in general, thoughts about oneself ‘as oneself’ – first-personal thoughts, which Lewis aptly called de se – call for special treatment: we need to abandon one of two traditional assumptions on the contents needed to provide rationalizing explanations, their shareability or their absoluteness. Their arguments have been very influential; one might take them as establishing a new ‘effect’ – new philosophical evidence in need of being accounted for. This is (...)
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  • On the Limits of the Method of Phenomenal Contrast.Martina Fürst - 2017 - Journal of the American Philosophical Association 3 (2):168-188.
    The method of phenomenal contrast aims to shed light on the phenomenal character of perceptual and cognitive experiences. Within the debate about cognitive phenomenology, phenomenal contrast arguments can be divided into two kinds. First, arguments based on actual cases that aim to provide the reader with a first-person experience of phenomenal contrast. Second, arguments that involve hypothetical cases and focus on the conceivability of contrast scenarios. Notably, in the light of these contrast cases, proponents and skeptics of cognitive phenomenology remain (...)
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  • Modal epistemology made concrete.Daniel Dohrn - 2019 - Philosophical Studies 176 (9):2455-2475.
    Many philosophers since Hume have accepted that imagining/conceiving a scenario is our prime guide to knowing its possibility. Stephen Yablo provided a more systematic criterion: one is justified in judging that p is possible if one can imagine a world which one takes to verify p. I defend a version of Yablo’s criterion against van Inwagen’s moderate modal scepticism. Van Inwagen’s key argument is that we cannot satisfy Yablo’s criterion because we are not in a position to spell out far-fetched (...)
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  • Consciousness operationalized, a debate realigned.Peter Carruthers & Bénédicte Veillet - 2017 - Consciousness and Cognition 55:79-90.
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  • Cognitive phenomenology and metacognitive feelings.Santiago Arango-Muñoz - 2019 - Mind and Language 34 (2):247-262.
    The cognitive phenomenology thesis claims that “there is something it is like” to have cognitive states such as believ- ing, desiring, hoping, attending, and so on. In support of this idea, Goldman claimed that the tip-of-the-tongue phe- nomenon can be considered as a clear-cut instance of non- sensory cognitive phenomenology. This paper reviews Goldman's proposal and assesses whether the tip-of-the- tongue and other metacognitive feelings actually constitute an instance of cognitive phenomenology. The paper will show that psychological data cast doubt (...)
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  • First-Person Investigations of Consciousness.Brentyn Ramm - 2016 - Dissertation, The Australian National University
    This dissertation defends the reliability of first-person methods for studying consciousness, and applies first-person experiments to two philosophical problems: the experience of size and of the self. In chapter 1, I discuss the motivations for taking a first-person approach to consciousness, the background assumptions of the dissertation and some methodological preliminaries. In chapter 2, I address the claim that phenomenal judgements are far less reliable than perceptual judgements (Schwitzgebel, 2011). I argue that the main errors and limitations in making phenomenal (...)
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  • Phenomenal Intentionality.David Bourget & Angela Mendelovici - 2016 - The Stanford Encyclopedia of Philosophy.
    Phenomenal intentionality is a kind of intentionality, or aboutness, that is grounded in phenomenal consciousness, the subjective, experiential feature of certain mental states. The phenomenal intentionality theory (PIT), is a theory of intentionality according to which there is phenomenal intentionality, and all other kinds of intentionality at least partly derive from it. In recent years, PIT has increasingly been seen as one of the main approaches to intentionality.
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  • Imagination, Modal Knowledge, and Modal Understanding.Uriah Kriegel - forthcoming - In Íngrid Vendrell Ferran & Christiana Werner (eds.), Imagination and Experience: Philosophical Explorations. London: Routledge.
    Recent work on the imagination has stressed the epistemic role of imaginative experiences, notably in justifying modal beliefs. An immediate problem with this is that modal beliefs appear to admit of justification through the mere exercise of rational capacities. For instance, mastery of the concepts of pig, flying, and possibility should suffice to form a justified belief that flying pigs are possible, regardless of whether one imagines a flying pig. In this paper, I consider three ways to defend the epistemic (...)
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  • How Judgments of Visual Resemblance are Induced by Visual Experience.Alon Chasid & Alik Pelman - 2021 - Journal of Consciousness Studies 28 (11-12):54-76.
    Judgments of visual resemblance (‘A looks like B’), unlike other judgments of resemblance, are often induced directly by visual experience. What is the nature of this experience? We argue that the visual experience that prompts a subject looking at A to judge that A looks like B is a visual experience of B. After elucidating this thesis, we defend it, using the ‘phenomenal contrast’ method. Comparing our account to competing accounts, we show that the phenomenal contrast between a visual experience (...)
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