- Aesthetic opacity.Emanuele Arielli - 2017 - Proceedings of the European Society for Aesthetics.details
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Idealist Origins: 1920s and Before.Martin Davies & Stein Helgeby - 2014 - In Graham Oppy & Nick Trakakis (eds.), History of Philosophy in Australia and New Zealand. Dordrecht: Springer. pp. 15-54.details
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Conventions of Viewpoint Coherence in Film.Samuel Cumming, Gabriel Greenberg & Rory Kelly - 2017 - Philosophers' Imprint 17.details
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XII. Narrative and Perspective; Values and Appropriate Emotions.Peter Goldie - 2003 - Royal Institute of Philosophy Supplement 52:201-220.details
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(1 other version)Experimental Philosophy of Aesthetics.Florian Cova, Amanda Garcia & Shen-yi Liao - 2015 - Philosophy Compass 10 (12):927-939.details
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Mental Maps1.Ben Blumson - 2011 - Philosophy and Phenomenological Research 85 (2):413-434.details
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Perceiving pictures.Bence Nanay - 2011 - Phenomenology and the Cognitive Sciences 10 (4):461-480.details
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How pretence can really be metarepresentational.Cristina Meini & Alberto Voltolini - 2010 - Mind and Society 9 (1):31-58.details
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Aesthetics and cognitive science.Dustin Stokes - 2009 - Philosophy Compass 4 (5):715-733.details
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Interpreting Images.Ben Blumson - 2014 - In Resemblance and Representation: An Essay in the Philosophy of Pictures. Cambridge, UK: Open Book Publishers. pp. 118-138.details
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Pictures, perspective and possibility.Ben Blumson - 2010 - Philosophical Studies 149 (2):135 - 151.details
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Automatism, causality and realism: Foundational problems in the philosophy of photography.Diarmuid Costello & Dawn M. Phillips - 2008 - Philosophy Compass 4 (1):1-21.details
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A cognitive theory of pretense.Stephen P. Stich & Shaun Nichols - 2000 - Cognition 74 (2):115-147.details
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Emotion and Ethics in Virtual Reality.Alex Fisher - forthcoming - Australasian Journal of Philosophy.details
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Subjectivity in Film: Mine, Yours, and No One’s.Sara Aronowitz & Grace Helton - 2024 - Ergo: An Open Access Journal of Philosophy 11.details
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Cinematic street art? Exploring the limits of the philosophy of street art.Logan Canada-Johnson - 2023 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 16 (1):105-115.details
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What is the Uncanny? A Philosophical Enquiry.Mark Windsor - 2017 - Dissertation, University of Kentdetails
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Actitud de La Obra de Arte.Malena León - 2021 - Principia: An International Journal of Epistemology 25 (1):91-124.details
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La hermenéutica artefactual de Daniel Dennett: Una defensa.Malena León & Diego Lawler - 2019 - Argumentos de Razón Técnica 1 (22):120-137.details
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Empathy’s Role in Different Levels of Understanding Literature: Empirical and Philosophical Perspectives.Christiana Werner & Jana Lüdtke - 2021 - Journal of Aesthetics and Art Criticism 79 (2):239-244.details
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Seeing Through Photographs: Photography as a Transparent Visual Medium.Vivian Mizrahi - 2021 - Journal of Aesthetics and Art Criticism 79 (1):52-63.details
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Imagination and Film.Jonathan Gilmore - 2019 - In Noël Carroll, Laura T. Di Summa & Shawn Loht (eds.), The Palgrave Handbook of the Philosophy of Film and Motion Pictures. Springer. pp. 845-863.details
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Imagination and Perception in Film Experience.Enrico Terrone - 2020 - Ergo: An Open Access Journal of Philosophy 7.details
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Only a game? Player misery across game boundaries.Nele Van de Mosselaer - 2019 - Journal of the Philosophy of Sport 46 (2):191-207.details
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Photographic Manipulation and Photographic Deception.Zsolt Batori - 2018 - Aisthesis. Pratiche, Linguaggi E Saperi Dell’Estetico 11 (2):35-47.details
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Umbrales de transparencia en la imagen producida por artefactos de registro mecánico de la realidad.Alberto Murcia Carbonell - 2016 - Daimon: Revista Internacional de Filosofía 69:39-54.details
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Interacting with Fictions: The Role of Pretend Play in Theory of Mind Acquisition.Merel Semeijn - 2019 - Review of Philosophy and Psychology 10 (1):113-132.details
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Informational versus functional theories of scientific representation.Anjan Chakravartty - 2010 - Synthese 172 (2):197-213.details
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Noël Carroll.Maisie Knew - 2008 - In Paisley Livingston & Carl R. Plantinga (eds.), The Routledge Companion to Philosophy and Film. New York: Routledge. pp. 196.details
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Belief, experience and the act of picture-making.Dan Cavedon-Taylor - 2014 - Philosophical Explorations 17 (1):1-14.details
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Imagining and Fiction: Some Issues.Kathleen Stock - 2013 - Philosophy Compass 8 (10):887-896.details
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Depiction and Composition.Ben Blumson - 2014 - In Resemblance and Representation: An Essay in the Philosophy of Pictures. Cambridge, UK: Open Book Publishers. pp. 99-116.details
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Where am I? The Problem of Bilocation in Virtual Environments.Geert Gooskens - 2010 - Postgraduate Journal of Aesthetics 7 (3):13-24.details
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Moving because Pictures? Illusion and the Emotional Power of Film.Robert Hopkins - 2010 - Midwest Studies in Philosophy 34 (1):200-218.details
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Factive Pictorial Experience: What's Special about Photographs?Robert Hopkins - 2010 - Noûs 46 (4):709-731.details
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Musical recordings.Andrew Kania - 2009 - Philosophy Compass 4 (1):22-38.details
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The Audience Effect. On the Collective Cinema Experience. [REVIEW]Enrico Terrone - 2022 - British Journal of Aesthetics 62 (1):151-154.details
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Seeing through eyes, mirrors, shadows and pictures.Helen Yetter-Chappell - 2018 - Philosophical Studies 175 (8):2017-2042.details
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Does the debate about cinematic motion rest on a mistake?Rafael De Clercq - 2017 - Analysis 77 (3):519-525.details
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Capturing Shadows: On Photography, Causation, and Absences.Mikael Pettersson - 2017 - Australasian Journal of Philosophy 95 (2):256-269.details
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(1 other version)Fiction.Fred Kroon - forthcoming - Stanford Encyclopedia of Philosophy.details
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Books Articles Review s Papers presented.Paul Crowther - unknowndetails
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Why We Should Give Up on the Imagination.Derek Matravers - 2010 - Midwest Studies in Philosophy 34 (1):190-199.details
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Fiction Film and the Varieties of Empathic Engagement.Margrethe Bruun Vaage - 2010 - Midwest Studies in Philosophy 34 (1):158-179.details
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Cinematic narrators.Katherine Thomson-Jones - 2009 - Philosophy Compass 4 (2):296-311.details
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(1 other version)Depicting Movement.Solveig Aasen - 2021 - Australasian Journal of Philosophy 99 (1):34-47.details
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La perspectiva de segunda persona de la atribución mental.Antoni Gomila - 2002 - Azafea: Revista de Filosofia 4 (1).details
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Cognitive film semiotics and enlightened empiricism.Rebecca E. Miller - 2004 - Semiotica 2004 (151).details
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Empathy and Identification in Cinema.Berys Gaut - 2010 - Midwest Studies in Philosophy 34 (1):136-157.details
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Imagining crawling home: A case study in cognitive science and aesthetics.William P. Seeley - 2010 - Review of Philosophy and Psychology 1 (3):407-426.details
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