Martin Heidegger was not only one of the greatest philosophers of the twentieth century but also a supporter of and a contributor to one of the most discriminatory ideologies of the recent past. Thus, "the Heidegger's case" gives us philosophers an opportunity to work on discrimination from a philosophical perspective. My aim in this essay is to question the relationship between freedom and discrimination via Heidegger's philosophy. I will show that what bridges the gap between Heidegger's philosophy and a discriminatory (...) ideology such as the National Socialist ideology is Heidegger's conceptualization of freedom with the aid of a monolithic understanding of history--one that refuses to acknowledge the plurality and heterogeneity in the socio-historical existence of human beings. Accordingly, I will claim that the Heideggerian freedom depends on the social, if not literal, murder of the marginalized segments of a given society. However, I will refuse to conclude that Heidegger's philosophy is a Nazi philosophy and that it should never be appropriated as long as we want to purify our thoughts from discriminatory ideas. Rather, I will re-appropriate Heidegger, against Heidegger, to read and interpret Michel Foucault's and Judith Butler's philosophies. My aim here is to construct a social ontology that may justify anti-discriminatory policies. More specifically, through my Heideggerian readings of Foucault and Butler, I will argue that one's freedom is dependent on the cultural resuscitation of socially, and sometimes literally, murdered racial, sexual, ethnic, religious, and sectarian/confessional minorities. (shrink)

The ethics of emerging forms of artificial intelligence has become a prolific subject in both academic and public spheres. A great deal of these concerns flow from the need to ensure that these technologies do not cause harm—physical, emotional or otherwise—to the human agents with which they will interact. In the literature, this challenge has been met with the creation of artificial moral agents: embodied or virtual forms of artificial intelligence whose decision procedures are constrained by explicit normative principles, requiring (...) the implementation of what is commonly called artificial morality into these agents. To date, the types of reasoning structures and principles which inform artificial morality have been of two kinds: first, an ethically maximal vision of artificial morality which relies on the strict implementation of traditional moral theories such as Kantian deontology or Utilitarianism, and second, a more minimalist vision which applies stochastic AI techniques to large data sets of human moral preferences so as to illicit or intuit general principles and preferences for the design of artificial morality. Taken individually, each approach is unable to fully answer the challenge of producing inoffensive behavior in artificial moral agents, most especially since both forms are unable to strike a balance between the ideal set of constraints which morality imposes on one hand, and the types of constraints public acceptability imposes, on the other. We provide an alternative approach to the design of artificial morality, the Ethical Valence Theory, whose purpose is to accommodate this balance, and apply this approach to the case of autonomous vehicles. (shrink)

The philosopher Martin Heidegger argued that the truthful life was at risk of being lost in Western technological culture in the name of increasing control, efficiency, and agility. As the risk is actualised, so the human essence as truth maker is obscured and life itself feels poorer. This thesis draws on Heideggerian philosophy to demonstrate the loss in two dominant styles of contemporary strategic management: the world-picturing and, more recent, agile style. It builds a theory of post-agile strategic practice, which (...) I call adaptive, to address this loss. Consistent with Heideggerian philosophy, I utilise a transformative disclosure methodology and a literary, paradigmatic case reading method to address the questions: Why is agile strategic management so unsatisfying? How do Heideggerian scholars shed light on this dissatisfaction? How do Heideggerians understand the emerging style and what strategic management practices can I propose for the future? After introducing agile strategic management and the impoverishment of life that it fosters, I set out how Heidegger’s philosophy of truth, thinking, and the sacred both sheds light on the problem and suggests a remedy for it. I closely read paradigmatic texts of the world-picturing and agile strategic management styles to demonstrate how business strategy theorisation lines up with extraordinary closeness to Heidegger’s philosophical assessment. I then analyse three Heideggerian prototypes for an adaptive style of strategy practice, concentrating on one paradigmatic text to identify their principal weakness: the omission of the sacred. I illustrate and contrast paradigmatic cases of both the agile and adaptive styles drawn from the beer industry and draw on the adaptive case to construct a theory of adaptive strategy practice, which addresses the problem of the loss of truth, suggesting pedagogical and strategic management practices. I conclude by summarising its findings and contributions, noting some limitations and connections to other studies and suggesting further lines of research. (shrink)

Margonis (1986) criticizes Heidegger’s philosophy and those who would attempt to adopt his views for the purpose of thinking education because of the "abstract nature of his discussions," which suggest "proposals regarding our political, economic and educational lives from the place of metaphysical argumentation" (p. 125). To the contrary, Dwyer, et al (1988) claim the Heidegger’s philosophy, "clearly suggests an educational theory" (p. 100). This, is perhaps an overly optimistic claim, for it glosses over the difficulty associated with plumbing the (...) depths of Heidegger’s vast corpus in order to speculate on the legitimate potential his philosophy has for contemporary educational practices. It is possible, I suggest, to find meaning in Heidegger’s text as it relates to curriculum study, most specifically in the direction of conceiving educational practices that inspire lucid and legitimate thinking on our ontological potential as humans, which includes our unique possibilities as individuals understood in relation to our solicitous interpersonal relations with others with whom we share the world: Our Being-in-the-world in terms of Being-with-others. This paper falls into three divisions, and unfolds in the attempt to: (1) understand what an authentic existence from an ontological perspective entails; (2) explicate the detrimental effects of das Gestell, or the Enframed "attunement" of modern technology, on our current educational practices and our ontological "potentiality-for-Being"; and (3) analyze literature and English teaching, forms of ontological education (inquiry), as potential means by which to overcome the negative effects of this "technological" trend in contemporary education through understanding what Heidegger wrote about the grounding poietic attunement of art. For according to Heidegger (1971), art opens worlds apart from the ordinary, the everyday; it holds the power to transform us by putting in touch with our "potentiality-for-Being." Indeed, the essence of art lies in "a change, happening from out of the work, of the unconcealedness of what is, and this means, of Being" (p. 72). (shrink)

In this essay I consider the relationship between Heidegger’s famous “turn” and realism. I begin with Heidegger’s critique of the problem of an external world, and I describe how this critique anticipates New Realism. I then provide a reconstruction of Heidegger’s self-critique of Being and Time, showing how this work exhibits a higher-order antirealism. Next, I show how Heidegger’s turn is motivated by the inadequacy of this earlier anti-realism. In his philosophy of the event he moves towards a realist ontology (...) by developing concepts such as “destiny”, which he understands to be independent of human attitudes. Nevertheless, Heidegger ultimately falls back into an anti-realism, because Being still remains dependent upon the involvement of human beings. I therefore conclude this essay by briefly arguing for my own version of New Realism, according to which objects are meaningful in a way that is independent of our attitudes towards them. (shrink)

Based on an interpretation of the work of martin Heidegger, this article o ers a shi away om social and cultural anthropology, which explores sociocultural aspects, and also om general anthropology, which aims to summarise all dimensions of human being. the author de nes the speci city of existential anthropology: observing and conceiving human beings as they exist and continue to exist towards death. With a few twists in relation to Heidegger’s thought, the author discusses what is theoretically and methodologically (...) at stake in this per‐ spective, opening existential anthropology to a large empirical eld. (shrink)

Although it might seem to elicit only a marginal interest for philosophical inquiry, in 20th century continental philosophy the experience of solitude and loneliness were shown to have unexpected importance and gravity. For philosophers such as M. Heidegger, H. Arendt, H.-G. Gadamer or P. Sloterdijk, solitude and loneliness are to be seen, on the one hand, as an ontological determination of our Being and, on the other, as a cause for some of the most worrisome problems of our times such, (...) as the birth of totalitarianism or the phenomenon of self-alienation wide-spread in the Western bureaucratic societies. But none of the philosophers dealing with these matters offers us a clear positive understanding of what solitude and loneliness actually are nor what the task of philosophy should be with regard to these experiences even though they give us to understand that philosophy has one. The present paper tarries upon this question, approaching it from the other end though an investigation of the status of alterity in Heidegger and Gadamer’s philosophy. (shrink)

Summary of claims: (1) One of the most important relationships between the ontical and the ontological in Heidegger’s thought is the central, ontologically revelatory role that he gives to moods. (2) Heidegger uses the word “mood” as a term of art to refer to the whole range of disclosive affectivity. (3) Because of the role that Heidegger grants to mood as a primordial way of disclosing Being-in-the-world, and because it is impossible to think mood without also thinking the lived body, (...) Heidegger has placed the latter at the center of Dasein’s disclosedness. (4) Heidegger’s account of mood thus entails and highlights, rather than neglects, the ontological significance of the body. (shrink)

This essay experiments with Kant’s writings on rational religion distilled through the Strange Case of Dr Jekyll and Mr Hyde as canonical confrontations with primal problems of evil. It suggests boundaries between Stevenson’s characters and their occupations comparable to the those conflicted in the Kantian university, namely, law, medicine, theology, and philosophy (which makes a short anticipatory appearance in his earlier text on rational religion). With various faculties it investigates diffuse comprehensions—respectively, legal crime, biogenetic transmission, and original sin—of key ethical (...) modes: will, inheritance, incorporation, freedom, duty, obligation, love, living, and killing to conclude on the possible logic of evil (or evils of logic) collateral and possibly innate to Kant’s comprehension of radical evil. (shrink)

This essay poses and responds uniquely to the following crucial questions: Does Rilke’s poetry poetize the event of Being for Dasein? Does Rilke indicate that the human being can yet achieve such a mode of “historical” existence in relation to the Earth or the holy? Heidegger responds to the first query in the affirmative; Rilke does poetize this event, albeit through a “tempered” and somewhat traditional view of Western metaphysics. To the second query, it appears that Heidegger responds in a (...) slightly cryptic and ambiguous manner, and to clarify this response, I turn to Heidegger’s interpretation of Rilke’s “Angel” as a prophetic “metaphysical” figure of futural hope. (shrink)

In this essay I analyze a passage from Ludwig Wittgenstein’s On Certainty. This excerpt contains the expression “O, rubbish!” (Ach Unsinn), which I consider to be closely related to the notions of “bullshit” developed by Harry Frankfurt and Gerald A. Cohen. The relevance of this essay is illustrated with lively examples, both related to contemporary society and identified by Wittgenstein about 70 years ago. The paper is organized in six sections containing 1) an introduction to the topic, 2) an explanation (...) of “bullshit” as found in the works of Frankfurt and Cohen, 3) an explanation of Wittgenstein’s work on certainty and propositions beyond doubt, 4) an identification of reasonable and unreasonable doubt and their connection to “bullshit”, 5) an explanation of the different kinds of “bullshit” with the intention of mapping them in relation to each other, and 6) a summarizing conclusion. The main purpose of this paper is to expound on Wittgenstein’s views on “bullshit” and relate them to contemporary philosophy of nonsense. (shrink)

Martin Heidegger often and emphatically claimed that his work, especially in his masterpiece Being and Time, was not philosophical anthropology. He conceived of his project as ‘fundamental ontology’, and argued that because it is singularly concerned with the question of the meaning of Being in general (and not ‘human being’), this precluded him from being engaged in philosophical anthropology. This is a claim we should find puzzling because at the very heart of Heidegger’s project is an analysis of the structures (...) of the existence of ‘Dasein’, an entity that human beings are an instantiation of, the entity that has a relationship of concern towards its existence and which is capable of raising the question of the meaning of Being. Heidegger argues that because he only analyses human beings insofar as they are Daseins, he cannot be doing philosophical anthropology, but only fundamental ontology. In this paper, I refute this claim. I provide a sketch of philosophical anthropology which conceives it as the other side of anthropology’s coin. Where anthropology is concerned with understanding human difference, philosophical anthropology attempts to understand what is common to all instances of human existence and elucidate its significant features and structures. Whether he likes it or not, Heidegger is engaged in exactly this kind of project because anything that applies truly to Dasein applies truly to human beings. With this in mind, I examine Heidegger’s analysis of moods to demonstrate that Heidegger’s work is best understood as involving a kind of philosophical anthropology. (shrink)

This article takes a close look at the discussion of singularity in Jean-Luc Nancy’s Inoperative Community and Being Singular Plural with the aim to comment on subject-object dichotomy and create a new context for its relationship with resistance. The philosophy of singularity is critical of humanism and the individualist model of subjectivity it advocates. By placing a challenging scenario of antihumanism against the humanist sense of responsibility, the philosophy of singularity questions whether it is possible to do philosophy without saying (...) ‘I’. This antihumanist stance, which replaces the ‘I’/‘other’ differentiation with Nancy’s ‘the other of another,’ chooses to strengthen the link between ontology and resistance in the notion of coexistence; beyond traditional hypotheses on immanence and transcendence. To discuss the merits and limits of this coexistence, the article digs under the notion of individualistic subjectivity and proceeds to ground Nancy’s ‘ekstasis’ on the Freudian theory of drives. Against this theoretical background, the values of modesty and responsibility come to formulate an alternative moral consciousness, which no longer relies on the humanist jargon to work toward the common ground between 'I' and 'we'. (shrink)

The hermeneutical tradition represented by Yorck, Heidegger, and Gadamer has distrusted Dilthey as suffering from the two sins of modernism: scientific “positivism” and individualistic and aesthetic “romanticism.” On the one hand, Dilthey’s epistemology is deemed scientistic in accepting the priority of the empirical, the ontic, and consequently scientific inquiry into the physical, biological, and human worlds; on the other hand, his personalist ethos and Goethean humanism, and his pluralistic life- and worldview philosophy are considered excessively aesthetic, culturally liberal, relativistic, and (...) subjective. This essay involves two tasks in response to this negative evaluation of Dilthey that has shaped our current understanding of his philosophical project; first, an interpretation of the issues at stake in Heidegger’s reception of and struggles with Dilthey. These issues touch upon language, historicity, and the nature of hermeneutics. Second, by pursuing this task in light of Guignon’s interpretation of Dilthey and Heidegger, I hope to question and challenge the “overcoming” of Dilthey’s epistemic and life-philosophical hermeneutics in the “ontological” or “philosophical” hermeneutics of Heidegger. (shrink)

ABSTRACT This study bears upon the ‘Heidegger case,’ that is, the relation of Heidegger’s philosophizing to his political involvements as Rector of the University of Freiburg 1933-4, and his subsequent silences on the subject of the Holocaust. I use the phrase ‘bears upon’ for Heidegger’s political involvement will serve as the ‘horizon’ for the study, my concern being the genesis of Heidegger’s position. Grounded in a musical ‘intuition’ and attunement, I take up the Nietzschean cipher for understanding proposed by Heidegger (...) himself for the self-understanding of the German people: the Apollonian-Dionysian duality, which I apply to the ‘being’ of Heidegger’s own philosophizing. Through this approach I hope to make an original contribution to Heidegger scholarship by showing that Heidegger’s fundamental ontology is overdetermined, evolving out of both the phenomenological demand for a rigorous method in establishing fundamental structures of existence and - at the same time – out of an Apollonian attempt to ‘tame’ Dionysian existence, including Heidegger’s own. Inextricably interlinked will be the argument that Heidegger’s Auseinandersetzung, his ‘confrontation,’ with Nietzsche precedes the overt engagement of his ‘Nietzsche’ lectures of the 1930s, and, further, that this more pervasive concern with Nietzsche figures in the Apollonian-Dionysian strife within Heidegger’s thinking and within his ‘being.’ Heidegger’s silences in the face of the Dionysian - as well as the Auseinandersetzung with Nietzsche - will be seen to precede his ‘silence’ in the face of the actuality and history of the Third Reich. What I am proposing one might characterize as Heidegger’s Auseinandersetzung - through Nietzsche - with v Heidegger, in a disclosure of the ontic roots of Heidegger’s ontology, an exercise in his own hermeneutics of facticity. I will pursue the trace of the Apollonian-Dionysian duality: in the Western philosophical tradition which Heidegger confronts, using Husserl and Nietzsche as exemplars; in Heidegger interpretation; in the relation between his texts and his letters; and in the suppressions and intensifications within Being and Time. And I will propose that the fugue and the mutually generative duality of suppression and intensification within Heidegger’s academic thinking were conditions of the possibility of Heidegger’s ‘way’ towards political involvement. (shrink)

The question of how the university can relate to the world is centuries old. The poles of the debate can be characterized by the plea for an increasing instrumentalization of the university as a producer and provider of useful knowledge on the one hand (cf. the knowledge factory), and the defense of the university as an autonomous space for free inquiry and the pursuit of knowledge for knowledge’s sake on the other hand (cf. the ivory tower). Our current global predicament, (...) however, forces us to rethink the relation between university and world. Indeed, an easy nstrumentalization of the university for the purposes of society is no longer possible in troubled times when the future of society itself seems to be at stake. Nevertheless, urgent societal concerns do need to be addressed by the university. Hence, the disinterested position seems a highly irresponsible option. The aim of this dissertation is to reconsider the relation between the university and the world from an educational perspective by addressing the question “How to situate study in the relation between university and society?” The dissertation consists of three parts. In Part One, the existing literature on the relation between university and society will be discussed. The first chapter discerns two main approaches to this issue, namely the transcendental-philosophical approach (cf. the idea of the university) and the critical-sociological approach (cf. academic capitalism) that conceive of the university, respectively, as an idea and as an organization. By means of an excursus on the emergence of the university in the Middle Ages, the case is made for an ecological approach to the university. In the second chapter, the work of two authors who have recently adopted such an ecological approach is briefly presented. Whereas Ronald Barnett’s theory of the ecological university is situated more in the transcendental-philosophical tradition, Susan Wright’s investigations of the university in the knowledge ecology can be placed in the critical-sociological tradition. Both conceptions, however, are hinged on an institutional understanding of the university. In line with recent developments in social theory, namely the focus on practices, it is proposed to work towards an ecology of study practices. Part Two presents Isabelle Stengers’ idea of the ecology of practices. The third chapter elucidates Stengers’ work on scientific practices by first situating it within the so-called Science Wars, which provided the impetus to elaborate a theoretical framework for a civilized dialogue between scientists and the broader public. The basic tenets and concepts of her approach, such as the understanding of practice as a set of requirements and obligations, are presented, explained, and discussed. In the fourth chapter, the focus shifts from scientific practices to study practices. Assisted by Stengers’ writings on Whitehead’s speculative philosophy, this chapter aims to flesh out Whitehead’s description of the university as a ‘home of adventures’ in order to come to an educational understanding of the study practices of the university. A conceptual inquiry into how study practices activate certain worldly problems and turn them into matters of study is presented. Part Three develops the conceptual work on study practices further in relation to the activities of the Palestinian experimental university Campus in Camps. Chapter Five presents the work of Campus in Camps and explains how it relates to the theoretical discussion offered in the second part. On the basis of Stengers’ conception of practice, which discerns requirements and obligations as vital ingredients, this chapter argues that life in exile is what drives the study practices of Campus in Camps, and hence, that it is the issue of life in exile that participants are obligated to when they study. Whereas Chapter Five is focused on what is being studied in Campus in Camps, Chapter Six inquires in to the specific requirements its activities need to fulfill in order to be study practices; in other words, how the participants study. Four requirements are discerned that, taken together, seem indispensable to understand the study practices of Campus in Camps; namely, storytelling, comparing, mapmaking, and using. The concluding chapter returns to the research question and again takes up the main ideas developed in the dissertation, such as the adventure of study and the cohabitation of scientific and study practices in the university. The last two sections of the conclusion deal with two remaining issues of a more practical nature; namely, how to relate to institutionalization when working from a practice-theoretical point of view, and lastly the question of what can be done. In all, and returning to the initial problem, the dissertation asks what it means to conceive of the university as situated by and engaged with worldly questions. (shrink)

We develop a new understanding of the historical horizon of event ontology. Within the general area of the philosophy of nature, event ontology is a still emerging field of investigation in search for the ultimate materialist ontology of the world. While event ontology itself will not be explicated in full mathematical details here, our focus is on its conceptual interrelation with the dominant current of Idealism in Western thought approached by us as a problem in the history of ideas. Our (...) presentation is designed to be accessible to a wider audience. We especially highlight the deep connection between event ontology and postmodernism in general, and the post-war French philosophers Althusser, Foucault, Deleuze, and Guattari in particular, who are viewed as main sources for current and future programs of abstract materialism. (shrink)

This thesis engages with the biblical archive and its animals, asking what it means to read the Bible after Jacques Derrida’s “question of the animal”, that is, critical questions directed at the characterisations, representations and utilisations of animals past and present which deem animals distinctly different to humans in order to demarcate their inferiority. At the same time, it is a critical response to Derrida’s Bible. Derrida – arguably one of the most important and influential thinkers of the twentieth century (...) – provides a significant philosophical contribution to the question of the animal. In animal studies, the Bible is treated as a foundational legacy for concepts of the “human” and is frequently held up to blame for a misplaced human hubris. Derrida too draws on the Bible in implicit and explicit ways to underpin his critique of human/animal distinctions. Building on Derrida’s work on animality, I provide close and critical interpretations of four crucial texts of the biblical archive. I argue that these biblical texts are caught up in irreducible tensions: on the one hand, these texts depict and describe how humans and animals alike abide as finite, fellow creatures under God as a justice to come which calls for a radical similitude and solidarity; on the other hand, animals are portrayed as objects that are mastered by humans to demonstrate God’s power over the living. God’s power thus resides in a double bind – it both displaces power from humans to show them as animals, and it simultaneously provides a model for human power over animal others. In the first chapter I explore the significance of Derrida’s motifs of nakedness and shame over nakedness for his critique of human/animal distinctions, arising from his reading of Genesis. Critically continuing Derrida’s play on myths of origin, I tackle the question of the first carnivorous man, Noah, in Genesis 9 in order to show how this text can both be read as a license to enact the sovereignty of man over animals, and, how this text radically resists such a reading in God’s covenant with all life, human and non-human. Following my exploration of myths of origin, the second chapter grapples with Derrida’s notion of a deconstructed subject through his emphasis on response and responsibility. Derrida puts forward the biblical response “here I am”, as the mark of vulnerability in every relation with the other. I explore what this responsible response might mean in the context of the Book of Daniel that portrays encounters between human, nonhuman animals and God. Developing Derrida’s injunction to follow the nonhuman other, I argue that the double context of Daniel conveys two distinct visions of the concept of the political as animal: one, in which a fantasy for a harmonious domestication and cohabitation amongst rulers and their human and animal subjects is fostered under the only true ruler, a benign God; and, a collapse of such a fantasy, where rulers – human and divine – are portrayed as carnivorous, ferocious creatures who turn their subjects from pets to prey. The third chapter follows this collapse to Derrida’s critique of the commandment “Thou shalt not kill” as a commandment relating only to humans and thus a detrimental Judeo-Christian legacy. Derrida draws on the story of Cain and Abel to discuss the way the killing of an animal leads to the killing of a brother. To explore questions of killability I, however, turn to the negotiations of such issues in Acts 10. In the animal vision of Acts 10, questions of clean/unclean animals are suspended and hospitality is apparently opened up between Jewish and non-Jewish Christians. I demonstrate that the universalism associated with this text refers to an exclusive human fellowship which evades the actual implications of the animal vision. Yet, I posit that there are again two ways of reading the animal vision. In the first reading the analogical resemblance set up between animals and Gentiles implies that Gentiles too become killable as “clean” and thus the animal vision allows for indiscriminate killability amongst the living in general. In the second reading the cleanness of all animals is in fact a radical redemption of animal life for fellowship, in the same way that Peter accepts the fellowship and hospitality of Gentiles. Ultimately, the category of the living and the dead draws humans and non-humans together into what I call “mortability”; that is, the capacity for death shared amongst the living in the suspension of judgement until Jesus returns. In the fourth chapter, I follow up on the suspension of judgement by analysing Derrida’s thinking of sovereignty and animality in relation to Revelation 17. Crucially, Derrida’s logic of sovereignty includes Christ as lamb, in his logos or reason of the strongest, despite its ostensible weakness as a diminutive animal. I explore this further by turning to the scene of Revelation 17 in which the Lamb is at war with the Beast and the woman riding it. Developing Derrida’s allusions to sexual difference as it relates to the question of the animal, I explore how Revelation 17 denigrates both animals and women by characterising them as the figure of evil: Rome. The logic of the animal representations sets up the divine as the good on the side of the weak in the figure of the suffering Lamb. But as the Lamb becomes a beast-like indivisible sovereignty that asserts its reason of the strongest, the figures of “evil” become the vulnerable weak victims – the animal others. Another image of Rome emerges, then, as a deconstructed sovereignty in the subjects that stand as powerless figures in the political order, namely the animals of the Roman arenas and the prostitutes of the Roman Empire. The four texts I examine abide in the ambiguous tensions of an archive that can in the end neither be presented as animal-friendly nor as straightforwardly anthropocentric. The biblical archive is a complex compendium fraught with tensions that can, with its animals, only be held in abeyance. There can be no final “ownership” proclaimed of this archive and its animals, nor can any interpretive act dis-suspend them from such an ambivalent state. These very different texts do, however, provide the material and momentum to show central and crucial instances of how the biblical archive characterises its humans, animals and gods. My analysis reveals that the very same spaces in which these characterisations might be fixed as detrimental to animal life, are where the possibilities of seeing animals radically otherwise lie. (shrink)

Este artigo argumenta, começando pela justaposição de Heidegger ao lado dos geógrafos Ratzel e Vidal de la Blanche, e do etologista von Uexküll, realizada por Giorgio Agamben, em seu ensaio The Open, que a estética da morada , que encontramos no último Heidegger, tem que ser entendida em termos da centralidade para o pensamento de Heidegger de um conceito que também é central para o pensamento geográfico-cultural , nomeadamente, o conceito de lugar ou ‘espaço geográfico’. A centralidade dada ao ‘geográfico’ (...) no pensamento de Heidegger é freqüentemente tomada como diretamente conectada, como ela é entendida por Agamben, com o problemático engajamento de Heidegger com os nazistas nos anos 1930; e Agamben apresenta a posição heideggeriana como paralela a de von Uexküll quanto a isso. Porém, não apenas a maneira pela qual Agamben faz essa conexão é altamente enganosa, mas ela também não atenta para qualquer real consideração para o que pode estar em questão na ênfase no ‘geográfico’ em Heidegger. Há, de fato, razão para pensar que o papel desempenhado pelos conceitos de lugar e espaço no pensamento de Heidegger vai de encontro às associações que Agamben e outros supõem. Este artigo é então uma exploração do ‘geográfico’ tal como ele aparece em Heidegger e das associações políticas que podem ser pensadas como acompanhando-o, bem como da relação de Heidegger com uma certa linha da tradição geográfica exemplificada por Ratzel e Vidal de la Blanche.Beginning with Giorgio Agamben’s juxtaposition, in his essay The Open, of Heidegger alongside the geographers Ratzel and Vidal de la Blanche, and the ethologist, von Uexküll, this paper argues that the aesthetics of dwelling that we find in later Heidegger has to be understood in terms of the centrality to Heidegger’s thinking of a concept that is also central to cultural-geographic thought , namely, the concept of place or ‘geographic space’. The centrality given to the ‘geographic’ in Heidegger’s thinking is often taken to be directly connected, as it is taken to be by Agamben, with Heidegger’s problematic engagement with Nazi in the 1930s, and Agamben presents Heidegger’s position as parallelling that of von Uexküll in this regard. Yet not only is the manner in which Agamben makes this connection highly misleading, but it also neglects any real consideration of what might be at issue in the emphasis on the ‘geographical’ in Heidegger. There is, indeed, reason to think that the role played by the concepts of place and space in Heidegger’s thought actually runs counter to the associations that Agamben and others assume. This paper is thus an exploration of the ‘geographical’ as it appears in Heidegger, and of the political associations that might be thought to accompany it, as well as of Heidegger’s relation to a certain strand within the geographical tradition exemplified by Ratzel and Vidal de la Blanche. (shrink)

Throughout this essay I attempt to bring into focus what I see as the thorniest point of proximity between two giants in twentieth-century ontology; that is, the nature of language in the delineation between human beings and animals within the work of Martin Heidegger and Martin Buber. I consider Heidegger’s conception of world in an attempt to understand how he sees the abyss—as well as the bridge—between animals and humankind. Buber’s more encompassing view of being seems to be a fruitful (...) catalyst for moving Heidegger closer to something at which he hints but from which he withdraws. By exploring the relationship among human beings, animals, and language, I hope to offer a way of encountering animal life that, although it speaks to Heidegger, is actually a way of being in the world that apparently was closed off to him. (shrink)

Although much has been written about the so-called political, ethical and religious turns in the thinking of Jacques Derrida, few have noticed that his late writings were marked by what we could tentatively call a “zoological turn.” This is surprising given that in The Animal That Therefore I Am Derrida clearly stated that the question as to what distinguishes the human from the animal has for him always been the most important question of philosophy. This essay will attempt to offer (...) a preliminary exploration of this still largely uncharted aspect of Derrida’s thought. Starting from a brief overview of Derrida’s most important writings on the question of the animal, it will be argued that his decision to write an entire book on this issue was largely motivated by his eagerness to settle a discussion with one of his pupils, the French theorist of technology Bernard Stiegler. (shrink)

The following reflections are intended as a preliminary to a more extended and in-depth series of case studies, focused analyses of actual artworks, and the issues arising from their particularity within what will be described here as a Heideggerian post-aesthetic aesthetics. The essay is not written from the perspective of a professional or academic philosopher or of a practising artist (even though I am one), neither fields of which have sufficiently engaged with the existential and aesthetic predicament sketched out below. (...) Thus, the attraction of both Heidegger and Blanchot is not just related to their well-known discussions of inbetween-ness, but, more essentially, to the peculiarly in-between location of their own thought and trajectory of thinking: Heidegger from "out of" philosophy "drawn" towards art; Blanchot from within the space ofliterature towards the exteriority of ontological thinking. The intention is to identify similarities and differences in their thought, but this is only perceived as relevant to the extent that it allows an initial reassessment of a de-subjectivized existential and aesthetic mode of thinking that has been largely abandoned by academic philosophy and art practice alike (albeit for very different reasons). If nothing else, the hope is that a different voice might be heard in the clamorous exchange between philosopher and artists, one that is sensitive to the complex predicament of the artist in a post-Heidegerrian world, and which above all remains faithful to the project of the artist and the artwork in the face of the philosophical valorization of "Art". Las siguientes reflexiones se presentan como preliminares a una serie de estudios de caso mas extensos y profundos, analisis focalizados de obras de artes reales, y los temas que surgen de sus particularidades dentro de lo que se describira aqui como una estetica heideggeriana post-estetica. El ensayo no esta escrito desde la perspectiva de un filosofo profesional o academico ni de un artista operante (aunque yo lo soy), ninguno de cuyos campos se ha comprometido suficientemente con el dilema bosquejado mas adelante. Asi pues, la atraccion de Heidegger y Blanchot no solo tiene que ver con sus bien conocidas discusiones sobre la inbetween-ness, sino, mas esencialmente, con la ubicacion particularmente in-between de su propio pensamiento y trayectoria del pensar: Heidegger desde "fuera de" la filosofia "sacado" hacia el arte; Blanchot desde dentro del espacio de la literatura hacia la exterioridad del pensar ontologico. La intencion es identificar similitudes y diferencias en su pensamiento, pero esto solo es percibido como relevante en la medida en que permite una reevaluacion de un modo de pensar existencial y estetico des-subjetivado, que ha sido ampliamente abando-nado por la filosofia academica y la practica del arte (aunque por razones distintas). Sin mas pretensiones, la esperanza es que se pueda escuchar una voz diferente en el intercambio clamoroso entre el filosofo y los artistas; voz que es sensible al complejo dilema del artista en un mundo post-heideggeriano, y que sobre todo permanece fiel al proyecto del artista y a la obra de arte frente a la valorizacion filosofica del "Arte". (shrink)

This chapter uses one particular proposal for interdisciplinary collaboration – in this case, between early Heideggerian phenomenology and enactivist cognitive science – as an example of how such partnerships may confront and negotiate tensions between the perspectives they bring together. The discussion begins by summarising some of the intersections that render Heideggerian and enactivist thought promising interlocutors for each other. It then moves on to explore how Heideggerian enactivism could respond to the challenge of reconciling the significant differences in the (...) ways that each discourse seeks to apply the structures it claims to uncover. (shrink)

Following one of Jacques Derrida’s early questions — namely, How is writing involved in speech? — this essay reconsiders the role of the tongue and the sense of taste in the oral phenomena of speaking and saying. The contact the tongue makes with the mouth or teeth is just as much a materialization of language as what is commonly called “writing.” The tongue acts as a pen and the mouth, as a blank page (or palimpsest). Mouthed writing is accompanied by (...) sense experiences. There are various selftastes to the tastes of speaking, the tastes of words, or, even, the tastes of thoughts. Freud’s notes on speaking in one’s sleep, telepathy, the mystic writing-pad, and memory are revisited and supplemented with the writings of Hélène Cixous on the taste of words, telephoning, saying-to-oneself, and forgetting. The auto-affection of tasting-oneself-speakwriting is offered as an alternative to the metaphysical presumptions Derrida implicates in Husserl’s understanding of speech based on the auto-affection of hearing-oneself-speak. As such, writing (haunted by the trace of death) and speech (invested with living presence) is now confronted with the selftastes of speakwriting with one’s stylangue in and on the mouth as the scene of writing (ever accompanied by tastes of life-death). (shrink)

Straipsnyje analizuojamas žmogaus teisių paradoksas, atskleistas Hannah’os Arendt, Jacques’o Rancière’o ir Giorgio Agambeno darbuose. Žmogaus teisių konceptas veikia kaip biopolitinis aparatas, įdiegiantis žmogaus kaip gyvos būtybės ir žmogaus kaip politinio subjekto perskyrą. Ši gyvūniškumo ir žmogiškumo perskyra, atrandama pačiame žmoguje, rezonuoja su žmogiškumo ir gyvūniškumo klausimu filosofijoje. Klasikinė filosofija – nuo Aristotelio iki Heideggerio imtinai – postuluoja žmogaus ir gyvūno skirtingumą, o Agambenas ir Derrida teigia, kad žmogaus gyvūniškumas ir gyvūno humanizavimas yra tik dvi tos pačios problemos pusės. Toks klausimo (...) performulavimas leidžia pereiti prie Roberto Esposito filosofijos, kurioje teigiamas visų gyvų būtybių lygiavertiškumas bei pačios gyvybės imanentiškumas. Priešingai nei negatyvioji biopolitika, kuri siekė pajungti gyvybę normai ir įstatymui, Esposito nori sukurti teigiančiąją biopolitiką, kurioje norma laikoma imanentiška taisykle, leidžiančia gyvybei siekti maksimalios išraiškos. Nors atrodytų, jog tokia teorija turi mažai ką bendra su politiškumo konceptualizavimu, Esposito teigia, jog būtent ribos tarp zoē ir bios, tarp nuogos gyvybės ir politinės egzistencijos, panaikinimas ne tik nesumažina galimybių veikti politinėje plotmėje, bet, atvirkščiai, yra bet kokio bendro buvimo sąlyga. (shrink)

From the mid-thirties onwards, Martin Heidegger occasionally speculated about the future possibility of artificially producing human beings. What is at stake in biotechnology, Heidegger claims, is the imminent possibility of the destruction of the human essence. It is unclear, however, how Heidegger can substantiate such a claim given that he consistently denounced attempts to define human Dasein as a living being to which a higher capacity such as reason or language is added. This paper will argue that, in this sense, (...) Heidegger took the radical challenge of biotechnology both too seriously and not seriously enough. Too seriously, because it is unclear why he would fear the annihilation of Dasein’s essence if he is convinced that this essence is not related to man’s biological equipment in the first place. Not seriously enough, because Heidegger at the same time remained convinced that even the most intrusive interventions in the human body will not be able to disrupt Dasein’s ontological essence. (shrink)