The aim of this paper is to explore Deleuze's use of Kant's argument from incongruent counterparts, which Kant uses to show the existence of what he calls an “internal difference” within things. I want to explore how Deleuze draws out an important distinction between the concept and the Idea, and provides an incisive account of his relationship to both the Kantian and Leibnizian projects. First, I look at Kant's use of the argument to provide a refutation of the Leibnizian account (...) of space, before showing how this criticism in fact rests on the question of the conceptual determination of object. Second, I show how Deleuze develops a taxonomy of difference on the basis of his reading of Kant's argument. Finally, I look at what Deleuze sees as the limitations in Kant's understanding of this concept and Deleuze's attempt to overcome these limitations through the introduction of the notion of the Idea, which will provide a genetic and nonconceptual account of the object. In doing so, I show why Deleuze takes the formulation of an adequate account of difference to be one of the central aims of his own metaphysics. (shrink)

There are perceptual states whose representational content cannot even in principle be conceptual. If that claim is true, then at least some perceptual states have content whose semantic structure and psychological function are essentially distinct from the structure and function of conceptual content. Furthermore the intrinsically “orientable” spatial character of essentially non-conceptual content entails not only that all perceptual states contain non-conceptual content in this essentially distinct sense, but also that consciousness goes all the way down into so-called unconscious or (...) subpersonal mental states. Both my argument for the existence of essentially non-conceptual content and my theory of its structure and function have a Kantian provenance. (shrink)

This paper provides a novel reconstruction of Kant’s argument for transcendental idealism in the Transcendental Aesthetic. This reconstruction relies on two main contentions: first, that Kant accepts the then-ubiquitous view that all cognition is either from grounds or consequences, a view he props up by drawing a distinction between logical and real grounds; second, that Kant, like most of his contemporaries, holds that our representations are the most immediate grounds of our cognition. By stressing these elements, the most threatening objection (...) to Kant’s argument can be avoided, namely, the claim that Kant ignores the possibility that our representations of space and time are subjective in origin, but objective as regards their applicability. My reconstruction shows that this so-called neglected alternative objection is based on a conceptual confusion about the nature of a priori cognition. (shrink)

The 13th International Kant Congress was held on August 6-9, 2019 in Oslo, Norway. The main tasks of this review are to analyse the central theme of the Congress, “The Court of Reason”, the related spheres of philosophical inquiry such as metaphilosophy and philosophical methodology, as well as to reveal the main approaches and development trends of transcendental philosophy in “theoretical” and “practical” fields and modern Kant studies, notably transcendental philosophy of language and consciousness. The solution of these tasks will (...) make it possible to raise the question of the prospects of Kantian transcendentalism in relation to the pressing problems of our time and to chart the paths of such development. (shrink)

A Estética Transcendental é uma peça chave no programa de pesquisa que Kant desenvolveu e nomeou de filosofia transcendental. Ela se anuncia na Dissertação de 1770 e se configura de forma bem explícita na primeira edição da Crítica da razão pura, de 1781. O modo como Kant a concebeu permitiu-lhe separar radicalmente intelecto e sensibilidade, mas seria importante compreender a raiz dessa separação. Nesse texto procuramos mostrar que o opúsculo “Sobre o primeiro fundamento da distinção de direções no espaço”, de (...) 1768, traz características bastante decisivas para a estética proposta no período crítico. Para evidenciar isso, expusemos ideias marcantes do texto sobre as contrapartidas incongruentes e as cotejamos com as reflexões expostas nos itens 3 e 4 relativos à Exposição Metafísica do conceito de espaço e aquelas apresentadas nos itens 4 e 5 relativos à Exposição Metafísica do conceito de tempo. (shrink)

This is a defense of Kant against the allegedly neglected alternative in his formulation of transcendental idealism. What sets it apart from the contributions of others who have spoken for Kant in this regard is the construction of a general interpretive framework — a reconstruction of the one Kant provides for transcendental idealism — as opposed to the development of an ad hoc defensive strategy for refuting the charges. Hence, comprehensive clarification instead of pointed rebuttal. The difference is between focusing (...) on the text and focusing on the problem. No doubt, doing both is not only possible but also required, as the problem is supposed to be in the text, but the point is that it is not there, and further, that we need not go anywhere else to show that it is not there. Thus, the approach is constructive rather than defensive, or more accurately, constructive as well as defensive. And the construction rests on what Kant actually said rather than on what he might have meant or on what he should have said instead. (shrink)

In this paper we want to show how far the early, pre-critical Kant develops a theory of the constitution of space that not only anticipates insights usually attributed to the phenomenological theory of lived space with its emphasis on the constitutively central role of the human lived-body, but which also establishes the foundation for Kant’s Copernican turn according to which space is understood as ‘form of intuition’, implied in the activity of the transcendental subject. The key to understand this role (...) of the body lies in Kant’s understanding of the asymmetrical nature of a pair of hands, which despite being equal in size and structure, remain incongruent counterparts, and thus evade integration into a homogenous and purely self-referential form of space. (shrink)

The aim of this paper is to explore Merleau-Ponty’s ambivalent relationship with Kant’s transcendental philosophy. I begin by looking at several points of convergence between Kant and Merleau-Ponty, focusing on the affinities between Kant’s account of transcendental realism and Merleau-Ponty’s notion of objective thought. I then show how Merleau-Ponty’s analysis of Kant’s paradox of asymmetrical objects points to a parallel in Kant’s thought to Merleau-Ponty’s thesis of the primacy of perception. In the second part of the paper, I show why (...) Merleau-Ponty believes that, despite the promise of Kant’s thought, he fails to adequately escape from objective thought. After presenting the central claims of the transcendental deduction, I piece together Merleau-Ponty’s criticism of it by answering three questions: For Merleau-Ponty, how do we encounter the world prior to reflection? How is experience constituted? And what leads Kant to mischaracterise experience in his own transcendental philosophy? (shrink)

Kant uses incongruent counterparts in his work before and after 1781, but not in the first Critique. Given the relevance that incongruent counterparts had for his thought on space, and their persistence in his work during the 1780s, it is plausible to think that he had a reason for leaving them out of both editions of the Critique. Two implausible conjectures for their absence are here considered and rejected. A more plausible alternative is put forth, which explains that textual absence (...) as a result of the synthetic method of presentation intended for the Critique. (shrink)

This paper develops a novel interpretation of Kant's argument from incongruent counterparts to the effect that the representations of space and time are intuitions rather than concepts. When properly understood, the argument anticipates the contemporary position whereby the meaning of indexicals cannot be captured by descriptive contents.

David Lewis argues for Ramseyan humility, the thesis that we can’t identify the fundamental properties that occupy the nomological roles at our world. Lewis, however, remarks that there is a potential exception to this, which involves assuming two views concerning qualia panphenomenalism : all instantiated fundamental properties are qualia and the identification thesis : we can know the identities of our qualia simply by being acquainted with them. This paper aims to provide an exposition, as well as an assessment, of (...) this response to the humility thesis. (shrink)

In his review of my book, Terry Godlove raises some robust objections to the exegesis of Kant that I present in my recent book, Kant and the Creation of Freedom: a Theological Problem (Oxford/New York: Oxford University Press, 2013). I respond to these criticisms in this article. Properly to locate Godlove’s exegetical objections, I dedicate the first section to setting out the arc of the argument I trace. I then set out and treat in turn Godlove’s main objections to my (...) exegesis: that it depends upon an interpretation of transcendental idealism which makes the doctrine ‘flatly inconsistent and probably just silly’; that I neglect the most plausible account interpretation of Kant’s various statements about transcendental idealism; and that I ‘pick and choose’ supporting texts too narrowly, leading to an unbalanced presentation, which is too convenient to my thesis. I conclude with some general methodological reflections—stimulated by Godlove, but not aimed at him—about how historical philosophical texts are often treated. I express some anxieties about the principle of charity that underlies much current exegesis, and ‘rational reconstruction’ of historical texts, and I propose a case for what might be called ‘creative decomposition’ (not of the text, but of the self). (shrink)

Incongruent counterparts are pairs of objects which cannot be enclosed in the same spatial limits despite an exact similarity in magnitude, proportion, and relative position of their parts. Kant discerns in such objects, whose most familiar example is left and right hands, a “paradox” demanding “demotion of space and time to mere forms of our sensory intuition.” This paper aims at an adequate understanding of Kant’s enigmatic idealist argument from handed objects, as well as an understanding of its relation to (...) the other key supports of his idealism. The paper’s central finding is that Kant’s idealist argument from incongruent counterparts rests essentially on his theory of freedom. The surprising result sheds new light on deep and overlooked links among the pillars of transcendental idealism, pointing the way to a comprehensive and unified reading of Kant’s system of idealist arguments. (shrink)

Realism takes many forms. The aim of this paper is to show that the “Critique of pure Reason” is the founding document of realism and that to the present-day Kant’s discussion of realism has shaped the theoretical landscape of the debates over realism. Kant not only invents the now common philosophical term ‘realism’. He also lays out the theoretical topography of the forms of realism that still frames our understanding of philosophical questions concerning reality. The paper explores this by analysis (...) of Kant’s methodological procedure to distinguish between empirical and transcendental realism. This methodological procedure is still of great help in contemporary philosophy, although it has its limits. (shrink)

I argue that, by the time of his essay "Concerning the Ultimate Ground of the Differentiation of Directions in Space" (1768), Kant had come to question the status of the Principle of Sufficient Reason as a result, at least in part, of his recognition of the existence of incongruent counterparts. Though Kant's argument against absolute space based on the existence of incongruent counterparts has been much discussed in recent years, its importance as a useful benchmark by which to judge the (...) direction of Kant’s thinking during this period has gone unnoticed. This paper is a modest attempt to remedy this deficiency. (shrink)

In 1768 Immanuel Kant presented an argument showing the necessity of absolute space, i.e. substantivalism in contrast to relationalism, based on the property of handedness. While there is large consensus about the fallacy of Kant’s argument, a more recent debate exists – mainly stimulated by John Earman – about the status of the Kantian argument in view of modern physics and its fundamentally built-in parity violation, which leads to a preferred handedness. According to Earman the relationalist has no means to (...) distinguish one handedness in the cosmos without reference to an absolute structure of space. After recapitulating the historical background of the Newton/Leibniz debate on the ontological status of space as well as the Kantian argument, this paper offers a systematic consideration of arguments about handedness in modern physics. The goal is to show that “Earman’s challenge” can be rejected. (shrink)

„The paper discusses Kant’s first argument from space in the „Critique of pure Reason”. It argues that, contrary to what parts of the literature have claimed, the argument provides convincing reasons for the view that in order to locate objects in space outside us we must already presuppose the idea of space such that it cannot be borrowed from the objects perceived in space. The paper shows how the argument can be made transparent not only by clarifying Kant’s usage of (...) “distinct from” and “ausser uns” but also by retracing its main idea back to the 1768 essay “Concerning the Ultimate Foundation of the Differentiation of Regions in Space” and its incongruent counterparts argument.”. (shrink)

Bu çalışmada Kant’ın ve Wittgenstein’ın felsefeleri metafiziğin olanağı bağlamında karşılaştırılmıştır. Her ikisinin felsefelerinin transcendental olup olmadığı ele alınmış ve metafizik anlayışları ortaya konmuştur. Metafiziğe karşı tutumları benzer olan iki düşünürün metafizik konusunda neden farklı sonuçlara vardıkları sorgulanmıştır. Dolayısıyla burada Kant’ın sentetik apriori önermelerin olanağı ile metafiziğin olanağı arasında kurduğu ilişki ifade edilmelidir. Kant’a göre bilgi olmanın ölçütü sentetik apriori yargıların olanaklı olmasıyla ilişkilidir. Wittgenstein’ın birinci dönemindeki felsefe anlayışında da benzer yönler bulunmaktadır. Bu benzerlik de, burada, onun dil ile dünya arasında (...) kurduğu ilişki bağlamında ortaya konulmuştur. Buna göre düşünülebilir olan ile düşünülebilir olmayan arasında çizdiği sınır dilin sınırlarıyla belirlenmektedir. Ne var ki, dilin sınırlarının dışına ise çıkılamaz. Sonuç olarak Kant’ın ve Wittgenstein’ın felsefeleri transcendental öğeler içermekle birlikte iki düşünürün de, metafiziğin olanağı konusunda farklı düşünceleri vardır. Önemli olan bunun sebebidir. (shrink)