A question facing nearly all private firms is whether they may keep employee pay secret. Many think it is obvious that firms are obligated to disclose a good deal of pay information once we properly appreciate the severity of pay discrimination in our economy and the autonomy-related interests that would be served by pay disclosure. This article puts forth a dissenting voice against the vast majority of recent commentary. It exploits a fissure between reasons we have to support certain coercive (...) regulations and reasons firms have to act in the absence of such regulation. While acknowledging that we may need transparency regulations for firms that fail to act morally, it argues that otherwise moral firms need not disclose pay on the surveyed grounds. (shrink)

This paper draws on the work of Alain Badiou and Martin Heidegger to construct a postructural theory of the firm. The ideal firm is conceived as a technology that facilitates a technology-free void/site of potential. For actors within this firm to be ethical requires their achievement of human subjecthood through aesthetic fidelity to the site-induced events. Heidegger’s concerns regarding the enframing effects of technology and his recognition of the truth-revealing qualities of art, are incorporated here into a theory of the (...) firm as an idealized, technology facilitated, aesthetic void-of-potential revealing. Authentic human being thus implies that firms-as-technology ‘get out of the way’. This theory of the firm is further revealed through Badiou’s concept of event-driven human flourishing. We embrace Badiou’s ‘ethics-of-truths’ in which fidelity to the trace of an event creates human subjecthood. We consider implications of our theory-of-the-firm for social media firms such as Alphabet and Facebook. (shrink)

This article draws attention to the importance of enchantment in business ethics research. Starting from a Weberian understanding of disenchantment, as a force that arises through modernity and scientific rationality, we show how rationalist business ethics research has become disenchanted as a consequence of the normalization of positivist, quantitative methods of inquiry. Such methods absent the relational and lively nature of business ethics research and detract from the ethical meaning that can be generated through research encounters. To address this issue, (...) we draw on the work of political theorist and philosopher, Jane Bennett, using this to show how interpretive qualitative research creates possibilities for enchantment. We identify three opportunities for reenchanting business ethics research related to: moments of novelty or disruption; deep, meaningful attachments to things studied; and possibilities for embodied, affective encounters. In conclusion, we suggest that business ethics research needs to recognize and reorient scholarship towards an appreciation of the ethical value of interpretive, qualitative research as a source of potential enchantment. (shrink)

This paper proposes a teaching alternative that can encourage the ethical reflective sensibility among students of social entrepreneurship. It does so by exploring the possibility of using religious parables as narratives that can be analysed from Ricoeur’s hermeneutics to provoke and encourage ethical discussions in social entrepreneurship courses. To illustrate this argument, the paper makes use of a parable from the New Testament as an example of a religious narrative that can be used to prompt discussions about social entrepreneurs’ ethical (...) dilemmas. The paper adds to the limited works that consider the teaching of ethics within social entrepreneurship education. It also advances studies that seek alternative strategies to teaching ethics in business contexts, making these strategies discernible for discussion within the broader business and management literature. (shrink)

Resumo: A fotografia, como ferramenta, apresenta principalmente a relação entre pessoas e objetos, por meio do uso de elementos artísticos, como luz, sombra e cor, nas imagens. A criação de fotografias é uma atividade que requer inspiração e habilidades. Isso exige que os fotógrafos observem e pensem cuidadosa e profundamente sobre a estrutura geral do trabalho, a fim de tirar boas fotos que sejam artísticas e bem pensadas. O desenvolvimento e a popularização da fotografia, na sociedade atual, não podem ser (...) subestimados por seu impacto na estética pública e no pensamento humanístico. Este artigo tem, como objetivo, analisar a conotação estética da fotografia chinesa e explorar seus padrões e valores estéticos. Os pensamentos filosóficos da fotografia chinesa são explorados, e suas reflexões e perspectivas sobre a vida e a sociedade são analisadas. A relação e a influência mútua, entre as conotações estéticas e os pensamentos filosóficos na fotografia chinesa, são exploradas, e sua importância e influência nos trabalhos fotográficos são analisadas, para que se possa entender e apreciar melhor a singularidade da fotografia chinesa. A fotografia chinesa é uma forma única e diversificada de expressão artística que reflete o rico patrimônio cultural e o desenvolvimento social da China. Ao enfatizar a harmonia, a integração de elementos de pintura, a narração de histórias e a apreciação da natureza, a fotografia chinesa proporciona uma experiência estética profunda e transmite significados mais profundos de unidade, tranquilidade e a relação entre as pessoas e o meio ambiente. (shrink)