What forms of consciousness can the subject have of her body in action? This is a recurrent issue in contemporary research on skilled movement and expertise, and according to a widespread view, the body makes itself inconspicuous in performance in favour of the object or goal that the activity is directed to. However, this attitude to consciousness in bodily performance seems unsatisfying for an understanding of skilled action, and the work of several researchers can be seen as responding to this (...) view: Montero, Legrand, Ravn and others in the philosophy of expertise and of dance have developed various notions of consciousness and cognition to account for the mindful processes at play in performance. Two related questions can be distinguished here: 1. Is there an inherent conflict between skilled action and at least more than marginal awareness of that action, or is it possible – and even desirable – to reflect on our own performance without considerably impeding on it? 2. What forms of consciousness pertaining to the body in action must we distinguish in order to answer the first question? This paper gives an overview of this discussion, focusing on the second issue, although the first will come into play in so far as it is linked with the latter question. Drawing on Merleau-Ponty’s analyses of bodily reflection and on dancers’ descriptions, I show that there is, in phenomenological terms, a bodily level of reflection: a fully conscious and exploratory activity that is led by the skilled body, and that is explicitly aimed at by many performers. (shrink)

There is a conspicuous tendency of humans to experience empathy and sympathy preferentially towards members of their own group, whereas empathetic feelings towards outgroup members or strangers are often reduced or even missing. This may culminate in a “dissociation of empathy”: a historical example are the cases of Nazi perpetrators who behaved as compassionate family men on the one hand, yet committed crimes of utter cruelty against Jews on the other. The paper aims at explaining such phenomena and at determining (...) the limits of empathy. To this purpose, it first distinguishes between two levels of empathy, namely primary or intercorporeal and extended or higher-level empathy. It then investigates the mutual interconnection of empathy and recognition, which may be regarded as a principle of extending empathy to others regardless of whether they belong to one’s own group or not. However, this principle is in conflict with ingroup conformism and outgroup biases that hamper the universal extension of empathy. Thus, a denial of recognition and exclusion of others from one’s ingroup usually results in a withdrawal or lack of extended empathy which then influences primary empathy as well. On this basis, and using the historical example of mass executions during the Holocaust, the paper investigates the mechanisms of exclusion which may lead to a withdrawal of recognition and finally to a dissociation of empathy. (shrink)

The ArgumentMontaigne'sEssayswere an exercise in self-knowledge carried out for more than twenty years in Montaigne's private library located in his mansion near Bordeaux. The library was a place of solitude as well as a place of knowledge, a kind ofheterotopiain which two sets of spatial relations coexisted and interacted: the social and the epistemic. The spatial demarcation and arrangement of the site – in both the physical and the symbolic sense – were necessary elements of the constitution of Montaigne's self (...) as an object of knowledge and as a subject of discourse. The spatial setting of the library made possible and constrained certain discursive patterns through which words were systematically linked to things, authority was correlated with access and visibility, and the epistemological was coordinated with the social. In this sense, Montaigne's library resembled other places of empirical knowledge of the late sixteenth and seventeenth centuries in which subjects of knowledge were constituted, objects were posited in their proper phenomenal fields and the entire structure of intellectual activity was reproduced through various cultural mechanisms. But the initial similarity is only apparent. The private library never became a culturally recognized place for knowledge of the self; its heterotopic structure could not have been reproduced without the concrete presence of an author and of a self, while Montaigne's skepticism systematically undermined the possibility of the author's position and of the identity of the self. (shrink)

In this paper, I argue that in spite of suggestions to the contrary, Merleau-Ponty defends a positive account of the kind of abstract thought involved in mathematics and natural science. More specifically, drawing on both the Phenomenology of Perception and his later writings, I show that, for Merleau-Ponty, abstract thought and perception stand in the two-way relation of “foundation,” according to which abstract thought makes what we perceive explicit and determinate, and what we perceive is made to appear by abstract (...) thought. I claim that, on Merleau-Ponty's view, although this process can sometimes lead to falsification, it can also be carried out in such a manner that allows mathematics and natural science to articulate what we perceive in a way that is non-distortive and in keeping with the demands of perception itself. (shrink)

Can compensation repair the moral harm of a previous wrongful act? On the one hand, some define the very function of compensation as one of restoring the moral balance. On the other hand, the dominant view on compensation is that it is insufficient to fully repair moral harm unless accompanied by an act of punishment or apology. In this paper, I seek to investigate the maximal potential of compensation. Central to my argument is a distinction between apologetic compensation and non-apologetic (...) compensation. Apologetic compensation, I argue, is an act that expresses regret and apology by means of some offer of money, goods, or services. Non-apologetic compensation is an act that seeks to restore loss or harm without expressing regret or apology. In the paper, I defend the view that acts of compensation can be apologetic and argue that such apologetic compensation is sufficient for moral repair. (shrink)

This article aims to examine sociality’s multipolar and intentional structure beyond an inter-subjectivist perspective; beyond the view that the social world consists of only subjects and their interaction. The article is divided into four sections. First, I present Benoist’s critique of mainstream inter-subjectivist accounts of phenomenology. Second, I introduce Husserl’s concept of Gemeingeist and provide a preliminary definition of it as a “substrate of habits.” Third, I focus on the sociological and ontological sources of Benoist’s critique, specifically Descombes’ reassessment of (...) Hartmann’s distinction between objective and objectified mind. Finally, I revise my preliminary Husserlian definition of “common mind” drawing both from the distinction between objective and objectified mind and Benoist’s account of habituation as a two-sided correlative phenomenon. Although he often tends to phrase his account in intersubjectivist terms, Husserl’s phenomenology offers valuable tools to address the multipolar structure of sociality, which does not only consist of subjects in their interactions, but foremost, in the way the human mind is embedded in institutions and extended in a range of objects that bear social meaning and that guide and bind human life to an extent that is unique among social animals. (shrink)

The arguments advanced in this paper are the following. Firstly, that just as Trevarthen’s three subjective/intersubjective levels, primary, secondary, and tertiary, mapped out different modes of access, so too response is similarly structured, from direct primordial responsiveness, to that informed by shared pragmatic concerns and narrative contexts, to that which demands the distantiation afforded by representation. Secondly, I propose that empathy is an essential mode of intentionality, integral to the primary level of subjectivity/intersubjectivity, which is crucial to our survival as (...) individuals and as a species. Further to this last point, I argue that empathy is not derived on the basis of intersubjectivity, nor does it merely disclose intersubjectivity, rather it is constitutive of intersubjectivity at the primary level. Empathy is a direct, irreducible intentionality separable in thought from the other primary intentional modes of perception, rationality, memory and imagination, but co-arising with these. In regard to the inter-personal level, the concrete relations with others, primary empathy is both the ground for the possibility of the secondary manifestations—pity, sympathy, perspective taking, etc., and motivates them. Thirdly, it is the movement in the core of subjectivity initially generated by shifting attention between the ‘I’ and ‘we’ perspectives and later ‘solidified’ through affect to become shifting identification, which opens up the intersubjective domain. So we can affirm that we are not only born into sociality but our sociality goes to the roots of our being as Husserl, Heidegger and Merleau-Ponty have claimed. (shrink)

In this paper, I examine how Merleau-Ponty develops Husserl’s genetic phenomenology through an elaboration of language, which is largely influenced by Saussure’s linguistics. Specifically, my focus will be on the unpublished notes to the course Sur le problème de la parole. I show how Merleau-Ponty recasts Husserl’s notion of the historicity of truth by means of an inquiry into the relation between truth and its linguistic expression. The account that Merleau-Ponty offers differs from Husserl’s in two important respects. Firstly, whereas (...) Husserl describes a regressive inquiry of truth, Merleau-Ponty describes a regressive movement of truth, where every acquired truth seizes the tradition that precedes it. Secondly, this new notion of truth, and its dependency on its proper expression, opens up a new understanding of literature. (shrink)

What forms of consciousness can the subject have of her body in action? This is a recurrent issue in contemporary research on skilled movement and expertise, and according to a widespread view, the body makes itself inconspicuous in performance in favour of the object or goal that the activity is directed to. However, this attitude to consciousness in bodily performance seems unsatisfying for an understanding of skilled action, and the work of several researchers can be seen as responding to this (...) view: Montero, Legrand, Ravn and others in the philosophy of expertise and of dance have developed various notions of consciousness and cognition to account for the mindful processes at play in performance.Two related questions can be distinguished here: (1) Is there an inherent conflict between skilled action and at least more than marginal awareness of that action, or is it possible – and even desirable – to reflect on our own performance without considerably impeding on it? (2) What forms of consciousness pertaining to the body in action must we distinguish in order to answer the first question?This paper gives an overview of this discussion, focusing on the second issue, although the first will come into play in so far as it is linked with the latter question. Drawing on Merleau-Ponty’s analyses of bodily reflection and on dancers’ descriptions, I show that there is, in phenomenological terms, a bodily level of reflection: a fully conscious and exploratory activity that is led by the skilled body, and that is explicitly aimed at by many performers. (shrink)

Borrowing conceptual tools from Bergson, this essay asks after the shift in the temporality of life from Merleau‐Ponty's Phénoménologie de la perception to his later works. Although the Phénoménologie conceives life in terms of the field of presence of bodily action, later texts point to a life of invisible and immemorial dimensionality. By reconsidering Bergson, but also thereby revising his reading of Husserl, Merleau‐Ponty develops a nonserial theory of time in the later works, one that acknowledges the verticality and irreducibility (...) of the past. Life in the flesh relies on unconsciousness or forgetting, on an invisibility that structures its passage. (shrink)

The present article is based on a interview with a Japanese experienced caregiver who specializes in patients with amyotrophic lateral sclerosis, which generally leads to the locked-in syndrome. Professional caregivers for ALS patients with ventilator experience two particular temporalities in their practice. First, they must monitor the patient continuously during a seven-hour stay. Because a single problem in the ventilator can have fatal consequences, the care of an ALS patient with a ventilator requires long periods of sustained concentration. Second, trying (...) to understand the signs of a patient with a ventilator sometimes requires three hours to go through ten alphabets. In addition to the huge effort that such communication requires, caregivers must complete the meaning of the signs with their imagination: the ten alphabets are not sufficient to understand what the patient really wants to say. This imaginative capacity, however, is based on a long relationship, which started when the patient was still able to speak and move. That is why, as this article will show, even when a patient has entered total LIS, the caregiver can continue to realize his or her wishes. (shrink)

ABSTRACTIn this article I examine Merleau-Ponty’s understanding of the relation between literature, being and perception. I focus especially on two of Merleau-Ponty’s courses at Collège de France:...

Phenomenological, process-based and post-Marxist approaches have stressed the immanent nature of the ontogenesis of our world. The concept of performativity epitomizes these temporal, spatial and material views. Reality is always in movement itself: it is constantly materially and socially ‘performed’. Other views lead to a pre-defined world that would be mostly revealed through sensations (i.e. ‘representational perspectives’). These transcendental stances assume that a subject, although pre-existing experience, is the absolute condition of possibility of it. In this paper, we develop another (...) view of performativity (either complementary or interrelated to an immanent stance), one that re-introduces transcendence in the analysis but sees in it something dialogical to the process itself. We draw from the notions of visibility-invisibility and continuity-discontinuity (Merleau-Ponty 1945/2013, 1964) in order to show how everyday activity both performs and makes visible the world. From that perspective, modes of visibility appear as conditions of possibility of performativity itself. We draw some implications for the conceptualization of management practices. (shrink)

This was originally written and presented at the National Endowment for the Humanities Summer Seminar for College Teachers on Folk Psychology vs. Mental Simulation: How Minds Understand Minds, run by Robert Gordon at the University of Missouri - St. Louis, June-July 1999. It has been only lightly revised since, and should be considered a rough draft. Needless to say, the ideas herein owe a lot to what I learned at the seminar from Robert Gordon and the other participants, particularly Jim (...) Garson. However, any errors are my responsibility alone. (shrink)

Since Husserl, the task of developing an account of intentionality and constitution has been central to the phenomenological enterprise. Some of Merleau-Ponty's descriptions of ‘the flesh’ suggest that he gives up on this task, or, more strongly, that the flesh is in principle incompatible with intentionality or constitution. I show that these remarks, as in Merleau-Ponty's earlier writings, refer to the classical, early Husserlian interpretations of these concepts, and argue that the concept of the flesh can plausibly be understood to (...) advance a refined account of intentionality and constitution. Instead of a first-personal, unidirectional act or embodied motor project, intentionality is a latent openness to things, where the roles of subject and object are reversible. Whereas the view of constitution as meaning-bestowal is untenable, the flesh has a constitutive role, which is supported by a ‘constitutional passivity’ from the subject. On this reading, Merleau-Ponty's later work aims to develop basic tenets of his earlier thought, albeit at a critical distance, an attempt he thought was continuous with the central problems that Husserl claimed a phenomenological philosophy must grapple with, even if Merleau-Ponty's answers to these problems are not Husserl's. (shrink)

Although better known for his phenomenology of perception and the perceived world, Merleau-Ponty’s writings also contain the outlines of a rich and unique account of the imagination and the imaginary. In this paper, I explicate the phenomenology of the image that Merleau-Ponty develops throughout his work. I show how Merleau-Ponty develops this account of the image in critical response to Sartre and in a way that follows from his own descriptions of what painters do when they paint and of what (...) we experience when we look at their paintings. The investigation of the particular mode of being of images leads to a consideration of the body and Merleau-Ponty’s later ontology. (shrink)

Several works published in the last decades defend the claim that the concept of creativity should be demystified. With the aim of showing that creativity is not an obscure power owned by only few individuals and free from constraints, authors working at the intersection field between philosophy and cognitive science have notably focused on the structure and evolution of cognitive mechanisms underlying our creative capacities. While taking up the suggestion that we should try not to mystify creativity, this article argues (...) that what is required for such demystification is primarily a transcendental and phenomenological inquiry. Kant’s and Merleau-Ponty’s works are here discussed in order to develop such a transcendental inquiry into creativity. Both Kant and Merleau-Ponty bring to the fore the conditions of possibility for creative acts, and highlight fundamental role of creativity itself in the formation of meaningfulness. The keystone of both philosophers’ inquiries is the emphasis on the interdependence between creativity and rules. Yet, due to the different approaches to the transcendental, Kant’s and Merleau-Ponty’s accounts do not fully converge, but should rather be considered as complementary. (shrink)

This article explores how the thought that language is expressive, in the sense of bearing emotional or affective meaning, can be made sense of, with particular attention to two authors for whom this thought plays an important role. It begins by introducing the idea of language being “expressive” and using Charles Taylor's work to consider its potential interest, before showing how the expressiveness of language might be accounted for by a position that seems particularly suited to this task, namely Merleau‐Ponty's (...) view of embodied expression in Phenomenology of Perception. I then set out a significant challenge to that position based on Wittgenstein's “private language argument,” which implies there is no necessary connection between language use and a subject's internal (affective) states, thus contesting Merleau‐Ponty's explanatory emphasis on the body. I therefore propose a revised “complex” view of language's expressiveness that meets this Wittgensteinian challenge by reconceiving the body's role. Finally, I draw out some implications of this revised view, arguing that while language itself cannot be considered expressive, it remains significant that we can experience language as expressive. I also suggest that, although apparently threatened, Taylor's position can not only accommodate, but be better understood with, this revised view. (shrink)

Hyppolite stresses his proximity to Merleau-Ponty, but the received interpretation of his “anti-humanist” reading of Hegel suggests a greater distance between their projects. This paper focuses on an under-explored dimension of their philosophical relationship. I argue that Merleau-Ponty and Hyppolite are both committed to formulating a mode of philosophical expression that can avoid the pitfalls of purely formal or literal and purely aesthetic or creative modes of expression. Merleau-Ponty’s attempt to navigate this dichotomy, I suggest, closely resembles Hyppolite’s interpretation of (...) Hegel’s “speculative” mode of expression. In particular, his emphasis on the “mediating” character of philosophical language, which moves between descriptive and creative expression, suggests a debt to Hyppolite. This reading provides more evidence to think that Hyppolite cannot be straightforwardly understood as an anti-humanist or post-phenomenological thinker, and paves the way for a _rapprochement_ between his work and the broader phenomenological tradition. (shrink)

ABSTRACT This paper aims to elucidate the problem of truth as Merleau-Ponty treats it. To achieve this we will analyze two of the examples considered by the author and we will seek to hold, on the basis of these, that any formalization is always retrospective and "feeds on intuitive thought", it is in the intuition where all certainty is formed and a truth appears. The proper place of truth will be the one of the recovery of the object of thought (...) in the new signification instituted on those relations, along with the construction of the new relations in which the meaning of the first ones becomes contracted and included. To reach the mentioned aim we will appeal to the notion of institution of knowledge elaborated by the French philosopher. RESUMEN Este artículo tiene por objetivo elucidar el problema de la verdad tal como lo trata Merleau-Ponty. Para ello se analizarán dos ejemplos trabajados por el autor y se buscará sostener a partir de estos que toda formalización es siempre retrospectiva y vive del pensamiento intuitivo, es en la intuición donde se forma toda certidumbre y aparece una verdad. El lugar propio de dicha verdad será aquel de la recuperación del objeto de pensamiento en la nueva significación instituida a partir de aquellas relaciones, más la construcción de nuevas relaciones en las que el sentido de las primeras queda contraído y comprendido. Para alcanzar dicho objetivo apelaremos a la noción de institución de un saber elaborada por el filósofo francés. (shrink)

Resumen: Este trabajo se propone examinar algunos límites de la célebre descripción merleau-pontiana del cuerpo vivido en términos de “esquema corporal” y “cuerpo habitual”, teniendo en cuenta referencias alternativas del corpus textual del filósofo a ciertas dimensiones de la experiencia corporal que desbordan tal marco. Tras analizar en primer término estas primeras definiciones que esbozan el perfil de un cuerpo hábil y competente correlativo de un entorno pragmático, consideramos seguidamente instancias de comportamientos no teleológicos ni funcionales y espacialidades no objetivas (...) ni instrumentales para concluir mostrando la relación de estos análisis con la tematización merleau-pontiana más amplia de los horizontes naturales de la experiencia. En un segundo plano evaluamos las críticas de exégetas tales como A. Lingis y J. Butler a ciertos déficits de las tesis merleau-pontianas, y relacionamos estas últimas con desarrollos filosóficos que manifiestan ciertas afinidades específicas, tales como los de E. Levinas y R. Caillois.: This paper intends to examine some of the limitations of the well-known MerleauPontian account of the lived body in terms of "body schema" and "habitual body", by taking into account some alternative references of the philosopher’s textual corpus to certain dimensions of corporeal experience that exceed such frames. After analyzing these former definitions that outline the profile of a skillful and competent body correlative of a pragmatic environment, we consider cases of non-teleological and non-functional behaviors and non-objective and non-instrumental spatialities to end up by showing the relationship between these analyses and the wider Merleau-Pontian account of the natural horizons of experience. Secondarily, we evaluate critiques such as A. Lingis’ and J. Butler’s aiming to certain deficits of Merleau-Pontian theses, and we identify certain relations that these theses hold with philosophical developments showing certain specific affinities, such as E. Levinas’ and R. Caillois’. (shrink)

This article investigates the origins of the experiences involved in the diagnostics (detection and normative evaluation) of biological entities in image-based medical praxis. Our specific research aim presupposes a vast discussion regarding the origins of knowledge in general, but is narrowed down to the alternatives of anthropomorphism and biomorphism. Accordingly, in the subsequent chapters we will make an attempt to investigate and illustrate what holds the diagnostic experiential situation together—biological regularities, manifestation via movement, conscious synthesis, causal categories, or something else. (...) We argue that as long as knowledge originates out of practices, a promising way forward is to oscillate between the prominent although controversial ideas of the history of philosophy and observations of concrete human practices, such as, in our chosen example, image-based medical diagnostics of biological pathologies. Although a number of thinkers are involved in the discussion, Aristotle and Husserl are most important here as the representatives of historical paradigms on the matter. The body in this research was not taken solely as the physical entity (Körper) but rather as a transcendental, constitutive structure where diagnostic and biological processes synchronize in teleological movement (Leib). However, philosophical speculations are illustrated by actual radiograms, the interpretation of which brings us back to the aforementioned question of primacy regarding cognition. (shrink)

This paper reconstructs Merleau-Ponty’s philosophical project in terms of a phenomenology of sensible transcendence. According to this framework, (i) any given data are correlative to a subjective apprehension, (ii) but they cannot be fully captured by this same experience. Therefore, subjective apprehension must remain open to a type of absence or radical indeterminacy. This notion of transcendence must be grounded in bodily experience, and the challenge is to develop a notion of logos that can account for its sensible donation. We (...) describe that the critical apparatus mobilized to achieve this goal, primarily through the notions of “field of presence” and “presentation”, restores a logic of consciousness in these analyses that focus on the body. (shrink)

[In French]Both Patočka and Merleau-Ponty conceive the world not just as an Object, but rather as a field of an irreducible phenomenal and ontological depth. Patočka’s concept of movement and Merleau-Ponty’s concept of flesh are two concrete figures of this depth, and as such they are understood by the respective authors as that what stands at the origin of every singular being so far as it detaches itself on the ground of the world as an open totality. Nevertheless, the position (...) of the two concepts seems to be quite different in relation to the traditional categories of the metaphysics. We argue that Patočka’s concept of movement is profoundly rooted in, and dependent on, the classical oppositions, whereas Merleau-Ponty’s flesh makes it possible to understand them rather as abstractions produced by segregation from the original field of presence. In order to establish these points, we propose an interpretation of Patočka’s and Merleau-Ponty’s understanding of the concepts of horizon and world, and of course of those of movement and flesh. [In French.]. (shrink)

The chiasm is usually considered the key notion for Merleau-Ponty’s later philosophy. I argue against a common conclusion, namely that ‘the chiasm’ is equivalent to ‘reversibility’. Even when the two terms are not taken as interchangeable, the precise nature of their relation has not been adequately established. Focusing exclusively on ‘reversibility’ has implications for a range of philosophical issues, including relations between self and other. The danger of substituting one term for the other is that existential relations are construed as (...) inversions, rather than as genuine exchanges. I examine two trajectories that can be discovered in ‘The Intertwining—The Chiasm’. The first is the inclusion of difference within a peculiar, extended sense of ‘reversibility’. The second is the development of a plurality of expressions, among which ‘reversibility’ is necessary but not sufficient. I go on to argue that Merleau-Ponty secures difference within the chiasm by supplementing the notion of reversibility with ‘imminence’, the idea that something has not yet occurred. I also propose that the figure of a threshold illuminates how the chiasm operates as a transition where both joining and differentiation occur. (shrink)

In _The Visible and the Invisible_ Merleau-Ponty develops a notion of ‘sensible ideas’ that conceives general meaning as inseparable from its realization in sensible particulars. Such ideas – exemplified by music – are to capture the specificity of the meaning produced by embodied agency and serve as the foundation of all cognition. This article argues that, although Merleau-Ponty overgeneralizes their application, sensible ideas are philosophically important in enabling better understanding of the diverse forms and functions embodied-embedded practices and cognition can (...) take. It begins by outlining Merleau-Ponty’s conception of sensible ideas and showing how this late ‘ontological’ view takes up and refines themes from his earlier works. It then assesses sensible ideas’ assumed foundational role by considering several embodied practices (mathematics, music, painting), arguing that this does not hold generally and that painting better exemplifies sensible ideas than music. I show that whether a practice is accurately described by sensible ideas depends on how it relates the particular and general, and that sensible ideas have a distinctive philosophical role in understanding the non-identity-based meaning constitution characteristic of some embodied-embedded practices. Finally, a comparison with Kant’s aesthetic ideas is used to clarify the close but non-necessary relation between sensible ideas and art. (shrink)

In this essay, we address the influence of psychoanalysis on Merleau-Ponty's philosophy of the esthesiological body. Our analyses are about the relation of senses and meanings established among the notions of game, sport and ludic, dialoguing with esthesiology and with the pulsional body, based on Freud's psychoanalytic referential, also approached by Merleau-Ponty. Our interlocutor considers that the expression of play in language seeks to situate the body, perception, and desire as primordial sources in the process of signification, presenting a different (...) way of conceiving the problem of ambiguity of the word game, based on a lacunar, indirect, and nascent conception of language. Merleau-Ponty's philosophy beckons to an alternative and possible path in the movement of re-reading the game and the ludic, including the dialogue with Psychoanalysis concerning the relations of the pulsional body with the game and the play in shaping the feeling of existence, and broadening the horizons of the philosophy of sport. (shrink)

At first sight, pain seems to be an unhistorical phenomenon: in its intrusive nagging presence, nothing refers to the past, and to remember one’s pain is only possible in an abstract sense. However, one’s individual sensitivity as well as one’s relation to pain are shaped biographically, even though we usually are not aware of this: pains are inscribed into body memory and thus unfold a lasting impact. The memory of the subject may thus also be conceived as a history of (...) painful confrontations with the world, in the course of which the borders of self and non-self are constituted and accentuated. These interrelations are the topic of the paper. (shrink)

This article calls for a rethinking of critical sociology. Representing classical critical sociology, the Bourdieusian paradigm illustrated domination, but its negative foundation removed actors’ power, privileging sociological knowledge as capable of identifying (social) transcendental categories of thought. Latour’s constructivism challenged this privilege, giving actors the political power of aggregating collectives around their common concerns at the cost of emphasizing domination and critique. We propose a critical approach that evades a transcendental perspective reliant on pure negation, producing a more positive critical (...) sociology founded on processualist phenomenological and pragmatic perspectives, principally Merleau-Ponty and Dewey. Actors and researchers can collectively ruminate on their perspectives and concerns to challenge power structures and transform their worlds. At the center of this is the social-mien, a creative reimagination of habitus. A brief discussion of the protests and scholarship surrounding the Notre-Dame-des-Landes activists’ practice of democracy highlights the utility of the approach and serves as a model for future application. (shrink)

In this essay I argue that Marcel Mauss’s “Essay on the Gift” (1925) is not only intended to inaugurate a new paradigm on the terrain of ethnology and anthropology, but at the same time to make the gift a kind of novum organum of the social sciences and of moral and political philosophy itself. In the first part, I reconstructed the critique that M. Merleau-Ponty and C. Lefort have made to Lévi-Strauss’s “structuralist” reading of Mauss, and, in a second part, (...) I emphasised the importance that M. Hénaff assigned to the ceremonial gift of traditional societies as an intentional procedure of public mutual recognition between groups. But, using some of A. Caillé’s indications, I explain that this device of mutual recognition and alliance, characteristic of the gift cycle (giving/receiving/ reciprocating) also applies in modern societies whenever legal-political institutions become sclerotized and lose their legitimacy in the face of new actors in political action (newcomers or new arrivals, to use the Arendtian category of natality in a broad sense). (shrink)

After asking whether the concept of totalitarianism still has a meaning in today’s world, and whether its critique makes political sense, the author turns to the model provided by the two phases of Claude Lefort’s attempts to understand totalitarianism over the past 60 years. He distinguishes two distinct phases; the first is framed by critical Marxism, the second influenced by the phenomenology of the late Merleau-Ponty. The author stresses Lefort’s major works, including the role of his pathbreaking work on Machiavelli, (...) ‘ La critique du totalitarisme et l’invention de la démocratie’, ‘ Un homme en trop’ (on Solzenhitsyn and the Goulag), and ‘ La complication’ (which rejects the oversimplified interpretation of totalitarianism as simply an ideology). (shrink)

This paper claims that there is an epistemological evidence of an unavoidable gap between purely formal sciences (sciences of essences) and the empirical sciences for which they provide the foundation. A second key theme is the way that all empirical sciences are grounded in a pure science of essences. At the same time, I endeavour to explain how the insights Weyl gleaned from Husserl played an important role in his scientific work, and to show how Einstein’s major work exhibit important (...) parallels to Weyl’s work, thereby establishing phenomenology both as an indirect historical influence and a systematic underpinning for Einstein’s work in theoretical physics. In so doing, this paper seeks to show how some of the most basic problems that Einstein addresses have a kinship not just to problems addressed in a completely different context by Husserl and his circle, but also to perennial problems in ontology and epistemology that go back to Kant, Hume and Leibniz. The conclusion highlights how phenomenology influenced Einstein, but also how Einstein’s work on relativity had an important influence on the work of the most important phenomenologist of the twentieth century, namely Husserl in his Crisis of European Sciences. (shrink)

This paper argues that the gesture of being silent —or “subjective silence”— can be described as a specific modulation of attention, in which consciousness gains awareness of a specific realm of experience where the body appears as a transcendental dimension of the self. Taking Dauenhauer’s typology as a point of departure, I will describe what I understand with the expressions “subjective silence” –and “the gesture of being silent”– and try to show its specific relation to “attention,” according to Husserl’s description (...) of it. Second, that the noematic field of this “subjective silence” is the realm of the pre-predicative, since it allows consciousness to maintain a certain intentional tension that does not focus on any categorial object. Finally, I will try to show that in this realm of the pre-predicative, the body appears as an immanent dimension of consciousness and, therefore, not as a mere object but as a transcendental instance of the self. (shrink)

In The Visible and the Invisible Merleau-Ponty develops a notion of ‘sensible ideas’ that conceives general meaning as inseparable from its realization in sensible particulars. Such ideas – exemplified by music – are to capture the specificity of the meaning produced by embodied agency and serve as the foundation of all cognition. This article argues that, although Merleau-Ponty overgeneralizes their application, sensible ideas are philosophically important in enabling better understanding of the diverse forms and functions embodied-embedded practices and cognition can (...) take. It begins by outlining Merleau-Ponty’s conception of sensible ideas and showing how this late ‘ontological’ view takes up and refines themes from his earlier works. It then assesses sensible ideas’ assumed foundational role by considering several embodied practices (mathematics, music, painting), arguing that this does not hold generally and that painting better exemplifies sensible ideas than music. I show that whether a practice is accurately described by sensible ideas depends on how it relates the particular and general, and that sensible ideas have a distinctive philosophical role in understanding the non-identity-based meaning constitution characteristic of some embodied-embedded practices. Finally, a comparison with Kant’s aesthetic ideas is used to clarify the close but non-necessary relation between sensible ideas and art. (shrink)

Resumo: O problema da intersubjetividade, tal como colocado pela filosofia da consciência, exigiu de Merleau-Ponty uma investigação de alguns aspectos essenciais envolvidos no fenômeno da comunicação, tais como o valor expressivo da palavra e a questão da verdade, o que acabou por inserir o filósofo no cenário das grandes discussões linguísticas. Pelo aprofundamento especulativo em direção à camada pré-reflexiva da existência, a análise da linguagem e da intersubjetividade favoreceram não apenas a compreensão da questão da criação de novos significados: ela (...) também possibilitou uma autêntica experiência de comunicação. Foi pela realização desse estudo que o filósofo radicalizou seu pensamento em direção a uma ontologia indireta, afastando-se da noção de cogito tácito como condição de possibilidade da experiência intersubjetiva. O objetivo desse artigo é acompanhar esse percurso realizado por Merleau-Ponty na década de 1950, a fim de evidenciar a relação entre o fenômeno da criação no domínio da linguagem e a possibilidade da experiência intersubjetiva. Palavras-chave: criação; intersubjetividade; linguagem; verdade. (shrink)

This article examines the particular aesthetic experience brought about by soundwalks. In each case, the point of departure is the phenomenological analysis of two case study: Janet Cardiff’s Walks and the audio-tours Remote x by Rimini Protokoll. Drawing upon Husserl and Merleau-Ponty, I will examine the conflicts of perception and the peculiar shift from one order of perception to another that punctuate the spectator’s walking, as well as the intertwining of the real and the imaginary coming into being in such (...) performances and experienced at the very level of his bodily inscription in space. More specifically, my aim is to address the challenge that the aesthetic experience here in question sets to Husserl’s phenomenology of perception and to show how the extension of the notion of perception achieved by Merleau-Ponty makes it possible to overcome the paradox. (shrink)

Resumen: El objetivo del siguiente trabajo es explicar cómo la elaboración de una ontología de la naturaleza por parte de Merleau-Ponty se circunscribe en el intento de elaborar un pensamiento del ser que no haga de éste un elemento del pensamiento abstracto, sino que dé cuenta de la experiencia concreta del ser en el mundo. En este sentido, son fundamentales los conceptos de intercorporalidad, negatividad y dialéctica.: The aim of the following work is to explain how the elaboration of an (...) ontology of nature by Merleau-Ponty belongs to an attempt of developing a thought of being which does not reduce it to an element of the abstract thought, but takes into account the concrete experience of being in the world. In this respect, the concepts of intercorporeality, negativity, and dialectics are fundamental. (shrink)

Merleau-Ponty’s later works, especially his 1956–57 lectures on Nature, offer a unique interpretation of Schelling’s philosophy as a whole. His systematic approach towards Schelling enables him to neglect the division of Schelling’s works into an early and a late period. Although his work on Schelling is not fully accurate with respect to the historic details, Merleau-Ponty succeeds in illuminating problems in Schelling’s philosophy that Schelling himself could not solve. The main thesis of my essay is that the two philosophers follow (...) the same agenda: to integrate within philosophy that which withdraws from philosophy, a speculative and “barbaric” principle, which nevertheless manifests itself in reality. By presenting Merleau-Ponty’s reading of Schelling, I show how Merleau-Ponty recognizes that his thoughts on nature have a predecessor in Schelling. However, I also draw on Schelling himself – not only to correct some of Merleau-Ponty’s assumptions, but also to elaborate the problem of an unprethinkable as Schelling develops it in his late philosophy. Lastly, I will comment on how Merleau-Ponty combines Schelling’s early approach – which aims at a complete transcendental philosophy through art – with Schelling’s ultimate approach, which gives an onto-theological theory of philosophy that genuinely cannot be completed. Merleau-Ponty’s psychoanalysis of nature is one attempt to accomplish this. (shrink)

Історія філософії як філософська дисципліна має двоїсте завдання. Історик філософії мусить шукати факти й опікуватися думками. Дискусії щодо поєднання цих завдань тривають. Мета цієї розвідки – прояснити поняття суб’єкта історико-філософського пізнання, функції та форми його присутності у дослідницьких текстах. Маємо прийняти як вихідний пункт декілька припущень. По-перше, тексти є тим місцем, у якому можна локалізувати такого суб’єкта, оскільки він не збігається з емпіричним суб’єктом. Навпаки, емпіричний суб’єкт здобуває свою ідентичність як дослідник у тексті й через текст. По-друге, дослідницький текст наводить (...) мости між минулим і теперішнім, тобто зобов’язує дослідника не лише висловлювати свої думки, а й чути інші. По-третє, існування інтерпретаторів як соціальної групи спростовує можливість прямого контакту тексту і читача та обіцяє реалізувати цей контакт у дослідницькому тексті. Отже, хоча текст сам по собі не становить винятковий інтерес для дослідника, суб’єкт історико-філософського пізнання може бути реконструйований саме на основі текстів. У процесі реалізації поставленої мети визначено, в чому полягає специфіка історико-філософського пізнання та які вимоги висуває текст до свого читача; з’ясовано значення настроїв і почуттів у історико-філософському пізнанні та особливості, що відрізняють суб’єкта історико-філософського пізнання від інших суб’єктів пізнання. В основу аналізу покладено деякі теоретичні пропозиції І. Ш. Зарка та Ф. Р. Анкерсміта. Свої висновки автор підтверджує коротким порівняльним аналізом двох досліджень філософії XVIII століття. (shrink)

El objetivo del artículo es revisitar el concepto de gran prosa elaborado por Merleau-Ponty para señalar la importancia del lenguaje literario en el problema de la expresión de la verdad. Para ello, expondremos las tesis principales del curso dictado por Merleau-Ponty en el año académico 1953-1954, titulado Le problème de la parole. Esto nos permitirá caracterizar al lenguaje literario y su capacidad de llevar a la expresión el sentido de la percepción. Por último, se considerará la necesidad de la incorporación (...) de la expresión literaria en la elaboración de una filosofía de lo sensible. (shrink)

This article underlines the relevance of Mikel Dufrenne's early works (published between 1946 and 1953) for contemporary social sciences. Indeed, Dufrenne was interested in American cultural anthropology, and in Abram Kardiner's concept of “basic personality” in particular. Dufrenne tested Kardiner's concept against Kant's transcendental tradition and the phenomenological theory of Mitsein (the concept of being-with). More importantly, in this article, I demonstrate that Dufrenne's project raises the psychological question of the historicity of categories of experience.

En varias oportunidades, el filósofo francés Maurice Merleau-Ponty plantea que hay una "carne del lenguaje" que se puede entender como la comprensión paradójica de sí y del otro en el seno mismo del lenguaje; esta "carne" está en relación con el desarrollo de la vida humana y da testimonio del cambio en los individuos que, observándose a sí mismos, quieren ser individuos nuevos a cada momento. Siguiendo a Merleau-Ponty, el presente ensayo se propone reconocer la condición del ser reinventado continuamente (...) por la expresión del lenguaje. On several occasions, the French philosopher Maurice Merleau-Ponty says there is a "flesh of language" that can be understood as a paradoxical understanding of self and the other within the same language. This "flesh" is related to the development of human life and bears witness to the change in individuals, observing themselves, who want to be new individuals each time. Following Merleau-Ponty, this essay proposes to recognize the condi-tion of being continually reinvented by the expression of language. (shrink)

RésuméJ'analyse la façon dont Bergson caractérise la logique tel un organe de simplification, de dissimulation, d'ordonnance, de limitation, de systématisation, comme habitude de pensée et comme ontologie foncière. Partout, la logique semble la prérogative de l'entendement et inapte à s'appliquer à la durée, voire à la réalité elle-même. Pour sortir d'un tel dualisme, je montre que Bergson conçoit une logique de l'absurde et de l'imagination, avec le rêve, la folie et le comique, laquelle transmute la logique dans le domaine du (...) pathologique et de l'art littéraire, et offre à l'image une seconde gloire.In this paper, I analyze the sense in which Henri Bergson characterizes logic, which he understands to be a means of simplification, dissimulation, ordering, limitation and systematizing, as well as a habit of thinking and something basically ontological. Overall, logic seems to be the privilege of the understanding; it is unfit to apply itself to duration, or to reality itself. To help us out of such dualism, I show that Bergson — considering dreams, madness, and comedy — conceives of a logic of the imagination and of the absurd that transplants logic into the field of the pathological and literary art, and that offers a second glory to images. (shrink)

Uma investigação sobre "a judicialização da política e a politização do judiciário" restrita ao bom funcionamento do "Estado de Direito" se veria presa dos prejuízos que a própria ideia de "Estado" acarreta, consubstanciados na teoria que lhe dá suporte, a teoria da soberania. É preciso escapar ao "estadocentrismo" e um dos modos de fazê-lo é investigar as noções de "poder" e de "direito". Neste artigo, investigamos essas noções em Merleau-Ponty e Lefort.