In my paper, by drawing on the writings Heidegger developed in the late 1920s, I wish to display what we may refer to as the thorough educational nature of Heideggerian reflection. It is my argument that the analysis of Dasein we find in the early Heidegger displays an extraordinary deep and dense reflection on selfhood and subjectivity, a reflection that is rooted in subject’s freedom and transcending. By paying attention to the interplay between these two features, I argue that in (...) the late 1920s, while challenging the notion of an all-encompassing consciousness as the place where everything should be understood and managed, Heidegger built a conception of selfhood and subjectivity in terms of freedom, responsibility, and ongoing transformation. Such a conception, I argue, is in and of itself educational. (shrink)

In his 2012 article Philosophy of Education for the Public Good: Five Challenges and an Agenda, Gert Biesta identifies five substantial issues about the future of education and the work required to address these issues. This article employs a Heideggerian reading of education to evaluate ‘Biesta’s truth’. I argue that Biesta’s point of view underestimates knowledge’s predominance and relativism; frames intentionality in pre-Heideggerian terms, which—although not a problem in itself because an individual is free to choose a particular perspective on (...) the concept—raises the issue of consistency in Biesta’s theoretical framework; and a final criticism concerns Biesta’s choice of tools for engaging with the identified challenges: The primary tools Biesta uses are intrinsic to the perspective he challenges. The use of a ‘first person perspective’ to frame pedagogy that focuses on the subject and ‘subjectification’ reaffirms the fundamental Western gesture that makes human beings subjects who ‘stand-over-and-against’ the world. I argue that it is possible to penetrate Plato’s ‘theoretical gaze’ and find a ‘weak’ alternative to an all-encompassing point of view of education through a Heideggerian approach that regards intentionality and thinking as ‘hearing’. (shrink)

In this paper, I wish to offer insight into the role of paradox in teaching. I will do so by analyzing teachers’ everyday work, taking a qualitative approach and constructing a small-scale empirical study. Philosophically, my attempt is framed by Heidegger’s thought. Drawing from research data, I argue the following: paradoxes and dilemmas are the very basis of teaching, and a teacher cannot see paradoxes and dilemmas if she/he has already made an choice of disengagement from the profession. Stated otherwise, (...) the sense of dependency, laceration, and even helplessness experienced by teachers I met and interviewed are not occasional or unwanted outcomes, but rather the very nature of the ethics of teaching. The rationale of teaching – curricula, objectives, and learning outcomes – is framed by teachers’ intentionality, namely, by teachers’ ‘being thrown’ and involved in leaving teaching situations. Teachers are simultaneously thrown into the projecting and understanding that co... (shrink)

This article will set out to elucidate the ways in which the philosophies of technology of Martin Heidegger and Bruno Latour seek to explain how the phenomenal world of nature, objects and tools come to presence as events through their interrelations with each other and with us. Both thinkers seek to overcome a subject/object divide that they both understand as characterising modernity in order to reveal a greater interdependence between nature and culture, human and machine. Not only do they both (...) seek to deconstruct the subject/object divide that techno-science has imposed as a paradigm dictating how we as subjects understand the world, but they both use a similar strategy to do so, finding a better means of allowing phenomena to come to presence by turning to premodern culture, ancient Greece for Heidegger, ‘primitive’, non-modern cultures for Bruno Latour. And both find in art the link to move beyond the modern paradigm to reveal technology’s hidden creative potential. By focusing on a shared problem, that of the subject/object divide that both thinkers understand as constitutive of modernity, and a shared strategy to resolve this problem, that of art, this article will set out to show how Heidegger and Latour’s strategies for revealing the co-constitution of Dasein and World as co-dependent agencies are more similar than is commonly held. But through this analysis of co-dependency, a central divergence between the two thinkers will come to the fore, that of singularity versus multiplicity . It is this crucial difference, I will hold, that will prove critical in envisioning the future of phenomenology. To the extent that we are now living amongst hybrid entities, cyborgs and forms of intelligent emergence where subject and object, nature and culture, can no longer be so easily differentiated, it seems as though opening ourselves to what presences may entail heeding Latour’s call to embrace both mediations and multitudes. If subjects and objects have been replaced by mediations that can finally ‘show themselves in themselves’ and express their own agency, and transcendental consciousness has been abandoned for an emergence consciousness that is immanent, interdependent, and greater than the sum of all individual minds, we must finally question the impact of such a state of affairs on phenomenological perception itself. (shrink)

Understanding phenomenology as a philosophical approach in which human-world relationships are analysed, as well as the constitution of subjectivity and objectivity within these relationships, this paper addresses some issues related to the transcendental dimension in the phenomenology of Edmund Husserl. An attempt is also made to re-address some issues related to phenomenology and its transcendental dimension as understood by adherents of hermeneutical phenomenology such as Paul Ricoeur. In essence, the focus of the paper is on exploring the following issues: what (...) is this transcendental turn in Husserl’s philosophy? Is this an ‘unfortunate turn’ toward a neo-Kantian brand of transcendental idealism? What is the significance of this transcendental dimension in Husserl’s phenomenology? Is there any distinctive phenomenological programme that, despite their differences, is common to both Husserl and Heidegger? This line of questioning proceeds from the observations made by Paul Ricoeur that, “with the development of his ‘hermeneutics of facticity’, Heidegger rejected Husserl’s neo-Kantian brand of transcendental phenomenology in favour of a de-transcendental and historicized way of doing philosophy, that Heidegger understood the subject to be ‘factic’, in contrast to Husserl’s pure ego as the source of the world constitution”(Hahn, 1995). Ultimately, however, the thrust of this exploration is towards understanding the transcendental way of doing philosophy and the so-called historicized way of philosophizing as two distinct ways to reach one common goal, the transcendental dimension of meaning. Indo-Pacific Journal of Phenomenology , Volume 7, Edition 1 May 2007. (shrink)

This paper discusses Husserl’s theory of intentionality and compares it to contemporary debates about intentionalism. I first show to what extent such a comparison could be meaningful. I then outline the structure of intentionality as found in Ideas I. My main claims are that – in contrast with intentionalism – intentionality for Husserl covers just a region of conscious contents; that it is essentially a relation between act-processes and presented content; and that the side of act-processes contains non-representational contents. In (...) the third part, I show that Husserl also offers resources against intentionalism’s exclusive concern with propositional content. (shrink)

Progressively Husserl started referring to the whole sphere of the life of intentional acts in terms of praxis. Perception, imagination, judgement, scientific consciousness, etc., are all seen as practices. What is the meaning of this move? A seemingly self-evident possibility is that intentionality is praxial, because even perception is not completely free from empty intending moments that demand fulfilment; and all fulfilment is attained by means of bodily activities that enable our senses to acquire the relevant contents. I reject this (...) approach as insufficient and misguided. I argue that perception and intentionality in general is praxial because consciousness, in all of its constituting syntheses, is or becomes organized as a practice-structure. Intentional consciousness organizes its contents according to rules so as to accomplish the evident or true givenness of its intended correlates. (shrink)

This paper examines Heidegger's critique of Husserl in its earliest extant formulation, viz. the lecture courses Ontologie from 1923 and Einführung in die phänomenologische Forschung from 1923/4. Commentators frequently ignore these lectures, but I try to show that a study of them can reveal both the extent to which Heidegger remains committed to phenomenological research in something like its Husserlian form, and when and why Heidegger must part with Husserl. More specifically, I claim that Heidegger rightly criticizes Husserl's account of (...) 'equipmental objects', and that he is especially unsatisfied with the terminology in which Husserl presents his phenomenological analyses, not only of 'equipment', but of other types of entities as well. However, it will also emerge that Heidegger's own phenomenological work presupposes the performance of what Husserl calls the 'epoch ', the method of 'bracketing' natural knowledge. In this way, Heidegger's sometimes very severe critique must be understood as an internal critique. (shrink)

Intentionality (‘directedness’, ‘aboutness’) is both a central topic in contemporary philosophy of mind, phenomenology and the cognitive sciences, and one of the themes with which both analytic and Continental philosophers have separately engaged starting from Brentano and Edmund Husserl’s ground-breaking Logical Investigations (1901) through Roderick M. Chisholm, Daniel C. Dennett’s The Intentional Stance, John Searle’s Intentionality, to the recent work of Tim Crane, Robert Brandom, Shaun Gallagher and Dan Zahavi, among many others. In this paper, I shall review recent discussions (...) of intentionality, including some recent explorations of the history of the concept (paying particular attention to Anselm), and suggest some ways the phenomenological approach of Husserl and Heidegger can still offer insights for contemporary philosophy of mind and consciousness. (shrink)

Heidegger distinguishes between things that are present-at-hand and things that are ready-to-hand. I argue that, in Heidegger, this distinction is between two sets of entities rather than between two ways of considering one and the same set of entities. I argue that Heidegger ascribes distinct temporal, essential, and phenomenological properties to these two different kinds of entities.

Existentialist thinkers often publicly acknowledged Husserl’s phenomenology as one of their main points of departure for treatment of such themes as intentionality, comportment, transcendence, and the lifeworld. Several central elements of Husserl’s approach were adopted by the Existentialists, but equal to their gratitude were vigorous declamations of Husserl’s mistakes, dead-ends and failures. Many of the Existentialists’ criticisms of Husserl’s project are well-known and have been rehearsed in various surveys of 20th century thought, but less well-remarked are the discrepancies between their (...) complaints about Husserl’s aborted achievements and what Husserl actually delivered. This paper attempts to uncover the accuracy of some of their assessments of Husserl’s alleged failures and mistakes, whether or not Husserl actually held the position they claim he did, and especially whether or not Husserl was himself aware of some deficiency in his thematic analysis, and thus would have been able to offer a cogent response to critique. In doing so, a good case can be made that Heidegger, for example, quietly adopted some of Husserl’s main insights without credit, slanted his picture of Husserl’s work so that his own reversals had better purchase, or overlooked evidence that Husserl had already moved beyond that position. At least on some key topics, Husserl emerges as an exceptionally self-critical philosopher who had already gained the perspective more usually associated with an Existentialist orientation. Indo-Pacific Journal of Phenomenology , Volume 1, Edition 1 April 2001. (shrink)

In the paper, the formal model of the noetic synthesis functions is presented. Together with the functions of noematic synthesis, they are understood as components of functions of intentional reference, which are meant to be, in turn, formalizations of intentional acts of reference performed in the stream of consciousness. This research perspective allows us to extend the category of speech acts to the category of all intentional acts of reference. The functions of noetic synthesis are understood as composed of the (...) function of noetic intention acting on qualia, noetic moods and noetic modes. The model allows us to explain the phenomenon of autism as having its source in disorders of the noetic synthesis functions. The constructed model is not intended as the faithful reconstruction of the Husserlian conception of noesis. Intuitions of the creator of phenomenology are treated as the only source of inspiration. (shrink)

Resumen Numerosas derivas de la fenomenología contemporánea, especialmente francesa, tematizaron fenómenos con excedencia que desafían la estructura husserliana de correlación intencional e impronta epistémica del polo subjetivo. La filosofía heideggeriana se pregunta sobre la facticidad y sus fundamentos, arribando al terreno en que el fenómeno se sustrae y resulta, por ello, inaparente, pero a la vez fundante de todo el ámbito del aparecer. En el presente trabajo estudiaremos en primer lugar el marco en que la filosofía de Heidegger tematiza la (...) excedencia en el Seminario de Zähringen, consideraremos la tensión con la posición husserliana y analizaremos el planteo de la noción de “fenomenología de lo inaparente” para trazar algunas proyecciones de esta idea que habilitan la inclusión de las temáticas ligadas con la excedencia dentro de la economía propiamente fenomenológica.Many lines of contemporary phenomenology, especially in its French sides, have studied phenomena that exceed the limits and defy the original Husserlian structure and its commitment with intentional correlation and the epistemic aspects of the subjective pole. The direction of Heideggerian philosophy and its treatment about facticity and its foundations was a defining issue. In this context it is studied the phenomenon that subtracts itself and is, therefore, inapparent, but at the same time it is the founder of the whole field of appearance. The present work mil study the framework in which Heidegger's philosophy thematizes excess in the Seminar of Zähringen. It mil be considered the tension with the Husserlian position and the propos al of the notion of'phenomenology of the inapparent". On this basis it mil be possible to draw some projections of this idea that enable the inclusion of the issues linkedmth exceedance within the phenomenological sphere. (shrink)

Edmund Husserl is the founder of phenomenology and the Logical Investigations is his most famous work. It had a decisive impact on twentieth century philosophy and is one of few works to have influenced both continental and analytic philosophy. This is the first time both volumes have been available in paperback. They include a new introduction by Dermot Moran, placing the Investigations in historical context and bringing out their contemporary philosophical importance. These editions include a new preface by Sir Michael (...) Dummett. (shrink)

Tekst ma na celu bliższe zapoznanie Czytelnika z otwierającą cykl Aristotelica pracą doktorską Franza Brentano Von der mannigfachen Bedeutung des Seienden nach Aristoteles (1862), która znana jest głównie z tego, że miała zainspirować młodego Martina Heideggera i sprawić, że zajął się filozofią. Tekst bada naturę i siłę tej inspiracji. Część pierwsza opowiada historię powstania Von der mannigfachen … oraz przedstawia szerszy kontekst zetknięcia się Heideggera z filozofią Brentana, a także stara się przedstawić Heideggera na tle jego pozostałych uczniów (Kazimierz Twardowski, (...) Edmund Husserl, Alexius Meinong, Carl Stumpf, Anton Marty, et al.). Część druga omawia piętnaście tez o bycie, które stanowią sedno dzieła O wielorakim znaczeniu bytu u Arystotelesa i tym samym umożliwia porównanie tomistycznej w duchu ontologii Brentana z ontologią fundamentalną Heideggera, o czym traktuje część trzecia. Część trzecia stara się również zweryfikować faktyczną wysokość „długu”, jaki Heidegger miał u Brentana zaciągnąć i odpowiedzieć na pytanie, do jakiego stopnia, o ile w ogóle, Martina Heideggera możemy nazwać „brentanistą”. (shrink)

This thesis seeks to provide a novel interpretation of Heidegger’s project in the late twenties and of its breakdown and transformation around the turn of the decade. I argue that Heidegger develops a unified project in the late Marburg period that is constructed around the question of the unity of the concept of being in light of its regional multiplicity. Furthermore, I argue that Heidegger’s conception of the framework of this project is highly influenced by his reception of Kant in (...) this same period. Specifically, I identify the elements of the Kantian framework that Heidegger retains and appropriates for his project, as well as those elements that he rejects. In the former case, Heidegger takes up primarily Kant’s framework of a priori transcendental conditions that are to make empirical experience possible, which Heidegger reformulates in terms of the pre-understanding of being that makes possible the apprehension of entities. In the latter case, I isolate two primary criticisms that will serve as desiderata for the execution of Heidegger’s project, namely: that the categories have an excessively subjectivistic status, and that they are based solely on logical functions of judgement. The former constitutes a problem because the location of the categories on the subject side make s difficult their applicability to the objective realm, and lead Heidegger to reject both the quid juris form of posing the question as well as the results of the transcendental deduction in general. The latter, though closely connected, points to a different set of problems, and targets not the applicability claim but the exhaustiveness claim of the metaphysical deduction. In articulating a theory of categories based on logical functions of judgments, Kant’s resulting theory of possible objects of experience is limited merely to objects of explicit judgement, roughly the objects of the natural sciences, at the expense of other kinds of objects. Paradigmatic of these ‘other kinds of objects’, for Heidegger, are ready-to-hand entities, which are neither spatio-temporally individuated, nor fit into the Kantian conditions for what it would be to count as an object of possible experience. I argue that Heidegger develops his late Marburg project as a development of the Kantian-inspired framework of pre-understanding of being in a manner that responds to the two above problems. Specifically, Heidegger seeks to ground the understanding of being in temporal schemata rather than in logical functions of judgement, which is intended to provide both a wider range of possible objects and to provide a unified backdrop against which the subject can apprehend objects. I end with an assessment of Heidegger’s project, arguing that while it is ultimately unsuccessful in its aims, it nonetheless represents a philosophically interesting and innovative post-Kantian project that sheds exegetical light both on Heidegger’s middle period as well as on his later works. (shrink)

Human beings originate votes, and democracy constitutes decisions. This is the essence of democracy. A phenomenological analysis of the vote and of the decision reveals for us the inherent strength of democracy and its deficiencies. Alexis de Tocqueville pioneered this form of enquiry into democracy and produced positive results from it. Unfortunately, his phenomenological method was inadequate and he missed the essential core of his 'associative art'. The frequent association of democracy with rationality misleads us about its nature and its (...) requirements. The phenomenology of democracy aligns with the governance concept of democracy. Many attempts to reform democracy, or impose it on others, are misplaced because they do not attend to the essence of democracy. (shrink)

We characterize science in terms of nihilism: the nihilism of science is something faced not in what science i mplies, but as the very essence of science as such. The nihilism of science is the birth of the truth of Nietzsche's announcement "God is dead" from within science as it must now face its repressed subjective core. But in truth, as the Psychoanalytic tradition has determined, it is subjectivity itself that is a bottomless searching-the subject is itself born from nothing. (...) In this way it becomes clear that the nihilism of science is in fact the birth of a nothingness as the essence of science insofar as it embraces the nothingness of its own subjectivity. Therefore, we show that the proper determination of the crisis of science is not made via phenomenology, as Husserl attempted in the early 20th century, but can only be made properly in a philosophical-psychoanalytic register. This nihilism is encoded within science in its very modality of thought , as Heidegger well understood: science thinks by means of "representation", and it is this "representational thinking" which prevents the expression of the repressed core of subjectivity. Therefore, by overcoming representation, it is seen that science will no longer be in despair to determine itself as a self, but come to see that this self, grounded in nothingness, in fact becomes its greatest and final expression, that is, as a self rooted not in an unending yearning for the transcendent certainty of a ground, but in a productive desire -self as will-to-create, will-to-power . This transition from the self as rooted in Desire qua lack to a self as determined by an infinitely productive desire is shown to be, in fact, the transition from Lacan to Deleuze. Once this transition is accomplished, it becomes clear that the anti-representational mode of thinking, accompanied by the productive self as will-to-power, determines science not from a transcendent metaphysic , but as an aesthetically determined modality of pure creativity-i.e., as an art . We then conclude by speculating on the proper form of art that this new science should take. We see that anti-representational thinking, rooted in the self as infinite creativity , is determined not by concepts, but by play or performances . Perhaps, then, we should consider music as determining the proper artistic form of this new kind of science? In this way we finally come to see the possibility for the first time of music as a new kind of science. Normal 0 false false false EN-US X-NONE X-NONE /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0in 5.4pt 0in 5.4pt; mso-para-margin:0in; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;}. (shrink)