This article responds to the question of the ‘implicit and presupposed theological turn of phenomenology’ by providing a close reading of Jacques Derrida’s Le Toucher—Jean-Luc Nancy (2000 French/2005 English translation), particularly concerning what Derrida alludes to as ‘the Christian thinking of the flesh’ in the French phenomenological tradition post-Husserl. In reading Derrida’s own text, the article identifies and then performs a ‘cryptonomy’ of references to the ‘Christian body,’ and of the ‘return of religion.’ The article also focuses on the more (...) recent writings of Jean-Luc Nancy, especially Corpus (2000 French), concerning the body and its relationship to the concept of corporality (Leiblichkeit) from Husserl’s Ideas II. (shrink)

It is often held that, in contrast to Husserl, Heidegger's account of intentionality makes no essential reference to the first- person stance. This paper argues, on the contrary, that an account of the first- person, or 'subjectivity', is crucial to Heidegger's account of intelligibility and so of the intentionality, or 'aboutness' of our acts and thoughts, that rests upon it. It first offers an argument as to why the account of intelligibility in Division I of Being and Time, based on (...) a form of third- person self-awareness, provides a necessary, but not a sufficient, condition for intentionality. It then shows that Heidegger provides a further necessary condition in his analysis of the collapse of the one-self in Division II. This condition is 'conscience', which is both a genuine first- person mode of self-awareness and, it is argued, the origin of reason as that which distinguishes factic 'grounds' from normative 'justifications'. (shrink)

This paper delves into the striking parallels between the linguistic patterns of Large Language Models (LLMs) and the concepts of psychosis in Lacanian psychoanalysis. Lacanian theory, with its focus on the formal and logical underpinnings of psychosis, provides a compelling lens to juxtapose human cognition and AI mechanisms. LLMs, such as GPT-4, appear to replicate the intricate metaphorical and metonymical frameworks inherent in human language. Although grounded in mathematical logic and probabilistic analysis, the outputs of LLMs echo the nuanced linguistic (...) associations found in metaphor and metonymy, suggesting a mirroring of human linguistic structures. A pivotal point in this discourse is the exploration of “absolute metaphors”—core gaps in reasoning discernible in both AI models and human thought processes and central to the Lacanian conceptualization of psychosis. Despite the traditional divide between AI research and continental philosophy, this analysis embarks on an innovative journey, utilizing Lacanian philosophy to unravel the logic of AI, using concepts established in the continental discourse on logic, rather than the analytical tradition. (shrink)

In response to Shawn Loht’s 2017 project delineating a Heideggerian phenomenology of film, Phenomenology of Film: A Heideggerian Account of the Film Experience, I examine how productive Loht’s Dasein-centric account of the film viewer might be for considering diverse film-viewer experiences. Starting from Loht’s premise that the film–viewer relation is the constitutive ground of filmic disclosure, I raise two concerns regarding Heidegger’s account of Dasein that might obscure an account of the diversity of film viewers and associated heterogeneity of filmic (...) disclosure: Dasein’s lack of concreteness with respect to lived experience, and Heidegger’s neglect of embodiment and bodily difference. I firstly argue that Dasein’s lack of concreteness is productive for theorising the diversity of film viewers by discussing the concept of Dasein through formal indication, a Heideggerian notion that Loht draws upon in order to account for filmic disclosure. I then examine a key objection, that Heidegger’s neglect of embodiment limits the productivity of a Dasein-centric account of film viewers for theorising diversity. I refer to Katharina Lindner’s interpretation of Heidegger’s notion of being-in-the-world in a queer phenomenology of film, set out in “Questions of Embodied Difference: Film and Queer Phenomenology” (2012), to suggest a pathway for how Dasein’s being-in-the-world might offer an account of film viewing that takes into consideration the embodiment of diverse viewers. (shrink)

Plato’s dialogue Parmenides remains one of—if not, the—most perplexing text in the Platonic corpus. Specifically, it examines the difficulties surrounding the concepts of unity, multiplicity, and Being that are required for participation in the Ideas. One of the problems forced upon the young Socrates by Parmenides and Zeno in the second half of the dialogue concerns the relationship between Being (ὄν) and the One (ἕν), namely, how defensible is the oneness, or the unity, of the Idea if it also partakes (...) of Being? The text culminates in an aporia as to how to articulate the difference between the One (ἕν) and the many (πολλά), since if the one is, it becomes many. How do many beings share in the one mode of Being? Crucially, how are we to articulate the difference between the One and the many, or Being and beings? Where Plato’s answer invoking the enigmatic concept ‘exaiphnēs’ (ἐξαίφνης), the temporal becoming of the unity and plurality of the One, seems to contradict the privileging of presence that Heidegger charges him with, he nonetheless fails to offer an understanding of difference that has neither Being nor unity. I argue that Heidegger’s engagement with the problem of the ontological difference, and its development into the identification of Being with difference itself, offers solutions to this aporia in Plato’s Parmenides by addressing a difference that is irreducible to the one or the many, the relational or the derivative. This has significant consequences for understanding Heidegger’s critique of Plato as not just consisting of the privileging of presence but also the failure to respond to the problem of difference. (shrink)

This paper will reflect on the possibility of epistemic decolonization, particularly in terms of curriculum, as a transformative educational process in the context of the South African university, and with respect to my own positionality. The argument will centre around two difficult interdependent positions. On the one hand I will argue for the university’s task as transformational, even offering, via Cornel West, the ‘salvific’ possibility that knowledge offers those who seek it. To develop this claim, I will draw on and (...) develop the notion of paideia though the work of Plato and Heidegger.On the other hand, within the postcolonial African university, the question of decolonization in the tertiary space cannot be elided, particularly since the 2015 #RhodesMustFall and #FeesMustFall movements. The university is a powerful colonial relic, and it can be used to reinforce and perpetuate epistemic violence through unreflective or unconscious pedagogical and curriculum decisions. Here I draw on decolonial thinkers such as Santos, Mignolo, Maldonado-Torres, and Mbembe: I argue for a reckoning with the forces of coloniality, and advocate for epistemic justice and criticality, as part of the decolonizing project. In conclusion, working with ideas from Cornel West, I argue to reconcile paideia, as the ‘turning of the soul’, with the decolonizing African university. (shrink)

In this article, I elucidate the significance of Heidegger’s ‘question of being’ from a topological point of view by explaining the relationship between his thought of place and language. After exploring various hermeneutic strategies of reading Heidegger’s oeuvre, I turn to Richard Capobianco’s interpretation of Heidegger and critically engage with his idea of the experience of being itself as the ‘luminous self-showing of logos’. In doing so, I explain the later turn from ‘truth’ to ‘place’ and articulate why logos needs (...) to be conceived as the gathering site of the presencing of being. In arguing against the primacy of passive receptivity and active projection, I put forward the primacy of language as the topos and logos of being. In returning to the Capobianco-Sheehan debate, I conclude by explaining why Heidegger’s place-related notions cannot be thought metaphorically. (shrink)

The narrative of Plato’s cave story is loaded with ‘some of the most suggestive opposites in the repertoire, namely the contrasts between down and up, darkness and light, chains and freedom’ (Hrach...

In recent work, Judith Butler has sought to develop a ‘new bodily ontology’ with a substantive normative upshot: recognition of our shared bodily condition, they argue, can support an ethic of nonviolence and a renewed commitment to egalitarian social conditions. However, the route from Butler’s ontological claims to their ethico-political commitments is not clear: how can the general ontological features of embodiment Butler identifies introduce constraints on behaviour or political arrangements? Ontology, one might think, is neutral on questions of politics. (...) In this paper I reconstruct Butler’s response to this challenge, arguing that there is an interesting and plausible path from ontology to politics. I draw on Heidegger’s ontological/ontic distinction to elucidate the central concepts of Butler’s ontology: vulnerability, precariousness, and interdependency. I argue that one of Butler’s central attempts to derive an ethic of nonviolence from ontology is unpersuasive, resting on a conflation of the ontological and ontic senses of ‘interdependency’. Nonetheless, I contend that Butler is right that genuinely acknowledging our vulnerability is likely to make us more responsive to the claims of others, loosening the grip of ideals of invulnerability and sovereign independence. These ideals and the violence they encourage amount to a disavowal of our ontological condition, while commitment to nonviolence is a way of acknowledgingshrink)

It has generally been recognized that while Bruno Latour’s and Martin Heidegger’s respective philosophies of technology converge on key points there is also a significant difference of attitudes towards the themes discussed. To better appreciate the similarities and differences, I suggest that we seek to understand both Latour and Heidegger as philosophers of the event, who seek to rescue the novel emergence of beings from the sedimentation of reductive, explanatory frameworks. I take up this line of thought and compare Latour’s (...) and Heidegger’s theories of things and the types of experiences they presume. Latour’s metaphysics of the actant ensures that no actant’s activity is ever reduced to being the passive effect of another. Yet while the actant can be ‘applied’ to any entity, from a Heideggerian standpoint this strength is precisely its weakness. Latour’s metaphysics provides a horizon of thought that blocks an original experience of things that Heidegger’s thought points towards. By stepping back from the horizonal experience Latour’s metaphysical blueprint for entities imposes, one can enter into an original opening that stems neither from humans nor nonhumans, but an ineradicable mystery at the origin of being. This mystery is nothing more than the inability to give ultimate reasons for the presence of beings. While Latour’s actant as _Ding_ is simply an actant with innumerable relations, Heidegger’s _das Ding_ is the concrete experience of the dissolution of metaphysical reasons, first and last causes. Precisely because Heidegger’s _das Ding_ emerges from a prior mystery that suspends any overarching causal or purposive schema, things can more freely presence from themselves. (shrink)

Phenomenologists usually insist that their approach involves going “back” to and “starting” with technoscientific experience—that is, returning to the actual existing or living through of technoscientific life—after centuries of privileging the analysis of how things are “objectively” known and denigrating accounts of how they are “subjectively” lived with. But then who says this and how is this understood? “Who” is really a phenomenologist, when so many diverse thinkers claim the title? This paper considers some of the reasons why this is (...) such a difficult question and argues that it is wrong to look for The Answer to it. (shrink)

Early Heidegger argues that a “homogenous space of nature” can be revealed by stripping away the intelligibility of Dasein's everyday world, a process he calls “deworlding.” Given this, some interpreters have suggested that Heidegger, despite not having worked out the details himself, is also committed to a notion of deworlded time. Such a “natural time” would amount to an endogenous sequentiality in which events are ordered independently of Dasein and the stand it takes on its being. I show that Heidegger (...) was indeed committed to such a temporal realism even though his treatment of these issues is somewhat scattered and pulled in different directions. In the course of my reconstruction, I renew an interpretation of Heidegger that stresses Dasein's thrownness into nature and I answer William Blattner's powerful interpretation of Heidegger as a failed temporal idealist who was unable to derive the sequentiality of ordinary time from Dasein's non-sequential originary temporality. Heidegger did not attempt to derive sequentiality; instead, he understood it as a built-in feature of the natural universe by which Dasein's activities are constrained. World-time turns out to be a co-production of Dasein's non-sequential originary temporality and the endogenous sequentiality of events in nature. (shrink)

The question of whether Heidegger’s phenomenological contribution to the philosophy of being originates from his pre-philosophical attitude to theology or rather, it is the methodological question of phenomenology which influenced his thinking, is one of the most essential questions in Heidegger-research. Though, this has already been elaborated on in a broader sense, the publication of the Black Notes has opened new dimensions for discussion. It is not the aim of this paper to represent Heidegger’s concept of the history of being (...) in the light of the new debates, but rather to confirm the thesis, that, in spite of the ‘turn’; in Heidegger’s thinking, his phenomenological hermeneutics was inspired, above all, by his reflection on Christianity. Moreover, the paper will question whether the linearity of Heidegger’s thinking about the historical being remains on the horizon of the religious phenomenon, as it is thematized in his early papers and lectures. While Heidegger’s early phenomenological approaches to religion and theology have been sufficiently elaborated on by several authors, and the phenomenological–hermeneutical relevance has been proven in his thinking, the linkage between the early philosophical approaches to the problem of religiosity and of historical being arising newly in Heidegger’s thinking from the 1930s is missing. The present paper will not just refer to the thesis that Heidegger’s theological background contributed to his questioning of being, and that it was influenced in different ways, but makes an attempt to reveal the internal dynamics of Heidegger’s early thinking prior to the publication of Being and Time and the time of composing the Contributions to Philosophy of those of Heidegger’s lectures which remain in the parallel analysis of religiosity and historicity. (shrink)

This article seeks to explore the metaphor ‘darkness and light’ and its relevance to education through hauntological study. It draws on the ideas of Derrida and Fisher to reveal that the metaphor functions in binary form and holds significations of truth, goodness and knowledge to subordinate oppositional ideas of darkness. Despite the everyday usage of this metaphor, the subordination of darkness is shown to be less positive than it would appear. Darkness and light also shows itself to be an archetypal (...) metaphor, meaning that it is founded in our depth-experiences of the world and is applicable in many varied contexts, therefore granting it a power to remain in everyday usage. The archetypal nature of this metaphor is uncovered through its utilisation in Plato’s ‘Allegory of the Cave’, thus opening a discussion about how it continues to haunt education today. Broadly, it is the faith in the supposed betterment available through education that is exposed. Finally, in a Derridean manner, this article explores how the metaphor of darkness and light could be overturned in relation to education, thus destabilising a foundational metaphor on which education currently lies. (shrink)

Heidegger argues that modern technology is quantifiably different from all earlier periods because of a shift in ethos from in situ craftwork to globalised production and storage at the behest of consumerism. He argues that this shift in technology has fundamentally shaped our epistemology, and it is almost impossible to comprehend anything outside the technological enframing of knowledge. The exception is when something breaks down, and the fault ‘shows up’ in fresh ways. Stiegler has several important addendums to Heidegger’s thesis. (...) Firstly, that Heidegger fails to fully appreciate the early Greek myth of Prometheus, and the technological depth that fire offers all human societies. Secondly, the fall, or failure, which is doubled in the myth of Prometheus, and shows up in epistemology accordingly. Thirdly the acceleration of technology since the onset of Information Technology, and the way this is disorientating our Being. I argue the fall in both Heidegger and early Stiegler has encaptured their imagination. In later work, Stiegler argues that acceleration is fused with algorithmic pretensions, that are distorting and undermining the creative political imaginary, and making it difficult to revalue the values that underpin the nihilist Anthropocene. The overcoming of the Anthropocene engages politics, economics, power, physics, and ecology. (shrink)

In this thesis, I use a close reading of the silent films of Charlie Chaplin to examine a question of listening posed by Jean-Luc Nancy, “Is listening something of which philosophy is capable” (Nancy 2007:1)? Drawing on the work of Nancy, Jacques Derrida and Gayatri Spivak, I consider a claim that philosophy has failed to address the topic of listening because a logocentric tradition claims speech as primary. In response to Derrida’s deconstruction of logocentrism, Nancy complicates the problem of listening (...) by distinguishing between l’écoute and l’entente. L’écoute is an attending to and answering the demand of the other and l’entente is an understanding directed inward toward a subject. Nancy could deconstruct an undervalued position of l’écoute, making listening essential to speech. I argue, Nancy rather asks what kind of listening philosophy is capable of. To examine this question, I focus on the peculiarly dialogical figure derived from Chaplin that communicates meaning without using speech. This discussion illustrates how Chaplin, in the role of a silent figure, listens to himself (il s’écoute) as other. Chaplin’s listening is Nancean resonance, a movement in which a subject refers back to itself as another subject, in constant motion of spatial and temporal non-presence. For Nancy, listening is a self’s relationship to itself, but without immediate self-presence. Moving in resonance, Chaplin makes the subject as other as he refers back to himself as other. I argue that Chaplin, through silent dialogue with himself by way of the other, makes his listening listened to. Chaplin refused to make his character speak because he believed speech would change the way in which his work would be listened to. In this way, Chaplin makes people laugh by making himself understood (se fait entendre) as he makes himself listened to (se fait écouter). In answer to Nancy’s question, I conclude philosophy is capable of meeting the demand of listening as both l’entente and l’écoute when it listens as Chaplin listens. (shrink)

: John Haugeland's distinctive approach to Heidegger's ontology rests on taking scientific explanation to be a paradigmatic case of understanding the being of entities. I argue that this paradigm, and the more general account that Haugeland develops from it, misses a crucial component of Heidegger's picture: the dynamic character of being. While this dimension of being first comes to the fore after Being and Time, it should have been present all along. Its absence grounds Heidegger's persistent confusion about whether world (...) is an entity, as well as problems that both Haugeland's Heidegger and Heidegger's Plato run into with the ontological difference. Retrieving the dynamic character of being reveals the proper object of Heidegger's fundamental ontology as well as a distinctive feature of his metaphysics of normativity, which is all but impossible to see if we grasp Heidegger's account through the special case of scientific explanation—at least as usually understood. (shrink)

The self-concealing of being is a primary preoccupation of Heidegger's later thought, but neither Heidegger nor his interpreters have made clear precisely what it is. In this paper, I identify the self-concealing of being as the concealing of the worlding of the world, which is essential to and simultaneous with that worlding. In order to establish this, I sketch a taxonomy of the various phenomena of concealing and concealment in Heidegger's work by building on Mark Wrathall's four ‘planks’ of unconcealing (...) and concealment. Importantly, I distinguish the procedurally prior concealment that all unconcealing presupposes from the simultaneous concealing that Heidegger frequently confuses it with. This distinction not only allows us to get clear on what it means to say that being conceals itself but also reveals various confusions and obscurities in Heidegger's own thought as well as in that of his readers. (shrink)

This article discusses Heidegger’s interpretation of Parmenides given in his last public lecture ‘The Principle of Identity’ in 1957. The aim of the piece is to illustrate just how original and significant Heidegger’s reading of Parmenides and the principle of identity is, within the history of Philosophy. Thus the article will examine the traditional metaphysical interpretation of Parmenides and consider G.W.F. Hegel and William James’ account of the principle of identity in light of this. It will then consider Heidegger’s contribution, (...) his return to and re-interpretation of Parmenides in his last lecture. Heidegger will, through the Parmenidean claim that ‘Thinking and Being are one’ deconstruct the traditional metaphysical understanding of the principle of identity, and in its place offer a radically different conception of how our relationship, our ‘belonging together’ with Being can be understood. (shrink)

The kind of phenomenology that can be useful to theology will be a hermeneutical phenomenology, one that takes us beyond the Cartesian/Husserlian ideal of presuppositionless intuition. It will also be a phenomenology of inverse intentionality, one in which the constituting subject is constituted by the look and the voice of another. In light of these suggestions, the phenomenology of Jean-Luc Marion is defended against three critiques, namely that it compromises the boundary between phenomenology and theology, that the theology it serves (...) is a bad one to boot, and that it has an inadequate account of the subject. At the heart of this defense is Marion's clear distinction between phenomenology as a description of possible experience, and theology as the claim that a certain kind of experience, namely revelation or epiphany, is not merely actual but veridical. Phenomenology says, If revelation occurs it will be in the form of a saturated phenomenon. Theology says, for example, the burning bush was an epiphany, or Jesus Christ is a revelation. The attentive reader should have no trouble distinguishing Marion's phenomenological analyses, which should be persuasive to believer and unbeliever alike, from his theological claims. Marion's account of the subject falls under the heading of inverse intentionality, and there are hints that vision is aufgehoben in the voice. The seer is first of all the one seen, but above all the one addressed, called forth into response-able being. (shrink)

The philosophy of biomimicry, I argue, consists of four main areas of inquiry. The first, which has already been explored by Freya Mathews, concerns the “deep” question of what Nature ultimately is. The second, third, and fourth areas correspond to the three basic principles of biomimicry as laid out by Janine Benyus. “Nature as model” is the poetic principle of biomimicry, for it tells us how it is that things are to be “brought forth”. “Nature as measure” is the ethical (...) principle of biomimicry, for it tells us that Nature places ethical limits or standards on what it is possible for us to accomplish. And “Nature as mentor” is the epistemological principle of biomimicry, for it affirms that Nature is the ultimate source of truth, wisdom, and freedom from error. Within this overall framework, I argue that seeing Nature as physis—understood as “self-production” or “self-placing-into-the-open”—constitutes the requisite ground for the poetic, ethical, and epistemological principles of biomimicry, and that biomimicry thus conceived involves a new philosophical paradigm, which I call “enlightened naturalism”. (shrink)

Contemporary philosophy of technology after the empirical turn has surprisingly little to say on the relation between language and technology. This essay describes this gap, offers a preliminary discussion of how language and technology may be related to show that there is a rich conceptual space to be gained, and begins to explore some ways in which the gap could be bridged by starting from within specific philosophical subfields and traditions. One route starts from philosophy of language (both ‘‘analytic’’ and (...) ‘‘continental’’: Searle and Heidegger) and discusses some potential implications for thinking about technology; another starts from artefact-oriented approaches in philosophy of technology and STS and shows that these approaches might helpfully be extended by theorizing relationships between language and techno- logical artefacts. The essay concludes by suggesting a research agenda, which invites more work on the relation between language and technology. (shrink)

Jean‐Paul Sartre claims in his 1945 lecture ‘Existentialism is a Humanism’ that there are two kinds of existentialism: that of Christians like Karl Jaspers, and atheistic like Martin Heidegger. Sartre's ‘spiritual master’ Heidegger had no problem with Sartre defining him as an atheist, but he had serious problems with Sartre's concept of humanism and existentialism. Heidegger claims that the essence of humanism lies in the essence of the human being. After the Enlightenment, the Western concept of man has been presented (...) in education in the form of Kantian humanistic essentialism. At least in the Finnish educational system, Kantian humanism is almost an official ideological background of all national curriculums. Is such a kind of essentialism and metaphysics plausible in our modern or postmodern times? We examine the Sartre‐Heidegger controversy on humanism and the concept of man in education using Freire's humanism and Gelassenheit education as exemplars. (shrink)

Since the seminal 1955 habilitation by Heidegger's pupil, Walter Schulz, it has become an open secret that Schelling's philosophy, more than that of any of the other German Idealists, is an immediate antecedent to Heidegger's thought. For this reason, it is all the more fascinating that to this day research is still lopsidedly concerned with the interpretation of Heidegger's reading of Schelling's Freedom Essay and that a thorough and overarching investigation into the idealistic inheritance of Martin Heidegger's thought remains wanting. (...) The same applies to the debates that Heidegger's students began in the twentieth century. The traditions of modern nature ethics and the criticism of technology, which derive from Schelling, were interpreted and mediated through Heidegger to his students Hans Jonas, Hannah Arendt, and Günther Anders. This essay attempts to delineate some of the basic features of a more bilateral or dialogical relationship between these two philosophers and to more fully appreciate Heidegger's relationship to German Idealism in general and Schelling in particular. (shrink)

In this essay we reflect critically on how animal ethics, and in particular thinking about moral standing, is currently configured. Starting from the work of two influential “analytic” thinkers in this field, Peter Singer and Tom Regan, we examine some basic assumptions shared by these positions and demonstrate their conceptual failings—ones that have, despite efforts to the contrary, the general effect of marginalizing and excluding others. Inspired by the so-called “continental” philosophical tradition , we then argue that what is needed (...) is a change in the rules of the game, a change of the question. We alter the normative question from “What properties does the animal have?” to “What are the conditions under which an entity becomes a moral subject?” This leads us to consider the role of language, personal relations, and material-technological contexts. What is needed then in response to the moral standing problem, is not more of the same—yet another, more refined criterion and argumentation concerning moral standing, or a “final” rational argumentation that would be able to settle the animal question once and for all—but a turning or transformation in both our thinking about and our relations to animals, through language, through technology, and through the various place-ordering practices in which we participate. (shrink)

This paper explores Jean‐Luc Nancy's philosophical reflection on surviving his own heart transplant. In ‘The Intruder’, he raises central questions concerning the relations between what he refers to as a ‘proper’ life, that is, a life that is thought to be one's own singular ‘lived experience’, and medical techniques, shaped at this particular historical juncture by cyclosporine or immuno‐suppresssion. He describes the temporal nature of an ever‐increasing sense of strangeness and fragmentation which accompanies his heart transplant. In doing so, Nancy (...) opens up the concealed of transplantation in terms of the problematic ‘gift’ of a ‘foreign’ organ, the unremitting suffering intrusiveness of the treatment regimen, and the living of life as ‘bare life’. He uncovers and exposes the relentless uncanniness that pervades the post‐transplant experience, which for him is an example of our humanistic, never‐ending impulse, to alter ourselves. Nevertheless, Nancy offers no answer to this dilemma, but instead calls us to think about the meaning or ‘sense’ of the prolonging of life and deferring of death, which currently drives our medical interventions. (shrink)

This paper places certain religious ideas of Eastern Christianity about our relationship to nature critically against techno-scientific thinking and practice. Specifically, the two focal issues of the discussion are the concept of religious sin, on the one hand, and the peculiarly modern fusion of science and technology, resulting in the novel phenomenon of techno-science, on the other. Two corresponding theses are advanced: that of sin as an epistemic, and not as a moral, error, and that of the “Eucharistic” viz., celebratory (...) relation with God. The paper then proceeds to trace significant parallels that may be discerned between the Orthodox theological view and Heidegger’s position on technology, and metaphysics more generally, culminating in the suggestion that the way out of the ‘danger’ of technology as techno-science must be found in art or religion. (shrink)

Could a person ever transcend what it is like to be in the world as a human being? Could we ever know what it is like to be other creatures? Questions about the overcoming of a human perspective are not uncommon in the history of philosophy. In the last century, those very interrogatives were notably raised by American philosopher Thomas Nagel in the context of philosophy of mind. In his 1974 essay What is it Like to Be a Bat?, Nagel (...) offered reflections on human subjectivity and its constraints. Nagel’s insights were elaborated before the social diffusion of computers and could not anticipate the cultural impact of technological artefacts capable of materializing interactive simulated worlds as well as disclosing virtual alternatives to the “self.” In this sense, this article proposes an understanding of computers as epistemological and ontological instruments. The embracing of a phenomenological standpoint entails that philosophical issues are engaged and understood from a fundamentally practical perspective. In terms of philosophical praxis, or “applied philosophy,” I explored the relationship between human phenomenologies and digital mediation through the design and the development of experimental video games. For instance, I have conceptualized the first-person action-adventure video game Haerfest (Technically Finished 2009) as a digital re-formulation of the questions posed in Nagel’s famous essay. Experiencing a bat’s perceptual equipment in Haerfest practically corroborates Nagel’s conclusions: there is no way for humans to map, reproduce, or even experience the consciousness of an actual bat. Although unverifiable in its correspondence to that of bats, Haerfest still grants access to experiences and perceptions that, albeit still inescapably within the boundaries of human kinds of phenomenologies, were inaccessible to humans prior to the advent of computers. Phenomenological alterations and virtual experiences disclosed by interactive digital media cannot take place without a shift in human kinds of ontologies, a shift which this study recognizes as the fundamental ground for the development of a new humanism (I deem it necessary to specify that I am not utilizing the term “humanism” in its common connotation, that is to say the one that emerged from the encounter between the Roman civilization and the late Hellenistic culture. According to this conventional acceptation, humanism indicates the realization of the human essence through “scholarship and training in good conduct” (Heidegger 1998, p. 244). However, Heidegger observed that this understanding of humanism does not truly cater to the original essence of human beings, but rather “is determined with regard to an already established interpretation of nature, history, world, and […] beings as a whole.” (Heidegger 1998, p. 245) The German thinker found this way of embracing humanism reductive: a by-product of Western metaphysics. As Heidegger himself specified in his 1949 essay Letter on Humanism, his opposition to the traditional acceptation of the term humanism does not advocate for the “inhuman” or a return to the “barbaric” but stems instead from the belief that the humanism can only be properly understood and restored in culture as more original way of meditating and caring for humanity and understanding its relationship with Being.). Additionally, this study explicitly proposes and exemplifies the use of interactive digital technology as a medium for testing, developing and disseminating philosophical notions, problems and hypotheses in ways which are alternative to the traditional textual one. Presented as virtual experiences, philosophical concepts can be accessed without the filter of subjective imagination. In a persistent, interactive, simulated environment, I claim that the crafting and the mediation of thought takes a novel, projective (In Martin Heidegger’s 1927 Being and Time, the term “projectivity” indicates the way a Being opens to the world in terms of its possibilities of being (Heidegger 1962, pp. 184–185, BT 145). Inspired by Heidegger’s and Vilem Flusser’s work in the field of philosophy of technology as well as Helmuth Plessner’s anthropological position presented in his 1928 book Die Stufen des Organischen und der Mensch. Einleitung in die philosophische Anthropologie, this study understands the concept of projectivity as the innate openness of human beings to construct themselves and their world by means of technical artefacts. In this sense, this study proposes a fundamental understanding of technology as the materialization of mankind’s tendency to overcome its physical, perceptual and communicative limitations.) dimension which I propose to call “augmented ontology.”. (shrink)

Heidegger’s discussion about the rise of the arbitrary power of “machination” in his late 1930s writings does not just echo his well-known later thinking on technology, but also affords a profound insight to the ontological mechanism of oblivion behind the history of Western thinking of being. The paper shows how this rise of the coercive power of ordering signifies an emergence of historically and spatially significant moment of completion: outgrowth of the early Greek notions of tekhne and phusis in terms (...) of globally expanding systems of calculative orderings. The paper thus aims to show how the condition of machination marks a fundamental implementation of the hidden consummation of the mechanism of oblivion now being re-adopted into the operational clarity of calculative rationality. It is argued that the rise of machination became possible through the historical process of replacing the early Greek disposition of existence, the wonder, with calculative rationality of ordering. (shrink)

This paper explains the nature and origin of what I am calling Transgressive Realism, a middle path between realism and anti-realism which tries to combine their strengths while avoiding their weaknesses. Kierkegaard created the position by merging Hegel’s insistence that we must have some kind of contact with anything we can call real (thus rejecting noumena), with Kant’s belief that reality fundamentally exceeds our understanding; human reason should not be the criterion of the real. The result is the idea that (...) our most vivid encounters with reality come in experiences that shatter our categories, the way God’s commandment to kill Isaac irreconcilably clashes with the best understanding of ethics we are capable of. I explain the genesis of this idea, and then show it at work in Heidegger and Levinas’ thought. Understanding this position illuminates important aspects of the history of continental philosophy and offers a new perspective on realism. (shrink)

This paper explores the ethical insights provided by Anne Truitt's minimalist sculptures, as viewed through the phenomenological lenses of Hannah Arendt's investigations into the co-constitution of reality and Maurice Merleau-Ponty's investigations into perception. Artworks in their material presence can lay out new ways of relating and perceiving. Truitt's works accomplish this task by revealing the interactive motion of our embodied relations and how material objects can actually help to ground our reality and hence human potentiality. Merleau-Ponty shows how our prereflective (...) bodies allow incompossible perceptions to coexist. Yet this same capacity of bodies to gather multiple perceptions together also lends itself to the illusion that we see from only one perspective. If an ethical perspective becomes reified into one position, it then becomes detached from reality, and the ethical potential is actually lost. At the same time, phenomenologically understood, the real world does not exist in terms of static matter, but is instead a web of contextual relations and meanings. An ethics that does not take embodied relations into account—that allows for only one perspective—ultimately loses its capacity for flexibility, and for being part of a common and shared reality. (shrink)

In his essay The Origin of the Work of Art, Martin Heidegger discusses three examples of artworks: a painting by Van Gogh of peasant shoes, a poem about a Roman fountain, and a Greek temple. The new entry on Heidegger’s aesthetics in the Stanford Encylopedia of Philosophy, written by Iain Thomson, focuses on this essay, and Van Gogh’s painting in particular. It argues that Heidegger uses Van Gogh’s painting to set art, as the happening of truth, in relation to ‘nothing’, (...) which is a key term in Heidegger’s essays leading up to The Origin of the Work of Art. This paper extends a similar analysis to the Greek temple as a way of offering an exposition of Heidegger’s concerns in the essay. It begins by briefly outlining Thomson’s argument that Heidegger relates Van Gogh’s painting to ‘nothing’, and indicating the way this argument can be extended to the Greek temple. It then discusses three ways in which ‘nothing’ can open up the significance of the temple as a work of art in which truth happens: (1) it is not concerned with objective representation; (2) it depicts the primal strife of earth and world, concealing and unconcealing; (3) it is fundamentally historical. (shrink)

This paper demonstrates how the UK’s Advertising Standards Authority governs advertising ethics with and on behalf of its members and stakeholders. Drawing on an archive of 310 non-commercial adjudication reports, we highlight the substantive norms and procedural mechanisms through which the ASA governs advertising complaints alleging offence and/or harm. Substantively, the ASA precludes potential normative transgressions by publishing, disseminating, consulting upon, and updating detailed codes of advertising conduct. Procedurally, the ASA adjudicates between allegations and justifications of offence and harm on (...) a received complaint-by-complaint basis, often upon consequentialist grounds. Such consequentialism, we claim, has the effect of normalizing power imbalances between the ASA’s members, on the one hand, and wider stakeholders, on the other hand. The paper argues that, in the context of UK advertising, what Michel Foucault called the right ‘to be or not to be governed like that’ is enjoyed by relatively few subjects. Having demonstrated how UK advertising practices are governed, the paper closes with suggestions as to how they might be governed otherwise. (shrink)

ABSTRACTIt has become standard to treat Kant’s characterization of pure apperception as involving the claim that questions about what I think are transparent to questions about the world. By contra...

In this paper I claim that Heidegger exposes himself to phenomenological vulnerability in his encounter with Jünger’s reflections upon nihilism. Jünger insists in the essay “Over the Line” on the necessity of the alternative to nihilism because nihilism reveals itself as an existential global threat. Heidegger challenges Jünger’s suggestion, proposing that one’s alternative to nihilism needs to take into account one’s fundamental complicity in its global domination. Nihilism necessitates the fundamental-ontological investigation into its essence, which is the way of the (...) access to the question of being. Furthermore, the turn of being, according to Heidegger, emanates precisely through its forgetfulness in nihilism. I challenge Heidegger’s ability to remain faithful to the co-constitution between the turn of being and its forgetfulness in nihilism by observing that the turn of being is, at times, given an uncanny significance that extends beyond its capacity to point back at its forgetfulness through nihilism. (shrink)

The paper analyzes Quentin Meillassoux’s conception of the fideistic approach to religious faith intrinsic to the “strong correlationism” that he considers pervasive in contemporary thought. Backman presents the basic elements of Meillassoux’s speculative materialism and especially the thesis according to which strong correlationism involves a “fideistic” approach to religiosity. In doing so, Backman critically examines Meillassoux’s notions of post-metaphysical faith, religious absolutes, and contemporary fanaticism, especially against the background of Heidegger’s philosophy. According to Backman, Meillassoux’s logical and conceptual critique of (...) strong correlationism is innovative, and it may remain legitimate if its presuppositions are accepted. And yet, Backman argues that Meillassoux’s allegations of fideism seem to rely on the questionable application of Enlightenment conceptions to the contemporary situation. (shrink)

This article challenges the claim that the rise of naturalism is devastating to religious belief. This claim hinges on an extreme interpretation of naturalism called scientism, the metaphysical view that science offers an exhaustive account of the real. For those committed to scientism, religious discourse is epistemically illegitimate, because it refers to matters that transcend—and so cannot be verified by—scientific inquiry. This article reconstructs arguments from the phenomenological tradition that seem to undercut this critique, viz., arguments that scientism itself cannot (...) be justified without recourse to matters that transcend scientific inquiry. If this is true, then scientism and religion share a cognitive conundrum: a commitment to truths that cannot in principle be known from our current perspective. (shrink)

This article will set out to elucidate the ways in which the philosophies of technology of Martin Heidegger and Bruno Latour seek to explain how the phenomenal world of nature, objects and tools come to presence as events through their interrelations with each other and with us. Both thinkers seek to overcome a subject/object divide that they both understand as characterising modernity in order to reveal a greater interdependence between nature and culture, human and machine. Not only do they both (...) seek to deconstruct the subject/object divide that techno-science has imposed as a paradigm dictating how we as subjects understand the world, but they both use a similar strategy to do so, finding a better means of allowing phenomena to come to presence by turning to premodern culture, ancient Greece for Heidegger, ‘primitive’, non-modern cultures for Bruno Latour. And both find in art the link to move beyond the modern paradigm to reveal technology’s hidden creative potential. By focusing on a shared problem, that of the subject/object divide that both thinkers understand as constitutive of modernity, and a shared strategy to resolve this problem, that of art, this article will set out to show how Heidegger and Latour’s strategies for revealing the co-constitution of Dasein and World as co-dependent agencies are more similar than is commonly held. But through this analysis of co-dependency, a central divergence between the two thinkers will come to the fore, that of singularity versus multiplicity . It is this crucial difference, I will hold, that will prove critical in envisioning the future of phenomenology. To the extent that we are now living amongst hybrid entities, cyborgs and forms of intelligent emergence where subject and object, nature and culture, can no longer be so easily differentiated, it seems as though opening ourselves to what presences may entail heeding Latour’s call to embrace both mediations and multitudes. If subjects and objects have been replaced by mediations that can finally ‘show themselves in themselves’ and express their own agency, and transcendental consciousness has been abandoned for an emergence consciousness that is immanent, interdependent, and greater than the sum of all individual minds, we must finally question the impact of such a state of affairs on phenomenological perception itself. (shrink)

Beginning right at the start of the recently published volume II of Donner le temps, at its ‘bord’ or ‘boarding’ upon or out of a calmy oceanic surface, this essay examines the functions and movements of distinct surfaces in between Heidegger and Derrida. Confronting thus the tradition of the ‘Grund’, ‘Abgrund’, ‘Urgrund’, ‘Ungrund’, with the khôra-like surface of archi-writing and dissemination, the essay proposes an investigation of the philosophical and writerly space of Derrida/Heidegger not through their marks and letters, but (...) instead through the different surfaces of inscription and – simultaneous – effacement as the ‘proper places’ of thought and experience, of Destruktion and deconstruction. (shrink)

This paper aims to argue that Jean-Luc Marion’s philosophical theology is an axio-meonto-Theo-logy which proposes a new way of approaching God. The traditional way of approaching God in theo-logy attained God by the predication and the predicate in the categories of being. However, Marion’s theology attempts to bring out the freedom of God from all categories of being. It provides a critique of the traditional way of approaching God and two arguments for Marion’s alternative approach. On the grounds of the (...) axiological argument and the meontological argument, I defend Marion’s theology from some recent criticisms. (shrink)

Heidegger calls his early philosophy a “science of being.” Being and Time combines phenomenological, ontological, hermeneutical, and existential themes in a way that is not obviously coherent. Commentators have worried in particular that Heidegger’s hermeneutical transformation of phenomenology is incompatible with his “scientific” aspirations. I outline three interpretations on which Heidegger cannot adopt Husserl’s “scientific” conception of phenomenology as eidetic, intuitive, propositionally articulated, and non‐relativistic due to his hermeneutical commitments. I argue that each of these readings rests on a misinterpretation (...) of one or more of three hermeneutical concepts that are central to Heidegger’s early thought: the understanding of being, the hermeneutical situation, and phenomenological destruction. By giving fresh analyses of these concepts, I show that Heidegger retains the scientific conception while refining it to avoid distortions that are introduced when inquiry is “infiltrated with traditional theories and opinions about being.” I also respond to the charge that Being and Time is a “disguised theology.”. (shrink)

ABSTRACTAlthough grounded in different philosophical traditions, Alexander Nehamas and Hans-Georg Gadamer each return to Plato's idea of the beautiful, to kalon, in order to reclaim the relevance of beauty for our understanding of art today. Their appeal to Plato challenges the reign of aesthetics that both see inaugurated by Kant's aesthetic theory. Nehamas criticizes the Kantian notion of “disinterest” as a “pleasure bereft of desire” in order to reassert the passionate longing that draws us toward art. Gadamer criticizes Kant's analysis (...) for the way it divides the aesthetic from the cognitive, thereby alienating art and beauty from any claim to knowledge or truth. So Nehamas emphasizes the import of Platonic erōs to a phenomenological account of our experience of beauty. Love, so understood, elides any easy distinction between the sensual and spiritual, between the desire to possess and the passion to know—just as beauty cannot be captured in distinctions between what is and what appears. Gadamer draws out precisely the ontological dimension of the beautiful as self-presentation. In so doing he revives the intimacy of beauty and truth, alētheia, as the movement into unconcealment by which something comes forth into its presence. In the end, I suggest appropriating Nehamas's phenomenological analysis of the erotic to Gadamer's ontological understanding of the alethic in order to renew the relation of erōs and kalon into an account that recalls this Platonic legacy for a contemporary hermeneutics of art. (shrink)

The purpose of the article is to present the outlines of the reception and the influence of Heidegger’s philosophy on the territory of former Yugoslavia. This reception and influence were in their essence co-conditioned by specific political, social and cultural circumstances in the region, which were throughout accompanied by “the syndrome of dehumanization”. The confrontation with Heidegger’s philosophy is therefore co-defined by the profoundly experienced crisis of European humanity. During both world wars the attempt of an overcoming of this crisis (...) of humanity by the means of phenomenological and existentialist philosophy was the main focus of attention. The period after the Second World War is denoted by the linking of Marxism with Heidegger’s attempt to surpass philosophy as metaphysics through the perspective of the history of being; in this context we specifically discuss the Praxis philosophical school and the original philosophical thought of Vanja Sutlić. During the disintegration of Yugoslavia and in the period thereafter, besides the intensive appropriation of Heidegger’s thought through translations and interpretations, which also led to the thorough study of Slavic philosophical terminologies, post-Heideggerian ways of thinking came to the fore, together with the possibility for a new humanization within the wider European and global social framework. (shrink)

Heidegger argues that for being x to count as ‘alive’ it must satisfy three metaphysical conditions. It must be capable of engaging in active behaviour with a form of intentional directedness that offers to us a “sphere of transposition” into which we can intelligibly “transpose ourselves.” Heidegger’s discussion of these conditions, as they apply to the being of animals, is well-known. But, if his argument is sound, they ought also to apply to the being of plants. Heidegger, unfortunately, does not (...) supply this part of his ontology of life in any systematic detail. However, my thesis is that it is possible to interpret the nature and activities of plants, along the lines of –, and thus to make good on Heidegger’s omission. The key to this reconstruction is a reconceptualization of plant movements as constituted by a form of representationally blind, motor-intentionality. (shrink)

Heidegger’s ‘serious idealism’ aims at capturing the realist impulses of our natural consciousness whilst avoiding a collapse into metaphysical realism. This idealism is best conceived as a form of transcendental empiricism. But we need to distinguish two varieties of transcendental empiricism, corresponding to Heidegger’s early and later work. The latter, transcendental empiricism2, is superior. Here, Heidegger’s ontology of gift gives full, conceptual shape to the two-way dependency between man and world characteristic of transcendental empiricism as a whole. In exemplary forms (...) of inspired experience, marked by the 'animation' of our conceptually-structured natural powers, things call on us in a speech that is their very own. This moves us decisively beyond not only early Heidegger’s transcendental empiricism1 but also the picture of experience presented in McDowell’s Mind and World. (shrink)