Hume’s Dissertation on the Passions stands to Book 2 of his Treatise as the first and second Enquiries stand to Books 1 and 3 respectively. However, while the two Enquiries are evidently substantial reworkings of their Treatise ancestors, containing much that is different and new, the Dissertation appears to consist merely of superficially adapted excerpts from Treatise Book 2. I argue that this first impression is mistaken, by showing how Hume’s view of the indirect passions is modified in the later (...) work. In the Treatise, he views them as simple impressions; in the Dissertation, they are complex perceptions, part impression and part idea. I argue, furthermore, that Hume’s account of the origin of the indirect passions only works on this later view, and suggest that this is why he changed his mind. The Dissertation, I conclude, is an improvement on its Treatise forerunner, and not merely a précis of it. (shrink)

David Hume has traditionally been regarded as a skeptic, perhaps the most formidable in the history of Western philosophy. Since the publication of Norman Kemp Smith's Philosophy of David Hume in 1941, however, there has been an increasing tendency to downplay the skeptical dimension of Hume's philosophy, in some cases to the point of denying that Hume is a serious skeptic, or even a skeptic at all. Much of the motivation for a nonskeptical reading of Hume comes from recognition of (...) his endorsement of empirical science and his own project of founding a "science of man." Recent scholarship has, in my opinion correctly, recognized Hume as a constructive rather than a purely destructive thinker. Yet this recognition has, in my opinion incorrectly, gone hand in hand with a tendency to overlook or deny the skeptical side of Hume's thought. In this work, I address the issue of Hume's skepticism. I believe that though the issue of Hume's skepticism is more complicated than is suggested by some of those who interpret him as a skeptic, nevertheless the traditional view is more true to Hume's texts than is a nonskeptical interpretation. I argue, on the basis of a reading of the Treatise of Human Nature and Enquiry Concerning Human Understanding, that Hume is a serious theoretical skeptic with regard to much of our alleged knowledge. In saying that Hume is a serious theoretical skeptic I mean that Hume's skeptical pronouncements are in general sincere, not ironic, Hume's skepticism extends to a large part of our alleged knowledge, and Hume's skepticism is a result of his substantive philosophical views. In saying that Hume is a serious theoretical skeptic I mean that though Hume doesn't prescribe eschewal of beliefs that are not rationally justified, he thinks that much of our alleged knowledge essentially involves beliefs that cannot be rationally justified and that hence much of our alleged knowledge is not knowledge at all. (shrink)

This thesis investigates Hume’s philosophy of external existence in relation to, and within the context of, his philosophy of scepticism. In his two main works on metaphysics – A Treatise of Human Nature (1739–40) and the first Enquiry (first ed. 1748) – Hume encounters a predicament pertaining to the unreflective, ‘vulgar’ attribution of external existence to mental perceptions and the ‘philosophical’ distinction between perceptions and objects. I argue that we should understand this predicament as follows: the vulgar opinion is our (...) natural and default belief for Hume, but causal reasoning reveals it to be false, and the philosophical alternative is a confabulation that we cannot permanently believe and is devoid of justification. Hume uses the fact that we cannot have a satisfactory account of belief in external existence as a sceptical consideration to motivate his wider philosophical scepticism. Hume’s response to his predicament about external existence is found in the context of his confrontation with other sceptical worries (Treatise 1.4.7 and Enquiry 12), in which Hume also reflects generally on the nature and implications of scepticism. I argue that we should characterise Hume’s position as residually sceptical. This means that, while Hume accepts the unanswerability of some sceptical problems, he denies that it is possible to eradicate all belief as a result (and denies that it is practically useful to even try) and instead uses sceptical problems as a motivation to adopt a moderately sceptical position. While we inevitably return to entertaining the vulgar belief, there is no solution to the sceptical predicament; Hume does not endorse the vulgar belief, or the philosophical system, or indeed any alternative system of the external world that might extinguish the predicament. Sceptical doubt, for Hume, does not derail intellectual pursuits, but rather modifies our attitudes in those very pursuits. (shrink)

Hume views the passions as having both intentionality and qualitative character, which, in light of his Separability Principle, seemingly contradicts their simplicity. I reject the dominant solution to this puzzle of claiming that intentionality is an extrinsic property of the passions, arguing that a number of Hume’s claims regarding the intentionality of the passions (pride and humility in particular) provide reasons for thinking an intrinsic account of the intentionality of the passions to be required. Instead, I propose to resolve this (...) tension by appealing to Hume’s treatment of the ‘distinctions of reason’, as explained by Garrett (1997). (shrink)

Hume’s distinction between the calm and violent passions is one whose boundaries are not entirely clear. However, it is crucial to understanding his motivational theory and to identifying an unusual virtue he calls “strength of mind,” the motivational prevalence of the calm passions over the violent. In this paper, I investigate the boundaries of the calm passions and consider the constitution of strength of mind and why Hume regards it as an admirable trait. These are provocative issues for two reasons. (...) First, it seems as though one might exhibit the prevalence of calm over violent passions, even if the prevailing calm passions are vicious traits of character. Second, the natural virtues for Hume are non-moral motives that garner approval for the effects they tend to produce. But strength of mind is unique in that it is not defined in terms of a particular motive, but in terms of the causal force (strength) of any number of motives in competition with others. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hume on Tranquillizing the Passions John Immerwahr Borrowingafragmentfrom thelyric poetArchilochus, Sir IsaiahBerlin once divided thinkers into two categories: foxes, who know many things; and hedgehogs, who know only one, "one big thing."1 Although Berlin does not include Hume in either list, it is tempting to put him with the foxes. Indeed, Hume's corpus is brilliantly eclectic, ranging with equal facility over an impressive array of seemingly diverse subjects such (...) as epistemology, ethics, political science, religion, psychology, history, criticism, economics, and demography. Many of Hume's admirers have not even attempted to find a unity here, and Hume's less generous critics have attributed this diversity to an incessant hunger for "literary fame" which supposedly led Hume from topic to topic, always searching for popular acclaim and recognition.2 The dazzling diversity of Hume's thinking has obscured some important underlying themes; Hume is more of a hedgehog than he initially appears. At the centre of many of Hume's discussions is a recurring conviction about the nature of human well-being and the means to obtain it. This insistence—which can be found in each stage ofHume's career and in writings on virtually every topic—provides one way of finding an overarching unity to his thought and invites us to rethink some ofthe conventional wisdom about Hume. In this essay I argue that many of Hume's investigations are informed by his early distinction between calm and violent passions. Wherever we turn we find Hume insisting that people arehappiest and governments are most stable when emotional calmness prevails. Hume alsohas astrategy, which Icall "moderation through opposition," which is designedto"tranquillize and soften"the passions.3 This strategy also becomes a stylistic principle which informs Hume's own writing, especially his popular works. This essay begins with a brief discussion of the calm/violent distinction itself. I then sketch out the role ofcalm passions in Hume's treatment of rationality, happiness, morality, politics and religion. Next I turn from Hume's diagnosis to his proposed cure, and discuss the strategy that Hume presents for enhancing the calm passions; indeed, Hume's writing style itselfis often designed to implement this strategy. I then discuss the context of Hume's insight, arguing that while it grows out of a cosmopolitan continental paradigm of using Volume XVIII Number 2 293 JOHN IMMERWAHR passions to oppose passions, Hume's own use ofit is tailored to rather specific features of the political and intellectual life of eighteenth centuryEdinburgh. The essay concludesby discussingthe implications of these findings for reading ofHume's works. Passions: Calm and Violent One characteristic feature of the thinkers of the "Scottish Enlightenment" was a desire tofound moral concepts in a scientific and empirical understanding ofhuman nature, rather than upon abstract conceptions of virtue and justice.4 These thinkers were particularly interestedin non-cognitivistelements ofhuman nature, such as"taste," "sentiment" and the "passions,"5 and they were also interested in discriminatingamongthe feelings and passions to discover those which were most beneficial to the individual or society. One Scottish philosopher who was particularly influential upon Hume in this connection was Francis Hutcheson. In discussing the passions, Hutcheson distinguished between what he called the "calm desire of good" and the "particular passions towards objects immediately presented to the senses." Hutcheson noted that these calm desires were frequently powerful enough to conquer particular passions such as "lust or revenge."6 The calm passions are thus very important to our understanding ofhuman motivation. As in so many other things, Hume also appears to be influenced by Hutcheson on the existence and importance of "calm passions." Early in Treatise 2, Hume expands on Hutcheson's idea that our experience ofan emotion or passion can be described as either "calm" or "violent"7 (also "soft" or "tender," "rough" or "fierce").8 The main difference between calmness and violence has to do with the intensity with which a passion is experienced. When we experience violent passions we feel an "uneasiness" (T 418) and sometimes "disorders and agitations" (E 17).9 Other passions are "calm" in that they cause "no disorder in the soul" and "little emotion in the mind" (T 417).10 Hume's main point is that... (shrink)

El objetivo de este trabajo es revisar las posturas de Pierre Bayle y David Hume en torno al problema del mal, para determinar si la postura de Hume se reduce a la de su predecesor o si existen diferencias más profundas entre ambos. Bayle propone una solución fideísta, declarando que se trata de un misterio que está por encima de la razón al que debemos adherir a partir de la creencia, mientras que Hume se limita a suspender el juicio al (...) respecto. En primer lugar, se reconstruye el planteo del problema del mal y sus consecuencias sobre la moral en los dos autores. Luego, se revisan sus críticas a la teología racional y el papel que juega el escepticismo respecto de la religión. Se concluye que la influencia de Bayle sobre Hume está centrada en mostrar las limitaciones de la razón humana para abordar el problema, y que el aporte original de este último se vincula con la defensa de la filosofía como un tipo de especulación autónoma. (shrink)

This paper argues that Hume can account for character traits as lasting mental qualities without violating his reductionist account of the mind as a changing bundle of ideas and impressions. It argues that a trait is a disposition to act according to certain passions or motivations, explained entirely with reference to the ideas and impressions constituting one's current self. This account is consistent with Hume's view of the mind, and relies solely on his accounts of the association of impressions and (...) ideas, and of the relationship between belief and passion, to establish relations that can properly be called lasting mental qualities. (shrink)

Many commentators propose that Hume thinks that we are not or should not be motivated to perform naturally virtuous actions from moral sentiments if we want our actions to be genuinely virtuous. It is this proposal with which I take issue in this article, arguing that Hume fully incorporates the moral sentiments into his understanding of how human beings act when it comes to the natural virtues and that he does not see the moral sentiments as a problematic kind of (...) motivation that threatens or weakens the virtuous status of the action. (shrink)

In this dissertation I examine Hume’s secular re-definition and re-evaluation of the traditional Christian understanding of pride and humility as part of his project to establish a fully secular account of ethics and to undermine what he thought to be the harmful aspects of religious morality. Christians traditionally have seen humility, understood as receptivity to God, to be crucial for individual and social flourishing, and pride as the root of individual and social disorder. By contrast, Hume, who conceives of pride (...) and humility immanently in terms of our self-appraisals, sees pride as a key virtue that serves as the ultimate source of moral motivation and deems humility a ‘monkish virtue’ (i.e., a vice). Hume, moreover, sees religious appeals to a transcendent moral source to be a threat to individual flourishing in that they encourage the formation of what he calls ‘artificial lives’ (of which the monkish virtues are an expression) as well as a threat to social concord, insofar as they foster unnecessary religious factions, intolerance, and theologically sanctioned violence. In part to combat this, Hume promotes a wholly secular ethic rooted in common life. I uncover the real points of agreement and disagreement that underlie Hume and traditional Christian conceptions of pride and humility in order to articulate what is essentially at issue between these contrasting perspectives and, ultimately, to identify some of what is gained or lost in Hume’s secularization of ethics. I, thus, explore the reasons that Hume rejects Christian morality and seeks to replace it with a secular one. I then assess whether Hume’s secular perspective has sufficient resources for addressing the biased judgments and rivalries that can arise precisely because of what Hume sees as our natural desire for the ‘passion of pride’ (i.e., for a positive sense of ourselves before others). I conclude both that Hume identifies genuine dangers in attempting to go beyond the human and also that there are genuine dangers in Hume’s attempt to close the window to a transcendent moral source. I, therefore, contend that any adequate view of human flourishing must take account of both these dangers. (shrink)

This thesis presents an interpretation of David Hume’s essay ‘Of the Standard of Taste’. The most distinguishing feature of this interpretation is the emphasis placed on the significance of Hume’s general philosophical position in a faithful reading of this philosophical classic. The success of this interpretation will show that Hume’s essay should be read as an integral part of his system of philosophy. There are three parts in this thesis. The first part is an overview of some key aspects of (...) Hume’s philosophy which are relevant to my interpretation. Unlike many contemporary philosophers in the analytic tradition, Hume is a systematic thinker. A faithful reading of his works should take his general philosophical framework seriously. Therefore, this overview of his system serves as the general background of the next two parts. The second part is a discussion of Hume’s aesthetic thought. More specifically, it provides an exposition of his view on beauty and judgements of beauty. This part completes the stage-setting for the development of my interpretation, by helping the reader form a more specific conceptual framework for understanding Hume’s essay. The third part develops an interpretation of ‘Of the Standard of Taste’ according to what has been provided in the previous two parts. It starts with an outline of the essay, which indicates Hume’s aim in writing it. After that, a few sections are devoted to some central elements of the essay. The last section of this part discusses four controversies concerning Hume’s essay. These discussions establish the strength of this interpretation, or at least, the fruitful prospect of an interpretative project that integrates Hume’s essay into his whole system. (shrink)

Some philosophers argue that Hume, given his theory of causation, is committed to an implausibly thin account of what it is like to act voluntarily. Others suggest, on the basis of his argument against free will, that Hume takes no more than an illusory feature of action to distinguish the experience of performing an act from the experience of merely observing an act. In this paper, I argue that Hume is committed to neither an unduly parsimonious nor a sceptical account (...) of the phenomenology of agency. (shrink)

This paper advances an interpretation of what Hume called ‘the general rules’: natural principles of belief-formation that nevertheless can be augmented via reflection. According to Hume, reflection is, in part, what separates the wise from the vulgar. In this paper, I argue that for Hume being wise must therefore be, to some degree, voluntary. Hume faced a significant problem in attempting to reconcile his epistemic normativity, i.e. his claims about what we ought to believe, with his largely involuntarist theory of (...) the mind. Reflection on the General Rules, and an interpretation of that reflection as voluntary, helps explain not only Hume's theory of belief, but also how he hoped to reconcile epistemic normativity with naturalism about the mental. (shrink)

Hume would have supported feminist scholarship, specifically in the area of ethical theory, primarily because the feminist notion that we learn through relationships and conversation with others is exactly what he describes as the best way to develop our moral sentiments and come to know ourselves and our world. Feminist conceptions of justice and care, the complex distinction between social construction and the development of what we understand ourselves to be in relation to others, are themes feminists have in common (...) with Hume. As Hume explains, we learn and change in the company of others, not as victims of unchangeable social constructs, but as persons in community--as individuals relating to each other and developing, never statically defined. (shrink)

Hume’s “impressions of reflection” is a category made up of all our non-sensory feelings, including “the passions and other emotions.” These two terms for affective mental states, ‘passion’ and ‘emotion’, are both used frequently in Hume’s work, and often treated by scholars as synonymous. I argue that Hume’s use of both ‘passion’ and ‘emotion’ in his discussions of affectivity reflects a conceptual distinction implicit in his work between what I label ‘attending emotions’ and ‘fully established passions.’ The former are the (...) transient, changeable, valenced feelings that flow between perceptions and constitute their felt nature and impulse. The latter are the particular passions fully realized, with characteristic valence, and analyzed by Hume in terms of their particular belief structures and relations between ideas and impressions understood to be constituent of particular passions. The term ‘emotion’ for Hume generally denotes either the attending feeling, sometimes distinct from the passion (particularly as ‘passion’ is being used to include the associated beliefs, causes and objects), or as a synonym for a particular passion, typically when Hume is primarily referring to the felt nature of the passion. Generally speaking, ‘passion’ is a more cognitive category of affective mental state, while ‘emotion’ is more sensationalist. I will further argue that when we grant Hume the emotion/passion distinction, he can accommodate both highly sensationalist and highly cognitivist understandings of affective mental states. I finish with the application of my distinction to two key topics in Hume studies: his sympathy mechanism, and his theory of belief and motivation. (shrink)

This is a reply to Donald Ainslie's discussion of Terence Penelhum's work on Hume, Locke and the nature of consciousness; although agree on many points about the differences between Locke and Hume, I take issue with Ainslie's views about the epistemic status Hume accords to introspective acts.

Hobbes on morality and the modern science of motion -- Freedom as the realization of desire -- Leviathan : the making of a mortal God -- John Locke : underlaborer of the new sciences -- Locke on the freedom of the human spirit -- From Berkeley to Hume : the radicalization of empiricism -- Hume's science of the dynamics of the passions -- Adam Smith deciphers the invisible hand of the market -- Contradictions of economic life -- I think : (...) Descartes' foundation of modern science -- God and the good society -- Leibniz's discovery of universal freedom -- The best of all possible worlds -- Justifying God's ways : Kant's progress from Leibniz through Pope to Rousseau -- Rousseau's reasoning of the heart. (shrink)

This dissertation examines the viability of a feminist ethic of flourishing. The possibility of a eudaimonist, or flourishing-based, ethic adapted for the needs of feminist ethics and politics has recently been raised by a number of feminist moral philosophers. However, in these discussions, the degree to which an ethic of flourishing requires a substantive conception of human nature has not been adequately addressed. Flourishing-based ethical theories appear to require a substantive account of the kind of thing whose flourishing is to (...) be promoted, while contemporary academic feminism is characterized by a strong suspicion toward claims about human nature. Chapter one situates this problem in the current literature and reframes feminist anti-essentialist objections to nature claims. Chapter two analyzes three historically influential exemplars of the ethics of flourishing: Aristotle, Hume, and Marx. Employing the analytic categories developed in chapter two, chapters three through five assess the work of Rosalind Hursthouse, Martha Nussbaum, and Lisa Tessman for their adequacy to serve as the basis of a feminist ethic of flourishing. I argue that each has something of value to offer and yet each is problematic when it comes to how they appeal (or fail to appeal) to human nature. The central argument of this dissertation is that, properly understood, a theory of human nature can be a critical resource for a feminist ethic of flourishing. As such, feminist moral philosophers who would condemn oppression, gender-based subordination, and other injustices by appealing to an ideal of flourishing that is being denied or cut off, would benefit from greater attention to the assumptions about human nature that such theories of flourishing entail. On the view defended here, a normative conception of human nature is a necessary methodological element of a flourishing-based ethical theory that illuminates the reasons one has in support of a particular vision of flourishing. While I leave open the question of how such a conception of human nature could be objectively justified, this dissertation argues that a theory of human nature can serve as a normative resource for feminist moral criticism within a flourishing-based ethical framework. (shrink)

In the Treatise Hume argues that the self is really many related perceptions, which we represent to ourselves as being one and the same thing. In the Appendix he finds this account inconsistent. Why? The problem arises from Hume's theory that representation requires resemblance. Only a many can represent a many recognized as such, and only a one can represent something as one. So for the many distinct perceptions (recognized as such) to be represented as one and the same, the (...) many distinct ideas that reflect them must be one and the same. But the distinct cannot be identical. (shrink)

Hume's thoroughgoing religious scepticism is set within the context of the Scottish Enlightenment. Against some interpreters, it is argued that, although elusive, his ‘attenuated deism’ (Gaskin) is not wholly dismissive of all forms of religious thought and practice. His position is further compared with contemporary expressions of ‘new atheism’. Despite some obvious similarities, Hume's position is judged more nuanced both in terms of content and rhetorical strategy.

According to Terence Penelhum, Philo's confession in the last part of Hume's Dialogues Concerning Natural Religion reveals on the side of the author a reconciliatory and pacifying attitude towards the liberal moderate clergy of his days. This article investigates whether another reading of this intriguing text is not more appropriate. It defends the idea that Philo's speeches and Cleanthes’ reactions to it in the last part of the Dialogues reveal on Hume's side an attitude of mild despair and isolation towards (...) the religious culture of eighteenth-century Scotland, in both its orthodox and more moderate form. (shrink)

Many think that the aim of Hume’s Dialogues is simply to discredit the design argument for the existence of an intelligent designer. We think instead that the Dialogues provides a model of true religion. We argue that, for Hume, the truly religious person: believes that an intelligent designer created and imposed order on the universe; grounds this belief in an irregular argument rooted in a certain kind of experience, for example, in the experience of anatomizing complex natural systems such as (...) the eye; and retains this belief, on the basis of these reasons, even after careful scrutiny. We argue that two of the Dialogues’s characters, Philo and Cleanthes, exhibit true religion. A third character, Demea, exhibits false religion and a persistent impiety. Taken as a whole, we see the Dialogues as an educational performance for the benefit of Pamphilus, Cleanthes’s ward, as well as for the benefit of readers of the Dialogues. Specifically, we think, given that its lessons concern theology and the principles of religion, the dynamics of the Dialogues’s discussion and the interplay between its characters can be seen as a demonstration of a method for becoming truly religious. (shrink)

This is a reply to Willem Lemmens’ discussion of my interpretation of the Dialogues on Natural Religion in my 2000 collection Themes from Hume: Self, Will, Religion. I use Lemmens’ careful textual analysis to clarify my considered position and to further the reading of Part 12 of the Dialogues.

Where Terence Penelhum sees a deep continuity between John Locke's theory of ideas and David Hume's theory of perceptions, I argue that the two philosophers disagree over some fundamental issues in the philosophy of mind. While Locke treats ideas as imagistic objects that we recognize as such by a special kind of inner consciousness, Hume thinks that we do not normally recognize the imagistic content of our perceptions, and instead unselfconsciously take ourselves to sense a shared public world. My disagreement (...) with Penelhum over Hume's debt to Locke helps to explain our disagreement over the nature of Hume's scepticism. (shrink)