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Improvisation

Mind 85 (337):69-83 (1976)

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  1. Knowledge-How, Abilities, and Questions.Joshua Habgood-Coote - 2019 - Australasian Journal of Philosophy 97 (1):86-104.
    The debate about the nature of knowledge-how is standardly thought to be divided between intellectualist views, which take knowledge-how to be a kind of propositional knowledge, and anti-intellectualist views, which take knowledge-how to be a kind of ability. In this paper, I explore a compromise position—the interrogative capacity view—which claims that knowing how to do something is a certain kind of ability to generate answers to the question of how to do it. This view combines the intellectualist thesis that knowledge-how (...)
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  • Improvisation Unfolding: Process, Pattern, and Prediction.Marc Duby - 2018 - World Futures 74 (3):187-198.
    The main aim of this article is to argue the case for understanding improvising as a real-time emergent process grounded in collaborative action, while noting that talking about improvisation, bluntly put, is not the same as improvising. The ways in which improvisers respond and adapt to changing circumstances in the moment and over time, it is argued, connect directly to the discipline of process philosophy and involve pattern recognition and creation skills as well as the ability to predict the actions (...)
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  • Collective Practical Knowledge is a Fragmented Interrogative Capacity.Joshua Habgood-Coote - 2022 - Philosophical Issues 32 (1):180-199.
    What does it take for a group of people to know how to do something? An account of collective practical knowledge ought to be compatible with the linguistic evidence about the semantics for collective knowledge-how ascriptions, be able to explain the practicality of collective knowledge, be able to explain both the connection between individual and collective know-how and the possibility of a group knowing how to do something none of its members know, and be applicable to a suitably wide range (...)
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  • Improvisación para mejorar: La importancia de la filosofía en la universidad.Kevin Stevenson - 2016 - Investigaciones Fenomenológicas 13:193.
    The status of philosophy is contingent upon the civilizations that embrace or undermine its importance. Such status is never fully understood, nor clear, due in part to its inutility. In a goal-oriented world, philosophizing is pointless if it does not produce material results. One point of philosophy though is not only to recognize, but promote activities which are uniquely human and which therefore artificial intelligence could not possibly simulate. Improvisation, as one such activity, can reveal the importance of philosophy as (...)
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  • (4 other versions)Critical notice.J. J. C. Smart - 1979 - Synthese 41 (3):45 – 56.
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  • Knowledge How.Jeremy Fantl - 2012 - Stanford Encyclopedia of Philosophy.
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  • (4 other versions)Critical notice.J. J. C. Smart - 1955 - Australasian Journal of Philosophy 33 (1):45 – 56.
    Book reviewed in this article:F.H. Bradley, Collected Works Volumes 1–5.
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  • The generality problem for intellectualism.Joshua Habgood-Coote - 2018 - Mind and Language 33 (3):242-262.
    According to Intellectualism knowing how to V is a matter of knowing a suitable proposition about a way of V-ing. In this paper, I consider the question of which ways of acting might figure in the propositions which Intellectualists claim constitute the object of knowledge-how. I argue that Intellectualists face a version of the Generality Problem – familiar from discussions of Reliabilism – since not all ways of V-ing are such that knowledge about them suffices for knowledge-how. I consider various (...)
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  • Notes on Aristotle’s Concept of Improvisation.Andrew Haas - 2015 - Journal of Aesthetics and Phenomenology 2 (1):113-121.
    Improvisation is the origin of art and science, tragedy and comedy, acting and doing, of the self as improvising and improvised. But clearly we cannot use improvisation to explain improvisation. We cannot be satisfied with an argument that improvisation is, well, improvisational--nor simply free-play. Rather, improvisation as αὐτο-σχεδιάζεῖν, means self-schematization.
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  • Action as Abductive Performance: An Improvisational Model.Alessandro Bertinetto & Patrick Grüneberg - 2023 - International Journal of Philosophical Studies 31 (1):36-53.
    According to Gilbert Ryle, improvisation is a basic feature of ordinary action. In this paper, we take this idea seriously. Action is improvisation, in that it is situated: It is shaped by attentive responses to environmental circumstances. This is a crucial aspect of agency. However, it is neglected by causal theories of action (Bratman; Mele) and only partially addressed by Thompson’s process-oriented theory. By resorting to Kant’s theory of judgment, we argue for understanding action performance in terms of improvisational shaping (...)
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  • Tres ratones ciegos: Goodman, McLuhan y Adorno sobre el arte de la música y del escuchar en la época de la transmisión global.Lydia Goehr - 2012 - Enrahonar: Quaderns de Filosofía 49:121-154.
    Este ensayo investiga el discurso global a la sombra de la década de 1960. Se basa en los puntos de vista de Nelson Goodman, Marshall McLuhan y Theodor W. Adorno para explorar tres conceptos centrales para la música en la época de la transmisión global: concordancia, corriente y virtualidad.
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  • "Let us imagine...": Wittgenstein's Invitation to Philosophy.Beth Savickey - 2015 - Nordic Wittgenstein Review 4 (2):98-115.
    Wendy Lee-Lampshire writes that Wittgenstein’s conception of language has something valuable to offer feminist attempts to construct epistemologies firmly rooted in the social, psychological and physical situations of language users. However, she also argues that his own use of language exemplifies a form of life whose constitutive relationships are enmeshed in forms of power and authority. For example, she interprets the language game of the builders as one of slavery, and questions how we read and respond to it. She asks: (...)
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