The ArugmentThis essay answers a single question: what was Robert Hooke, the Royal Society's curator of experiments, doing in his well-known 1665 work,Micrographia?Hooke was articulating a “universal cure of the mind” capable of bringing about a “reformation in Philosophy,” a change in philosophy's interpretive practices and organization. The work explicated the interpretive and political foundations for a community of optical instrument users coextensive with the struggling Royal Society. Standard observational practices would overcome the problem of using nonstandard instruments, while inherent (...) inrepresentation– the interpretive practice championed in the text – were important theological and political meanings. Hooke's kind of experimental philosophy undermined the claims made by “atheists” and “enthusiasts” – the enemies of the restored church and state – while also producing useful knowledge. Equally important, Hooke modeled the community described inMicrographiaupon the classicalres publica, but his community made important concessions to Restoration political realities, especially the growing role of commercial or transactional relationships. (shrink)

This article explores the metaphor of Science as provider of sharp images of our environment, using the epistemological framework of Objective Cognitive Constructivism. These sharp images are conveyed by precise scientific hypotheses that, in turn, are encoded by mathematical equations. Furthermore, this article describes how such knowledge is pro-duced by a cyclic and recursive development, perfection and reinforcement process, leading to the emergence of eigen-solutions characterized by the four essential properties of precision, stability, separability and composability. Finally, this article discusses (...) the role played by ontology and metaphysics in the scientific production process, and in which sense the resulting knowledge can be considered objective. (shrink)

This paper aims both to tackle the technical issue of deciphering Hobbes’s derivation of the sine law of refraction and to throw some light to the broader issue of Hobbes’s mechanical philosophy. I start by recapitulating the polemics between Hobbes and Descartes concerning Descartes’ optics. I argue that, first, Hobbes’s criticisms do expose certain shortcomings of Descartes’ optics which presupposes a twofold distinction between real motion and inclination to motion, and between motion itself and determination of motion; second, Hobbes’s optical (...) theory presented in Tractatus Opticus I constitutes a more economical alternative, which eliminates the twofold distinction and only admits actual local motion, and Hobbes’s derivation of the sine law presented therein, which I call “the early model” and which was retained in Tractatus Opticus II and First Draught, is mathematically consistent and physically meaningful. These two points give Hobbes’s early optics some theoretical advantage over that of Descartes. However, an issue that has baffled commentators is that, in De Corpore Hobbes’s derivation of the sine law seems to be completely different from that presented in his earlier works, furthermore, it does not make any intuitive sense. I argue that the derivation of the sine law in De Corpore does make sense mathematically if we read it as a simplification of the early model, and Hobbes has already hinted toward it in the last proposition of Tractatus Opticus I. But now the question becomes, why does Hobbes take himself to be entitled to present this simplified, seemingly question-begging form without having presented all the previous results? My conjecture is that the switch from the early model to the late model is symptomatic of Hobbes’s changing views on the relation between physics and mathematics. (shrink)

Consider the distinctive qualitative property grass visually appears to have when it visually appears to be green. This property is an example of what I call sensuous color. Whereas early modern mechanists typically argue that bodies are not sensuously colored, Margaret Cavendish (1623–73) disagrees. In cases of veridical perception, she holds that grass is green in precisely the way it visually appears to be. In defense of her realist approach to sensuous colors, Cavendish argues that (i) it is impossible to (...) conceive of colorless bodies, (ii) the very possibility of color experience requires that bodies are sensuously colored, and (iii) the attribution of sensuous colors to bodies provides the best explanation of color constancy. Although some passages might suggest that Cavendish endorses a reductive account of sensuous color, according to which sensuous color reduces to a body's microscopic surface texture (or some other mechanistically respectable property), I argue that she accepts a nonreductive account, on which sensuous color is not thus reducible. (shrink)

In a 2004 paper, “Hume’s Missing Shade of Blue Reconsidered from a Newtonian Perspective,” Eric Schliesser argues that Hume’s well-known discussion of the missing shade of blue “reveals considerable ignorance of Newton’s achievement in optics,” and that Hume has failed to assimilate the lessons taught by Newton’s optical experiments. I argue in this paper, contrary to Schliesser, that Hume’s views on color are logically and evidentially independent of Newton’s results. In developing my reading, I will argue that Schliesser accepts an (...) overly broad interpretation of the implications of Newton’s experimental results, and takes inadequate account of Hume’s disciplined methodological restrictions on the kinds of experiential evidence that are to be admitted in building the foundations of his science of human nature. (shrink)

Philosophy and Memory Traces defends two theories of autobiographical memory. One is a bewildering historical view of memories as dynamic patterns in fleeting animal spirits, nervous fluids which rummaged through the pores of brain and body. The other is new connectionism, in which memories are 'stored' only superpositionally, and reconstructed rather than reproduced. Both models, argues John Sutton, depart from static archival metaphors by employing distributed representation, which brings interference and confusion between memory traces. Both raise urgent issues about control (...) of the personal past, and about relations between self and body. Sutton demonstrates the role of bizarre body fluids in moral physiology, as philosophers from Descartes and Locke to Coleridge struggled to control their own innards and impose cognitive discipline on 'the phantasmal chaos of association'. Going on to defend connectionism against Fodor and critics of passive mental representations, he shows how problems of the self are implicated in cognitive science. (shrink)

Positivism and, especially, Max Weber's vision of the modern disen chantment of the world are incoherent because they separate human culture from the environment in which human agents pursue their life- projects. The same problem is manifested, more blatantly, in current social studies of science, which take the project of disenchantment further by disenchanting science itself. A different image of science is traced to classical empiricism, whose paradigm of learning is belief and, more specifically, the practical nature of the believer's (...) experience of the environment of his or her actions. The believer's ecological imagery of the world, as it was elaborated by classical empiricism, provides the means to transcend the disenchanted image of the world and its prob lems. (shrink)

This paper reconstructs the development of Mersenne's reflections concerning optics. I argue that Mersenne's optical writings provide crucial insights into Mersenne's Aristotelianism. I reconstruct Mersenne's attempt of explaining the new ideas on light, which were advanced by Kepler, Descartes and Hobbes within Aristotle's natural philosophy. Mersenne explained Kepler's work on light within the Scholastic tradition. In the 1640s, Mersenne was stimulated by the debate concerning Descartes' theory of light, which he accepted only in 1648. Indeed, Mersenne first explained Descartes' law (...) of refraction by means of Hobbes physics. However, Mersenne always wanted to remain faithful to Aristotle. (shrink)

Early modern experimental philosophers often appear to commit to, and utilise, corpuscular and mechanical hypotheses. This is somewhat mysterious: such hypotheses frequently appear to be simply assumed, odd for a research program which emphasises the careful experimental accumulation of facts. Isaac Newton was one such experimental philosopher, and his optical work is considered a clear example of the experimental method. Focusing on his optical investigations, I identify three roles for hypotheses. Firstly, Newton introduces a hypothesis to explicate his abstract theory. (...) The purpose here is primarily to improve understanding or uptake of the theory. Secondly, he uses a hypothesis as a platform from which to generate some crucial experiments to decide between competing accounts. The purpose here is to suggest experiments in order to bring a dispute to empirical resolution. Thirdly, he uses a hypothesis to suggest an underlying physical cause, which he then operationalises and represents abstractly in his formal theory. The second and third roles are related in that they are both cases of scaffolding: hypotheses provide a temporary platform from which further experimental work and/or theorising can be carried out. In short, the entities and processes included in Newton’s optical hypothesis are not simply assumed hypothetical posits. Rather, they play instrumental roles in Newton’s experimental philosophy. (shrink)

The history of the Parallelogram Rule for composing physical quantities, such as motions and forces, is marked by conceptual difficulties leading to false starts and halting progress. In particular, authors resisted the required assumption that the magnitude and the direction of a quantity can interact and are jointly necessary to represent the quantity. Consequently, the origins of the Rule cannot be traced to Pseudo-Aristotle or Stevin, as commonly held, but to Fermat, Hobbes, and subsequent developments in the latter part of (...) the seventeenth century. (shrink)

The ArgumentThe inclusion of an item within a theory may be essential or accidental, and if the former then the explanation of its meaning and of its inclusion in the theory cannot be by accidental events and circumstances. Since all events and circumstances – be they social, political, religious, psychological, etc. – are accidental vis-à-vis the ideas they occasion, they cannot serve as explanation of these ideas. The only way to explain the ideas is by showing their essentiality to the (...) theory rather than their importance to the people. Thus, the place of spirits and souls within seventeenth-century science is explained by Platonic ideology.This demands a concept of nature which is thoroughly efficient causative, and a concept of explanation which is thoroughly informative. This means that theories must explain any given effect by a cause which is separable from it and is conceptually heterogeneous to it. Such a nature and such an explanation are inherently paradoxical and irrational, which explains the preponderance of these traits in seventeenth-century science as created by Kepler, through Galileo and Descartes to Newton.The primary efficient-causal and explanatory agency is force, which is ontically distinct from matter and from the motion it causes in matter. Soul, spirit and active principle are mere variants of force. Thus, their presence in seventeenth-century science is explained only by their being conceptually essential to any Platonic philosophy of nature. (shrink)

The polarity of light and dark in the treatment of the Newtonian spectrum and the inverse spectrum is studied further and the validity of heterogeneity of light and darkness in relation to Goethe’s views is examined. In order to clarify the reality of the “darkness rays”, theexperimentum crucisis re-evaluated. It is shown that the commonly accepted analysis contains assumptions in the choice of the spectrum and background, which mask the inherent dynamic of the spectrum. The relation between colour and wavelength (...) is re-examined with respect to the immutability and specific refrangibility of colour. It is then shown that both these properties are approximations that apply under the specific conditions that have later become standardized in spectroscopy, leading to a consensus regarding the relation of wavelength to colours of one particular spectrum. This consensus has resulted in the study of colour diverging into spectroscopy and colour physiology. As an alternative, the basis of the dichotomy postulated by Müller is studied, leading to the realization that the resolution of this dichotomy was begun by Goethe with the idea of turbidity. A further study shows that turbidity resolves the apparent incompatibility of light and dark. (shrink)

Johannes Kepler dedicated much of his work to discover a law for the refraction of light. Unfortunately, he formulated an incorrect law. Nevertheless, it was useful for anticipating the behavior of light in some specific conditions. Some believe that Kepler did not have the elements to formulate the law that was later accepted by the scientific community, that is, the Snell–Descartes law. However, in this paper, we propose a model that agrees with Kepler’s heuristics and that is also successful in (...) anticipating the behavior of light when it passes through a surface that separates two media with different optical densities. This model adopts strategies that were recommended by Kepler in two types of analogies. The obstacles that led to the failure of the two types of analogies are presented in the article, and we argue that the model proposed here could overcome these specific obstacles. Finally, we show how the proposed model could be articulated with Kepler’s metaphysics of light. (shrink)

Leibniz’s mature philosophical understanding of the laws of nature emerges rather suddenly in the late 1670’s to early 1680’s and is signaled by his embrace of three central theses.1 The first, what I’ll call the thesis of Contingency, suggests that the laws of nature are not only contingent, but, in some sense, paradigmatically contingent; they are supposed to provide insight into the very nature of contingency as Leibniz comes to understand it. The second, what I’ll call the thesis of Providence, (...) suggests that the laws of nature provide a basis for a new argument from design by showing how reflection on God’s ends can be positively useful in the practice of natural philosophy. The third, what I’ll call thesis of .. (shrink)

In a situation in which several explanations compete, is the one that is better qua explanation also the one we should regard as the more likely to be true? Realists usually answer in the affirmative. They then go on to argue that since realism provides the best explanation for the success of science, realism can be inferred to. Nonrealists, on the other hand, answer the above question in the negative, thereby renouncing the inference to realism. In this paper I separate (...) the two issues. In the first section it is argued that a rationale can be provided for the inference to the best explanation; in the second, that this rationale cannot justify an inference to realism. The defence of the inference rests on the claim that our standards of explanatory power are subject to critical examination, which, in turn, should be informed by empirical considerations. By means of a comparison of the realist's explanation for the success of science with that of conventionalism and instrumentalism it is then shown that realism does not offer a superior explanation and should not, therefore, be inferred to. (shrink)

There are several differences between the theories of matter published by René Descartes in 1637 and 1644 which deserve attention. The differences follow from Descartes's well-known identification of substance with spatial extension, and his consequent rejection of the void. Since there was no void space, Descartes argued, a very finely divided subtle matter must extend throughout the universe in order to fill all space not otherwise occupied by the less finely divided ordinary matter. In the 1637 treatises La dioptrique and (...) Les météores Descartes described only one kind of subtle matter, the primary function of which was to transmit the action of light. Yet when he came to write Principia philosophiae , he believed that the subtle matter was divided into two separate elements. One of these remained an aether for light transmission, but the other had lost this property and was believed instead to be active in magnetic effects and in the electrification of glass, and to form part of the substance of flame. (shrink)

One of the chief concerns of the young Descartes was with what he, and others, termed “physico-mathematics”. This signalled a questioning of the Scholastic Aristotelian view of the mixed mathematical sciences as subordinate to natural philosophy, non explanatory, and merely instrumental. Somehow, the mixed mathematical disciplines were now to become intimately related to natural philosophical issues of matter and cause. That is, they were to become more ’physicalised’, more closely intertwined with natural philosophising, regardless of which species of natural philosophy (...) one advocated. A curious, short-lived yet portentous epistemological conceit lay at the core of Descartes’ physico-mathematics—the belief that solid geometrical results in the mixed mathematical sciences literally offered windows into the realm of natural philosophical causation—that in such cases one could literally “see the causes”. Optics took pride of place within Descartes’ physico-mathematics project, because he believed it offered unique possibilities for the successful vision of causes. This paper traces Descartes’ early physico-mathematical program in optics, its origins, pitfalls and its successes, which were crucial in providing Descartes resources for his later work in systematic natural philosophy. It explores how Descartes exploited his discovery of the law of refraction of light—an achievement well within the bounds of traditional mixed mathematical optics—in order to derive—in the manner of physico-mathematics—causal knowledge about light, and indeed insight about the principles of a “dynamics” that would provide the laws of corpuscular motion and tendency to motion in his natural philosophical system. (shrink)

Leibniz speaks, in a variety of contexts, of there being two realms—a "kingdom of power or efficient causes" and "a kingdom of wisdom or final causes." This essay explores an often overlooked application of Leibniz's famous "two realms doctrine." The first part turns to Leibniz's work in optics for the roots of his view that nature can be seen as being governed by two complete sets of equipotent laws, with one set corresponding to the efficient causal order of the world, (...) and the other to its teleological order. The second part offers an account of how this picture of lawful over-determination is to be reconciled with Leibniz's mature metaphysics. The third addresses a line of objection proposed by David Hirschmann to the effect that Leibniz's doctrine undermines his stated commitment to an efficient, broadly mechanical account of the natural world. Finally, the fourth part suggests that Leibniz's thinking about the harmony of final and efficient causes in connection with corporeal nature may help to shed light on his understanding of the teleological unfolding of monads as well. (shrink)

O artigo procura avaliar a consolidação e os desdobramentos da função heurística e simbólica ocupada pelo Ungeheuer [o monstro ou o monstruoso] na filosofia kantiana, tendo em vista a emergência do horizonte da racionalidade moderna. Uma reconfiguração dessas imagens do Monstro e da Monstruosidade parece ter lugar no momento mesmo em que a filosofia moderna procurou pensar sua identidade e seus limites. O pensamento de Kant, que ocupa - de fato ou de direito - um lugar central nessa ruptura, apresentaria (...) de modo exemplar, embora não evidente, o percurso dessa transformação. This work intends to evaluate the origins and developments of the symbolic and heuristic function at stake in the term Ungeheuer [the monster or the monstrous] within Kant's philosophy, regarding the rising horizon of modern rationality. A reconfiguration of the Monster and Monstrous imagery seems to take place right at the moment when modern philosophy had to reflect upon its own identity and limits. Kant's thought, that occupies - de jure or de facto - a central place within this rupture could exemplarily, but not obviously, show the path of such transformation. (shrink)

Historians generally grumble at the liberties taken with letters and papers by editors and biographers in the past, while reviewers may complain at the professorial pomposities which interfere with the reader's interaction with the text. Certainly, reading is not a mere matter of information retrieval or of source-mining, but a meeting of minds, and any over-zealous editing which makes this more difficult will have failed. Editors, whether of journals or of documents, are midwives of ideas—self-effacingly bringing an author's meaning and (...) style into the world. What reviewers praise is the unobtrusive, and what they damn is ‘a manner at once slapdash and intrusive’, making allowances perhaps for an ‘introduction which is as admirable as his footnotes are useless’. When in the 1960s new technology brought us a flood of facsimile reprints of scientific works, some avoided these problems by appearing naked and unashamed: but for a text on phrenology, or for Goethe's Theory of Colours, a fig leaf or two of commentary is really necessary to help the innocent reader to interact with the book. Facsimiles of nineteenth-century editions of Wilkins' papers, of some Newton correspondence, or of Henry More's poetry are even more problematic; the reader should know that these editors' assumptions cannot be taken for granted, and that their introductions are themselves historical documents. The exact reproduction of misprints and misbindings is of dubious assistance to the modern reader. (shrink)