A paradox, it is claimed, is a radical form of contradiction, one that produces gaps in meaning. In order to approach this idea, two senses of “separation” are distinguished: separation by something and separation by nothing. The latter does not refer to nothing in an ordinary sense, however, since in that sense what’s intended is actually less than nothing. Numerous ordinary nothings in philosophy as well as in other fields are surveyed so as to clarify the contrast. Then follows the (...) suggestion that philosophies which one would expect to have room for paradoxes actually tend either to exclude them altogether, or to dull them. There is a clear alternative, however, one that fully recognizes paradoxes and yet also strives to overcome them. (shrink)

In this paper, I explore the phenomenon of a felt sense of the concrete other. Although the importance of this phenomenon is recognised in the contemporary discussion on intercorporeality, it has not been subjected to systematic phenomenological analysis. I argue that the felt sense of the other is an aspect of intercorporeal body memory in so far as it is a habituation to something like the concrete other’s expressive style. Because it is inherently a sensory phenomenon, I speak of an (...) embodied sensorium of the other. I illustrate the phenomenon through contrasting case-vignettes taken from research in early parental bereavement. Based on this, I identify five modalities that outline the fundamental contours of a sensorium and specify that in their intermodal and synesthetic concretion they account for the felt sense of the other. Finally, I argue that the existential importance of the phenomenon is rooted in the distributed nature of my sense of self and self-familiarity. To illustrate this, I draw parallels between the felt sense of the concrete other and the felt sense of home and suggest that though there are also distinct differences between the two phenomena, they are rooted in the same underlying existential need for feeling-at-home in the world. (shrink)

_ Source: _Volume 48, Issue 2, pp 233 - 243 This article focuses on two Platonic concepts, δύναµις and χώρα, and Heidegger’s interpretation of them in his lecture courses on Greek philosophy. I try to demonstrate that these two concepts offer us insights into the dynamic movement of Being between self-showing and withdrawal. The aim of the article is to show that Being, as one of the greatest kinds in the _Sophist_, and the elusive χώρα in the _Timaeus_ can open (...) up new perspectives on the Heideggerian question of Being. (shrink)

The following books have been received and many of them are available for review. Interested reviewers please contact the reviews editor: [email protected]. Adams, F. and Aizawa, K., The Bounds of C...

Western philosophy owes its origin to the dialogues of Plato. Not only does Plato provide us with a methodology that remains significant today, his views in many ways correspond to the revolutionary philosophies of Paulo Freire and bell hooks. In reflecting on Plato's view of education in the Cave Allegory in Book VII of the Republic (1991), one can readily see its affinity with Paulo Freire's Pedagogy of the Oppressed (2009); however, it is also important to keep in mind that (...) the two philosophers have different goals. While Plato focuses on metaphysics and the desire for human beings to move away from the realm of becoming toward that of being, Freire espouses the need for a revolutionary education that will transform the world by making it fully human. Nevertheless they both strive for a revolutionary form of education, and they both encounter similar problems in that people do not always heed the call for transformative ways of thinking. This paper begins by examining the ways in which Plato and Freire address the strengths and limitations of the dialogical method. The question then becomes: how do we solve some of the problems associated with the dilemmas that dialogue may confront? By appealing to bell hooks' Feminist Theory from Margin to Center (2000), I attempt to demonstrate how her method of consciousness-raising can be utilized as a practical application to the dialogical methods of both Plato and Freire in order to create a type of dialogue that can be truly transformative. (shrink)

No processo do conhecimento a imaginação desempenha para Hegel o estágio no qual a mente humana dissocia o objeto em dois diferentes conteúdos, o conteúdo-coisa do mundo externo e o conteúdo interno da própria mente, de tal modo que ambas as versões do mesmo devem corroborar-se mutuamemente ao modo de uma síntese simples de elementos heterogéneos que apenas em seu cotejamento reconhecem sua identidade. Na atividade de compreensão, ao contrário, este dualismo é suprassumido e, com ele, o empirismo e a (...) teoria correspondista da verdade que, aos olhos de Hegel, está em sua base. (shrink)

Merleau-Ponty's reference to "a past which has never been present" at the end of "Le sentir" challenges the typical framework of the Phenomenology of Perception, with its primacy of perception and bodily field of presence. In light of this "original past," I propose a re-reading of the prepersonal as ground of perception that precedes the dichotomies of subject-object and activity-passivity. Merleau-Ponty searches in the Phenomenology for language to describe this ground, borrowing from multiple registers (notably Bergson, but also Husserl). This (...) "sensory life" is a coexistence of sensing and sensible—bodily and worldly—rhythms. Perception is, then, not a natural given, but a temporal process of synchronization between rhythms. By drawing on Bergson, this can be described as a process in which virtual life is actualized into perceiving subject and object perceived. Significantly, this process involves non-coincidence or delay whereby sensory life is always already past for perception. (shrink)

Abstract. — This article argues that the reading of Plato has had an influence on the development of Hannah Arendt’s (1906-1975) political philosophy. It sketches H. Arendt’s profile of the “political Plato” and shows how Plato’s philosophy inspired H. Arendt’s philosophical project. It pays a special attention to the subject of totalitarianism. It shows that H. Arendt’s reading was greatly influenced by the ideological interpretations of Plato of the 1930’s and 1940’s, and by the work and the method of interpretation (...) developed by Martin Heidegger. Résumé. — Cet article pose que la lecture de Platon a influencé le développement de la philosophie politique d’Hannah Arendt (1906-1975). Il esquisse le profil du « Platon politique » arendtien et met en lumière les inspirations que l’oeuvre platonicienne a insufflées au projet philosophique d’H. Arendt, en portant une attention particulière au thème du totalitarisme. Il démontre que la lecture d’H. Arendt a été fortement influencée par les interprétations idéologiques de Platon des années 1930 et 1940, et par les travaux et la méthode d’interprétation développée par Martin Heidegger. (shrink)

Relational structure is a primitive notion of Heidegger’s Dasein. By analyzing the concept of pros-ti as it emerges from the Heidegger’s 1924 course dedicated to Plato’s Sophist, I outline the Platonic and Aristotelic roots of Heideggerian Mitsein. Arguably the Mitsein makes explicit the instances of the pros ti — in other words, the instances of Aristotle’s concept of relatedness/intentionality that Heidegger ascribes to Plato’s heteron — but giving them an existential value, having Heidegger pursued the shift from realism to phenomenologyexistentialism. (...) The article concludes by emphasizing the relevance of these themes for social ontology. (shrink)

In this paper I attempt to develop several ways Merleau-Ponty's ontology might contribute to an environmental ethic through a redefinition of his concept of flesh in terms of a general theory of affectivity. Currently accepted interpretations of the concept such as those in Abram, Toadvine, Barbaras, and Dastur rely upon conceiving flesh as a perceptual experience. I contest this interpretation and argue that a more productive conception of flesh emerges when understood in terms of Heidegger's philosophy. The paper concludes with (...) a consideration of the normative significance of flesh by examining the role of “wildness“ within a place-based ethic. (shrink)

The analysis of Dasein's struggle for authenticity will be the main focus of this article. By virtue of Dasein's ontological predispositions, selfhood is subjected to inauthentic existential modalities already constitutive of its Being. In the case of the false Dasein, fallenness is exacerbated in that Dasein constricts its comportment primarily to the modes of the inauthentic, thereby abdicating its potentiality-for-Being. The false Dasein results from ontical encounters within pre-existing deficient ontological conditions of Being-in-the-world that are thrust upon selfhood as its (...) facticity. These deficient ontological structures predispose Dasein to develop intrapsychic psychological deficits that further contribute to Dasein's false existence. Through the medium of Heidegger's existential ontology, Sartrean bad faith, and psychoanalysis, I will demonstrate that the throes of selfhood encompass a dialectical course meandering through experiential modes of authenticity and falsehood, in which this very process itself is an authentic enterprise, that is, it is the necessary constitutional structure of Dasein itself as Being-toward-becoming its possibilities. (shrink)

In this paper I consider contemporary expressions of what Freud called the primal crime and collapse of paternal law through an exploration of the cinema of the Danish-American Director Nicolas Winding Refn. Introducing the paper I outline Freud’s theory of the law, crime, and civilization, where social order and its transgression become caught in an endless cycle, before moving on to explore Winding Refn’s cinema. Following this work, where I centrally show how Freud founds the law upon structures of the (...) family and criminality, I consider Winding Refn’s early Danish films, specifically the Pusher trilogy and Bleeder, in order to show how he imagines the collapse of law and order into crime and violence through stories of the ruined family. Moving on, I explore the consequences of this situation through reference to Winding Refn’s middle period films, Bronson and Valhalla Rising, where first crime completely dominates the law, and second this situation conjures the idea of escape from the dystopia of violence and crime into some other utopian space. Finally, I explore Winding Refn’s later works, Drive, Only God Forgives, and The Neon Demon. In these films Winding Refn imagines the ruins of the family and the oedipal law of the father who is no longer on the scene and tells the story of the desperate orphaned child who grows up without the socio-symbolic structures in place in tell them how to live. At this point Winding Refn’s crime system is more or less entirely normalised with the result that it generates the idea of utopian possibility in order to imagine potential escape from the nihilistic horror of an asocial system where exchange is everything. (shrink)

This article compares Habermas’s and Taylor’s approach to the role of religious language in a liberal democracy. It shows that the difference in their approach is not simply in their theories of religious language. The contrast lies deeper, in their incompatible moral theories: Habermas’s universal discourse ethics vs Taylor’s communitarian substantive ethics. I also explore William Rehg’s defence of discourse ethics by conceding that it is based on a metavalue of rational consensus. However, I argue that Habermas’s and Rehg’s discourse (...) ethics and translation proviso are untenable. While Taylor rightly argues that there is no reason to exclude religious reason from the formal political sphere, his proposed fusion of horizons to generate a new hybrid framework is also problematic. I suggest that Taylor’s historical hermeneutics should be extended to include the narrative approach to ethical deliberation as conducive to mutual experiential understanding, and hence to achieving a fusion of horizons of the diverse worlds of citizens in a liberal democracy. (shrink)

The essay focuses on human self-understanding as it arises from out of the experience of nature—the experience of a relatedness to nature that is at once a belonging in nature. At stake, then, is not a conceptual approach to the question of nature but rather the emergence of the human within the embrace of what presents itself as a mystery irreducible to the human, inhuman in the sense of other-than-human. The experience of nature “hiding itself” gave rise to the longing (...) for mastery as well as to a celebration of the mystery in its wonder and beauty. The juxtaposition of Giordano Bruno's cosmological vision and Renaissance painting illuminates this latter perspective, disclosing mystery not so much as that which would lie beyond appearances, but as that which inhabits appearances and in them becomes manifest as such. (shrink)

We are told by the Ancients that a philosopher is a “friend” of wisdom. But Plato was convinced that the pursuit of wisdom began in eros. This paper brings Anne Carson’s extraordinary 1986 Eros the Bittersweet into “resonance” with Jan Zwicky’s 2015 collection of essays, Alcibiades Love in order to explore the role of eros in the creation of meaning, the movement of thought and in the ongoing life of the love of wisdom.

One of the most prominent notions in Heidegger’s thinking about art is that of the earth. This paper probes the phenomenological potential of Heidegger’s concept by turning to the work of contemporary British artist Andy Goldsworthy. Drawing from Heidegger’s theoretical writings as well as his analysis of a poem by C.F. Meyer in “The Origin of the Work of Art” and his 1936–37 seminar on Schiller, I show that Goldsworthy’s sculptural art exemplifies different phenomenal traits of the “earth.” To supplement (...) Heidegger’s discussion, both Husserl’s claim that the earth defines the “spatiality of nature” and the role of the earth in Hegel’s philosophy of nature are taken into account. (shrink)

The general topic of my philosophical dissertation is phenomenological ontology of breathing. I do not investigate the phenomenon of breathing as a natural scientific problem, but as a philosophical question. Within our tradition, breathing has been normally understood as a mechanistic-materialistic physiological life-sustaining process of gas exchange and cellular respiration which does not really seem to have any essential connection to human being’s spiritual, mental or philosophical capacities. On the contrary to this natural scientific view, I argue that breathing can (...) be understood as a philosophical question that has phenomenological, experiential, ontological, spiritual, bodily, mental, poetic, elemental, ethical, voluntary and mystical dimensions. My investigation conceptualizes breathing in the first place as a question of phenomenological ontology. Maurice Merleau-Ponty’s phenomenologico-ontological method of interrogation of the lived body’s experiential openness to the world and Being provides the most fundamental point of departure in this dissertation. Merleau-Ponty emphasized in his investigations the lived body’s perceptual openness to the world and Being. He argued famously for the primacy of perception. His thesis of the primacy of perception means that perception as the perceptual openness to the world and Being is the foundation which is always presupposed by all the other levels of our existence and being-in-the-world. In this dissertation, I challenge this idea of the primacy of perception with Merleau-Ponty’s own remarks about breathing. I argue that in his own remarks about breathing, he implicitly points toward a level which is even more fundamental than the primacy of perception. In this dissertation, this level of our being-in-the-world I call the primacy of breathing. Breathing as the lived body’s respiratory openness to the world and Being is now understood as the foundation which is always presupposed by all the other dimensions of our being-in-the-world. These dimensions are, for example, our theoretical, practical, social and perceptual ways of relating with the world. If the idea of the primacy of breathing is taken seriously, it means that all the questions of philosophy could be rethought, reexamined and re-experienced within the fundamental atmosphere of respiratory openness to the world and Being. In this dissertation, I initially try to rethink philosophy as a new philosophy of breathing. This new philosophy of breathing would be phenomenological ontology of breathing. The bases of this new phenomenological ontology of breathing are Merleau-Ponty’s remarks about breathing. My task is to explicate and interpret them with the help of Merleau- Ponty’s own phenomenological ontology. In my task of beginning philosophy anew as philosophy of breathing or as respiratory philosophy, I will also use the ideas of Martin Heidegger, Gaston Bachelard, Paul Claudel, Luce Irigaray, Edmund Husserl and David Kleinberg-Levin. My dissertation is divided into two main sections. In Section One, I construct within the framework of phenomenological ontology a new notion of breathing as the primacy of breathing. In Section Two, I develop a phenomenological method that I call the method of ontologico-respiratory reduction. This method will lead us back to the primacy of breathing. (shrink)

Philosophy of religion, in both its analytic and Continental streams, has been undergoing a renewal for some time now, and I seek to explore this transformation in the fortunes of the discipline by looking at how truth – and religious truth in particular – is conceptualised in both strands of philosophy. I begin with an overview of the way in which truth has been commonly understood across nearly all groups within the analytic tradition, and I will underscore the difficulties and (...) shortcomings of the analytic approach by comparing it with a Continental, and specifically Heideggerian, approach. I then proceed to a conception of truth that is even further removed from the analytic tradition, one that is prominent in the theology of Christianity and which identifies truth with Christ. The point of this detour through divergent understandings of truth is to show how philosophy of religion, whether analytic or Continental, remains entrenched in forms of thinking that will need to be overcome if it is to have a credible future. (shrink)

This paper presents a reading of the political dimensions of Plato’s Cratylus. Following Sallis, I argue that Socrates’ claim that we can achieve a direct access to being unmediated by language is ironic. There is a comedic element to the attempt to transcend language in order to test the names given by the ‘lawgiver’ against a pure awareness of the nature of beings themselves. I show that this account of human life, as always mediated by logos, has a political dimension. (...) Specifically, the paper argues that the mediation performed by Socrates in the dialogue is intended to get us to turn toward one another in the formation of communities of philosophical discourse. (shrink)

Although the Parmenidean poem is in epic meter and teems with vivid imagery, it has been translated into the domain of philosophy since its earliest reception. Within this domain it has traditionally been interpreted as the first "explicit and self-conscious argumentation" of western philosophy. Yet, the poem aims at persuasion and affect rather than logical demonstration.Working primarily with a sense of translation as critical reception, this paper articulates the history of a translational protocol that excises conceptual matter from linguistic form, (...) reducing the semantic range of the Parmenidean poem. Beginning with Zeno and Melissus, a series of translations reduces the Parmenidean poem into a vehicle for a separable and fully translatable doctrine, stabilizing and homogenizing a thinking that otherwise persists as polyvalent and heterogeneous. (shrink)

There are thirteen instances of the term schema throughout the chapter “Le panoptism”, from Surveiller et punir. We consider that the meaning of this technical term found in Foucault’s work refers to the philosophy of Kant. Gilles Deleuze is one of the few thinkers who noticed the connection between the issue of power and the Kantian schema. Considering that the diagram is analogous to the Kantian schema and the schema —as in Kritik der reinen Vernunft— is a product of imagination, (...) which is the Foucauldian term that corresponds to imagination? This question itself leads to an ontology. The aim of this paper is to demonstrate that Foucauldian archeology and genealogy require a political and historical ontology of imagination, which has been partially outlined by Deleuze, but never thought in connection with the imagination. (shrink)

El presente escrito pretende dar cuenta de algunos aspectos decisivos de la filosofía transcendental kantiana y de su lectura fenomenológica por Heidegger. Se centra en la denominada “tesis de Kant sobre el ser” con el propósito de situar la exposición en un marco explícitamente ontológico y de esbozar una cierta comprensión de los fenómenos de finitud y transcendencia en la filosofía de Kant.

From a phenomenological perspective of game-space and horizon, this paper tries to make a deconstructive reading of Hegel's "two galleries", namely, "the gallery of opinions" and "the gallery of knowledge", which are mentioned in the introduction of Hegel's Lectures on the History of Philosophy. The reading shows that the Game-space or the ab-gruendiger Grund of the Hegelian concept of philosophical history lies in an originally differencing space that is keeping in absence, which is called by Edmund Husserl and Jacques Derrida (...) "the gallery of Dresden". (shrink)

The Timaeus is a muthos that attempts to imagine a logos of the cosmos. Like the demiurge, readers are to be mimetic artists, poets, who move constantly between the intelligible essences and their likenesses in the world of appearance, experience, and becoming, occupying a third register that is neither and both. The cosmology of the Timaeus is both a likely story and an allegory of its own failure. It takes place within the nonspace of the khōra, a realm accessible only (...) through bastard reasoning that we can perceive only as if in a dream. The Timaeus is an unfinalizable logos in which each moment of positing is also a moment of irony and interrogation, of simultaneous acceptance and active separation, of choric space. (shrink)

El presente artículo defiende que las nociones de epojé y de modificación de neutralidad, a pesar de su aparente semejanza, deben mantenerse radicalmente diferenciadas. La razón de fondo es que ambas surgen en el seno de operaciones de la conciencia que son metodológica y jerárquicamente distintas. Para tal efecto, haré una descripción de sus funciones y estructura, de modo que se hagan visibles tanto sus respectivas esferas de aplicación como el alcance operativo de sus procedimientos.

To what extent can the structure of dialogue be used to ground a theory of human understanding? In this paper, I examine Plato’s Phaedo, Republic, and Philebus with an eye toward challenging Gadamer’s thesis that Socratic dialogue grounds a theory of hermeneutics that characterizes understanding as a factor within experience as “radical openness.” I contend that there is a basic problem in Gadamer’s historical appropriation of the dialectic. This is that the elenchtic ideal of most of the early dialogues of (...) Plato, which underlies Gadamer’s notion of privileging process over result in conversation, is fundamentally in tension with reaching an understanding of concepts, and ultimately reaching toward the Good.Dans quelle mesure la structure du dialogue peut-elle être utilisee pour fonder une théorie de la compréhension humaine? Dans cet article, je considère le Phédon, la République et le Philèbe en vue de mettre en question la thése gadamérienne selon laquelle le dialogue socratique fonde une théorie herméneutique qui définit la compréhension comme un facteur a l’intérieur de l’expérience entendue comme «ouverture radicale». Je soutiens qu’il y a un problème fondamental dans le projet gadamérien de l’appropriation historique de la dialectique. Ceci tient à ce que l’ideal élenchtique de la plupart des premiers dialogues platoniciens, lequel idéal sous-tend la notion gadamérienne qui privilégie le processus au profit du résultat de la conversation, se trouve dans une tension fondamentale avec le but qui consiste à accéder à une compréhension des concepts et, en définitive, à accéder au Bien. (shrink)