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Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.details
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(1 other version)Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.details
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(2 other versions)The descent of man, and selection in relation to sex.Charles Darwin - 1871 - New York: Plume. Edited by Carl Zimmer.details
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Introduction to a philosophy of music.Peter Kivy - 2002 - New York: Clarendon Press.details
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The Aesthetics of Music.Roger Scruton - 1997 - Oxford, GB: Oxford University Press.details
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Values of art: pictures, poetry, and music.Malcolm Budd - 1996 - New York, N.Y.: Penguin Books.details
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Musical meaning and expression.Stephen Davies - 1994 - Ithaca: Cornell University Press.details
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The expression of emotion in music.S. Davies - 1980 - Mind 89 (353):67-86.details
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The Intentional Stance.Daniel Clement Dennett - 1981 - MIT Press.details
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(1 other version)Languages of Art.Nelson Goodman - 1968 - Indianapolis,: Hackett Publishing Company.details
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Expression And Expressiveness In Art.Jenefer Robinson - 2007 - Postgraduate Journal of Aesthetics 4 (2):19-41.details
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(1 other version)The Modularity of Mind.Robert Cummins & Jerry Fodor - 1983 - Philosophical Review 94 (1):101.details
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Seeing‐As in the Light of Vision Science.Ned Block - 2014 - Philosophy and Phenomenological Research 89 (1):560-572.details
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The dynamic architecture of emotion: Evidence for the component process model.Klaus R. Scherer - 2009 - Cognition and Emotion 23 (7):1307-1351.details
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(1 other version)Philosophy in a new key.Susanne Katherina Knauth Langer - 1942 - Cambridge,: Harvard University Press.details
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(1 other version)The Perception of Music: Sources of Significance.Christopher Peacocke - 2009 - Modern Schoolman 86 (3-4):239-260.details
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Expressive perception as projective imagining.Paul Noordhof - 2008 - Mind and Language 23 (3):329–358.details
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The Corded Shell: Reflections on Musical Expression.Peter Kivy - 1980 - Philosophy and Rhetoric 17 (1):47-55.details
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Forms of Vitality: Exploring Dynamic Experience in Psychology, the Arts, Psychotherapy, and Development.Daniel N. Stern - 1985 - Oxford University Press.details
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Emotion Recognition as Pattern Recognition: The Relevance of Perception.Albert Newen, Anna Welpinghus & Georg Juckel - 2015 - Mind and Language 30 (2):187-208.details
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Art and Visual Perception: The New Version.Rudolf Arnheim - 1969 - Journal of Aesthetics and Art Criticism 34 (3):361-364.details
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The Intentional Stance by Daniel Dennett. [REVIEW]Sydney Shoemaker - 1990 - Journal of Philosophy 87 (4):212-216.details
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(1 other version)The Perception of Music: Sources of Significance: Symposium.Christopher Peacocke - 2009 - British Journal of Aesthetics 49 (3):257-275.details
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(2 other versions)Languages of Art. An Approach to a Theory of Symbols.Nelson Goodman - 1970 - Critica 4 (11/12):164-171.details
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Cognitive penetrability and emotion recognition in human facial expressions.Francesco Marchi & Albert Newen - 2015 - Frontiers in Psychology 6.details
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(2 other versions)Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1971 - British Journal for the Philosophy of Science 22 (2):187-198.details
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Music, Essential Metaphor, and Private Language.Nick Zangwill - 2011 - American Philosophical Quarterly 48 (1):1.details
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Cross-cultural musical expressiveness: Theory and the empirical programme.Stephen Davies & Peter Goldie - unknowndetails
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Art and Visual Perception: A Psychology of the Creative Eye.Rudolph Arnheim - 1956 - Philosophy and Phenomenological Research 16 (3):425-426.details
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The Corded Shell: Reflections on Musical Expression.Kingsley Price - 1981 - Journal of Aesthetics and Art Criticism 39 (4):460-462.details
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Mindblindness. An essay on autism and theory of mind, Cambridge, Mass, MITPTCSS, tradiit. Dautismo e la lettura della mente, Roma.S. Baron-Cohen - forthcoming - Astrolabio.details
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Is music a language of the emotions?Stephen Davies - 1983 - British Journal of Aesthetics 23 (3):222-233.details
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Emotion and Meaning in Music.Julius Portnoy - 1957 - Journal of Aesthetics and Art Criticism 16 (2):285-286.details
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Are there basic emotions?Paul Ekman - 1992 - Psychological Review 99 (3):550-553.details
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The descent of man and selection in relation to sex (excerpt).C. Darwin - 2014 - In Francisco José Ayala & John C. Avise (eds.), Essential readings in evolutionary biology. Baltimore: The Johns Hopkins University Press.details
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Musical Meaning and Expression.Alan H. Goldman - 1996 - Philosophical Quarterly 46 (185):533-535.details
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Expressiveness as a property of the music itself.Saam Trivedi - 2001 - Journal of Aesthetics and Art Criticism 59 (4):411–420.details
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Music, Art, and Metaphysics.Stephen Davies - 1992 - Journal of Aesthetic Education 26 (2):110.details
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The Meaning of Music.Carroll C. Pratt - 1932 - Philosophical Review 41:648.details
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Philosophy in a New Key. [REVIEW]Melvin Rader - 1957 - Journal of Aesthetics and Art Criticism 16 (2):269-270.details
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(1 other version)Languages of Art: An Approach to a Theory of Symbols.B. C. O'Neill - 1971 - Philosophical Quarterly 21 (85):361.details
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(1 other version)Introduction to a Philosophy of Music.Peter Kivy & Geoffrey Madell - 2004 - Philosophical Quarterly 54 (214):199-202.details
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Expressiveness: Theory and the Empirical Programme.Stephen Davies - 2011 - In Elisabeth Schellekens Dammann & Peter Goldie (eds.), The Aesthetic Mind: Philosophy and Psychology. Oxford [etc.]: Oxford University Press. pp. 376.details
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