- Evaluating Musical Performance.Jerrold Levinson - 1987 - The Journal of Aesthetic Education 21 (1):75.details
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(1 other version)Understanding Music.Michael Tanner & Malcolm Budd - 1985 - Aristotelian Society Supplementary Volume 59 (1):215 - 248.details
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Philosophy of the Performing Arts.David Davies - 2011 - Wiley-Blackwell.details
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(1 other version)Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.details
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(4 other versions)What is a theory of meaning?Michael A. E. Dummett - 1975 - In Samuel D. Guttenplan (ed.), Mind and language. Oxford [Eng.]: Clarendon Press.details
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Musical Works and Performances: A Philosophical Exploration.Stephen Davies - 2001 - Oxford, GB: Oxford University Press.details
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Works of music: an essay in ontology.Julian Dodd - 2007 - New York: Oxford University Press.details
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The Interpretation of music: philosophical essays.Michael Krausz (ed.) - 1993 - New York: Oxford University Press.details
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The imaginary museum of musical works: an essay in the philosophy of music.Lydia Goehr - 1992 - New York: Oxford University Press.details
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(1 other version)Piece for the end of time: In defence of musical ontology.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.details
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(1 other version)Artistic crimes: The problem of forgery in the arts.Denis Dutton - 1979 - British Journal of Aesthetics 19 (4):302-314.details
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Musical Works and Performances: A Philosophical Exploration.Andrew Kania - 2003 - Mind 112 (447):513-518.details
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Music, Art, and Metaphysics.Jerrold Levinson - 2011 - Oxford: Oxford University Press.details
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Works and worlds of art.Nicholas Wolterstorff - 1980 - New York: Oxford University Press.details
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The Aesthetics of Music.Roger Scruton - 1997 - Oxford, GB: Oxford University Press.details
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The empiricist theory of artistic value.R. A. Sharpe - 2000 - Journal of Aesthetics and Art Criticism 58 (4):321-332.details
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What is wrong with a forgery?Alfred Lessing - 1965 - Journal of Aesthetics and Art Criticism 23 (4):461-471.details
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(1 other version)Philosophy of Music: An Introduction.R. A. Sharpe - 2004 - Routledge.details
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The Pleasures of Aesthetics.Jerrold Levinson - 1998 - Philosophical Quarterly 48 (193):555-556.details
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(1 other version)„What is a Theory of Meaning?(I)” in: Guttenplan, S.Michael Dummett - 1975 - In Samuel D. Guttenplan (ed.), Mind and language. Oxford [Eng.]: Clarendon Press.details
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Themes in the philosophy of music.Stephen Davies - 2003 - New York: Oxford University Press.details
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(1 other version)Against musical platonism.Stefano Predelli - 1995 - British Journal of Aesthetics 35 (4):338-350.details
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The ontology of musical works and the authenticity of their performances.Stephen Davies - 1991 - Noûs 25 (1):21-41.details
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12 The Multiple Interpretability of Musical Works.Stephen Davies - 2002 - In Michael Krausz (ed.), Is There a Single Right Interpretation? Pennsylvania State University Press. pp. 231-250.details
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(1 other version)Art as Performance. [REVIEW]A. Kania - 2005 - Mind 114 (453):137-141.details
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How Can There Be Works Of Art?Michael Morris - 2008 - Postgraduate Journal of Aesthetics 5 (3):1-18.details
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Authenticities: Philosophical Reflections on Musical Performance.Peter Kivy - 1995 - Cornell University Press.details
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Platonism in Music: Another Kind of Defense.Peter Kivy - 1987 - American Philosophical Quarterly 24 (3):245 - 252.details
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The concept of authentic performance.James O. Young - 1988 - British Journal of Aesthetics 28 (3):228-238.details
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The sound of the concerto. Against the invariantist approach to musical ontology.Stefano Predelli - 2006 - British Journal of Aesthetics 46 (2):144-162.details
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(1 other version)Against Musical Platonism.Stefano Predelli - 1995 - British Journal of Aesthetics 35 (4):338-350.details
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(1 other version)Piece for the End of Time: In Defence of Musical Ontology: Articles.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.details
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Transcription, authenticity and performance.Stephen Davies - 1988 - British Journal of Aesthetics 28 (3):216-227.details
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Authenticity in musical performance.Stephen Davies - 1987 - British Journal of Aesthetics 27 (1):39-50.details
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Art as Performance.David Davies - 2003 - Malden, MA: Wiley-Blackwell.details
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The Interpretation of Music: Philosophical Essays. [REVIEW]Jennifer Judkins - 1996 - Journal of Aesthetic Education 30 (3):113.details
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The Philosophy of Music: Theme and Variations.Aaron Ridley - unknown - Edinburgh University Press.details
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Authenticity in performance.James O. Young - 2000 - In Berys Nigel Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics. New York: Routledge.details
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Works and Worlds of Art.John G. Bennett - 1982 - Journal of Aesthetics and Art Criticism 40 (4):431-433.details
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Languages of Art.Nelson Goodman - 1970 - Philosophy and Rhetoric 3 (1):62-63.details
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Art as Performance. [REVIEW]Kathleen Stock - 2005 - Philosophical Quarterly 55 (221):694-696.details
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The sound of music.Andy Hamilton - 2009 - In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays. Oxford, GB: Oxford University Press UK.details
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Works of Music: An Essay in Ontology.Julian Dodd - 2008 - Journal of Aesthetics and Art Criticism 66 (2):201-203.details
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Themes in the Philosophy of Music.Mark Debellis - 2004 - Mind 113 (452):747-750.details
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Themes in the Philosophy of Music.Stephen Davies & Bruce Ellis Benson - 2004 - Philosophical Quarterly 54 (217):645-648.details
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