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  1. Mind.Susanne Katherina Knauth Langer - 1967 - Baltimore,: Johns Hopkins University Press.
    Proposes a theory of evolution that accounts for the development of human intellect from animal mentality.
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  • The fold: Leibniz and the Baroque.Gilles Deleuze - 2006 - New York: Continuum.
    In The Fold Deleuze proposes a new and radical way of understanding philosophy and art.
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  • Six Names of Beauty.Crispin Sartwell - 2004 - New York: Routledge.
    First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
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  • Feeling and Form: A Theory of Art.Susanne Katherina Langer - 1979 - Scribner.
    "Developed from the author's Philosophy is a new key." Bibliography: p. 417-428.
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  • Susanne Langer in Focus: The Symbolic Mind.Robert E. Innis - 2009 - Indiana University Press.
    A thorough account of Langer's philosophical career.
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  • Peirce's theory of linguistic signs, thought, and meaning.John Dewey - 1946 - Journal of Philosophy 43 (4):85-95.
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  • Introduction to Peircean visual semiotics.Tony Jappy - 2013 - London: Bloomsbury Academic.
    Signs and things -- How Shall a Sign be Called? -- Peirce -- Modes of Representation -- Medium Matters -- The Mute Poem -- Rhetoric of the image.
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  • Six Names of Beauty.Crispin Sartwell - 2004 - New York: Routledge.
    Beauty may be in the eye of the beholder, but it's also in the language we use and everywhere in the world around us. In this elegant, witty, and ultimately profound meditation on what is beautiful, Crispin Sartwell begins with six words from six different cultures - ancient Greek's 'to kalon', the Japanese idea of 'wabi-sabi', Hebrew's 'yapha', the Navajo concept 'hozho', Sanskrit 'sundara', and our own English-language 'beauty'. Each word becomes a door onto another way of thinking about, and (...)
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  • Energies of Objects: Between Dewey and Langer.Robert E. Innis - 2015 - In Sabine Marienberg & Franz Engel (eds.), Das Entgegenkommende Denken. Berlin: De Gruyter. pp. 21-38.
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  • Nature's Religion.Robert S. Corrington - 1997 - Rowman & Littlefield.
    In the wake of both the semiotic and the psychoanalytic revolutions, how is it possible to describe the object of religious worship in realist terms? Semioticians argue that each object is known only insofar as it gives birth to a series of signs and interpretants (new signs). From the psychoanalytic side, religious beliefs are seen to belong to transference energies and projections that contaminate the religious object with all-too-human complexes. In Nature's Religion, distinguished theologian and philosopher Robert S. Corrington weaves (...)
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  • Philosophy in a new key.Susanne Katherina Knauth Langer - 1942 - Cambridge,: Harvard University Press.
    This book presents a study of human intelligence beginning with a semantic theory and leading into a critique of music.
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  • Peirce's twenty-eight classes of signs and the philosophy of representation: rhetoric, interpretation and hexadic semiosis.Tony Jappy - 2017 - New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing PIc.
    The Philosophy of Representation -- The Transition -- The Sign-Systems of 1908 -- Rhetorical Concerns -- Interpretation, Worldviews and the Object.
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  • Peircean Seeds for a Philosophy of Art.Ivo A. Ibri - 2010 - Semiotics:1-16.
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  • Kósmos Noetós: The Metaphysical Architecture of Charles S. Peirce.Ivo Assad Ibri - 2017 - Springer Verlag.
    This pioneering book presents a reconstitution of Charles Sanders Peirce philosophical system as a coherent architecture of concepts that form a unified theory of reality. Historically, the majority of Peircean scholars adopted a thematic approach to study isolated topics such as semiotics and pragmatism without taking into account the author’s broader philosophical framework, which led to a poor and fragmented understanding of Peirce’s work. In this volume, professor Ivo Assad Ibri, past president of The Charles Sanders Peirce Society and a (...)
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  • Reflections on a Poetic Ground in Peirce's Philosophy.Ivo A. Ibri - 2009 - Transactions of the Charles S. Peirce Society 45 (3):273-307.
    Is there a poetic ground in Peirce's philosophy? While this question may sound interesting, it is somehow odd, as Peirce is well–known as a logician, and it is also known by scholars that he was not an expert in poetry, literature, art, or even theories concerning art in general. This paper hypothesizes that there is a starting point in his philosophy that is poetical in its nature. Moreover, Peirce's system is obviously logical in its form, but also keeps the spirit (...)
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  • Six Names of Beauty.Crispin Sartwell - 2004 - New York: Routledge.
    First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.
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