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  1. The magical number seven, plus or minus two: Some limits on our capacity for processing information.George A. Miller - 1956 - Psychological Review 63 (2):81-97.
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  • Basic Color Terms: Their Universality and Evolution.Brent Berlin & Paul Kay - 1991 - Center for the Study of Language and Information.
    The work reported in this monograph was begun in the winter of 1967 in a graduate seminar at Berkeley. Many of the basic data were gathered by members of the seminar and the theoretical framework presented here was initially developed in the context of the seminar discussions. Much has been discovered since1969, the date of original publication, regarding the psychophysical and neurophysical determinants of universal, cross-linguistic constraints on the shape of basic color lexicons, and something, albeit less, can now also (...)
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  • An argument for basic emotions.Paul Ekman - 1992 - Cognition and Emotion 6 (3):169-200.
    Emotions are viewed as having evolved through their adaptive value in dealing with fundamental life-tasks. Each emotion has unique features: signal, physiology, and antecedent events. Each emotion also has characteristics in common with other emotions: rapid onset, short duration, unbidden occurrence, automatic appraisal, and coherence among responses. These shared and unique characteristics are the product of our evolution, and distinguish emotions from other affective phenomena.
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  • The Ecological Approach to Visual Perception: Classic Edition.James J. Gibson - 1979 - Houghton Mifflin.
    This is a book about how we see: the environment around us (its surfaces, their layout, and their colors and textures); where we are in the environment; whether or not we are moving and, if we are, where we are going; what things are good for; how to do things (to thread a needle or drive an automobile); or why things look as they do.The basic assumption is that vision depends on the eye which is connected to the brain. The (...)
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  • The Expression of Emotions in Man and Animals.Charles Darwin - 1872 - John Murray.
    Darwin discusses why different muscles are brought into action under different emotions and how particular animals have adapted for association with man.
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  • Explaining Color Term Typology With an Evolutionary Model.Mike Dowman - 2007 - Cognitive Science 30 (1):99-132.
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  • Taste.Bruce P. Halpern - 2002 - In J. Wixted & H. Pashler (eds.), Stevens' Handbook of Experimental Psychology. Wiley.
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  • Uniqueness of perceived hues investigated with a continuous judgmental technique.Charles E. Sternheim & Robert M. Boynton - 1966 - Journal of Experimental Psychology 72 (5):770.
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  • Outlines of a Theory of the Light Sense.Ewald Hering - 1920 - Cambridge: Harvard University Press.
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  • The Ecological Approach to Visual Perception.Marc H. Bornstein - 1980 - Journal of Aesthetics and Art Criticism 39 (2):203-206.
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  • Conjectures and Refutations.K. Popper - 1963 - Les Etudes Philosophiques 21 (3):431-434.
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  • Les Passions de L’Ame.René Descartes - 2010 - Vrin.
    Dernier ouvrage publie par Descartes, le Traite des Passions de l'ame (1649) est le fruit de toute sa philosophie. Ce traite, qui s'appuie sur un resume de la biologie cartesienne, s'oriente vers une medecine concrete des affections psycho-physiologiques et s'epanouit en une apologie de la generosite. Aux observations scientifiques, Descartes ne dedaigne pas d'adjoindre des notations psychologiques dont la finesse evoque parfois ces maximes qui fleurissaient dans les salons au XVIIe siecle. Ainsi l'ampleur des conclusions scientifiques, morales et metaphysiques, sources (...)
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  • Coordinating perceptually grounded categories through language: A case study for colour.Luc Steels & Tony Belpaeme - 2005 - Behavioral and Brain Sciences 28 (4):469-489.
    This article proposes a number of models to examine through which mechanisms a population of autonomous agents could arrive at a repertoire of perceptually grounded categories that is sufficiently shared to allow successful communication. The models are inspired by the main approaches to human categorisation being discussed in the literature: nativism, empiricism, and culturalism. Colour is taken as a case study. Although we take no stance on which position is to be accepted as final truth with respect to human categorisation (...)
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  • The Psychology Of Perception: A Philosophical Examination Of Gestalt Theory And Derivative Theories Of Perception.David W. Hamlyn - 1957 - The Humanities Press.
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  • Sensation and Perception in the History of Experimental Psychology. [REVIEW]V. C. A. - 1944 - Journal of Philosophy 41 (12):334-335.
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  • Stimulus coding in topographic and nontopographic afferent modalities: On the significance of the activity of individual sensory neurons.Robert P. Erickson - 1968 - Psychological Review 75 (6):447-465.
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  • Conscious emotional experience emerges as a function of multilevel, appraisal-driven response synchronization.Didier Grandjean, David Sander & Klaus R. Scherer - 2008 - Consciousness and Cognition 17 (2):484-495.
    In this paper we discuss the issue of the processes potentially underlying the emergence of emotional consciousness in the light of theoretical considerations and empirical evidence. First, we argue that componential emotion models, and specifically the Component Process Model , may be better able to account for the emergence of feelings than basic emotion or dimensional models. Second, we advance the hypothesis that consciousness of emotional reactions emerges when lower levels of processing are not sufficient to cope with the event (...)
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  • Human Color Vision.Peter K. Kaiser & Robert M. Boynton - 1996 - Washington: Optical Society of America.
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  • Color Categories in Thought and Language.Rudolf Arnheim, C. L. Hardin & Luisa Maffi - 1998 - Journal of Aesthetic Education 32 (4):109.
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  • What's basic about basic emotions?Andrew Ortony & Terence J. Turner - 1990 - Psychological Review 97 (3):315-331.
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  • Sensation and Perception in the History of Experimental Psychology.Harlow W. Ades - 1943 - Philosophy and Phenomenological Research 4 (1):104-106.
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  • The Psychology of Perception.Frank N. Sibley & D. W. Hamlyn - 1959 - Philosophical Review 68 (2):263.
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  • Principles of Numerical Taxonomy.Robert R. Sokal & Peter H. A. Sneath - 1961 - W. H. Freeman.
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  • Explaining Color Term Typology With an Evolutionary Model.Mike Dowman - 2007 - Cognitive Science 31 (1):99-132.
    An expression-induction model was used to simulate the evolution of basic color terms to test Berlin and Kay's (1969) hypothesis that the typological patterns observed in basic color term systems are produced by a process of cultural evolution under the influence of biases resulting from the special properties of universal focal colors. Ten agents were simulated, each of which could learn color term denotations by generalizing from examples using Bayesian inference, and for which universal focal red, yellow, green, and blue (...)
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  • .Paul Blackledge & Kelvin Knight (eds.) - 2011 - University of Notre Dame Press.
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  • Explaining Color Term Typology With an Evolutionary Model.Mike Dowman - 2007 - Cognitive Science 31 (1):99-132.
    An expression-induction model was used to simulate the evolution of basic color terms to test Berlin and Kay's (1969) hypothesis that the typological patterns observed in basic color term systems are produced by a process of cultural evolution under the influence of biases resulting from the special properties of universal focal colors. Ten agents were simulated, each of which could learn color term denotations by generalizing from examples using Bayesian inference, and for which universal focal red, yellow, green, and blue (...)
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  • Recognition of objects by physical attributes.D. A. Booth - 1994 - Behavioral and Brain Sciences 17 (4):759-760.
    [Comment, pp 759-780] Lockhead (1992) [Target Article] is undoubtedly right to attack so-called intensity scaling or the estimation of subjective magnitudes as an invalid perversion of tasks requiring quantitative judgments of aspects of objects, stuffs, and situations. He goes too far, however, in claiming that feature scales do not exist... ... A perceived physical pattern (sensory feature or channel) and the cognitive process that integrates it with its context are characterized by determining to which particular combination of specified stimulus patterns (...)
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