- The Power of Images: Studies in the History and Theory of Response.David Freedberg - 1991 - Journal of Aesthetics and Art Criticism 49 (1):85-86.details
|
|
The Varieties of Reference.Gareth Evans - 1982 - Oxford: Oxford University Press. Edited by John Henry McDowell.details
|
|
An argument for basic emotions.Paul Ekman - 1992 - Cognition and Emotion 6 (3):169-200.details
|
|
Cognitive Ecology.Edwin Hutchins - 2010 - Topics in Cognitive Science 2 (4):705-715.details
|
|
Implicit preferences: The role(s) of familiarity in the structural mere exposure effect.D. Zizak - 2004 - Consciousness and Cognition 13 (2):336-362.details
|
|
To understand it on its own terms.Denis Dutton - 1974 - Philosophy and Phenomenological Research 35 (2):246-256.details
|
|
Tribal art and artifact.Denis Dutton - 1993 - Journal of Aesthetics and Art Criticism 51 (1):13-21.details
|
|
The art instinct: beauty, pleasure, & human evolution.Denis Dutton - 2009 - New York: Bloomsbury Press.details
|
|
Artistic crimes: The problem of forgery in the arts.Denis Dutton - 1979 - British Journal of Aesthetics 19 (4):302-314.details
|
|
Art and the language of the emotions.C. J. Ducasse - 1964 - Journal of Aesthetics and Art Criticism 23 (1):109-112.details
|
|
Knowledge and the flow of information.F. Dretske - 1989 - Trans/Form/Ação 12:133-139.details
|
|
Knowledge and the Flow of Information.Fred I. Dretske - 1981 - Stanford, CA: MIT Press.details
|
|
Explaining Behavior: Reasons in a World of Causes.Fred Dretske - 1988 - MIT Press.details
|
|
A Cognitive Approach to the Earliest Art.Johan de Smedt & Helen de Cruz - 2011 - Journal of Aesthetics and Art Criticism 69 (4):379-389.details
|
|
The interpretation of texts, people and other artifacts.Daniel C. Dennett - 1990 - Philosophy and Phenomenological Research 50:177-194.details
|
|
The Intentional Stance.Daniel Clement Dennett - 1981 - MIT Press.details
|
|
The ontology of musical works and the authenticity of their performances.Stephen Davies - 1991 - Noûs 25 (1):21-41.details
|
|
The aesthetic relevance of authors' and painters' intentions.Stephen Davies - 1982 - Journal of Aesthetics and Art Criticism 41 (1):65-76.details
|
|
Interpreting contextualities.Stephen Davies - 1996 - Philosophy and Literature 20 (1):20-38.details
|
|
First Art and Art’s Definition.Stephen Davies - 1997 - Southern Journal of Philosophy 35 (1):19-34.details
|
|
Authors' intentions, literary interpretation, and literary value.Stephen Davies - 2006 - British Journal of Aesthetics 46 (3):223-247.details
|
|
The transfiguration of the commonplace.Arthur C. Danto - 1974 - Journal of Aesthetics and Art Criticism 33 (2):139-148.details
|
|
The transfiguration of the commonplace: a philosophy of art.Arthur Coleman Danto - 1981 - Cambridge: Harvard University Press.details
|
|
The Artworld.Arthur Danto - 1964 - Journal of Philosophy 61 (19):571-584.details
|
|
Beyond the brillo box: the visual arts in post-historical perspective.Arthur Coleman Danto - 1992 - New York: Farrar Straus Giroux.details
|
|
After the End of Art: Contemporary Art and the Pale of History.Arthur Coleman Danto - 1997 - Princeton University Press.details
|
|
An ontology of art.Gregory Currie - 1989 - New York: St. Martin's Press.details
|
|
Arts and minds.Gregory Currie - 2004 - New York: Oxford University Press.details
|
|
The extended mind.Andy Clark & David J. Chalmers - 1998 - Analysis 58 (1):7-19.details
|
|
Farewell to an Idea: Episodes from a History of Modernism.T. J. Clark - 2004 - Journal of Aesthetics and Art Criticism 62 (3):297-298.details
|
|
Clement Greenberg's Theory of Art.T. J. Clark - 1982 - Critical Inquiry 9 (1):139-156.details
|
|
Mindreading underlies metacognition.Peter Carruthers - 2009 - Behavioral and Brain Sciences 32 (2):164-182.details
|
|
Aesthetic experience revisited.Noël Carroll - 2002 - British Journal of Aesthetics 42 (2):145-168.details
|
|
Art and the domain of the aesthetic.N. Carroll - 2000 - British Journal of Aesthetics 40 (2):191-208.details
|
|
Art and Interaction.Noel Carroll - 1986 - Journal of Aesthetics and Art Criticism 45 (1):57–68.details
|
|
The principle of ontological commitment in pre- and postmortem multiple agent tracking.Nicolas J. Bullot - 2006 - Behavioral and Brain Sciences 29 (5):466-468.details
|
|
Editorial: Objects and Sound Perception. [REVIEW]Nicolas J. Bullot & Paul Égré - 2010 - Review of Philosophy and Psychology 1 (1):5-17.details
|
|
Attention, information and epistemic perception.Nicolas Bullot - 2013details
|
|
Values of art: pictures, poetry, and music.Malcolm Budd - 1996 - New York, N.Y.: Penguin Books.details
|
|
Situated Cognition, Dynamic Systems, and Art.Ingar Brinck - 2007 - Janus Head 9 (2):407-431.details
|
|
Hierarchical models of behavior and prefrontal function.Matthew M. Botvinick - 2008 - Trends in Cognitive Sciences 12 (5):201.details
|
|
Young children are sensitive to how an object was created when deciding what to name it.Paul Bloom - 2000 - Cognition 76 (2):91-103.details
|
|
Intention, history, and artifact concepts.Paul Bloom - 1996 - Cognition 60 (1):1-29.details
|
|
Children prefer certain individuals over perfect duplicates.Paul Bloom - 2008 - Cognition 106 (1):455-462.details
|
|
Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training.E. Bigand & B. Poulin-Charronnat - 2006 - Cognition 100 (1):100-130.details
|
|
Recognition-by-components: A theory of human image understanding.Irving Biederman - 1987 - Psychological Review 94 (2):115-147.details
|
|
The folk psychology of souls.Jesse M. Bering - 2006 - Behavioral and Brain Sciences 29 (5):453-+.details
|
|
Studies in the New Experimental Aesthetics: Steps toward an Objective Psychology of Aesthetic Appreciation.D. E. Berlyne - 1975 - Journal of Aesthetics and Art Criticism 34 (1):86-87.details
|
|
Aesthetics and Psychobiology.D. E. Berlyne - 1973 - Journal of Aesthetics and Art Criticism 31 (4):553-553.details
|
|
Perceptual symbol systems.Lawrence W. Barsalou - 1999 - Behavioral and Brain Sciences 22 (4):577-660.details
|
|