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  1. An argument for basic emotions.Paul Ekman - 1992 - Cognition and Emotion 6 (3):169-200.
    Emotions are viewed as having evolved through their adaptive value in dealing with fundamental life-tasks. Each emotion has unique features: signal, physiology, and antecedent events. Each emotion also has characteristics in common with other emotions: rapid onset, short duration, unbidden occurrence, automatic appraisal, and coherence among responses. These shared and unique characteristics are the product of our evolution, and distinguish emotions from other affective phenomena.
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  • (3 other versions)Conscious experience.Fred Dretske - 1993 - Mind 102 (406):263-283.
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  • Social understanding through direct perception? Yes, by interacting.Hanne De Jaegher - 2009 - Consciousness and Cognition 18 (2):535-542.
    This paper comments on Gallagher’s recently published direct perception proposal about social cognition [Gallagher, S.. Direct perception in the intersubjective context. Consciousness and Cognition, 17, 535–543]. I show that direct perception is in danger of being appropriated by the very cognitivist accounts criticised by Gallagher. Then I argue that the experiential directness of perception in social situations can be understood only in the context of the role of the interaction process in social cognition. I elaborate on the role of social (...)
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  • Cognitivism in the theory of emotions.John Deigh - 1994 - Ethics 104 (4):824-54.
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  • Perceiving mental states.Peter Carruthers - 2015 - Consciousness and Cognition 36:498-507.
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  • Comment: On the Role of Appraisal Processes in the Construction of Emotion.Tobias Brosch - 2013 - Emotion Review 5 (4):369-373.
    Appraisal and constructivist theories of emotion both emphasize that emotions are not modular phenomena, but are constructed from more basic psychological parts. In the scientific debate, differences between the two approaches are sometimes overplayed, by classifying appraisal theories as “natural kinds” models, and sometimes underplayed, by basically merging them into constructivist accounts. The aim of this contribution is to illustrate some similarities and some differences between contemporary appraisal and constructivist approaches, and to highlight the fact that appraisal theory has indeed (...)
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  • On Direct Social Perception.Shannon Spaulding - 2015 - Consciousness and Cognition 36:472-482.
    Direct Social Perception (DSP) is the idea that we can non-inferentially perceive others’ mental states. In this paper, I argue that the standard way of framing DSP leaves the debate at an impasse. I suggest two alternative interpretations of the idea that we see others’ mental states: others’ mental states are represented in the content of our perception, and we have basic perceptual beliefs about others’ mental states. I argue that the latter interpretation of DSP is more promising and examine (...)
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  • The logic of emotion.Robert C. Solomon - 1977 - Noûs 11 (1):41-49.
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  • The Phenomenology of Face‐to‐Face Mindreading.Joel Smith - 2015 - Philosophy and Phenomenological Research 90 (2):274-293.
    I defend a perceptual account of face-to-face mindreading. I begin by proposing a phenomenological constraint on our visual awareness of others' emotional expressions. I argue that to meet this constraint we require a distinction between the basic and non-basic ways people, and other things, look. I offer and defend just such an account.
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  • Direct perception in the intersubjective context.Shaun Gallagher - 2008 - Consciousness and Cognition 17 (2):535-543.
    This paper, in opposition to the standard theories of social cognition found in psychology and cognitive science, defends the idea that direct perception plays an important role in social cognition. The two dominant theories, theory theory and simulation theory , both posit something more than a perceptual element as necessary for our ability to understand others, i.e., to “mindread” or “mentalize.” In contrast, certain phenomenological approaches depend heavily on the concept of perception and the idea that we have a direct (...)
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  • Cognitive, social, and physiological determinants of emotional state.Stanley Schachter & Jerome Singer - 1962 - Psychological Review 69 (5):379-399.
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  • How to Define Emotions Scientifically.Andrea Scarantino - 2012 - Emotion Review 4 (4):358-368.
    The central contention of this article is that the classificatory scheme of contemporary affective science, with its traditional categories of emotion, anger, fear, and so on, is no longer suitable to the needs of affective science. Unlike psychological constructionists, who have urged the transition from a discrete to a dimensional approach in the study of affective phenomena, I argue that we can stick to a discrete approach as long as we accept that traditional emotion categories will have to be transformed (...)
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  • Ekman's basic emotions: Why not love and jealousy?John Sabini & Maury Silver - 2005 - Cognition and Emotion 19 (5):693-712.
    Paul Ekman's view of the emotions is, we argue, pervasive in psychology and is explicitly shaped to be compatible with evolutionary thinking. Yet, strangely, jealousy and parental love, two emotions that figure prominently in evolutionary psychology, are absent from Ekman's list of the emotions. In this paper we examine why Ekman believes this exclusion is necessary, and what this implies about the limits of his conception of emotion. We propose an alternative way of thinking about emotion that does not exclude (...)
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  • Emotion, core affect, and psychological construction.James A. Russell - 2009 - Cognition and Emotion 23 (7):1259-1283.
    As an alternative to using the concepts of emotion, fear, anger, and the like as scientific tools, this article advocates an approach based on the concepts of core affect and psychological construction, expanding the domain of inquiry beyond “emotion”. Core affect is a neurophysiological state that underlies simply feeling good or bad, drowsy or energised. Psychological construction is not one process but an umbrella term for the various processes that produce: (a) a particular emotional episode's “components” (such as facial movement, (...)
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  • Wittgenstein and the possibility of a philosophical theory of emotion.O. H. Green - 1979 - Metaphilosophy 10 (3-4):256-264.
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  • Emotion Recognition as Pattern Recognition: The Relevance of Perception.Albert Newen, Anna Welpinghus & Georg Juckel - 2015 - Mind and Language 30 (2):187-208.
    We develop a version of a direct perception account of emotion recognition on the basis of a metaphysical claim that emotions are individuated as patterns of characteristic features. On our account, emotion recognition relies on the same type of pattern recognition as is described for object recognition. The analogy allows us to distinguish two forms of directly perceiving emotions, namely perceiving an emotion in the absence of any top-down processes, and perceiving an emotion in a way that significantly involves some (...)
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  • What is an Emotion?William James - 1884 - Mind 9:188.
    A perfectly matched layer (PML) absorbing material composed of a uniaxial anisotropic material is presented for the truncation of finite-difference time-domain (FDTD) lattices. It is shown that the uniaxial PML material formulation is mathematically equivalent to the perfectly matched layer method published by Berenger (see J. Computat. Phys., Oct. 1994). However, unlike Berenger's technique, the uniaxial PML absorbing medium presented in this paper is based on a Maxwellian formulation. Numerical examples demonstrate that the FDTD implementation of the uniaxial PML medium (...)
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  • Appraisal Theories of Emotion: State of the Art and Future Development.Agnes Moors, Phoebe C. Ellsworth, Klaus R. Scherer & Nico H. Frijda - 2013 - Emotion Review 5 (2):119-124.
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  • A behaviorist analysis of emotions.V. J. McGill & Livingston Welch - 1946 - Philosophy of Science 13 (April):100-122.
    Since James defined emotion as consciousness of bodily reactions and Cannon and others detailed the nature of these reactions, there has been an increasing tendency among behaviorists to equate emotions with visceral reactions and to neglect some of the genetic and adaptive aspects of emotion which had been discussed by Darwin.
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  • (2 other versions)Perceiving Emotions.Mitchell Green - 2010 - Aristotelian Society Supplementary Volume 84 (1):45-61.
    I argue that it is possible literally to perceive the emotions of others. This account depends upon the possibility of perceiving a whole by perceiving one or more of its parts, and upon the view that emotions are complexes. After developing this account, I expound and reply to Rowland Stout's challenge to it. Stout is nevertheless sympathetic with the perceivability-of-emotions view. I thus scrutinize Stout's suggestion for a better defence of that view than I have provided, and offer a refinement (...)
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  • (2 other versions)II—Mitchell Green: Perceiving Emotions.Mitchell Green - 2010 - Aristotelian Society Supplementary Volume 84 (1):45-61.
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  • (2 other versions)II—Mitchell Green: Perceiving Emotions.Mitchell Green - 2010 - Aristotelian Society Supplementary Volume 84 (1):45-61.
    I argue that it is possible literally to perceive the emotions of others. This account depends upon the possibility of perceiving a whole by perceiving one or more of its parts, and upon the view that emotions are complexes. After developing this account, I expound and reply to Rowland Stout's challenge to it. Stout is nevertheless sympathetic with the perceivability-of-emotions view. I thus scrutinize Stout's suggestion for a better defence of that view than I have provided, and offer a refinement (...)
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  • Folk psychology as simulation.Robert M. Gordon - 1986 - Mind and Language 1 (2):158-71.
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  • Explaining expressions of emotion.Peter Goldie - 2000 - Mind 109 (433):25-38.
    The question is how to explain expressions of emotion. It is argued that not all expressions of emotion are open to the same sort of explanation. Those expressions which are actions can be explained, like other sorts of action, by reference to a belief and a desire; however, no genuine expression of emotion is done as a means to some further end. Certain expressions of emotion which are actions can also be given a deeper explanation as being expressive of a (...)
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  • The new hybrids: Continuing debates on social perception.Shaun Gallagher - 2015 - Consciousness and Cognition 36:452-465.
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  • Phenomenological contributions to a theory of social cognition.Shaun Gallagher - 2005 - Husserl Studies 21 (2):95-110.
    Hidden away in the remote corners of one of the largest parts of Husserl's Kˆrper, if we can use that word to translate Corpus, there is ein Leib , an animate body of text that reverberates not only with some of Husserl's other little known texts, but also with some of the most recent discoveries in neuroscience. These texts suggest a theory of intersubjectivity, or what psychologists term social cognition. Let me start with a proviso: whether Husserl ever fully settled (...)
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  • (1 other version)Seeing subjectivity: defending a perceptual account of other minds.Joel Krueger & Søren Overgaard - 2012 - ProtoSociology (47):239-262.
    The problem of other minds has a distinguished philosophical history stretching back more than two hundred years. Taken at face value, it is an epistemological question: it concerns how we can have knowledge of, or at least justified belief in, the existence of minds other than our own. In recent decades, philosophers, psychologists, neuroscientists, anthropologists and primatologists have debated a related question: how we actually go about attributing mental states to others (regardless of whether we ever achieve knowledge or rational (...)
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  • Perceiving intentions.Élisabeth Pacherie - unknown
    I will concentrate on the 'executive' conception of intentions and intentional actions. I will argue that intentional bodily movements have distinctive observable characteristics that set them apart from non-intentional bodily motions. I will also argue that that when we observe an action performed by someone else, the perceptual representations we form contain information about the dynamics of movements and their relations to objects in the scene that can be exploited in order to identify at least the more basic intentions of (...)
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