The past twenty years have seen the publication of numerous translations and commentaries on the principal philosophers of the Kyoto School, but so far no general overview and evaluation of their thought has been available, either in Japanese or in Western languages. James Heisig, a longstanding participant in these efforts, has filled that gap with Philosophers of Nothingness. In this extensive study, the ideas of Nishida Kitaro, Tanabe Hajime, and Nishitani Keiji are presented both as a consistent school of thought (...) in its own right and as a challenge to the Western philosophical tradition to open itself to the original contribution of Japan. (shrink)

This article will examine the phase of Nishida’s thought in which he turns to the historical world and present the benefits of this turn to his overall philosophical project. In “The Philosophy of History in the ‘Later’ Nishida,” Woo-Sung Huh claims that Nishida Kitaro’s attempt to integrate history into his earlier writings on self-consciousness is a “wrong turn.” I will demonstrate how Huh’s criticism of Nishida’s writings on history stems from Huh’s own ontological assumption that consciousness and the historical world (...) occupy distinct realms. Leveling this criticism against Nishida causes the reader to miss Nishida’s greatest insight, namely that there is no such distinction; there is only one reality of consciousness and materiality. Nishida’s emphasis on the historical world makes his earlier claim that consciousness is inseparable from things more robust. I will argue that by expanding his earlier focus on consciousness to include the formative power of created physical objects and human bodies on consciousness, Nishida’s philosophy is actually strengthened. (shrink)

This chapter examines the six forms that the teaching of emptiness takes in Zen. Before doing this, the chapter comments briefly on Zen's relation to the doctrinal sources upon which it critically and creatively draws. The Zen tradition understands itself to be based on Śākyamuni Buddha's profoundest teaching of Mahāyāna Buddhism, which has been passed down not through texts and doctrines but by way of face‐to‐face acknowledgment of awakening. The six rubrics which the notion of emptiness is used in the (...) Zen tradition are lack of ownbeing, formlessness of ultimate reality, distinctionless state of meditative consciousness, no‐mind in the action of non‐action, emptiness (or emptying) of emptiness, and emptiness of words. Each of the six rubrics contains a cluster of closely related teachings. Moreover, there are certainly many interconnections, and arguably some tensions, among the rubrics. (shrink)

_An Inquiry into the Good_ represented the foundation of Nishida’s philosophy—reflecting both his deep study of Zen Buddhism and his thorough analysis of Western philosophy—and established its author as the foremost Japanese philosopher of this century. In this important new translation, two scholars—one Japanese and one American—have worked together to present a lucid and accurate rendition of Nishida’s ideas. "The translators do an admirable job of adhering to the cadence of the original while avoiding unidiomatic, verbatim constructions."—John C. Maraldo, _Philosophy (...) East and West_ __ __ "More accurate and critical than the first translation into English of Nishida's earliest book.... An important addition to library collections of twentieth-century philosophy, Japanese intellectual history, and contemporary Buddhist thought."—_Choice_ "A welcome new translation of a work by probably the most original and influential of modern Japanese philosophers."—Hidé Ishiguro, _Times Literary Supplement_ "Undoubtedly the most important work for anyone in the West interested in understanding modern Japanese thought. This work premiered Japanese philosophy as modern but has also shown unusual staying power. In the late twentieth century Japanese thinkers, both religious and secular, insist on its importance and relevance."—William R. La Fleur, University of Pennsylvania. (shrink)

The problem of Nishida Kitaro's historical philosophy and an introduction to the psychedelic paradigm -- The Zen nexus between Nishida Kitaro and modern psychedelic experience -- Experience and the self: the early phase of Nishida's thought (1911-1931) -- Nishida Kitaro's historical world (1931-1945) -- A psychedelic paradigm of history -- Hallucinating the end of history: reflections on myth, the eschaton and the problem of overcoming modernity.

Nishida Kitarō was the most significant and influential Japanese philosopher of the twentieth century. His work is pathbreaking in several respects: it established in Japan the creative discipline of philosophy as practiced in Europe and the Americas; it enriched that discipline by infusing Anglo European philosophy with Asian sources of thought; it provided a new basis for philosophical treatments of East Asian Buddhist thought; and it produced novel theories of self and world with rich implications for contemporary philosophizing. Nishida's work (...) is also frustrating for its repetitive and often obscure style, exceedingly abstract formulations, and detailed but frequently dead end investigations. Nishida once said of his work, “I have always been a miner of ore; I have never managed to refine it” (Nishida 1958, Preface). A concise presentation of his achievements therefore will require extensive selection, interpretation and clarification. (shrink)