- Mimesis as make-believe: on the foundations of the representational arts.Kendall L. Walton - 1990 - Cambridge: Harvard University Press.details
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On the epistemic value of photographs.Jonathan Cohen & Aaron Meskin - 2004 - Journal of Aesthetics and Art Criticism 62 (2):197–210.details
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Mimesis as Make-Believe: On the Foundations of the Representational Arts.Kendall L. WALTON - 1990 - Philosophy 66 (258):527-529.details
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Picture, Image and Experience: A Philosophical Inquiry.Robert Hopkins - 1998 - New York: Cambridge University Press.details
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Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Critical Inquiry 11 (2):246-277.details
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On pictures and photographs: objections answered.Kendall L. Walton - 1997 - In Richard Allen & Murray Smith (eds.), Film theory and philosophy. New York: Oxford University Press. pp. 60--75.details
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Photography, Vision, and Representation.Joel Snyder & Neil Walsh Allen - 1975 - Critical Inquiry 2 (1):143-169.details
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Photography, painting and perception.Gregory Currie - 1991 - Journal of Aesthetics and Art Criticism 49 (1):23-29.details
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Image and Mind: Film, Philosophy, and Cognitive Science.Berys Gaut & Gregory Currie - 1998 - Philosophical Review 107 (1):138.details
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Sight and Sensibility: Evaluating Pictures.Dominic Lopes - 2005 - Oxford, GB: Oxford University Press.details
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Painting as an Art.Richard Wollheim - 1987 - Princeton University Press.details
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Image and Mind: Film, Philosophy and Cognitive Science.Gregory Currie - 1995 - New York, NY: Cambridge University Press.details
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Review of: Painting as an Art by Richard Wollheim. [REVIEW]Joseph Margolis - 1989 - Journal of Aesthetics and Art Criticism 47 (3):281-284.details
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Picture, image and experience. [REVIEW]Sonia Sedivy - 2001 - Philosophical Review 110 (3):472-475.details
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