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Wittgenstein e la letteratura

In Elisa Caldarola, Davide Quattrocchi & Gabriele Tomasi (eds.), Wittgenstein, l'estetica e le arti. Roma: Carocci. pp. 227-241 (2013)

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  1. Ludwig Wittgenstein: The Duty of Genius.Ray Monk - 1990 - New York: Maxwell Macmillan International.
    Ludwig Wittgenstein is perhaps the greatest philosopher of the twentieth century, and certainly one of the most original in the entire Western tradition. Given the inaccessibility of his work, it is remarkable that he has inspired poems, paintings, films, musical compositions, titles of books -- and even novels. In his splendid biography, Ray Monk has made this very compelling human being come alive in a way that perfectly explains the fascination he has evoked. Wittgenstein's life was one of great moral (...)
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  • The Literary Wittgenstein.John Gibson & Wolfgang Huemer (eds.) - 2004 - Routledge.
    _The Literary Wittgenstein_ is a stellar collection of articles relating the philosophy of Ludwig Wittgenstein to core problems in the theory and philosophy of literature. Amid growing recognition that Wittgenstein's philosophy has important implications for literary studies, this book brings together twenty-one articles by the most prominent figures in the field. Eighteen of the articles are published here for the first time. _The Literary Wittgenstein_ applies the approach of Wittgenstein to core areas of literary theory, including poetry, deconstruction, the ethical (...)
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  • Wittgensteins Wende zu seiner Spätphilosophie 1930-1932: eine historische und systematische Darstellung.Wolfgang Kienzler - 1997 - Frankfurt am Main: Suhrkamp.
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  • Misreadings: Steiner and Lewis on Wittgenstein and Shakespeare.Wolfgang Huemer - 2012 - Philosophy and Literature 36 (1):229-237.
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  • (1 other version)Wittgenstein, a life: young Ludwig, 1889-1921.Brian McGuinness - 1988 - Berkeley: University of California Press.
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  • (1 other version)Wittgenstein's ladder: poetic language and the strangeness of the ordinary.Marjorie Perloff - 1996 - Chicago: University of Chicago Press.
    Marjorie Perloff, among our foremost critics of twentieth-century poetry, argues that Ludwig Wittgenstein provided writers with a radical new aesthetic, a key to recognizing the inescapable strangeness of ordinary language. Taking seriously Wittgenstein's remark that "philosophy ought really to be written only as a form of poetry," Perloff begins by discussing Wittgenstein the "poet." What we learn is that the poetics of everyday life is anything but banal. "This book has the lucidity and the intelligence we have come to expect (...)
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