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  1. Phenomenology of Perception.Aron Gurwitsch, M. Merleau-Ponty & Colin Smith - 1964 - Philosophical Review 73 (3):417.
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  • Signs.Maurice Merleau-Ponty - 2018 - Chiasmi International 20:231-231.
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  • Signs.Maurice Merleau-Ponty - 1964 - Evanston, USA: Northwestern University Press.
    INTRODUCTION HOW DIFFERENT — HOW DOWNRIGHT INCONGRUOUS — the philosophical essays and the ad hoc, primarily political observations which make up this volume ...
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  • Basic writings: from Being and time (1927) to The task of thinking (1964).Martin Heidegger - 1977 - New York: Harper Perennial Modern Thought. Edited by David Farrell Krell.
    Being and time : introduction -- What is metaphysics? -- On the essence of truth -- The origin of the work of art -- Letter on humanism -- Modern science, metaphysics, and mathematics -- The question concerning technology -- Building dwelling thinking -- What calls for thinking? -- The way to language -- The end of philosophy and the task of thinking.
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  • (1 other version)On female body experience: "Throwing like a girl" and other essays.Iris Marion Young - 2005 - New York: Oxford University Press.
    Written over a span of more than two decades, the essays by Iris Marion Young collected in this volume describe diverse aspects of women's lived body experience in modern Western societies. Drawing on the ideas of several twentieth century continental philosophers--including Simone de Beauvoir, Martin Heidegger, Luce Irigaray, Julia Kristeva, and Maurice Merleau-Ponty--Young constructs rigorous analytic categories for interpreting embodied subjectivity. The essays combine theoretical description of experience with normative evaluation of the unjust constraints on their freedom and opportunity that (...)
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  • Visual pleasure and narrative cinema.Laura Mulvey - 2010 - In Marc Furstenau (ed.), The film theory reader: debates and arguments. New York: Routledge.
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  • Adventures of the Dialectic.Maurice Merleau-Ponty - 2018 - Chiasmi International 20:225-226.
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  • (1 other version)Merleau-Ponty.Taylor Carman - 2005 - New York: Routledge.
    Maurice Merleau-Ponty is one of the most important philosophers of the Twentieth century. His theories of perception and the role of the body have had an enormous impact on the humanities and social sciences, yet the full scope of his contribution not only to phenomenology but philosophy generally is only now becoming clear. In this lucid and comprehensive introduction, Taylor Carman explains and assesses the full range of Merleau-Ponty’s philosophy. Beginning with an overview of Merleau-Ponty’s life and work, subsequent chapters (...)
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  • What is a woman?: and other essays.Toril Moi - 1999 - New York: Oxford University Press.
    What is a woman? And what does it mean to be a feminist today? In her first full-scale engagement with feminist theory since her internationally renowned Sexual/Textual Politics (1985), Toril Moi challenges the dominant trends in contemporary feminist and cultural thought, arguing for a feminism of freedom inspired by Simone de Beauvoir's The Second Sex. Written in a clear and engaging style What is a Woman? brings together two brand new book-length theoretical interventions, Moi's work on Freud and Bourdieu, and (...)
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  • Adventures of the dialectic.Maurice Merleau-Ponty - 1973 - Evanston [Ill.]: Northwestern University Press.
    Preface WE NEED A PHILOSOPHY of both history and spirit to deal with the problems we touch upon here. Yet we would be unduly rigorous if we were to wait for ...
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  • Feminist phenomenology.Linda Fisher & Lester Embree (eds.) - 2000 - Boston: Kluwer Academic Publishers, c.
    This volume is the first collection of original essays on the related issues of gender and feminism approached phenomenologically.
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  • The Address of the Eye: A Phenomenology of Film Experience.Neal Oxenhandler & Vivian Sobchack - 1993 - Substance 22 (1):132.
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  • Phenomenology and feminism: Perspectives on their relation.Linda Fisher - 2000 - In Linda Fisher & Lester Embree (eds.), Feminist phenomenology. Boston: Kluwer Academic Publishers, c. pp. 17--38.
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  • What Is A Woman?: And Other Essays.Lynne Huffer & Toril Moi - 2001 - Substance 30 (1/2):262.
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  • The Address of the Eye: A Phenomenology of Film Experience.Vivian Sobchack - 1992 - Princeton University Press.
    Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. This title challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus.
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  • Phenomenology and the Social World: The Philosophy of Merleau-Ponty and Its Relation to the Social Sciences.Laurie Spurling - 1977 - Human Studies 2 (4):362-365.
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