- (1 other version)Meaning.Herbert Paul Grice - 1957 - Philosophical Review 66 (3):377-388.details
|
|
(1 other version)Truth in fiction.David K. Lewis - 1978 - American Philosophical Quarterly 15 (1):37–46.details
|
|
Logics of Conversation.Nicholas Asher, Nicholas Michael Asher & Alex Lascarides - 2003 - Cambridge University Press.details
|
|
Beyond Resemblance.Gabriel Greenberg - 2013 - Philosophical Review 122 (2):215-287.details
|
|
(1 other version)Assertion.Peter Pagin - 2015 - Stanford Encyclopedia of Philosophy.details
|
|
Conventions of Viewpoint Coherence in Film.Samuel Cumming, Gabriel Greenberg & Rory Kelly - 2017 - Philosophers' Imprint 17.details
|
|
The Rhetoric of Fiction.Wayne C. Booth - 1964 - Journal of Aesthetics and Art Criticism 22 (4):487-488.details
|
|
Coherence and Coreference.Jerry R. Hobbs - 1979 - Cognitive Science 3 (1):67-90.details
|
|
Pride and Prejudice.Jane Austen - 1813 - Oxford World's Classics.details
|
|
Context of Thought and Context of Utterance: A Note on Free Indirect Discourse and the Historical Pr.Philippe Schlenker - 2004 - Mind and Language 19 (3):279-304.details
|
|
Prolegomena to Music Semantics.Philippe Schlenker - 2019 - Review of Philosophy and Psychology 10 (1):35-111.details
|
|
Shifting perspectives in pictorial narratives.Emar Maier & Sofia Bimpikou - 2018 - In Uli Sauerland & Stephanie Solt (eds.), Proceeding of Sinn und Bedeutung 23. Berlin, Germany: Leibniz-Centre General Linguistics (ZAS).details
|
|
The spectrum of perspective shift: protagonist projection versus free indirect discourse.Márta Abrusán - 2020 - Linguistics and Philosophy 44 (4):839-873.details
|
|
Unreliability refigured: Narrative in literature and film.Gregory Currie - 1995 - Journal of Aesthetics and Art Criticism 53 (1):19-29.details
|
|
Narrative Discourse.Seymour Chatman & Gerard Genette - 1980 - Journal of Aesthetics and Art Criticism 39 (2):221-224.details
|
|
Unspeakable Sentences: Narration and Representation in the Language of Fiction.Ann Banfield - 1984 - Journal of Aesthetics and Art Criticism 43 (1):101-104.details
|
|