This paper contributes to two debates: (i) the debate about whether or not ancient Greek has Free Indirect Discourse (FID), and (ii) the debate about how we should analyze FID semantically. We do this by showing that there is a distinction between FID and what we call Unembedded Indirect Discourse (UID). The semantic analysis that we develop for the latter shows that the two phenomena, though superficially similar, are semantically fundamentally different. We conclude that UID would have been more deserving (...) of the title ‘free indirect discourse’ than the more quotative and direct discourse-like narrative technique that is now confusingly called so. 1. (shrink)

This paper proposes that a core semantic property of temporal locating adverbs is the ability to introduce a new time discourse referent. The core data comes from that same day in narrative discourse. I argue that unlike other previously studied temporal locating adverbs—which introduce a new time discourse referent and relate it to the speech time or a salient time introduced into the discourse context—that same day is ‘twice anaphoric’, i.e. it retrieves two salient times from the input context without (...) introducing one of its own. Moreover, I argue that the adverb currently is like that same day in not introducing a new time discourse referent. Unlike that same day, however, currently has both a deictic and an anaphoric usage analogous to on Sunday. The analysis that I propose is implemented within Compositional Discourse Representation Theory. It illustrates how adverbial meaning can be integrated within a more general theory of temporal interpretation. (shrink)

It is argued that binding theory (BT) must recognize two types of covaluation: the familiar type, which holds between two NPs when they have the same semantic value, and a new type, which holds between two NPs when one of them denotes an attitude holder and the other the ‘self’ of the attitude holder. This is shown to account for the acceptability of ‘de re’ reflexive pronouns and unacceptability of some ‘de re’ non-reflexive pronouns. Alternative theories, which attempt to preserve (...) the standard BT, are also discussed. (shrink)

John MacFarlane explores how we might make sense of the idea that truth is relative. He provides new, satisfying accounts of parts of our thought and talk that have resisted traditional methods of analysis, including what we mean when we talk about what is tasty, what we know, what will happen, what might be the case, and what we ought to do.

The purpose of this paper is to shed some light on the familiar puzzle of free indirect discourse (FID). FID shares some properties with standard indirect discourse and with direct discourse, but there is currently no known theory that can accommodate such a hybrid. Based on the observation that FID has ‘de se’ pronouns, I argue that it is a kind of an attitude report.

Presuppositions are perspective‐sensitive: They may be evaluated with respect to the beliefs of a salient protagonist. This happens not only in well‐known cases of perspective shift such as free indirect discourse, but also when the perspective shift is less obvious, but still present, such as in examples of so‐called protagonist projection. In this paper, I show that this simple observation explains many puzzling facts noted in connection with presuppositions over the last 50 years, concerning, for example, emotive and cognitive factives, (...) temporal clauses, and reason clauses. (shrink)

The particular behavior exhibited by sentences featuring predicates of personal taste such as “tasty” may drive us to claim that their truth depends on the context of assessment, as MacFarlane does. MacFarlane considers two ways in which the truth of a sentence can depend on the context of assessment. On the one hand, we can say that the sentence expresses a proposition whose truth-value depends on the context of assessment. This is MacFarlane’s position, which he calls “truth relativism” and, following (...) Weatherson, I rebrand as “nonindexical relativism”. On the other hand, we can say that what proposition a sentence expresses depends on the context of assessment. MacFarlane calls this position “content relativism” and rejects it on the grounds that it leads to implausible readings of certain sentences and is unable to account for the speaker’s authority over the content of her assertions. In this paper, I too argue against content relativism, which, again following Weatherson, I rebrand as “indexical relativism”. However, my arguments against the theory are different from MacFarlane’s, which I prove unsound. In particular, I show that any version of indexical relativism will be unable to account for at least one of the phenomena that have been standardly used to motivate nonindexical relativism—faultless disagreement and retraction—in most of the ways in which it has been proposed to understand them. (shrink)

This paper considers some puzzling knowledge ascriptions and argues that they present prima facie counterexamples to credence, belief, and justification conditions on knowledge, as well as to many of the standard meta-semantic assumptions about the context-sensitivity of ‘know’. It argues that these ascriptions provide new evidence in favor of contextualist theories of knowledge—in particular those that take the interpretation of ‘know’ to be sensitive to the mechanisms of constraint.

Novels like Fight Club or American Psycho are said to be instances of unreliable narration: the first person narrator presents an evidently distorted picture of the fictional world. The film adaptations of these novels are likewise said to involve unreliable narration. I resist this extension of the term ‘unreliable narration’ to film. My argument for this rests on the observation that unreliable narration requires a personal narrator while film typically involves an impersonal narrator. The kind of ambiguous story-telling that we (...) find in literary fiction with unreliable narrators, where for certain descriptions it is unclear whether what we’re told is an accurate account of what’s happening in the story world or not, can instead be achieved by conventionalized filmmaking techniques for reporting the contents of mental states, like the point of view shot, but especially the more ambiguous blended perspective shot. (shrink)

This paper considers some uses of Free Indirect Discourse within non-fictional discourse. It is shown that these differ from ordinary uses in that they do not attribute actual thoughts or utterances. I argue that the explanation for this is that these uses of Free Indirect Discourse are not assertoric. Instead, it is argued here that they are fictional uses, that is, they are used with fictional force like utterances used to tell a fictional story. Rather than making assertions about the (...) actual world, these occurrences of Free Indirect Discourse introduce localized fictional scenarios from which audiences are meant to learn factual information. As such, they exhibit some of the ways in which the involvement of perspective in historical fiction has been shown to facilitate learning and retention of information. (shrink)

RESUMEN El trabajo se propone, en primer lugar, analizar el desacuerdo sin falta como elemento central en los juicios de gusto, y examinar tres posiciones: contextualismo deíctico, no deíctico y relativismo. En segundo lugar, mostrar cómo el contextualismo deíctico y el relativismo dan cuenta de dicho fenómeno, pero solo el segundo puede hacerlo y acomodarse a un fenómeno central en esos desacuerdos: la retractación. ABSTRACT The objective of the article is, first of all, to analyze faultless disagreement as a central (...) element in judgments of taste and to examine three positions: deictic contextualism, non-deictic contextualism, and relativism. Secondly, it shows how deictic contextualism and relativism account for that phenomenon and argues that only the latter can do so and at the same time accommodate a central feature of those disagreements: recantation. (shrink)

In this paper I focus on a recently discussed phenomenon illustrated by sentences containing predicates of taste: the phenomenon of " perspectival plurality " , whereby sentences containing two or more predicates of taste have readings according to which each predicate pertains to a different perspective. This phenomenon has been shown to be problematic for (at least certain versions of) relativism. My main aim is to further the discussion by showing that the phenomenon extends to other perspectival expressions than predicates (...) of taste and by proposing a general solution to the problem raised by it on behalf of the relativist. The core claim of the solution (" multiple indexing ") is that utterances of sentences containing perspectival expressions should be evaluated with respect to (possibly infinite) sequences of perspective parameters. (shrink)

We propose an extension of Discourse Respresentation Theory (DRT) for analyzing pictorial narratives. We test drive our PicDRT framework by analyzing the way authors represent characters’ mental states and perception in comics. Our investigation goes beyond Abusch and Rooth (2017) in handling not just free perception sequences, but also a form of apparent perspective blending somewhat reminiscent of free indirect discourse.

I present unexplored and unaccounted for uses of 'wants'. I call them advisory uses, on which information inaccessible to the desirer herself helps determine what she wants. I show that extant theories by Stalnaker, Heim, and Levinson fail to predict these uses. They also fail to predict true indicative conditionals with 'wants' in the consequent. These problems are related: intuitively valid reasoning with modus ponens on the basis of the conditionals in question results in unembedded advisory uses. I consider two (...) fixes, and end up endorsing a relativist semantics, according to which desire attributions express information-neutral propositions. On this view, 'wants' functions as a precisification of 'ought', which exhibits similar unembedded and compositional behavior. I conclude by sketching a pragmatic account of the purpose of desire attributions that explains why it made sense for them to evolve in this way. (shrink)

It is common practice in formal semantics to assume that the context specifies an assignment of values to variables and that the same variables that receive contextually salient values when they occur free may also be bound by quantifiers and λs. These assumptions are at work to provide a unified account of free and bound uses of third person pronouns, namely one by which the same lexical item is involved in both uses. One way to pursue this account is to (...) treat quantifiers and λs as monsters in Kaplan’s sense. We argue that this move should be avoided and explore an alternative route based on the idea that there is a variable assignment coordinate in the context and a variable assignment coordinate in the circumstance of evaluation, with the definition of truth in context identifying them. One fundamental challenge that arises in pursuing a unified account is to explain the difference in the way the gender presuppositions of bound and free pronouns project. The proposal that emerges from the attempt to meet this challenge is a non-indexical account of free third person pronouns and a new conception of the role and structure of assignment functions. (shrink)

The quotational theory of free indirect discourse postulates that pronouns and tenses are systematically unquoted. But where does this unquotation come from? Based on cases of apparent unquotation in direct discourse constructions (including data from Kwaza speakers, Catalan signers, and Dutch children), I suggest a general pragmatic answer: unquotation is essentially a way to resolve a conflict that arises between two opposing constraints. On the one hand, the reporter wants to use indexicals that refer directly to the most salient speech (...) act participants and their surroundings (Attraction). On the other hand, the semantics of direct discourse (formalized here in terms of event modification) entails the reproduction of referring expressions from the original utterance being reported (Verbatim). Unquotation (formalized here also in terms of event modification), allows the reporter to avoid potential conflicts between these constraints. Unquotation in free indirect discourse then comes out as a special case, where the salient source of attraction is the story protagonist and her actions, rather than the reporting narrator and his here and now. (shrink)

I propose a pragmatic approach to the kind of reference-shifting occurring in indexicals as used in e.g. written notes and answering machine messages. I proceed in two steps. First, I prepare the ground by showing that the arguments against such a pragmatic approach raised in the recent literature fail. Second, I take a first few steps towards implementing this approach, by sketching a pragmatic theory of reference-shifting, and showing how it can handle cases of the relevant kind. While the immediate (...) scope of the paper is restricted to indexicals and reference-shifting, and the discussion is confined to a specific range of theories and cases, the approach proposed is compatible with a fairly broad range of more or less semantically conservative theories, and many of the conclusions drawn are significant for the evaluation of pragmatic explanations in philosophy more generally. The overall goal is to offer a new perspective on the issues under discussion, and to prompt philosophers to reconsider some of the established methods by which pragmatic explanations are evaluated. (shrink)

Linguistics and philosophy have provided distinct views on the nature of reference to individuals in language. In philosophy, in particular in the tradition of direct reference, the distinction is between reference and description. In linguistics, in particular in the tradition of generative grammar, the distinction is between pronouns and R-expressions. I argue for a third conception, grounded in dynamic semantics, in which the main watershed is between definites, which trigger presuppositions that want to be bound, and indefinites, which set up (...) new discourse referents. On this view, proper names, indexicals, and definite descriptions are all analyzed as presupposition triggers. (shrink)

Francois Recanati has recently argued that each perceptual state has two distinct kinds of content, complete and explicit content. According to Recanati, the former is a function of the latter and the psychological mode of perception. Furthermore, he has argued that explicit content is temporally neutral and that time-consciousness is a feature of psychological mode. In this paper it is argued, pace Recanati, that explicit content is not temporally neutral. Recanati’s position is initially presented. Three desiderata for a theory of (...) time-consciousness are subsequently introduced. It is then argued that a theory locating time-consciousness as a feature of psychological mode will fail to satisfy these desiderata. In the last section the intentionality of memories is discussed. Using the notion of shiftable indexical, it is argued that memories have the same explicit content as perceptions, but that they nevertheless can have different conditions of satisfaction since they are entertained in different modes. (shrink)

Pictorial free perception reports are sequences in comics or film of one unit that depicts an agent who is looking, and a following unit that depicts what they see. This paper proposes an analysis in possible worlds semantics and event semantics of such sequences. Free perception sequences are implicitly anaphoric, since the interpretation of the second unit refers to the agent depicted in the first. They are argued to be possibly non-extensional, because they can depict hallucination or mis-perception. The semantics (...) proposed here employs an account of anaphora using discourse referents, a formalized possible worlds semantics for pictorial narratives, and, to model the epistemic consequences of perceptual events, the event alternative construction from dynamic epistemic logic. In intensional examples, the second unit depicting what is seen is analyzed as embedded. It is argued that a semantics for embedding where the attitudinal state of the depicted agent is required to entail the semantic content of the picture attributes too much information to the agent. This is addressed with a model of normal looking, and a semantics for the embedding construction that uses existential quantification over alternatives, rather than universal quantification. (shrink)

The present volume contains a collection of papers presented at the 21st annual meeting “Sinn und Bedeutung” of the Gesellschaft fur Semantik, which was held at the University of Edinburgh on September 4th–6th, 2016. The Sinn und Bedeutung conferences are one of the leading international venues for research in formal semantics.

This paper examines a little studied type of perspective shift that I call protagonist projection, following Holton :625–628, 1997). PP is a way of describing the mental state of a protagonist that conveys, to some extent, her perspective. Similarly to its better known cousin free indirect discourse, the shift in perspective is achieved without an overt operator. Unlike FID, PP is not based on a presumed speech-act of a protagonist. Rather, it gives a linguistic form to pre-verbal perceptual content, sensations, (...) feelings or implicit beliefs. I propose to analyse PP in a bi-contextual framework, extending Eckardt’s approach to FID. Under the resulting analysis, FID and PP are two instances of a more general category of perspective shift. (shrink)

Peter Hanks and Scott Soames both defend pragmatic solutions to the problem of the unity of the proposition. According to them, what ties together Tim and baldness in the singular proposition expressed by ‘Tim is bald’ is an act of the speaker : the act of predicating baldness of Tim. But Soames construes that act as force neutral and noncommittal while, for Hanks, it is inherently assertive and committal. Hanks answers the Frege–Geach challenge by arguing that, in complex sentences, the (...) force inherent in the content of an embedded sentence is cancelled. Indrek Reiland has recently objected to Hanks’s proposal that it faces a dilemma: either force cancellation dissolves the unity of the proposition secured by the cancelled act of assertion, or Hanks’s proposal reduces to Soames’s. In this paper, I respond to Reiland by offering an analysis of force cancellation which gets rid of the alleged dilemma. The proposal is based on a set of distinctions from speech act theory : between two senses of ’force’, two types of act, and two types of context. The role of simulation in force cancellation is emphasized, and connections drawn to broader issues such as the evolution of complex language. (shrink)

In this paper, I argue that the notion of ‘context' that has to be used in the study of indexicals is far from univocal. A first distinction has to be made between the real context of speech and the context in which the speech act is supposed to take place — only the latter notion being relevant when it comes to determining the semantic values of indexicals. Second, we need to draw a distinction between the context of the locutionary act (...) and the context of the illocutionary act: contrary to a standard assumption of speech act theory, they can diverge, and their possible divergence explains a number of puzzling phenomena involving indexicals. (shrink)

On distingue différents types de "contextes" à l'oeuvre dans l'interprétation des expressions indexicales, de façon à rendre compte du style indirect libre et de phénomènes apparentés.

In this survey paper, I start from two classical theses of speech act theory: that speech act content is uniformly propositional and that sentence mood encodes illocutionary force. These theses have been questioned in recent work, both in philosophy and linguistics. The force/content distinction itself – a cornerstone of 20‐century philosophy of language – has come to be rejected by some theorists, unmoved by the famous ‘Frege–Geach’ argument. The paper reviews some of these debates.

Paraguayan Guarani does not overtly mark tense in its inflectional system. Prior accounts of languages without obligatory morphological tense have posited a phonologically covert lexical tense, or have introduced tense semantics via a rule, in the post-syntactic interpretative component. We offer a more radical approach: Paraguayan Guarani does not have tense at the level of lexical or logical semantics. We propose that evaluation time shift, a mechanism independently attested in the narrative present in languages with tense, is more widely used (...) in Paraguayan Guarani for encoding temporal meaning. The broader consequence of our proposal is that tense is not a linguistic universal. (shrink)

Perspective taking has been proposed to be impaired in persons with autism spectrum disorder, especially when implicit processing is required. In narrative texts, language perception and interpretation is fundamentally guided by taking the perspective of a narrator. We studied perspective taking in the linguistic domain of so-called Free Indirect Discourse, during which certain text segments have to be interpreted as the thoughts or utterances of a protagonist without explicitly being marked as thought or speech representations of that protagonist. Crucially, the (...) correct interpretation of text segments as FID depends on the ability to detect which of the protagonists “stands out” against the others and is therefore identifiable as implicit thinker or speaker. This so-called “prominence” status of a protagonist is based on linguistic properties, in other words, the perspective is “hidden” and has to be inferred from the text material. In order to test whether this implicit perspective taking ability that is required for the interpretation of FID is preserved in persons with ASD, we presented short texts with three sentences to adults with and without ASD. In the last sentence, the perspective was switched either to the more or the less prominent of two protagonists. Participants were asked to rate the texts regarding their naturalness. Both diagnostic groups rated sentences with FID anchored to the less prominent protagonist as less natural than sentences with FID anchored to the more prominent protagonist. Our results that the high-level perspective taking ability in written language that is required for the interpretation of FID is well preserved in persons with ASD supports the conclusion that language skills are highly elaborated in ASD so that even the challenging attribution of utterances to protagonists is possible if they are only implicitly given. We discuss the implications in the context of claims of impaired perspective taking in ASD as well as with regard to the underlying processing of FID. (shrink)

Through imaginative engagement readers of fiction become, to an extraordinary extent, the narrator’s ‘children’: they often submit themselves to the narrator’s authority without reserve. But precisely because of that, readers are deeply at a loss when their trust is betrayed. This underscores a core function of fiction, namely to evoke emotional response in the reader. In this paper, we hypothesize how a reader’s imaginative engagement can be subjected to narrative frustration due to processing or moral complexity. The types of narrative (...) frustration we consider differ in terms of their sources, and their emotional and behavioral impacts on the reader. Here, we break down these frustrations into their component parts, in an effort to better characterize the different classes of frustrations. We propose that frustrations arise from different combinations of local uncertainty, moral clash and global uncertainty. These sources of frustration in turn explain the reader’s emotional response and their consequent reading behavior as they imaginatively engage with fiction. (shrink)

Theoria, Volume 87, Issue 1, Page 136-151, February 2021.

Research spanning linguistics, psychology, and philosophy suggests that speakers and hearers are finely attuned to perspectives and viewpoints that are not their own, even though perspectival information is not encoded directly in the morphosyntax of languages like English. While some terms seem to require a perspective or a judge for interpretation (e.g., epithets, evaluative adjectives, locational PPs, etc.), perspective may also be determined on the basis of subtle information spanning multiple sentences, especially in vivid styles of narrative reporting. In this (...) paper, I develop an account of the cues that are involved in evaluating and maintaining non-speaker perspectives, and present an economy-based discourse processing model of perspective that embodies two core principles. First, perspectives are subject to a “speaker-default,” but may shift to a non-speaker perspective if sufficient contextual cues are provided. Second, the processor follows the path of least resistance to maintaining perspective, opting to maintain the current perspective across sentences as long as the shifted perspective continues to be coherent. The predictions of the model are tested in a series of offline and online studies, manipulating the form of an attitude report and the tense of the sentence that follows. Implications for processing perspective and viewpoint in speech and narrative forms are explored. (shrink)

El trabajo se propone, en primer lugar, analizar el desacuerdo sin falta como elemento central en los juicios de gusto, y examinar tres posiciones: contextualismo deíctico, no deíctico y relativismo. En segundo lugar, mostrar cómo el contextualismo deíctico y el relativismo dan cuenta de dicho fenómeno, pero solo el segundo puede hacerlo y acomodarse a un fenómeno central en esos desacuerdos: la retractación.

This article provides a semantic analysis of Protagonist Projection, the phenomenon by which things are described from a point of view different from that of the speaker. Against what has been argued by some, the account vindicates the intuitive idea that Protagonist Projection does not give rise to counterexamples to factivity, and similar plausible principles. A pragmatics is sketched that explains the attitude attributions generated by Protagonist Projection. Further, the phenomenon is compared to Free Indirect Discourse, and the proposed account (...) is seen to preserve the relation between them. (shrink)

I distinguish, and discuss the relations between, five types of context-shift involving indexicals. For 'intentional' indexicals - indexicals whose value depends upon the speaker's intention - we can shift the context more or less 'at will', by manifesting one's intention to do so. For other indexicals we can shift the context through pretense. Following a number of authors, I distinguish two types of context-shifting pretense, corresponding to two sets of linguistic phenomena. The fourth type of case is that of expressions (...) which are not really indexical, but perspectival, and for which we do not need to appeal to the notion of context-shift in order to account for their shifty behaviour. The fifth category I introduce and discuss is that of 'shiftable indexicals'. Do we need it, given that we already have the other four categories? My answer is a qualified 'yes'. (shrink)

In this paper, I want to deal with the problem of how to find an adequate context of interpretation for indexical sentences that enables one to account for the intuitive truth-conditional content which some apparently puzzling indexical sentences like “I am not here now” as well as other such sentences contextually have. In this respect, I will pursue a fictionalist line. This line allows for shifts in interpretation contexts and urges that such shifts are governed by pretense, which has to (...) be understood in terms of socially shared make-believe games. By appealing to pretense so conceived, I will show that the fictionalist perspective is halfway between an intentionalist perspective, according to which the above indexical sentences have to be interpreted in a shifted intended context, (this perspective is primarily defined by Predelli 1998, Analysis 58, 107; Mind and Language 13, 400) and a conventionalist perspective, according to which indexical reference shifts in accordance with a conventional setting. (For this perspective, cf. Corazza et al. 2002, Philosophical Studies 107, See also Corazza 2004, Reflecting the Mind: Indexicality and Quasi-Indexicality, Oxford University Press). Finally, I will claim that the fictionalist analysis of cases of non-ordinary uses of indexicals like “here” and “now” can be retained in face of a new alternative analysis of those cases in terms of an ‘unbound anaphora’ – theory (cf. Corazza 2004, Synthese 138, 145). (shrink)

Answering machines and other types of recording devices present prima facie problems for traditional theories of the meaning of indexicals. The present essay explores a range of semantic and pragmatic responses to these issues. Careful attention to the difficulties posed by recordings promises to help enlighten the boundaries between semantics and pragmatics more broadly.

AbstractAnswering machines and other types of recording devices present prima facie problems for traditional theories of the meaning of indexicals. The present essay explores a range of semantic and pragmatic responses to these issues. Careful attention to the difficulties posed by recordings promises to help enlighten the boundaries between semantics and pragmatics more broadly.