This paper concerns Hume’s treatment of the distinction of reason in the Treatise, I.i.7. Many scholars have claimed that there is a tension between his account of the distinction of reason and his commitment to his so-called separability principle. I explain why Hume’s account of the distinction of reason is fully consistent with the principle, and show how other discussions, both critical of and sympathetic to Hume, fail to appreciate the radicalness of his position. I evaluate Hume’s bold position and (...) compare it to earlier positions (Aquinas) and current positions (Donald Davidson). (shrink)

We do not fully understand Hume’s account of space if we do not understand his view of determinations of extension, which is too much ignored a topic. In this paper, I argue for an interpretation that determinations of extension are unities in Hume’s view: single beings in addition to their components. This realist reading is reasonable on both textual and philosophical grounds. There is strong textual evidence for it and no textual reason to reject it. Realism makes perfect sense of (...) the metaphysics of determinations of extension along Humean lines and Hume’s view of spatial relations. (shrink)

In this paper, I resolve a potential contradiction between two of Hume's central tenets: that complex perceptions consist of simple perceptions and that distinct things are separable. The former implies that a complex perception is not separable from its constituent simple perceptions, as a change in its constituents destroys its identity. The latter entails that the complex perception is separable from these simple perceptions, since it is distinct from them. This is a contradiction. I resolve it by appealing to a (...) third kind of distinction in addition to the two kinds Hume mentions: real distinctions and distinctions of reason. This third distinction is a partial distinction. I argue that just as the separability principle does not apply to distinctions of reason, neither does it apply to perceptions that are only partially distinct from other perceptions. Hence, the apparent contradiction is resolved. (shrink)

This essay gives a new interpretation of Hume's second thoughts about minds in the Appendix, based on a new interpretation of his view of composition. In Book 1 of the Treatise, Hume argued that, as far as we can conceive it, a mind is a whole composed by all its perceptions. But—this essay argues—he also held that several perceptions form a whole only if the mind to which they belong supplies a “connexion” among them. In order to do so, it (...) must contain a further perception or perceptions. But when the perceptions in question are all of those belonging to a given mind—as in the section “Of personal identity” and the Appendix—there cannot be a further perception in that mind, and so those perceptions do not form a whole. Hence, Hume's views were inconsistent. This essay argues that, unlike most others, this interpretation explains his retreat to skepticism in the Appendix. (shrink)

in the treatise, hume claims to identify many “fictions of the imagination” among both “vulgar” and philosophical beliefs. To name just a few, these include the fiction of one aggregate composed of many parts,1 the fiction of a material object’s identity through change, and the fiction of a human mind’s identity through change and interruption in its existence. Hume claims that these fictions and others like them are somehow defective: in his words, they are “improper,” “inexact,” or not “strict”. I (...) will argue that this claim conflicts with other commitments.. (shrink)

Hume’s account of virtue (and beauty) entails that distinct things--a quality in the contemplated and a perception in the contemplator--are the same thing--a given virtue. I show this inconsistency is consistent with his intent. A virtue is a composite of quality and perception, and for Hume a composite is distinct things--the parts--falsely supposed to be a single thing. False or unsubstantiated supposition is for Hume the basis of most of our beliefs. I end with an argument that for Hume secondary (...) qualities are composites, not powers. (shrink)

Hume discusses the distinction of reason to explain how we distinguish things inseparable, and so identical, e.g., the color and figure of a white globe. He says we note the respect in which the globe is similar to a white cube and dissimilar to a black sphere, and the respect in which it is dissimilar to the first and similar to the second. Unfortunately, Hume takes these differing respects of resemblance to be identical with the white globe itself. Contradiction results, (...) undermining his theory of abstraction. The way out is apparently to admit an intrinsic complexity in even simple things. (shrink)

In this volume--the first, focused study of Hume on time and identity--Baxter focuses on Hume’s treatment of the concept of numerical identity, which is central to Hume's famous discussions of the external world and personal identity. Hume raises a long unappreciated, and still unresolved, difficulty with the concept of identity: how to represent something as "a medium betwixt unity and number." Superficial resemblance to Frege’s famous puzzle has kept the difficulty in the shadows. Hume’s way of addressing it makes sense (...) only in the context of his unorthodox theory of time. Baxter shows the defensibility of that theory against past dismissive interpretations, especially of Hume’s stance on infinite divisibility. Later the author shows how the difficulty underlies Hume’s later worries about his theory of personal identity, in a new reading motivated by Hume’s important appeals to consciousness. Baxter casts Hume throughout as an acute metaphysician, and reconciles this side of Hume with his overarching Pyrrhonian skepticism. (shrink)

According to Peter van Inwagen, visible inanimate objects do not, strictly speaking, exist. In defending this controversial thesis, he offers fresh insights on such topics as personal identity, commonsense belief, existence over time, the phenomenon of vagueness, and the relation between metaphysics and ordinary language.

Commentators such as Kemp Smith (1941), Mendelbaum (1974), and Bricke (1980) have taken the distinctions of reason to pose either a counterexample to or a limitation of scope on the Separability Principle. This has been convincingly addressed by various accounts such as Garrett (1997), Hoffman (2011), and Baxter (2011). However, I argue in this paper that there are two notions of ‘distinction of reason’, one between particular instantiations (token distinctions of reason) and one between general ideas (type distinctions of reason). (...) Discussion of the distinctions of reason in the secondary literature has without fail focused on token distinctions of reason, but I will argue that type distinctions of reason prove problematic for Hume’s Separability Principle. I find a way around this problem that is consonant with Hume’s account of general ideas, but which can hardly be said to be an account which he explicitly or even implicitly endorsed. (shrink)

Hume views the passions as having both intentionality and qualitative character, which, in light of his Separability Principle, seemingly contradicts their simplicity. I reject the dominant solution to this puzzle of claiming that intentionality is an extrinsic property of the passions, arguing that a number of Hume’s claims regarding the intentionality of the passions (pride and humility in particular) provide reasons for thinking an intrinsic account of the intentionality of the passions to be required. Instead, I propose to resolve this (...) tension by appealing to Hume’s treatment of the ‘distinctions of reason’, as explained by Garrett (1997). (shrink)

It is widely believed that Hume often wrote carelessly and contradicted himself, and that no unified, sound philosophy emerges from his writings. Don Garrett demonstrates that such criticisms of Hume are without basis. Offering fresh and trenchant solutions to longstanding problems in Hume studies, Garrett's penetrating analysis also makes clear the continuing relevance of Hume's philosophy.

This book provides the first comprehensive account of Hume’s conception of objects in Book I of the Treatise. What, according to Hume, are objects? Ideas? Impressions? Mind-independent objects? All three? None of the above? Through a close textual analysis, I show that Hume thought that objects are imagined ideas. However, I argue that he struggled with two accounts of how and when we imagine such ideas. On the one hand, Hume believed that we always and universally imagine that objects are (...) the causes of our perceptions. On the other hand, he thought that we only imagine such causes when we reach a “philosophical” level of thought. This tension manifests itself in Hume’s account of personal identity; a tension that, I argue, Hume acknowledges in the Appendix to the Treatise. As a result of presenting a detailed account of Hume’s conception of objects, we are forced to accommodate new interpretations of, at least, Hume’s notions of belief, personal identity, justification and causality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:381 IMPRESSIONS, IDEAS, AND FICTIONS I. Introduction Under the heading of "fiction," Selby-Bigge's index to Hume's Treatise of Human Nature lists no fewer than seventeen distinct fictions. There is the fiction of perfect equality, of continued and distinct existence, of substance and matter, of substantial forms, accidents, faculties and occult qualities, the fiction of personal identity, and many others. The notion of a fiction is central in Hume's philosophy. (...) As the title of this paper suggests, I believe that fictions are so important that what is commonly called Hume's theory of impressions and ideas ought to be called the theory of impressions, ideas, and fictions. Although fictions are at the heart of a number of Treatise passages, they have 2 generally received very little sustained treatment. This paper is a start at filling a gap in Hume interpretation. I hope to lay the groundwork for a complete study of Hume's fictions. There are some obvious questions to be addressed in such a study: Is there just one type of fiction or are there many? Is there an essential feature or set of features shared by all fictions? Is the characterization of a view as involving a fiction always a criticism of that view? If fictions are in some sense false or wrong, what do they contrast with? What notions are true or correct? Does Hume's account of fictions mesh with an account of truth? If there is no account of truth, how can there be an account of fictions? These questions, by no means the only ones which can be raised, are related. They can be seen as hovering around the issue of whether Hume's notion 382 of a fiction is an ontological notion. Is calling something a fiction denying the existence of that thing? Does believing in fictions (e.g., believing that there are persons) amount to holding a false belief that something exists when in fact it does not? Should we read Hume as claiming, for example, that there are no substances because he calls substance a fiction? Answering 'yes' to these questions has obvious implications for the questions raised in the last paragraph. I believe that while the deflationist reading is not completely wrong, it is wrong enough to account for much confusion in Hume interpretation. Many readers of the Treatise think, for example, that in calling the self a fiction Hume is denying the existence of persons. This makes it completely mysterious why Hume talks about persons throughout the Treatise in a common-sense way, as if they do exist. Though I cannot investigate all the consequences of my interpretation of Hume's fictions for the numerous issues which involve fictions in the Treatise, it is my hope that clarifying Hume's notion of fiction will help shed light on those other notions, such as personal identity, which Hume calls fictions. I will offer an interpretation which attempts to locate some general features of fictions in the Treatise passages where Hume invokes them. Although there are different fictions, Hume has a core notion of fiction which is fundamentally epistemological rather than ontological. There will be space in this paper to look at only a few fictions, those which occur in or before "Of scepticism with regard to the senses." I believe, however, that the interpretation can be generalized. Finally, I will suggest how my interpretation provides answers to the above questions. 383 II. Fiction and Imagination It is tempting to think of Hume's notion of a fiction as an ontological notion because in contemporary usage, the notion of a fiction is ontologically loaded. Fictions are things we construct in our heads; they are the result of concatenating ideas in the imagination. Golden mountains and the Wicked Witch of the East are fictitious; they don't represent anything which exists. If Hume is using this notion of fiction, then he must be doing deflationary ontology. On this view, to call something a fiction is to demote it to the status of something thought up in one's imagination; it is to accord it the rank of something whose existence is not to be accepted. There is some support... (shrink)

The standard interpretation of Hume on testimony takes him to be a reductionist; justification of beliefs from testimony ultimately depends on one's own first-person experience. Yet Hume's main discussions of testimony in the Treatise and first Enquiry suggest a social account. Hume appeals to shared experience and develops norms of belief from testimony that are not reductionist. It is argued that the reductionist interpretation rests on an overly narrow view of Hume's theory of ideas. By attending to such mechanisms of (...) the imagination as abstraction and fictions, it is shown that Hume's theory of ideas does not forestall a non-reductionist social epistemology. (shrink)